+ All Categories
Home > Documents > claire martin life BKK/9. claire martin.pdf · Kathryn Gustafson and Bart Brands. Claire is a...

claire martin life BKK/9. claire martin.pdf · Kathryn Gustafson and Bart Brands. Claire is a...

Date post: 24-Aug-2020
Category:
Upload: others
View: 2 times
Download: 0 times
Share this document with a friend
1
claire marn landscape 2007 landscape architect melbourne, australia Claire Marn is a Senior Associate, Landscape Architect with the Melbourne studio of OCULUS Landscape Architecture, Urban Design & Environmental Planning. She was co-editor of the award winning landscape architecture journal Kerb 15 - Landscape Urbanism Issue, with contribuons from Charles Waldheim, Mohsen Mostafavi, Alejandro Zaera-Polo, Kongjian Yu, Kathryn Gustafson and Bart Brands. Claire is a regular contributor to the Australian Instute of Landscape Architecture’s naonal magazine Landscape Architecture Australia her arcles include the ‘Creaon of place in the experience economy’, ‘I like movement, I like life – a conversaon with Teresa Moller’ and ‘Hyper Resilience’. Claire teaches design in the School of Architecture & Design, RMIT University and is the Chair of the Landscape Architecture Program Advisory Commiee. Her research interests include spaal intelligence and hapc design, memorial landscapes and transdisciplinary pracce. Claire is passionate about design research and educaon and was the recipient of the Australian Instute of Landscape Architects (AILA) 2011 Jim Sinatra Naonal Future Leaders Award MONA Hobart, Tasmania MONA is located on the side of a peninsular on the banks of Derwent River in Tasmania, is Australia’s largest privately owned museum. The museum accommodates extraordinary and rare art collecons from Egypan anquies, ancient Greek and Roman artefacts, to sensaonal contemporary Australian and internaonal art. In collaboraon with Fender Katsalidis Architects, the master plan for the sixteen hectare estate aempted to sasfy two main objecves: the first was the need to create a spaal logic out of the exisng accreted site development, connecng inherited ‘events’ including a winery, funcon centre, and brewery, two heritage listed houses by Roy Grounds, and an anquies museum; the second was the need to site a major new museum as well as a number of luxury accommodaon units, outdoor performance spaces and ferry stop. The generang idea used the site’s exisng condion of spaal compression followed by spaal opening, to structure new events and provide connecons between exisng ones.
Transcript
Page 1: claire martin life BKK/9. claire martin.pdf · Kathryn Gustafson and Bart Brands. Claire is a regular contributor to the Australian Institute of Landscape Architecture’s national

claire martinlandscape 2007

landscape architect

melbourne, australia

Claire Martin is a Senior Associate, Landscape Architect with the Melbourne studio of OCULUS Landscape Architecture, Urban Design & Environmental Planning. She was co-editor of the award winning landscape architecture journal Kerb 15 - Landscape Urbanism Issue, with contributions from Charles Waldheim, Mohsen Mostafavi, Alejandro Zaera-Polo, Kongjian Yu, Kathryn Gustafson and Bart Brands. Claire is a regular contributor to the Australian Institute of Landscape Architecture’s national magazine Landscape Architecture Australia her articles include the ‘Creation of place in the experience economy’, ‘I like movement, I like life – a conversation with Teresa Moller’ and ‘Hyper Resilience’. Claire teaches design in the School of Architecture & Design, RMIT University and is the Chair of the Landscape Architecture Program Advisory Committee. Her research interests include spatial intelligence and haptic design, memorial landscapes and transdisciplinary practice. Claire is passionate about design research and education and was the recipient of the Australian Institute of Landscape Architects (AILA) 2011 Jim Sinatra National Future Leaders Award

MONAHobart, Tasmania

MONA is located on the side of a peninsular on the banks of Derwent River in Tasmania, is Australia’s largest privately owned museum. The museum accommodates extraordinary and rare art collections from Egyptian antiquities, ancient Greek and Roman artefacts, to sensational contemporary Australian and international art. In collaboration with Fender Katsalidis Architects, the master plan for the sixteen hectare estate attempted to satisfy two main objectives: the first was the need to create a spatial logic out of the existing accreted site development, connecting inherited ‘events’ including a winery, function centre, and brewery, two heritage listed houses by Roy Grounds, and an antiquities museum; the second was the need to site a major new museum as well as a number of luxury accommodation units, outdoor performance spaces and ferry stop. The generating idea used the site’s existing condition of spatial compression followed by spatial opening, to structure new events and provide connections between existing ones.

Recommended