Cliff won't quit 'for a long while' CLIFF RICHARD will not be retiring from the pop scene to study divinity. A spokes man for Cliff said on Monday: "Cliff will .be studying In his spar.e time. He w~n•t be giving up pop - 'j ust like that - and he still has contracts he is committed to ror many years:· ' Cliff, who ha·s stated that he would like to te ach divinity, and recently sang at a Billy Graham crusade meeting in London is cur- rently working on his latest film at Pinewood studios called Finders Keepers It Is expected to be finished by August and will be on release at Christmas. Later Cliff will appear in pantomime and then another film is planned as well as TV appear- ances. Cliff's fan club secretary Jane LUFF st udy Vane ls relinquishing her post and Peter Gormely, ClifPs manager, is now looking for a replacement. It may be decided to run the club as several smaller units to make it more manageable. GENE LIND ATE POP THINK-IN MJQ MAKE TWO TOURS ']_""HE Modem Jazz Quartet will tour Britain in Sep• tcmber and October this year, splitting the two por• tions of their tour with two weeks in France. where they record with the Swingle Singers, Opening d:1tc for the MJQ is Sunday, September 18, at Portsmouth's Guildhall. The tour continues at Birrning• ham Town Hall (19), Colston Hall, Bristol (20), Fairfield Hall, Croydon (21), Rose Hill Theatre, Whitehaven (23), Free Trade Hall, Man. chester (24) and a recording for BBC2 /25). Arter a fortnight In France, the quartet returns to this country to play the Albert Hall, Nottingham on October JI, then on to Staf- ford College or Technology (12), Liverpool University (13) 1 Leeds University (J4), London's Royal Festival Hall (15) and Bournemouth's Wlnter Gardens (16). BRUBECK DATES The Dave Brubeck quar- tet's 1966 tour or Britain is c~:th·~~~\:!!.:.!: 1 ~t" oa~ Oc1ober 22 and finish at Croydon's Fairfield Hall on Nevember 2. On October 23, lhe quar- 1e1 records a TV show for BBC2. The rest ot the tour dales are Colston Hall, Brls• W!11c2<~>.s1M':'J.'::, T;: Trade Hall (29), London's New Victoria (30), City Hall, Newca-.Ue (31). RAY COMING Ray Charle!i and hi-. band arf' comlnK to Brito1ln for eoncerh, In April, 1967, THE MELODY MAKER ' .:--'.··~; . , ' ' ' • • We know about it, and we hate it. We get really mad, and once John even Jumped off the stage to try to stop il But you can't They don t take any notice. • ALAN WALSH REPORTS ON CENTRE PAGES
Transcript
Cliff won't quit 'for a long while' CLIFF RICHARD will not be retiring from the
pop scene to study divinity. A spokesman for Cliff said on Monday: "Cliff will .be studying In his spar.e time. He w~n•t be giving up pop - 'just like that - and he still has contracts he is committed to ror many years:· '
Cliff, who ha·s stated that he would like to teach div inity, and recently sang at a Billy Graham crusade meeting in London is currently working on his latest film at Pinewood studios called Finders Keepers
It Is expected to be finished by August and will be on release at Christmas. Later Cliff will appear in pantomime and then another film is planned as well as TV appearances.
Cliff's fan club secretary Jane LUFF st udy Vane ls relinquishing her post and
Peter Gormely, ClifPs manager, is now looking for a replacement. It may be decided to run the club as several smaller units to make it more manageable.
GENE
LIND ATE
POP THINK-IN
MJQ MAKE TWO TOURS ']_""HE Modem Jazz Quartet
will tour Britain in Sep• tcmber and October this year, splitting the two por• tions of their tour with two weeks in France. where they record with the Swingle Singers,
Opening d:1tc for the MJQ is Sunday, September 18, at Portsmouth's Guildhall. The tour continues at Birrning• ham Town Hall (19), Colston Hall, Bristol (20), Fairfield Hall, Croydon (21), Rose Hill Theatre, Whitehaven (23), Free Trade Hall, Man. chester (24) and a recording for BBC2 /25).
Arter a fortnight In France, the quartet returns to this country to play the Albert Hall, Nottingham on October JI, then on to Stafford College or Technology (12), Liverpool University (13)1 Leeds University (J4), London's Royal Festival Hall (15) and Bournemouth's Wlnter Gardens (16).
BRUBECK DATES The Dave Brubeck quar
tet's 1966 tour or Britain is
c~:th·~~~\:!!.:.!:1 ~t" oa~ Oc1ober 22 and finish at Croydon's Fairfield Hall on Nevember 2.
On October 23, lhe quar-1e1 records a TV show for BBC2. The rest ot the tour dales are Colston Hall, Brls•
W!11c2<~>.s1M':'J.'::, T;: Trade Hall (29), London's New Victoria (30), City Hall, Newca-.Ue (31).
RAY COMING Ray Charle!i and hi-. band
arf' comlnK to Brito1ln for eoncerh, In April, 1967,
THE MELODY MAKER
' .:--'.··~; . ,
' '
' •
• We know about
it, and we
hate it. We
get really mad,
and once John
even Jumped off
the stage to try
to stop il
But you can't
They don t take
any notice. •
ALAN WALSH REPORTS ON CENTRE PAGES
P1,e.e 2-MELO0Y MAKER, July 2, 1966
I I) PAPERBACK WRITER .. . .. .. . . (3) SUNNY AFTERNOON 12) STRANGERS IN THE NIGHT . Frank Sinatra. Reprise
4 (6) DON 'T ANSWER ME C, ila Black, Parlophone 5 19) NOBODY NEEDS YOUR LOVE . . Gene Pitney, Sta teside 6 120) BU S STOP .. .. Holl1es, Parlophone 7 I 10) RIVER DEEP-M OUNTAIN HIGH ... Ike and Tina Turner . London 8 (8 ) OVER UNDER SIDEWAYS DOWN ......... Yardbirds, Columbia 9 14 ) MONDAY, MONDAY . .. . ............. Mamas and Papas, RCA
10 (14) HIDEAWAY ... Dave Dee, Dozy, Beaky. Mick and T1ch . Fontana 11 15 ) WHEN A MAN LOVES A WOMAN . . .... Percy Sledge, At lantic 12 132) GET AWAY ...... . . . . . .. . . .......... Georgie Fame. Columbia 13 (7) DON'T BRING ME DOWN ...... . .. . .. . .. .. ....... Anima ls. Decca 14 ( I 1 ) SORROW . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Merseys, Fontana 15 I 15) SLOOP JOHN B . .. ... .. .... . .. . . . .... ... . .... ... Beach Boys, Capito l 16 ( 13) PROMISES .... .. .... . .. . ......... . ...... .. .. Ken Dodd . Columbia 17 ( 12 ) PAINT IT, BLACK . ..... ... .. ..... . . . . .. ... Rolling Stones. Decca 18 (23) LANA . .. . . . . ............. ....... . . ...... ... . Rov Orbi son, London 19 124) IT'S A MAN'S MAN'S MAN'S WORLD .. . .. . James Brown. Pye 20 (16) WILD THING ... ....... .... . ... .. ............. . Troggs. Fontana 21 (29) I AM A ROCK .. . . . .... .... ..... . . . . Simon and Garfunke l. CBS 22 I 18 ) OPUS 17 .... . . Four Seasons. Phili ps 23 I- ) I COULDN 'T LIVE WITHOUT YOUR LOVE Petula Clark, Pye 24 128 ) LADY JANE .. . . ............... .. . .. . . David Garrick . Piccadilly 25 I I 7) NOTHING COMES EASY ... . ........ . .... . ... Sandie Shaw. Pye 26 125 ) ONCE THERE WAS A TIME/NOT RESPONSIBLE
Tom Jones, Decca 27 (45 ) THIS DOOR SWINGS BOTH WAYS Herman·s Hermits , Columbia 28 (37) I NEED YOU (EP) .. . . . . . . ... . .. . .. Walker Brothers, Philips 29 (30 ) SITTIN ' ON A FENCE . . .. . ... .. Twice As Much. Immedia te 30 146) OUT OF TIME . .. . .......... . .... . Chris Farlowe, Immediate 31 (21) HEY GIRL .. . ..... .. ....... .. .... .. Small Faces, Decca 32 (-) BLACK IS BLACK .. . .. .. .. . . . . .... Los Bravos, Decca 33 (27) SHOTGUN WEDDING . . .. .. . . .. . .. Rov 'C', Island 34 (36) THE MORE I SEE YOU ....... Chris Montez, Pye 35 (22) COME ON HOME . Wayne Fontana , Fontana 36 (31) SWEET TALKIN' GUY .. .. ... . ....... . ... Chiffons , Stateside 37 (19) RAINY DAY WOMEN Nos. 12 AND 35 . ... .... . Bob Dylan, CBS 38 126) PRETTY FLAMINGO .. .. ......... .. ..... Manfred Mann, HMV 39 1-) MAMA ......... . ..... ... . . .. ............. . . .. Dave Berry, Decca 40 (38) DAYDREAM .. .. ... .. . .. ... .. . . .. . .... .. .... Lovin' Spoonful. Pye 41 (-) NO ONE WILL EVER KNOW ... .. .. .... Frank lfield, Columbia 42 (35) STOP HER ON SIGHT ...... . ........ .. .... .. Edwin Starr, Polydor 43 (39) EIGHT MILES HIGH . ... . .. . ........................... Byrds, CBS 44 (33) I LOVE HER .. .. .......... .......... Paul and Barry Ryan, Decca 45 (-) MAKING TIME .. . .. .............................. Creation. Planet 46 142) WATER . .. . .. .. ............ . .... Geno Washington, P1ccad1l ly 47 (-) HAVE I STAYED TOO LONG . . .. Sonny and Cher, Atlantic 48 (41) TWINKIE LEE . ... .. ............ . . . ...... Gary Walker, CBS 49 143) TO MAKE A BIG MAN CRY .... . .... . .... P J Proby, Liberty 50 147) I WANT TO CO WITH YOU . ....... . .... . ... Eddy Arnold, RCA
e LONGACRE PRESS LTD., 1966
POP FIFTY PUBLISHERS
US TOP TEN Ai t1sl!'d by "Billboard "
1 1-' 1 STI.ANCU.S IN TH( NICHT Frank 5.iNitr•. RepnM
r I PAPH.IACK WlllT(ll Butl6, C,tpttOI 16 • HD • ueaH aALL Cyrkle, Columbia 131 PAINT If BLACK
A.ofhn& St~. London 5 t91 YOIJ DON'T HAY( TO SAY YOU LOY(
M( Dusty Spnriat,e-ld, Ph1hps 6 t-1 HANKY PANKY
Tommy Jarno and l hc- Shondell1. Roule-It• 181 COOL IHK (,1,p1tol~. ~ren I \\ I AM A IOCK
S,mon 11nd G,arl~kl!'I Columbia 9 14 / DID YOU IV(ll HAY( TO MAKI UP
YOUR MIND LDY11'1 ' Spoonful IC.am.& Sutra 10 fl I • AUFOOTIN' Robrrl Parker, Nol.I
TOP TEN JAZZ
TOP TEN LPs 121 SOUND Of MUSIC Sow,cn,.ck. RCA , 11 AnUMATH Roll1ri1 s~. Olcu 141 SMAU FACU Small FKC!i, Decca ('ii SWUT THINGS CAorile F•rN, Columbo. 131 CILLA SINCS A llAIN90W
Cilia 81,tc;k, Par~ I 18) SHADOW MUSIC Slvdows, Columbt.f
Vark>l.a Artitti. Xtra 1 IOffN HN90UINI fLP) Tra,nullanhc l al• D IN THI IUSH ILPI
VanOIII Arhsh, Topoe 4 ILU(llllD aLUlS !LP) VanOI.A Art11f1. RCA S MAITIN CA•THY (LPI FOl'ltillnll 6 ••OST AND FIH (LP) Wat•no1u, Toptc 7 A.D. J4 11P1
0-y Cr~ham and Alawll Konwt", TQPlt I SLUU llDISCOVEIIIS ILPI
V•r10U1 Atf11t~ F'oftuw•Y' ~ TOM ASNLIT AND TEX llt.lY CLPI ~wan
10 HIT IANKM fllff IICGaD 1LP1 Tr~tlenhc
1hr t~ lw. t •e1t,ri1 toll!. rec:Otd flJf n.., rro.th r I 1"'14' omi.,,1,ru hon- tl'tumt bo, COLUTT'S 1'0 New -c''-forrt Slr.-t, lc,,,don DOafLL"S l1 C• r1n1 C/'0\11 RUAJ l<ndu-1
ROLL ROCK HOME T"~!:'~::t•::•::,.~~:;•'~:
lht> 12th •nd lu 1. hHI tfl '"• MM Natlen a l a .. , C••'llul on Sund•y
Bu i tho jo u tnl)' WH worth It, ror 1h1y ca m• 01,u as wlft ft t.n
:'.~: '~::"&:,~· ~::.::-~;;in:~: lh• S LOm Mathln1 (Wjtn1y) Mud ( Miu:ham) a nlf L'h&te S ( M•ld.-n •) .
VICTORY Lln.-up of 11,. Roll N• Vl!ffllnl
Artwoods are auctioned-for
~":~., c!~d :::• ,u,:!~; J:=: ~:":"~·~~~~~. rhi~~: :h~~ ~~,?J.!:S•ci,;,u-.,..;u,::.d Da we
A•th~h• .:::~ul,~ •:.,.:;:~.""~•,~ H&r'UIS, drd • wild, victor)' d a 11u s houlfnt " Tht. Is h111t-1as1lc.. ll' I Jv1.l mar-vtll•u~ Th• Ion• }Ourn•)' WH nrt•lnl1 worlh It "
Th is Sun4ay (J) M l-I lh• fourth ol' th• thl uml•ll nal t •t lht Re9ent • allr'oom , • '19h\.Dn
£2 the lot A ""1':a~ln\;t 3~!
5i!>t':tu~:"b ~dAr~;;~r w:: ~; :,~ ~:,.In u:C. m:;":. C:.:!::e:;u;:.~ O:~t t':n~ carnival procession. Flnally auctioned at a bazaar and bought by a bunch or &Iris-for £2 the lot.
Th, Cyrkle, high ln the States, with '' Rubber Ball'' are in lino for a British tour . Alao being talked about--a return o( the 11Juan1 Bru-.
ltolldaymoking Hollies: Tony for Hollywood, Graham, Portu1al, Bobby, Majorca and Allan tlnd Erk s t.ayin,,e, at home . _ Mancu nian musicians Johnny Rodway and Ken Leyland off lO Newport Jau. Festival.
In deep conversaUon al Pahsades Puk amusement cent.re in New Jersey-Brian Epstein and U.S. showbiz lawyer Alan Klt:ln •.• Tom Joau a riot on Paris TV CBS Records have asked Dave C.Uh to go easy on motor racinghe's a valuable deejay.
AM:~~~ w:~t;;\o :::::: Jell Beck because his race "1s
-::~!~ sumG!!,1;.i:d F-:;:''. birthday present from rans at Windsor', Ricky Tick dub-a huRe meat and potato pie and champaKm:!
That Group's lead guitarist John Hatch conlinues the name game: Is ClDa Blad!:? .. • Is Ale.: Welab? ... Will llntt:e Tuner? _ . Does WIiton Picken? _ Are the ltlpleoua llrothen1' ... Does Stnle Woadff? . . . b Fertla fluky? ... Wu Joe 8l'OWll1 .. Is Lennie ..a
An electronic. box or trick• which makes sitar and other noises stolen by Sloan" American ran-Jennine• rusb· me out another . . Gene Vin.cent wants to knOw IF he hu any manqement 00mmltment1 in Britain - information to Dickie Harrell, 317 Kay Road, Ponsmouth, Vir&inia, U.S.A.
J OHN SCHllOEDER sport.Inc black shirt._ Jl:Old tie-pin
and no lie Itel• Slaaplro aana vvy well on lut "Lucky Stan" . Beatla ftlm clipa not very 1maglnative. q~= :1EtJo\av~~if~tlicl~y
~:1~t •~rkA1e.~in1le prob-
Adam F• ilh lhmk1na or tak-1n1 up yo,:a . In a.et.elort' Blackpool dreulll& room a ,e-. fraaerated beer shelf
MM's !lob Dawbanl threatened. to a<> to P1•yboy Club optmna as Bua-; Bunny Mu Jones actually wore e\'en~ 1ng dress
} KE and Thia liarMr-yuh! Adam Muaaa1 not
had Tenorl1t .. ._ eo. worked OUl these ....... m, for 11• F1---•: North note died !Eddie Tbonot,in), 1-1111 C.on Colln Graen), 'fN ~
m- Cool, Lua11 -Ion HuaJ,n), llonl Col non) oftd I loft C.P w.11
!Ch•• ...,_II) No- ··n ...................... ---~ harmonlcMII! vor, u -·---
with a premium bond Brian Epstein refuted entry to Munich Beatles' ahow had to borrow Dally Mirror', Don Short'I Prl!N PHI ... Glorae Hant90II: ''We like American necro 11n1en - like: WII.IDII Kepple and Belly!"
Fighting II oul ,.,. • plllCO '" lhl Flnal at tho London ,.,
lltP Ly1111), 19 I • y • o J • =h N~:.::•n)~..::1"= .. , .. --. ii ...... ., .... ... , DETAILS
And th• 111ec:lo1I attrllC:\IOn •Ill be T•lc:e As JIIUtl'I •h• C:11,. ,..ntlJ have "SiUJn• On A Ftnce" In th• ,op 50
Fer •II 4e~ll1 of lite Cor,te•t ., tUIIN to ••dto c.,..une 011 u, '"·
Count Basie Orchestra
Jumpin' at the Woodside A Jazz collector's essential
featuring the best of the famous Basie band's early recordrngs w11h Benny Morton, Buck Clayton, Lester Young and Dickie Walla
e AH 111
-~-'iS ( 1)<jl'o\ei ~e &Mt • from IANflll 1111
Y11 ga11 11 se11b1dy to 1111 H MV POf' 1141
41D .. -----
DRUGS: IS IT TRUE
WHAT THEY SAY
ABOUT POP STARS?
A VICIOUS smc.ir ca mpaign against pop stars and bea t musicians is
h .:1 ving serious effects on the image of pop music .
It is being insinuated in some quarters that drug taking is widespread among singers a nd musicians. As a rc5ult the public are being misled into thinking of pop stars a nd members ot beat groups as bei ng addicts or "junkies".
This is dangerous , irresponsible nonsense,
HARMLESS
HERE are the facts : in common with a great many teenagers, two
years ago, pill taking was fairly prevalent among SOME beat musicians. This is now not the case.
Addiction to " hard" drugs - heroin, and cocain - is so destructive that anybody who did fall victim to them would be totally unable to keep up with the hectic pace of pop life. They wouldn't be physically fit enough to compete.
Smoking marijuana - referred to as " pot" - is , however, fairly wide spread. It is illegal. It is also considered by many informed people to be relatively harmless.
Pop artists angry at recent allegations talked to the MM this week.
Said one guitarist : " It's true quite a lot of people have fallen to the temptation of indulging in pot.
''Considerably more do than a year ago , but it's Quite harmless, as Paul Jones si'lid in the MM last week. It's less harmful than spirits.
"Pills are a thing of the past. I only know of one or two people who have tried LSD and it's not very popular. Nobodv knows much about it , and it has to be controlled. Apparently it affects people differently. Either it sends you round the twist or you can go out and write an opera,
"I don ' t know of anybody on the 'hard' stuff. The majority of people steer well clear ot it. Those that do use it are outside the business. You can't keep a regular job and be an addict. That 's impossible. The people who write about pop and drugs are just ignorant. They just don't know what it's all about.
STIMULANTS
·· pop is a hard life, and you need to be fit. Smoking Dot c3n hclo you to
relax thou~h for the moment when you 've got to go on stage and play. It can be habit forming, but onlv in the way cigarette smoking and drinking are hahit forming. Nothing goes into vour svstem , there are no after effects and vou can quickly lose the desire."
Wh,le it is obvious that orolon~ed use of stimulants ot any kind will cventu3lly have harmful effects physically and mentally, there are few signs of Britain's pop artists becoming dangerously addicted en mane.
Much to the disaooointment of scand,1I mongers.
WHAT IS A .Jl .
A PAPA:? . ANSWER-READ ON
CASS ELLIOTT • Aged 2) lro n1 t,illl 1mort', a n d liv ll5 in Holl ywood VNy fnt'ndly, and mort' ,lW,lrt' or SU{{(.'\\ th,1n lht' rt'sl or lh<' group. ,1nd .ilways w.inlt'd ,uct<''>5 • Do.,,n·t 11kt' Sonny .1nd ChN ,n ,ltllSh bt'(,lUH lht'y (On.form. but love,,;, tht'm .1, pt'oplt' LOVC!5 Donov1n Up\M by London CJb drivers LOVt'5 Whl\p<'t· ,ng P,1,111 McDowcll .Jnd Sonny Tt'tty .ind Brown,t' McCh<'t' rrcord5 • Tr.:iv· t'lled across Amcric,11 ,n \.ll1r1c.,1 nvut's, ill5o buying .tn\lquc:, t'n routr W(!,lr<;. CUit' gold•nmmt'd gli1Ut'5 ,1,nd loves lor tod,ly L.lrgc of burld. bro1d.m1nded and cyn,c,11 • Workt'd ,H ,I w.JilrcH 1n t hl!- Virgin hies Jo,n,:,d lht' olht'rs when she he.ird of !hem Joung,ng 11round lht' bt'.iCh t'nl1ghlt'n1ng lht' n at,vcs 10 pop culturl! Movcd on by t h,:, Govunor of lhc i,Lionds
MICHELLE GILLIAM • Ag"cl 21 1,0,., Long o.,.,h. C,1l1fo,n1.1 E•t•cm.,ly my,t<"t10us p,-r,on M,trnC'd to John H.atc\ br,1,h pcopl<' .in<l vrry very qu,rl Won·1 tJlk on \1 lqC • V<"r~ pr<"I!~ ,h.., u,,-,J 10 mo<lt't 1n MMV York until •he rc-fu,<'d to po,c wc,u,ng .~ g•<'<·n herl'l • Wc-n, chor<I pant,. vcl ..-<•le~n ,wcJtt""rs .. 1n<l lov,•, hluc ,,n<l tur <1uol\r Smoke, .ind <1rt11k, ,.n{l f<'rls ,n.,1(',n,11 to propl,· .uouncJ hr, Ow11s
t;i~i(~~{}:~~:•::~• .. l\;t~:~:~:~~:~~~~~
DENNY DOHERTY • Agt'd 24. hilils from H,11ita•. Nov,1
q.iunt look, l"J'"i"'" t1ul po·.r,tl/ \trill«•" ll<'fY ,, 11·,rl•~•· h,· h.,!,•• l'un, n<••• .,n,t <we,11""1 .ind 1,.,,,,, •l'9ul.1\1nn. f-,·,; le. l.,lk to po<,d,I.· lo ~ ,,,,,... ,...t, ,ol he·.,
... C.lolh<•, ..... ,,.. lo hr w,11 ,..., .. .,
A M~~•,c\~ op~: w • r~ r e ~t•I~: d 1ff t>nnt rrom • II th• t h •s g o n e b efore In Amcrlc • • n d Brltm n . • 511 11 h• pp y to se ll · roco rd s iln d make m o n cv, t h ey • •so h •ve ,1 rcrr t'sh ln g ouOook o n 1,re o1 n d t h e m selves t h •t dot's aw•y with both t he ru,fi an r ocker • n d •ntisept1c o1 n ge l 1m•ot'. They •r" r ree pooplo with free minds • n d free mu,,c - and they 1t 1II sell records ,l "ld m•lc(! money. • We' v e met lh• • y r ds, Lovi n ' Spoo nful. So nn y .i n d C hor •nd Simon 11nd C 11rf unkel. • N o w you can meet 1he M,1mol'~ •nd P•p•'s Viol lhlS spt'Chll M M personahti, brl!akdown. A b· •orb the f•cts •nd you may .Jbsorb l ilt' Mil ma's .lnd it,1pa",;,
LONDON - MUN 3156 Bffilv!INGHAM - MID ~831 MANCHESTER - DEA 8791
MID JUST SAY 'SMITH PLEASE'. ocaor 56078.
THURSDAY rh1 DUTCH S WINC COL·
~OE"CE • •nd "'t RAF sump-
Shotgu n1 o ut! AO't " C" , 1 St r ,u,th &ffl Lotu·no
Th • ACTION rH11rn to L on do n ·• M,1rq U('I' Club
C H RI S Mc GR E GOR 'S 0UI NTET to ni g ht ll n d ev tr)' T h ur,d•)' ot t ht L il11 o Th•H~ Club, S t H ii r1 ln 's La n ,, WCl
FRIDAY JOHN MAYALL ._ Bl.UI S•
IIREAKUtS f• atu ,.1 n9 ERIC CLAitTON . • flp1ar •t North Lo ndon·• Blues•11 1(' Club , M,1,nor Housit. N4
ROY " C " pl•ys lh t LO· unto . • ,u1 ldon
,u ·~'::::~s ~~:.~ss ',-~r:; Club Lo11don Wl
DUSTY SP'RIN CFIEL O, 011 HO LLIES. CH AI S C URTIS CHAIS F ARLOW E and 11'11 ORLO NS a p pl'olr on tlu• IVlnlltt ' I R1,1dy, St1•dy, Go' (J1,d1ffus1on. &1 pm )
T h., WHO p la y the W1n• tu· C11rcl,.,. F~-rt..,..,,. . W1mbl1d1n, P'•lals
Th• HO LLIES a nd the IVY LEAGUE olrt' amo ng the gu t U 'I On lt1l1 week ' s S a t urd.t )' C l '-'b ( B BC Light 10 • m)
ADY " C'" pl • y1 the
~:!~rdr~':'.:M:os 10,;jT~ E~~ Sf"OO N •t Mo1 nc he11er '1 Club Cl
KE N DOD D a n d the ll' DCKI N ' BERRI ES guest o,, • l•ck pool N,ght (BBC L i ght 1 .)0 ' "" )
A • d I Cl Lu•em bou'11'1 • U tle 01 Thi" Gi• n ts bl"• 1ween t h e BEATLES a nd t he ROLLING S TONES (9 .45 ! ';Je ~oa met rllll m• d,um
BLissoM DEARIE •• the
g ~~t~i~ ~rf;~te:~Lii~ CROMBIE duo . p l u1 1lnge r BLO S SOM DEAAIE curre nt
i,,,•~ :~r~~~: t~~l!~n c•:~• 10•• re-lived at the Hast•
1n1J1 J•n Fc1liv• I when Fra nc111'1 MELODY BOTS, the JAZZ CAYENEIIS . and t he DAYE HOLT FESTIVAL ALL STARS do ba ttl e Wh l l l' Roc k ' • VIiion (1· 11 pm )
SUNDAY The- WHO •nd the HER•
S EY S 1t • r 1" thei r own I h ow ill lhlll Britt.an I• T h111• 1r-111 Gr••t Ya rmouth
hen The DUTCH SWING COL ·
LEGE et H• nc hu le r •1 Spor b Guild
NOAHA TANEGA - • I to her tol l n • n,e d D0111 Into U,111 Prlnc.e u iln d Oomtno Club• M• nche1( t r
Th.. UACHFL ORS gu n t o n A"YY ·TY ', Bl a ckpool
::~:~:::,0 u"'~~." sr~~i
"•~rAv:• • ~lt/::~ opens • • •111" a t 1ha Dol<.t Ylt• , Newcnlle . a nd T ito ' s Club,
Slt~~l::ner1 TWO OF EACH pla )' u th e: new Playboy Clvb ~ .. r k L.i ne, tonitht
TO°M .JONES .ind tt,• KINKS play two 5he•1 at lh e o,.,. HouH . ·••ck po~~IIIS • AR• ER ' S JAZZ • AND , PAT SMYTH'i. BENNY GRElfN and Ute JOHNNY "'•KEA TRIO en 1on ,11 11a' 1 J•u Sc:e11e ( •• c L1,:~ 11 :~ll~~~E'!I afld ~1n•11 AND C.OIIDON
t".,t en EHY • e at ( •• C 19ht '10 Jl em)
MONDAY •ov .. c•· p1o1,, Nerti!
London 's C..Olr1 Fel'T)' I""• Edc';~i~~~·N ST. Pn• H
::·::: :i': .. ~~~=:~ :t~t 10
;h, c•AHAM HN D OR · C.ANISATION reU1rfl IO London •• Marql.fee Cll.fb
TUESDAY RO'( .. c.. pl•JI Soulh
London '5 Mr Smllh' 1 Club c . u.,c
CHRIS BAR •• - •S • AND
~~•,.~~:,.~:"~~',\ ~;w•;i.:;• WEDNESDAY
ICE,., COLYEtl'S JAZZ• Nii.., 111 the Am1nhom J•u Cl ,b, The Cr-o•n. "''" • t •• t
l h• I JIIIALL FACES b• ck l ra l'l'I C..rrna ny, ,1 • y '"' i t t ,.• n • t • Le<• rne
Jul)' ~- l9bh
'NOT UP TO HIGH STANDARD PUBLIC EXPECTS'
MANFRED HITS OUT AT NEW HMV SINGLE
TROUBLE blew up this week over a new Manfred Mann s'ingle - hYou Gave Me Somebody To
Love", to be released on EMl's HMV label tomor~
_..-_,.-.--<" J~:r!:Ytns now switched record comoanies w ith a
HERMAN DOLLAR MILLIONAIRE
• CRIFFIN
GRIFFIN FOR MONTH AT RONNIE'S U.S. tenorlst Johnny Gri(-
ftn returns to London's Ronnie Scott Club for a four-week season 5tartlna July 25.
He will work with the Slan Tracey t rio :1s be did on hi s ! wo prc..,1ous appeara ncu (at the old club) in 1963. The bill "1/1 be crimpleled hY American ~i nger Sheila Jordan. who11l' record~ have appeared nn Blue Note
Griffin and Sheila J_ord an will follow Blossom Dean e and thl' Alan Havt"n-Ton,· (;romhic du1 intc the cl ub
CREATION HIT
N l:.;W group. the Creation, hit the Melody Maker
Pop 50 chart 1h11 week for the hrs l 1lml" &I number 45
The group whn used to be known u lhe M;irk four, have Jusl r eturntd from Germany .,.,hl' t l": thf") appt>ared 1,n Gtr· many's own Rl"ady, S t t l.ld}I, Gll'·l)"Pf' show C"it llcd Ot>• t• Beat' Beal'
O n Friday (Jul y I) the <.:rea.tion play il l the Wim ble don Pala1s, the Ac-c-n na ton (rmserva t1v" Clut. (Jul y 2>: D1 rnnnch1m's Wf'tol t.nd Ball room (3). St A lhans Market Hall, (8); Wolvt'rlOn , Pa lace R1tll room. (9), Lnndon •, Mor • quet Club, 11 2 ); (;ard,ff • Top Rank Ball rnom. and TWW"s Now• (1 3 ) AT V•.• Ac- lion, (1 8 ) ; and Redilfus1on's Fi ve- O'C lock (!uh. (26)
MINDBENDERS TOUR
T"~ched:.:-~:d~r; to a~= Uniled Surles this mornln1
llh~~:1~f.~.for111!,.'"f:a':;s f':r! London Airport al 11.45 am.
Theo s roup's t o ur , carts ~t Ptts fl f' ld on July 2 and their las l date ta l<t! place on July 10 During therr vi s it the M,ndhendE'tS will be rt' C0rdln,t bot h a Dick <. lark Show and ii Whe r(' Tht Ac tion llr TV pro,::ramme
The, n: tu rn to Brita in un Ju ly .II
A YOU N G MALE SOLO SINGER
11 being MOrdiff for by ~t Ottd recotdinv co,npo117 fo• tn-"culooi, g-,ngeffld ... ~NGI.,_.,__..,_, t,,. 1tetw.en 15 0f'd 1f'YMnold, ..,.,.. P••fK1 • OIU ond ..... fl0 ••,,e.t· ·Plt• " f!C"e HOl"J' ·-·· ..... ,. ..... p,o," ._.' NOT •-•..t No o,-,. O.,t,01 ..,n .. llftl.11,ov••-- Son4 d.._.o,-..,. eNphet .. ...,.. 111
OAVID NICOlSON . . .. ...,.""".._ ....... u..a.n
JIC.,........._......._WI ... , .....
new cont ract w1lh Phili ps Records Jn a statement Manfred told the MM, " Manfred Man n
w ish it to be kno~n tha t the recordin~ or 'You Gave Me _... Somebody To Love' beini?. rel eased on HMV does not have ..a Manfred Mann 's support. The reco rding was made befo re
;;r~Ir~iJ:~r:h~~i~J;;i Fortunes 'mauled' wh;ch the public have come ' to expect or Ma nfred Mnnn.
"The Fortunes version of 'You Gave Mc Somebody To
• 11-yuir-old ,u,r H1MH11 Is a very •ff.1blt' l•d So ml.f c:h ,o that you might net even envy 1ho1t mllllon i:o\l,11r Mm contract he JIIR la n ded We ll m,1y be J,u-1 a ll lt l• b it!
Love' 1s applaudt>d by Manfred t I I f M Mann and they are sure th•t O s e O an :~:~ w ;II be onothe, hot ro, ve
"Manfred Mann w ill be releasi ng a s in gle on the Fon-
• In fact Herma n a nd I.he: Ht' rm lll ' Jlll etr"O • C.old•r11 M•yer "'"' c:onh·•ct Is s pac.ed ow1r nve years so they won't gel t he mo ney In a hug, IMmp . • " Mi nd yoM.'" chlrptd Herm a n , " w e •v, se,,. qi.f lt. .a bit o r It a lre• dy I mun , a lthough It's p1ld ove:r fiv• ye•rs th•r• •s • IOI. bee n oo
~~~~ ~~~~id~nr ic)id~ul~o~':t~:. JHL Fortunes say they wUI presentat, ve of thei r style and not appear on the Isle a.ht~-" prom ptly resPonded of Man again following a with "'You Ga..,e Me Some- mauling by rans at the Pal~ ~ bf!~0 o ru~;~ni~s ~sed on: ai /re~ ace Ballroom, Douglas. lasl Mann t racks that we ha ve, and week. we t hink it 's an excellent fol- The i;trou p"s Rod All en told low-u p to 'Pretty Flamingo• lhe MM: " Ba rry Pnlchard was John But Jesa, thei r rttardlTIR draued _a fr -.tap:e and knocked ma na,::er before the\' moved to unconscioul'i Hu, AOld nng. Phillps, a~ rees whofeheartedly worth £SO. a nd g_old cu fJ hnks in;·
1:nr;;~gt~~fr;:,o~~n~e~~~
0n'.; we~ atulcn by fa ns
5 ee 'Pretty Flom1n,to' as a hit " Ht' ~1.11'JN ed 11 hock, scratch -either-and that went to num - ing and hru1~ing and was be r one tru ted m hosp1lal The res t
rh:·r.en: rru~~~t t.~~: t~~v~0 ~! ~:a,t/ ~u't~ w~
1~ 1~~r!~:tel:.
Somehody To Love' fo r lhem• not hu rt. srJ..,es." " We w,11 not oppear on the
SPENCER SINGLE NEXT Spen~r Davis Group
slnsle I• npec.tltd to ht" "TIii The End or Time•·, •
:::ifo!'a-:.r N•:~:~!s!'d!~eh:! been HL Today (Thursday) 01,. group ny to s cand1van1a for d ub
and TV appearances • nd return on July 10 for a ~ ncert at Bl ackpool's North P1c-r
i sland a,:ain un le!os we are 11uaran tced adequate protec-11on."
In Ho ll and the fo llowing day R11d a nd Blnry ~ re again dra(ui;ed off s tage hy fon1 at La nsmcer, near Amsterdam. rhev escaped with bru ises
TV :1nd radro lined up to .mnclde with their lat est
E::~t;, ~~~~le(~).Ci}r~~ i;.~r!k Cl ub (5), Luxembourg's Ready S teady Rad io (5 ) and the Joe Lo11s Pop Show (15).
MERSEYS KEEP FOLLOW-UP SECRET THE Meneys record their
rollow-up •infle lo "Sorrow" on July 2. Pol6 slble titles are beln& kept 1eCreL
The duo'• propo,ed Amen•
~:n tri~n!~f1~-,l~c!~:e h~, their heavy commitments In Britain
Their dltU include.· Stoke•
{3n T~t 'i2J) G~~1n~1:""(it Gravesend (R), Birmln&h• m <9 and 11)
IVY FOR U.S.
Auius t I• 10 20. They have n ow completed
• new LP, "That WH A Good Session" , with their new back• 1n1 sroup, the Jaybirds.
SEEGER CONCERTS
U S. folkalnpr Pete Seeger • wlll 1tve concerts In
London, Dublln and Belf•• l when he comH back to Brit• aln In Novembtr, and he wlll Imo lelevl1e for the BBC.
The London concert take, place at the Royal Festival Hall on Novembt-r 11 . See1er then tiara In a BBC propamme. produ~d by Yvonne LtUlewood, on November 13 From l.ondl)n be aoes to Dublin for a National Stadium conc•rt (17) and then to hi• rot for the Belrast 88 feauval (10)
RED TOURS
CARTER: i n London
AFRICAN JAZZ p1~~:!!t, c~:m~~~~~~~ ~~,~~!s wc::r~
17'he~ro::!.v~Ceeen~
pla ying &I the Club Mont.
:~"r:; ·~r~:a'~7~~~ ·,r::; 1t the Hampttead Theatre Club, London. NW3.
On Saturd ay (July 2). and
f~1~~:; w;e'-Sc~hoencfr~~ft ~r Poems by South African writers with jau. and drum accompa niment Arrangement !\ are bv McGregor , and hu;
i~r~-~tn• Ca1to)n~1s"tcrPo~u
in~~~ 11~n1ghl (Thursday ).
the McGre1or qu"intet appeari each Thursday •I London•• LHlle Thealrf' Club in St Martin's Lane .
at the Locomotive. three at th e James Pall adium and five at the Olympia
This w ill be rollowed by five days in EkJg;um
UNION FILM rfHJ~,;~y t:i~• a~~: N~n~ Pirates haw~ s igned for a French film. " La Mu11lque Est Mort.'"
tlih:ro1{.~ios"tr:;:~~j1jJ ;re~~~ and will h:i.ve act1n1 ro les as well as playing a m,rnmum o r four numbers Jo hnny Kidd will make a guest appea rance
Shooting starts on Septem• her IO
Duri ng lhc shooting, lhe
~':1~Yi:~~- ~~8Js joh~ri: .:d the New Pirates will p lay a wetk Ill the Locomotive Club ronowed bv three days at the Olympia
KING SINGS JOr:~A~o ~:l~g ~ ;~ record. De.spite an earlle.r • nnount"ement that he was finished with pop singln&, he Is currently working on a new record.
He wo n ·1 m a k e- a ny per sonal appearances 10 pro mote the record when ,t 1s releasf'd 1n about a mn nth, and has turned down •n offe r to tour Aust ... ah,a Wllh p J Proby in Sei>(ember.
~~:no:.boft~s ~I~•~,. 1::~ we c• n ea rn Th at's en!J ,. gu•r• "te, . Ult• wl,en JO" play al a ba ll room or som,. th ing , you 1 • t a mlfumum f10 a111•1nst • perr:e nto111e Se 11 I potalbl• fer I.f l to make • lot m•,.. out or UI• fflm contract - th• mllllon d••· lilrt Is JMU a 1uarantaa " • It m1y 1um s,u, fd. ltul c• n t hat a mount of mon ey b e at a ll frl t htcnlnt - .a t ,:,igh te1.n Herma n need not work •Jain . " No , mone y's n ever fr lght• nlng only
!'.'ehpelreJOU tt"ear-::~t 90:~;:,•;• Wh at do., he pl,1n to i:e '1¥lth h is man ey"!' " I 1h1II prob • bly b l.f )' a h OUH re, m y P•l'l!nls In Sw1tnrlu1d I do n' t rea lly ltnow. I' m ,..,n Da d would !Ike ll - IMI s peaks Ge rm a n u ••II -but I l\awen'L ask • d me 14111111 ye t - a nd rh• n th1"•11 •H th o kld.s a n• that N.ayN' I'll g i:, t a bu1 lnen tk•re -you nev• r know" • Wh a l dCIH he think M"fl 1o whe n , wentua lly tlle ,,.., breaks u , 1 " Oh. den·1 st.an a le•d of Paul Jon ... Na• rr-ed Ma nn nun••" · 0111. I see you m1a" In s•rt ., I• l••nt-y' _,..•r• Umel I IIN't know I h•IN 1•11 e• on .. lt'rtaln1n1 - I Ion •• • mMcll . I ' d like to lhiflll dill ,omehow •I tf'le ••• et tll~ ar 1ome lf'l1n11 , that I ...W 1UII be 1111tert.1lnlfll • " I Ion .all the ,...,. and th• ,-artlH -- .all tl,I ... lilt,• ll1• r I 've don, • Mlllf
~-;:::- lh•~.!':ab~;w•~ .. ': •hole ef my life - If I W ,tayltd at toll-•• • I'• .. HIA wtlal 1"11 N lllal .. i.. ll II It t.Offln.
. ....... wot • tet--CARTER UrlJr ll• U we started . Y• ....
VAGABONDS TV ~----=---n_J&"_Jn-... ,1;;. ~;:"1!::~~"':!-.:J 8 ~11:' s t•~~r~:r~dleZ.T.~rl:= - Ito hep thra ..... .A J•~~!abo1n:'~ to•:::9,.,e~== arran1er, anlnd In London on :..h~• .J~. =M "::...
on July 28 for four days or Mand1y from Am.atenlam lfl• '"Abaut twe iMI a W
~ p=a::dllte::' .~:: .... '"'.~ .. ~ wlt!.rt"!~l'I~~~ ~ .. ~~l~n ••;.-..,=:~ ........ Diddler ne. Oum Oum.'' the Continent since mid May. ::: ,l!'::"en11":9•..::'..: stn~:~ .. ~~e H!.~eru :.~~~~ ~~ld. ~er!~:-' bu~~: " ah~1~~e ~.!:!.,!' ·="1111:.~ released cin July 29. It featuru l"m doin1 some pubh1hln1 =-~--:11!•~,:~ ~~~n~:a:nbif~~~=ugmented hy ~l~~;~:e :-:le~:ikir:./oi' ;~~ an•U ill IN .,.._
On August I, the 1roup use. I also upecl to fflMt ::., ~~ .. '•• a":'..J. ... 1oe. to Puis for thrtt days manv old fri ends. " 111 ... ttta r:Aaa1 ,. ........
~ Graham Nash solo featured on
e NASH new Hollies album
16 1 fl .,t' I St,ce t , London , E.C.4 Tt" lc phonct . FUc t Street 5011
IA.CK HUTTON , Editor 1101 HOUSTON Au Editor BOIi OAWBARN . Ne w, Editor MAX JONES ALAN WALSH CHRIS WELCH
Tear gas used to quell Stones fans
PETER LEDEIIOER NICK IONES __
,.._vincl• I N• w, Etlil• r ; • JURY DAWSON
2-4 Odortl IINltl, Month• 1t• r, I C• n~I 3232
ADVERTISEMENT OFFICES 161 FIMt Stt.• t. lontlon. E.C.4 T• l• phono, RE• t Stroot 5011
A.ti . Mo"au• r: rfTER WILKINSON
No hotels-Oldham hires sailing yacht NEW YORK, Tuesday. - lt was riots ~II the_ way_ for the New
York opening of the Rolling Stones, with pohce usmg truncheons and tear gas to disperse the fans. . ..
Earlier, the Stones had come up w 1th an unusual solution to the_ir accommodation problem. They and their manager, Andrew Oldham, hired ,a sailing yacht, the SS Sea Panther, wh ,ch ,s normalli:~ored7~i~New si:e~ s
LOVIN' SPOONFUL SIGN FOR OCTOBER TOUR
Marina. Last Friday, the yac ht
was moored in its usual place, but there were swarms or pressmen aboard and bigger swarms of rans on the dock. The Stones hired the yacht because few New York hotels will accept British groups and singers these days,
MILLION
T"t '::ct' ~po~;~~dw~! the beginnlng of October.
l1n:d.~;u~h~h c~~~nt~te ~h~": lo ma1or Euro pean citi es in September ~fore they to ur Bntam for a week No dotes nr venues have yet been fina• hsed
Their new single, "Summer In The Cit y". is released on July 8 and was written by Steve Boon'!, John Sebastien 1rnd John's teenage brother Mark
The group is wnt1ng the score for Woody Allen's new Rim, What's Up, Tiger Lily? and w,JJ also sing two num• her, m the film
Sonny and Cher are also =on!.idering recording a com• ros1t1on by the group The
Spoonful have been voted the Best New Group of 1966 by American deejays in the an• nual Cash Box poll ,
ELEKTRA POP
EL1!:R~~o~~e la~l~~'\s t~~ start releasing pop album.s.
Their first pop releases, due around July 5. will be one by Love, and another, "'What's Shakin"•• . by a number or groups including the Paul Butterfield Blues Band , the Lovin' Spoonful and an all-star British group led by guitarist Eri c Clapton. They will sell at 35s
A further five albums are planned during the ne:tt six months
e SPOONFUL: Europe
Elektra have also issued a
~i~f~! b~r~olk~.~ie; T~ R~S:U Love" And "On The Road Again'·
DUSTY TV D~fTn~d
5io':1~1~F~~h:!! followrng the release of her new single, "Goin' Back'', to-morrow (Friday).
They are Top or The Pops, today (Thursday} and July 7, Ready, Steady Go1 (lomorrow), Scene At 6.30 (6), BBC•TV·s Billy Cotton Show (16) and Five O'Clock Club (22).
The Stones' "Aftermath" album looks like being their rourth consecutive gold LP, with a sale of 350,000 in the first two days on sale in the States.
Keith Waterhouse and Willis Hall have been s igned by producers Allen Klein and Andrew Oldham to write the screenplay for the Stones' first film, Only Lovers Left Alive.
The Stones will receive a million dollars for their ini• tial screen appearance. The film will be shot on location in Enftland.
• DONOVAN : ' funfair '
DONOVAN TURNS DOWN TIVOLI GIG D~~J>~~1!r1~~~::dp:~: pearances at the Tivoli Gar•
de~~s 1~a~~~~~~1:le:k~!t
phoned the MM to say: .. Be• cause or the seamen's strike we had three days of hell standinfi most of the way 1n
;~h':;en'0
~h!:.8m;:rfo~~d c~~
couldn't get a hotel in Copen• hagen and to sleep in the railway station.
·•1 n Stockholm. we discov. ered the T1voli Garden!'! were like Battersca Pleasure Gar• dt'ns. complete with blaring runhtir I took one look and said 'Not for Don.'
"We decided to pull out, !ilthuugh Don d1d do one per• formance. The Press was very kind to us ond said we were ~uite right to turn down such 1n unsuitable venue."
Donovan then went to Finland where he played two successful concerts lncludm~ one for an audience of 30,000 Jn the open a,r of Lata1 Troops were called to help the police control the huge crowd.
MELODY "IAKF.R. July 2, 1966-Poge S
FACES, SPENCE, FAME, TRACEY
BIG BAND e SPENCER
FOR WINDSOR FEST THE bill for the sixth Na
tiona l Jazz and Blues Festiva l at th e Roya l Wind• sor Ra cecours e, has fin ally been settled .
Several changes have been ma de to the lme-up a nnounC'ed On Fnday, July 29 (8.0- 11 .30 pm) groups a ppe11r1ng wi ll be the Sma ll Fares, the Spencer Davis Grou ,,, the RamJam Band , the Sou l Agenu, and Mark Ba rry
On Saturday a fternoon rrom 2.30 to 5 30 pm t he Chris
: : ~~er co11~nd
K1 n:Si:~l l'sWJe~!~ Band;ts, an d Kid Marty n's Ragtime Band, featurm g New Orlean s trombone s tar Lo u, s Nelso n. will be on the s tand
For the Saturday evenmg pertormance there 1s the Who. lhe Yardbird,, 1he Move, Ga~y Farr and the T •Bo nes, Chns Farlowe and the Thunderbirds , the Summer Set, Julian Covey and the Machine. and Jimmy James and 1he Vagabonds
Ti~~: t 0~~~i0aft~!:noon {2.30-
s .Jo pm) otck _ Morrissey, Stan
ih:"~sw•;i~g~1; ~~~e~~i~~· ~"n~
derson take the stand ror Sunday evening there
is Georgie Fame and the Blue Flames plus the Harry S(?uth Big Band, the Act10n, Diane F'erraz and Nicky Scott, the Alan Brown Set the Bluesology, and the Cream, with Eric Claplon. Jack Bruce and Ginger Baker
FAME FILM?
G EORGIE FAl'ttE rtnd the Blue Flames jumped to
12 In the Pop 50 thl!! w1:t-k with their firsl single thls year - "Getaway".
Georgie and the group flew to Sweden on Monday for a concert tour
Vlana~f'r Rik Gunnell 1s cur
fg~'ie:~~=id:~~ga fit~~r o:i~~' ring Gt-orgir and the Blue Flames 1i. also being pll'lnned It is hoped lhe Spenrer . Dav111, ,:roup will be able LO J0m th" hill which mdudes < hns Far Jnwe and Zoot Money. The tour will he w read over 1hret• wreks in October
Two conce rts at Bourne mouth Wmtergard..:ns on Aug 11s1 7 wi ll he a trial run for the tour, and w ill s ta r Gcorsi: ie, Chris, Zool a nd the Ala n Price Set . Geno W i:ish1nJ.!:lC'ln . a nd the Shevelles
On Octobt>r !) Genq~1c sin11r. w1th the Harry Sou th Orches t ra 1n , , pecial C'Onc-e rt at London's Festival f-1:ill a nd their album together will h1 relt"ased in Septemhe r
DAVE FILM
D~~Edo 8aE~:! !;;;e!:1
~1':. for Warner Pathe. A number of olher top British po;, stan wlll also be signed.
Dave's new single, "Mama", came into the Pop 50 at 3!1 this week On Saturday he is due to appear at the Palace . Douglas, Isle or Man
On Sunday he opens for a week. doubling 1n cabaret at the Dolce Vita, Newc:htle , and Tito's Club. Stockton He has concerts at Blackp'lOl'5 North Pier on July 10, 17 and 2•
BIG L DJ
B 11;a!!:NED1r~°:td:r =~~h Radio Caroline South, ha.s Joined Radio London as a dee.fay. He will alternate with Duncan Johnson on the UC~ Night Show.
LENNIE FELIX: more than just another piano player
FELIX: ;1 cat named Igor
LONDON MAX JONES LI NNII Fl LIX always lno5'l'd to me- more like .1 hor,e-pla)'cr or other gamhlt:r than a Jazz pianist. 'omNhln~ about his dark, \ .-guel) Italian appearance and flickering smile puts me in mind of an ami:1b1e I duardu Cianelli.
Tht' tdt-1 '-"-OUld prob1bly IP· pu\ 10 Un nie, ~-ho Is an In• ,tttralt spotter of reature pl•Hrs ln old fi lms.
"I'm • a:rea1 TV man ," he u~ ._,, Jl'ttine up on cue and "·'·itchln11 on thf' tennis. " We ntoedn'I have lht 50u nd o n , th,1u1,:h. I lo ,·r old movies, 11 1• "'*)" '-'Itch the m. Lau rel and llard,, ah(I the bad ones. Te nn!,; too. 1'01 cricket, b ut I 10 ,·e th,. We..-1 lndl>n\_"
W hen I caJl ed a t the fe llx lht IT\ '\1 ai da Va le Lc nnlt WH rtla,lnR al a 1rand pl ann b}' the npttn ~ lndow, flngtr ln~ the
~~~~•-1~~d~,.0J";~=~r11e~~ a, bnn('h~ outside.
t h• srors>Ni playing a nd uld: "'Thal tr tt"II have to come do\l·n. l t"!io taking over."
Oid ht llke Gers hwln ' c mu~k \ 'tr} mueh' "'YU, I do. I ,uppos, beln ,e: J t wis h • , .
The most ,mpreuive, powerfu l a nd d11torhon-fre• P.A. U!'t -up yet! 19 69 " • 12" P.A. Speaker columns, per pair 161 Gn1, 1968 P.A. Super I OOw Amplifier 100 Gn1.
Mor• Qnct mor• ,op group, arc M r,~IJ n»"dHf"
!.~or Da .. ,,. lh• Who, S,nc,11 '°'"• -.'ogobond, l-,h,1 o nd tti• LuY'<'en
I 'vc got more commercial things lined up. Walt tUI they hear them ! Just berore I lefl, I did a session with Gabor Szabo (lhe llungarlan guit arist) where we did everything. W e hummed. We sang. We Just had a ball.
"Anyway, why shouldn' I I record Beatles songs ? They're great. Their work Jusi knocks me out. That 'Rubber Soul' album Is Just too much, man, too much.
"It annoys me when people try to decide your records for you. What do they know about what and how an artist reels ? Who 1tves them the damn rtaht to say what you should and shouldn't do? I don't reaard myselr as a Jazz and Jazz. only musician. I'm mainly a sonawriter. Arranging Is pretty hard work, and I'm basically a lazy guy."
McFarland's meteoric rise to rame and recopltlon has aroused Ire In certaln quarte-rs of the New York Jazz scene. He hun't. some maintain, paid enouah dues.
••t know alt about theac criticisms," G ry ul, s. "I'm not the only one who's criticised llke this. But my
~~i~S:n•~0 .!:a:!1 =e •::~t all over my shoes
'"There are Neiro musician• Jn New York who • ren't working, or course. They have lO blame somebody, whether It's me, som•• body else, or the clubowners. But I'm not keep-
~ff :n:s-r:: ,c;,utbeorabreor::; work, have a 1ood lime, and ror everybody to have a good time.
"Sure, there"s a problem. But I don't know what the answer Is . These guys keep
~~~~J orbre~:in~~~e =~=:~ speak for ltselr. They should become writers lnstead of musicians. Bird didn't have to write about his thing. Neither did Monk. Neither
di'l_ D~~tl ;: West Coaster, McFarland ls now comfortably settled In Manhattan with his second wire and 20 months old son, MIio. His work there takes ln TV Jingles, songwriting, recordlng those controversial albums, and occasional Jau Jobs. He did have a working quartet which "Isn't feasible at the moment.'' When u does become reaslble-, he will certainly re-form 11.
McFarland 11 an ,xc,Uent exampl• of the new breed of Juzman who resents havtna to conform to a pattern of behaviour imposed on him by outsl«len. He enjoys lhe sood thina• in Ute. and doesn't know why he shouldn't
Despite lhe CriH from the trenches, he t not lost to Jan. He Is only extendIna his ranae of activities In
:=n:..ei;. w.::,: •u.e~:, thing to do for lhe lop 1al•n1s in the world of Juz compo,ltlon - •rnnitna-
GREAT JAZZ SOLDt.
- ·- -....
~-~~~
. . . . ,. __
~ ' •
MAPLE LEAF RAG • SIDNEY BECHEl
I HAPPE.N TO HAVE bttn about on two occasion1 when people asked Duke Ellington lo name the grea1esl Jan mu"ilclan he has known. Both times Ell, ;':~:t. named Sldne)·
This record I have chosen. on which he plays lead most or the way, m.ay help ne~comer~ to appreciate his sta• 1urc, ror Bcchet's inventhe spirit never flags.
It was recorded ln Stpt .
:~b~c!~f b{so~r~e:~)t. .'n~ trumpe ter Tommy Ladnier, which wQrked at New
YoAf;~o~:~0rt ~:~;~miHt•
ure ensemble playfn~ char• acterfs tl c or New Orleans style ns we know It. the. perfo rmance Is made up
~r!!!.Y o! r w~~ dasl~~~!hf:: force and exuberance b) the three horns and three rht thm.
This Is a quick stomp \' t r•
!~on':e o~i!h~t~f:C'~~ ;.as~= but It l.s a treatment ,,,hlch cr~~~s the composition's
Despite Bedael's constanl predominance (I wrote whffl the record first eppeartd
• LEN BARRY
BARRYREADERS AND FANS HIT BACK = ~~-~-::8:.:i;;~ can singer Len Barry's recerrt attacks on the Beatles.. Rolling Stones and Animals with an ona-laught that must have sent a shockwave rolling acTOss the A tlantic! Barry Md in the MM on June 18 that the Beatles were the "worst in person act I've ever seen, .. that the Rolling Stones didn't perform and that the Animals used long hair as a replacement for talent. For good measure he added that Bob Dylan was "another completely
~:~~. ::::1i'::at ~~C:h
faro~~~ ~:si ~ge,:,!:~~ denominator in their ap-
=,~~enn~~~ readers reply;
m:•r::. :,::::: n~be ~o!; :n~·! .b,l. t:; ~~·'=~ I .n sun they .,.. quite used lo - ~ hit WCMlde rs try-
~N~ T~~'a:~•~ .. :::n,..-.. -..rry outht lo sic k to h;,.
-n trite commerc:fallsms a nd not ma ke lgnoranl re,narlls a bout ni usfc he cunot undorstilnd. - lAN SfMltSON, ,.Inner.
He -,e m s som e of the be9l • ritb.h ads., when h • is 110thfn1 to wrfu hMl'le about..
~ .. f~~u~;,~r! .. ~17. GL.AZIIHt. London SW2.
LAt'• rau It .. rry can' t bother hard nu1a like Joh " Lannon, Md .J•hn Naki
=::a;.'~J.•~-':,';.,:'~ s.mersham, Nr 1,-.Jch, Suff•lk
u:"J....~ld:~t,..~•J~~ h~ -wne untJI he wu _,.,, IMdl lteme? Our haptt&llty h• Nen alHtSMf. O...'l .....
~~~•;l;~L-:.:-•~~-=. 119dnlale
WJllo is this Lea a.rry7-T . C, CH ICHIISTelt, LondS""-Len • arry should com,•,.. A11Mrlcan a rtist. IMi e Mrs MOier - •Ur , • ., .. Wlnwoecf - H . HLCHAK, Wlllffd•n, Landon .
Ploue -..y In oul-of-da&o AJn•rtu whero you b.io,..t -ANN FlnWILLIAMS, C,.,. dOft ...,... S.crei.ry. .. ... FAft Club .
Wtt•n h• hu written ••1· ~~~· .:-.. ,.-::,.~.;:~-::,:; with lh• , .. 11,.. of' • rte aunlo• , ••d mad• u..u.-:e:d• .:~:.,,.. c~n --:!~• ::::: '""" his ..re ,._..,. .. ac,_ Ute AUMIIC. - a D W I N PRaK• , H•ri-S~ acts? All ho tfld hoN
wu .,. • ..., _., eri•.PATR1 K K NU .. NY. •-ca.do .
ON I h .. r .......... ,. J ... ,. Lo-.• h- lllllffl,ed L- .. ,,y7 .. , Pit)'! - G. IMITN . L .. chwwtflt . • ••91•ca•at••- "'•ch =-= :.:::~-:-.::, l::
•• • Hl .. r - - •,ftl•• .. al• t.M:k , ..._ ITWPH.. A NCMl:TON PI Ulllll'leN. ............. .. ~~ .. '"· ..... , ............ ~ ....... ~ M'E.7•:r ~~ii) ........ u. · ·-" ~
MELODY MAKER, July 2, 1966-P11, 1
DAVE We didn't
=== = - ~ ge=t a~n = credit for making a DAVIES
WORRIERS: I a lways
but w~~~n\ 1 g~rdo:n
1~~ !~i~gh~~e~~r;a~bo~ft ;~:: way, when I start worryi ng things usu1!1ly get so confus-ing I fo rget what I was worrying about. COPYISTS: I think every-
body copies to a certai n extent. I'm not really annoyed when groups copy
~e -pa~l, hag~ne1ii~g loJO: bother me - we didn't get any credit ror making a
~a; ~s~~8M~°Frt~:J .. S~~~~ then over the last slx months, groups have a ll been doing this Indian th'ing.
EA:,S: I 1d~:/r:aYi; know much about them. I heard Ravi Shankar a year ago and thought he was good. I've also heard some Egyptian music that 1 thought was very good. And I love Chinese-sounding music - not particuJarly the instruments themselveJ. I don't even know what they are.
BROTHERS: That should be brother 1n the sin
gu lar. One ts enough. Funny people, brothers! They are like mums and dads, aunties and your worst enemies. Ray doesn't like me drinking, but when he is drinking he's much worse than me. He's a good songwriter. l think he's even more neurotic than J am
:~tt ~::XI} h~tfs '~,~:!~ the last tlirough the doors of a pub so he doesn't buy a drink
MUSW£U. HILL: A great plac..?. I was bom
there and r still live there. A few years ago it was a bit rough but it's settled down - not too qu iet but quiet enough There are a lot of nice people there, but also a lot of old Conservati ves. It's like a little village. WORID CUP: Great!
We're taking two weeks off du.ring the World Cup to watch it on TV. I don't know what England's chances are Personally, I fancy Bulgaria and Brazil. l hope to get to some of the games. J haven't seen a ma tch in yean.
T"!'e!'=~~::.a:{ End ones especially. I don't know what I'd do without them - and J don 't know what they 'd do without me.
TA~ :=!"~~t ~=~ much. J like it now, but the music doesn't really impress me. It was overdone publicitywis~ ft made ft not so interesting because everybody raved about it too much. The great Motown artists are stilt great. but there are too many of them now. 1 keep expecting Billy Cotton to come ~ber" the Tantla Motown
AEROPLANES: They , • • mind me of Pete
Quaife. Every time he gets in a plane he says he hopes Jt cruhes because he's got his camera with him I can't stand flying myself. I usually have to have a few drinks to knock myself out before I get in a plane They make me nervou1 The more you do of It, the worse it gets eaa: Actually, ie'1 aood
1 ,aw a great travel film one Sunday afternoon
~::uu! • ~~=rne _in rv~~ ~~ comfflffltator fooked a bit sioned. They havt- very good d oc um e nt a rit-s Actuall y I don't watch TV too much Beat Room wu
good - I wonder what happened to it? LSD: The least said about
that the better.
l)l~~tstic~El~~n~t tis tened to him for a while but J suppose he could be counted as a big influence.
~n~5~~ tit~~~i ~ ie I i.::rn like the old stuff - I've got some great records, like Eddie Lang's " Freeze And Melt". J like to keep these old things . When things get a bit rough I listen to them a nd they inspi re me. It's Hk e fresh air. MICK AVORY: I always
thi nk of shoes when J think of Mick. He's got two pairs o'f black suede
that look exactly the same. He keeps saying " J must go home and change my shoes" and then he comes back wearing wha t looks like the -'Dme ones. He's a nice guy although he and l have our ups and downs. When you live with people you see all of each other's faults . He's a lso a very improved drummer and we have a laugh together on stage.
FASHION: I don't talk about clothes. I wear
them. J like colourful clothes, even in the winter. l'm not a fo llower of fashion, J just buy what I like.
~~:if~n~ ~:v~\~ :~d~~ I'm a fo llower or my own
very Indiansounding recora with 'See My Friend' ~~?1:;e no;;s,~~~~ti~ t~=~; is such a va riety. Anybody can look nice these days I think boys' clothes are getting more effeminate every year and will go on dotng so until Jt gets abso• lutely ridiculous. SPAIN: I've never seen
the place - all I saw
were pclice. I haven't been 1n prison there though. I' ve been in prison in Denma rk a nd Aust ralia, bu t never In Spain. I'd like to go back to Spain to see It properly. The people there seem to be even more conrused and chaol1c than they are in France.
OLD TIME MUSIC HALL: I don't know
anything •bout it, rea lly, but J Jove old thi ngs because they a re very refreshing.
C"~1;n't r::i~lf!!: him
1
Didn't he ma.ke a record?
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I I I - I I - I I I I ., . rar I wn, 10 - &w 2 o1um. 11 r.r 1...,. I I 1111 ..... ._.....,..__1-11•'"'""'-' I
------------------·
r
MIII J!I
BLIND DATE ALAN WALSH with the B
Gene Pitney THEY L JA! JA L o.~~~r. ~.~oN~~~;
llav, To Make Up Your Mind" (Kama "tutrlJ.
l thl thr- original vt•r 1t1n' It wu a R'>Od h11 In
:~:1UJ!~,~~' 0
bi ~••~Ill ~~<~ 1h11 Thr-y hnd 4 hit Wtlh anol lwr on,., didn't they? ()n thal b11\l11 tht!J Is good ,-nough II.I ht- ft hit . In foc i. it'1t lo:CJod l'OOUKh ln hi· ;t hll 1n Ill own rlJ(ht Ir I w•ry wrll-produced
THI:. B E A T L E S : upaperback Writ
er" (Parlophone).
w, ~ ~~ .. ~~ot 81n1hittori~~~
U(•alh• 11·· lal ebl. F'or me, o •O ng 11 cucntially about romance, there must be a romantic element In It. I think the Beatles have written helter songs than 1h1s A aong must be related to an a rea or romance . On that score, th!.\ doesn't appeal
B~.~:.kln D ~: 1 T~~
Shadow Of love" (Al· Ian tie).
I've no idea a t all w ho it " ' Bobby Darin? He's well-known, but no t for thiv kind or thing. l don't lhmk It'll be a. hit. It's too
~r~: ~ti~e~;urt -~~yw:;~r:i to some people-perhaps JU"it ,1 country success.
T ~ou~~TI0~~1 "B•,~r, (Par lo phone),
I nearly stopped this ju,t after the start. I thought at fl rst it wns a
roi~ ~~li~1t.l ;1e~0at~~t ~~e;1~ r~a~!~lnt;_ro1~~h 8~~ a good sound, good production. It could be a succeu. It kicks ofT a ll right.
iOUnd. Likely to be> a bit here, 100.
po~:u T~~s: ~:~~t:~ Than Ever" (Tamla Mo~ town).
I don'l know this. Oh, the Four Tops. One or their weaker efforts. Because It's Tamla Motown, the sound Is very good. Defi ni tely one of thei r weaker ones. Not for me.
J OE TEX: "S.Y.S,L.- AVID AND JONA J.F.M. (The Letter D THAN: "Lovers oi
Song)" (Atlantle). The World Unite" (Co-
or J~hee 1:~~l ~ne~! ~~k~~= lumbla) a feature s inger in (S ings along: "Twinkle, America . The other great twinkle , little star . .. ). bands are with James This Is a very familiar
hit ln the States. It There's too much going on doesn't knock me out but In this one. David and It keeps walking , Good Jonathan-I'm not too
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Nord wi,(, I I communlt41,ons and loc tro n1c1 ST C
rn,mllar Wllh th1•111 llhhi'l tlwy h:1vl II t.nrn ll hh \\-1th "M!dwll('""l l·nr 1111·, tht' ll11allt•1t' "M1rlwll1•" "'il tht· uni\ mw Tht•rt•'!ri 1ou tnu<:h goin~ on m th11, for u to be u hll
R~\, ~ ~uNm~,// :~ Sweden" (CBS).
Very nice, vrry lltl' lod lc. But I don't btlllovc It's n chnrt-wlse I UCCl' •. It's not really n pop disc. It 's nice . I enjoyed It. Uut It 's not a chart success
THE TEMPTATIONS: 0 Aln't Too Proud
To Beg" (Tamla Motown).
Is It a Tnmla Mo lown record? It's t'lthcr the Isley Brothers or the Temptations. Tho Tempt11-tions? I think It's a winner. h really walka in the right Rroove, Uslen to those perfect four-four guitar beats. Pcrfocl
QUIET AVE: " I Am Waiting " {Parlo~
phone). That gultorl Pl Ink Plink.
Engli sh? Chad and Jeremy? The Qui et Five-I wo rked with them on a tour last yea r. I can't rea lly s.ay much about th is. 1 know the group and I always liked the lead singer's voice. He has a good voice. which isn't apparent on this record. He should
~~~ b~~•e ix:.=~~~ ~~:ft~ happen to me. CEOACE cult a natty fl1ur•
as th• B• atlH leav• fo, th• lr Carman tour lalf w••k•
SECURITY Nn !'llljlnl o f llclllC"llllnlA
w r t' ap1'141n•nt II tht 811ll!'llh ,tul cir the rart" arro•, fuwrc-
;;! ~t:i:1~!~t ~~~!i;t;~.t\~ tour• evrr, thanks to lh(' un hc-lit'VIM)' hurt"AUcratu: f'lljt hotJedn<'"' 0, Germnn officl•I· dom, and tht' ttmnaN•lhllll· evtor 3l'<'urllv crrton round lhl'I tou r lads
Th~ n Allu sat alon._ with ortJrnary 1~1M•n.icrt1 In the- ftrst t'l•u, forward ,tc:nnn ,,( th•• plane. Did Gl'<'tf!;\' •nd Rlnan rnJov 1hr mah1" "A\ much ••
Jimmy, the new Yardbird, settles
ON STAGETHE SAME
MIXTURE
• AS BEFORE 1n
J •:~: d:i~G!~e~lh~::•r~ reverM. Havln1 spent about two years as one or BrltaJn•i, top session musl• clans he Is now tolnln& • proreelon• I aroup. Usually It's the old group members who become sts• slon muslcl•ns.
Page, 21, 11 • t the moment ::r::, :u•rss10~ul!:~u w~ the Y• rdblrds. Their tass
l!:r: 1~,rat~1c a~u';~:~t
week and Paae was qulckly In as a replace. menL And he'd never played bas-. guitar before.
"I've mucked about on a ball 1ultar ror about two minutes but never played on• prop..-ly," said Jimmy. "We had about two houn rehoarul last Wffk and thon play•d at the Marcruee Club on Tuesday nlaht. I WAI a bl( worried but l said to my-
:,i[-,;J1J:n~1 ;1 ur:u.::~· too dn1tlc.1 Fortunately
:.~1~,s:~"'!11~::'1 As • top se11lon ault1ns1
will Paae's eamlnas be at all affected? "Oh no, certainly not In the Iona run. I IO'lt a lot of IPolllallelty lately playln1 HUlons. tblnp weren't ftowln.1 out 10 ea1lly aa they were • year •10, and my Ideas :~n~t 1::~3:l Y~~ birds beeaUIO I lhDuaht It would walce up. my mlad a blL YM1 I llll&ftt alDI do tbeOCCUICNlalNUlan,•
What eucdy wru ,1_ :1.~=-~ '" :-::=::..,:1 .... 'I ="-, rm nt. At ltuo a,dllr but ..=t-1 .......... wflli.
• PAGE eam•nl!t
.. cond 1ultar, loll Beck and I have had • lot or v•ry lnteronln1 talks about u1ln1 two lead 1ultar1.
"In tact we've even experimented with them our-11lv11 but not with the aroup. On Ibo free form
r:.1 :.:i~. ·~·a'.:: lutoly _,_ The whole lnlublo With feedbadl la that IMrt la IIOVV •oup r;:e~d ~=-• le carry
"1 ••• ulln1 bua IUltar f-.it Iba otlio, nlallt =~7----IOI a rldlealouo = - • o,, ..._ Y•'ri ............. _
~-:,,.- ••-,,-,...
himself: "We've been cut tin& some more record-. this week. Very little I!>
c:;;~.~e~1fl'ke t~ 11~· :~t~
the studio. plck up thtlr instruments and thrn taka It rrom there.
"Th•y•n 101 some wry
P.::: }!:S~l~1'l.:.':'~li one or two sounds w•'d like to start on. I hope that I can add Ideas and technlquq to the aroup."
Paae wouldn't commit hlmnlr to what In tnament h• would be pl1yln1 full-Um•
:.,.\':,~ \':':tuo~ 1;::,: permanent repla-L
"Everythln1' very eool al the mo-L ,...,. sort of stepped In bacauN Sam has lett, but I wouldn'I like to 1• y I wa exaetly on trtal rm sun they're
~~~ ~=" :.::.i.:'. W•'re Just playln1 to-1ether and 1teln1 whleh way thlna, 1o.
"I'd like to 10 to Amntea with them In the n .. , ~=;:. ac:-: ~:-~ what tht -• la llu. 'l1le Yudblrds are a b .. , ~•-•verthoro •-d la .~th;r:..
111=:1:: the Wtot Cont of A-
~ C.::,'°"t .t:. =- -:: .: :-:.; •-'t'911al0k-.-
You ~ .......
~J.\r:3! ~-~ .....
"' "'
II
'" . m
" '" lh d,1
the Beatles in Germany
A! JA! tu"' rt
• hit rnthtU
"&!.11~ ' ~'~: e olht r
t" at 1he 1t11her
I gearor Gu•
atlvts. Btatlt
plane rnuu 1n hundr td camt rl· cameras 1n -.1th o 1uu,~t1ff b~t1ged d cend
~~:i~ ashhu\bs li a,h t and ro-. WI S unch-up
tle.s into N tedcs
them to h plush th e city
m ed lht ho1el-
•efflc1ent
•·S11dtpohu1"-a111 tht Beatll~i; ,wept throu~h the city In a police-escorted cavalcade c>f whHt' Mert:edes cars
Tht fans screamed lor the GtOUP, chanting " B<'al -el s" throughout the aft e rnoon 1nd evtnlng In spite of a torrential nlnstorm. The Bea tles, however, wert comfo rtably settl t"d In their fihh -noor suite ea tin g lun<'h and pl aylni track s from
~~~lrl=:e~ ~n ~hl:\~r~~,: tape recorder.
ouf 1~f0
1h~oo"~in:o:11!~~ ~~
me.nted· " It's starting all over
f1~~\" ~oJl~~~• 11:cf~~k a5nh~r;:O"u~ sers , confessed to the nerves that the Beatles fel t before all concerts . "We 're always ner• YOUS before a show and the fi rs t night 1s worse still As well as that, we have n' t pl ayed a live show for al,!es , so we're a bit rusty"
They also had to sort nut the programme for the tour "The M>n&s that are hits he re ure different in some cases to Bntain . The old ones we've
~~~~st
10 f~~t~~~~ io": igh~ e~~ learn the words and that"
The Beatl es fi nished their LP before they left fo r the tour but had to come up with a utlc before they left Germany. They tossed a rou nd a few ideas, some short an d snappy a nd some send-u ps of 1he other tit les, be.fore aban doning the subject for a later
and more relaxed mo ment But not before Paul came
up with one suggestio n: " Let's call It 'Rock and Roll ~!.~s or '66'. That'll solve
Back, tage a t the Circus
~o~~;t.vft ~!u~~r ~hba~r.~! ~~ a nyw here. Th e only clue tn the plact" we re the German voices boomin g from the in• cvltable TV 3et11 in the dress ing rooms Road managt!r Neil Aspi na ll , In hi s seventh year wi th the boys, remarked that tou ring was II drag. "I always look fo rwa rd to them When I'm on them, they'rt' alwa,•s a drag," he said
Paul and Ri ngo relaxed
di~t~u:s:ln~~~l~n a;,~hGciw~ Bt'nnett who was also on the show while downstairs Peter and Gordon were an noyed with th, al mo,a total lack of facilities for the other artis ts on the bill
BOUNCERS In the circular body or t he
ci rcus- fo r that's exactly what 1t was- tension was bui lding up. And at bot h houses, the first rumbli ngs or t he \IIOlenct" tha t was to nare later was fe ll . Though this ti me, l l was kt>pt below the surface
As th e Bealles Jupt on s tag, for tht'lr first Gt'rman appearance since Hamburg's S tar Club days, the fans went wlld and bouncers were kept busy hurling rans back as they tried to scale the six-foot dais where the Beatles were templln&IY In
reach or the rans. Strange'/' in Germany, as in
~i~ a~d b;~s~~i li'~dth:tix:~:
Mu nlct conce rt they we re screaming, sl nglnR olon,t with the Beat les, fightinR, a nd eve n, nt one stage, bowinR down to the stage as If they wert Arabs fac mR Mecca a t prayert 1mel
At the end of lhe second show, J ohn, Paul , George and RinRo hurled themselves down the steps at the rear or the stage, !coped into the ca rs and shot o ff back to the hote l be• ro re most of the fan s had had t ime to leave the circus hall ,
And in the rooms, it was party time. In spite or the fact that they had to be up at 6.30 am to catch the special train taking them along the Rhine route to their second date-at Essen's huge Grugehalle , set In beautiful gardens ou taldc the city.
They made the train all right Although Brian Epstein
had to leap on while ll wH moving. Ar1e r all. It was hi red ror the occasion ao 11 had to wait for them-even though they were hnlf. an-hou r Jete. They hurat th toURh a 1lde door at the station, leapl aboard ond John Lennon raced up to the British musical write rs and
i~~~Rh:•1t wa:
1~~ tt~e~eion~
tra in See you la ter "
ANXIOUS And some measure of the
repute the Beatl es have In Germany now i• gl \len by the fact th at it wH the •amc t ra in that carried the Queen o n her recent German vis it
The train pulled In at a small station a few kilometres ~~~°r:d~~e ~rufa~~alle-but sur•
John hared down t.hc station step, right into the arm, or 1he ran, He had to make a
huty rtlreat shielded by Nell and Alf Blc.knell, the ae.nlal third road mana,Re.r. But there w11 only one way 10 the C8 r$-t hrou,Rh the crowd . And there were an anxious few min ute• before the party WH o n lu way
The Br1t1.sh press tra velling in a minibus had a police e. c.or t or its own We raced throuAh Essen with the pall ce motor cycles fo rci ng e\lcryone off the road to aet u, through
We arrived 11 the concert venue at the •ame time u the cavalcade - and swept
f~!~e~~oo':,t:derc:01f:,ardw1f~
~u":z,!~ 1~!~. h~r·th~I~ ~!~::
• ,:,~ed ~S:how t~:elf b;~i:~6 concert over-enthusiastic r, n, were dragged o utsi de and o n several occas ions were bea ten• up by bouncer, who applr• ently seemed to enJo_y it
Later, I uked R1n10 what the Beatles thm.:,rht about thia
this weeks new singles
SX6051
THE SHADOWS A Place In The Sun
Columll1J DH7%2
THE ACTION Bahy Vou·n Cot II
f'Mlophone f~5474
D~VID & JONATHAN lovers Of The World Unite
Columbia lJB79 ~0
HANK WILLIAMS JR Standing In The Shadows M (; M l.lll,
FOUR TOPS loving You Ii Sweth•r Thom Evtr J J111l.1 Muluwn I MCrJt,S
MARSHALL SCOTT ETC. S;sme Old feehn i: H MI/ f'Uf']', ·H,
THE RIGHTEOUS BROTHERS OLIVER BOND H, lei Me Lon Von
\/ t- rv e V~,SH f' ,1 1i q1th1 ·•e 11r1 ,1i'1,
SAM THE SHAM AND THE PHARAOHS
Lil' Rtd Riding Hood ',1 1, M I il' ,
MARIHA AND TH£ VANDfllAS Wh.-l Am I Comr. lo Do Without Yo ur l uvr l 1,-.:., M(', :- . .-. r, lr,H;',t,;
IOrt of thin& and whethtt th,ey wf-re aware of IL
MEMORIES " We know about It and we
hate it," he aaid "IL'• happened In o ther ptacea too. We get re.ally mad a nd once John even Jumped off at.age to lrY Ill 1t<Jp 1t. But yo u can't, they
dor/,e'ikJ.ea iz:nu!~ •• the uva lcad.- raced back to the tpecial t rain for the Jons the.hour journey th rouct, the mdil to Hamburg. A meal wa. laid on and the Beatlu ate ~ fore
;:~~ ~nie~~':':n t~h~~~e~::. P~~~ a few other people hlce Eppy and Peter and Gordon
" Pa ul won £25 off me," sa id Pe te r Asher wh ile Gordon sa id . " I got QUt after the fira t £2 I alway, do."
The party ,tradually e-nded and evet')'one tried lo catc.h
RAY CHARLES SNGSTI-ESONGS OF BUCK OWENS
DAtlGER Th~re WH • ~ of da,,..-r
h~Jtt;"n::¥ a:Jc~t~~ raced off 1n their limoasa..back V> LM.1r oou-ntry hotel. Ulltre wen: mJ1ny inddenr.. until late in the e-vniins .
Did the- Bnt'n 10 tD theStar Club like e-veryonc eJt • peeled No o ne know. for su re . .. We hav-e.n 't p1anNNS to:• 11ld George whe n I asked h Jm du.nns the ahow. ··eut I caa·t see us 1ett1n1 out of this 1D"Wft w1tho1Jt ~iDI ••
THI SElltERS NII• ..... Th• Sentn C 1,mb,. SE i I• £P
P•a~ l~MELOOV MAKER, July 2, 1968
newrecords JAZZ: reviewed by Bob Dawbarn, Bob Houston, Max Jones
TRACEY BIG BAND JAZZES UP 'ALICE'
STAN TRACEY . " Alic• In ln ll• "d ·• "1 I" l•z.2.1,a,id "'"' ,._.rhe Mce1, Tt,c, Wt-i,tc R•Clhol. f•nt1ua In 8~ 111. sum..,,.r M•llur,..,.at,°"' !bl, T•,11, r,me
~,:1'ic11•1 P,~u~;•n/CI~ d· Pvrlr•1 I Ot A Queen ,11 \Col11 ,..bl• SX 605 1.J
Tr• c•'I' omol lt • nny l!:.i ke r, [ d die 811h , Ian Ha m e r, Lu Condon !10t sl. ltef lh Ch ri1 t,a, Chrb Smith , W a ll 'I' Stn ith tlmbll, Al,1n l1P ,1 1ucorn t.. 111101, Ronni• l1kl' • !11110. ell!. Ron"le k ott , Bobby W ell ,n, ITnrsl. H,1 rry IC!e1n rb.1111. Je ff Clyne •b,u•l. Ronnlo St • ph• nson d"! On t h l and c / T11bby
H .1 '1' n rtt1i.rl"l W e1lln1 ; on tc , Kenn y Whee le r rep/acl!S s 1,.1r 121 T~c•y, c1.,nc, St• phen •
MUI . Scott
N":VER having been tempted to read
Lewis Carroll 's fi" mous piece of whimsy, the merits and demerits as to whether Tracey's music captures the spirit of Alice in Won~ derland never entered my mind when listening to this excellent album.
Stan Tracev (left) clears up a point with tromboni1t Keith Chri1tie at the 'Alice In f.a:n:land' recordin1 in London.
The sleeve maintain& l h at .. Tracey is scns 1hl} unpedantic a bout this He
JAZZ LP OF THE MONTH
a ims lo do no more than 's lant the mood tow.11rd.s the Litle- '"
In that respe,ct, he has b~n singularly successful
~-h~~~~~ls~a:ra~~fa':: &~~ rnll mto musical terms with the same degree of success u n only divert attention rrom the real merits of the music. ror Tracey has certainly bmught off ont> or the most stimulating biM band llbums produced in Britain l he-re hat •I••>• been a 1.ir'"'.1k c, r rather M<'.lnk11h way-
Charlie" (with Bobby Wellinl' tenor jigging round the Jagged theme In a manner heaYily reminiscent of Charhe Rouse with Monk) bring• this trait out strongly; ''Alice" kicks orr with Stan's percussive piano and ~me dislocated phruing bcfnn: Ronnie Scott, sen11na .he mood of the tune 1upe:rbly, cavorts throuah an excellent solo.
'"Fanlasies" shows the lud cr's piano ;s a more languid and romanUc vein that Is normally expected of him. and there's a ducal touch about Lhe acort', ''Summer" has the ,ues and rhythm only in a thr>wcue for Bransc::omhe'1 alto
The most Progressive Pop Album ever!
"Te• Ume Gavotte" has solos from Tracey, Welllns and In Kdth Chrisue In a perky tune;
~~duri't!°~"s~;~ h!~1:,~nf!¥Q~:::.~ has more Welllns and a fluent Eddie Bl• ir pana1e on a fHl w• llz..
"Allee in Jauland'' makes a fine bl& band companion to
~~~eY.Jn!::v~~j: J:~.!.t ~~ 11 further proof that Tracey has blossomed into a com-
~~~f!r an of o~\,'":~~:to~ri:/n!~ll; an1f ~•~:J- read Atke then l
ff ,;::ts eaxnC:P;,o:~ ::J1~~! guttural vocal on "MoJo", thm!'I little to distlnaulsh this from many other recent Smith albums.
It's the usual mixture or
g~u~de rh~~t~ b~~=fna~~::: more or less done effectively if a shade too predictably.
Backbeat
so;;: 1-~~i~~~:rs?.~ ~~s:~isr.t.
lion·, and " 1-2·3" adds some interest to lhe material. On the first two, Smith throws In a fcv, Lionel Hampton grunts.
~::~6e!t~~~Y~hde~=•~ ~ s:~~~ of the lnst.ilnt funk about the wh,,le proceeding:;-,,. Needless to sav, they ,wing powerfully.
'"l-2-:t· • Is handled morf! subtl•, ana draws a fine 10l0
~~j~ !~: n~~i~~~stbut
8 ~fel~! r,rJ1riory, and a cood bit below his c1pabilitie1 Stones' fans won't recognise "Satisfaction",
Fresh
RADIO JAZZ by CHRIS HAYES
it's Fantastic!
TlfflN. • IT ,en FIIIIAY
-AY 7.t ,.111 NI lladlo J I.I 1 M M rau and wnr Jan a.a ••
l'IIEIIAY .: .. ,~. •1..:'1lw,.~an.a::
~~~ 11i~lnnr~:la CP Bl"Y~~r:"
lhaUer Quintel . U.J O: Duke! Ellln1ton Ort. U .lS T: }.Ila r1u:1nald, Duio Ellln11on Ori n .o T: Art rannu, Pete La ....
JOE WILLIAMS: e ballad o, two
The single that rescued Basie THE double-sided single of "Every Day" was the
record which brought Joe Williams to prominence in the mid-Fifties and rescued Basie's band so far as popular acceptance is concerned.
It was one of the titles on the "Williams Sings, Basie Swings" album, and it is re•issued on this LP along with several more rockers, a ballad or two, and several swinging standards.
"Every Day" and another of Williams' old concert favourites, "Teach Me", are the only performances from the
BUCK el CLAYTON'5'.
1955 date . This was the band with Wendell Culley, Reunald Jones, Joe New• man and Thad Jones on
~::;~~e 8!~~~h~d" ~~1~ Graham on alto.
But th:- &ame hard-hilting band is heard in llv~ performance, at Newp()rt of '57, be· hind Will iams on "Comeback", "Roll 'Em", "Smeck Dab" and
~~cint1i~;g~~Y .A~i~esJot ~~~ parently sendinit up the musi cians (unless they' re nnd1n~ him up)
COULD DUSTY MISS WITH
THIS NEW ONE? SINGLES
D~t1Jn1 B~~:!,N~~•i~~~~ This might be one of Dusty's occasional misses
~~tu~~~~~~,:~d gg~~~~~~: 1t somehow lacks the immediacy of a great h it. Piano swells ocean-la ke in the background, while the giant all-Ph1hps orchestra roll s majestically behind Dusty's regal voice,
SHADOWS: " A Place In The Sun" (Columbia). C uriously th e intro reminds one ramtly o~ " Lady Jane" , but soon the 1mmaculate Shadows sound is taking us on a Hawai . ,an trip, or could it be 1he South Seas'> Either way, there 1s a place 1n the cha rt for this atmospheric piece of beat hohdaymaking
MANFRED MANN: " You Gave Me Somebod) To Love" (Hl'ttV). l ontrovers1al Manfred single that hath he.en released by EM!, even though the Man. freds ho.th switched unto Ph1l. 1p1. And mighty is Manfred's '>'-rath. and not surprising because, although Paul smgs m~ ly the song and arrangement • re a btl of a mess Certainly _out-of-the-ordinary and inventive as one would expect from the Freds, but ne\"er commerci1J enough to fo llow up hits _ like " Pretty Flam,ngo" _One 1s tempted to describe this as pretty awful
RIGHTEOUS BROTHERS: " He" (Ven:e). Wnhin seconds you know this is going to be one of those "stand on every mountatn and raise your eyes to the heavens" cry ing songs There's the old tide in there, angry seas (being caJmed), ethereal choirs, 900 violins. chu rch bells and unison tambouri nes A tra ck taken from the "Soul And Inspiration" LP drawing high praise from Londnn's hip in c rowd which shows how square they are Actual ly it's about time we hsd a ~ood holy hit, and what wJth the crusades on, this l'Ould bt' a smash
PRETTY THINGS: "A House In Th e Count_ry·• (Font ana). Most rom mcrcta l record ever recorded by the Preu1 es and w riuen fo r them by master pop craft sm an Ray Davies . It 's 3 bright , boun ce- al ong talc of a coun t rv house, played with the Thmgs usual gutty drive . N1ce--and a hit
EL VIS PRESLEY: " Love Letters•· (RCA Victor).
Elv is m rom antic mood in a grea t oldie that was great when Ke tty Lester made it a h it all t hose years ago Jn fact the arrangement 1s 1°denu cal to I.h e original hit. which was based o n a Mahalia Jack son thing anyway . Elvis' Brit ish fans are so patriotic however the antecedents of anythmg he does will not be enough to deter them from making this a hit - again
LOVIN' SPOONFUL: "Sum. mu In The City" (Pye). Tremendous sound painting from the Spoonful about 200 miles removed frorr "Day Dream." There 1s Powerfu l organ, drums and guitar dramatic hreaks, and clever use of effects inc:ludmg car horns and p~umat1c driHs Unaccountably . a fade-out end ,s used In view of the Invention that goes before, the loose ends near the stop groove coul d have been tidied up But it'll be a hit anyway
B ERT W EEDON: " Kick Off" (HMV). Duane Eddy
meets ManchHter United rockafootball opus There's a footba{I whistle being blown at frequent Intervals, some cnmmal rock and roll session drumming, and an appallmg arrangement. How ca n anyone need a hit this badly?
WU CHRISTI E: .. Outside The Gates Of Henen," (King). An early Christie piece W"hich
:a~~:~g !~~Jtu~~up,111
th=~•~:ri cause anybody with a headache, migraine, o. hangover, or anv semblance of musical taste to wish he were dead It's an excruciating row and o ne wondrrs exactly what Lou Christie had to do with the sen1on'> OTIS REDDING: "My
Lover's Prayer" (Atlantic). Of NEIL CHRISTIAN & TH E all the ccloured American CRUSADERS: "Oop•" (Strike). arti!'lt, to emerae m the ,oul A quite extraordinary sound field 1n recent. yea rs, Otis 1s from Neil that can only bt' a the most ro~v..incin8 and hon hit Listen for lhe clarinet
:emm~~war~~~~e w~u~~- ~t'~ f>~t~~ .~:~d ~':re:t~Jjd·b; Bb~i power and conv1et1on if sub- ~eaper Ne1! roar5 through and jeC( to exaricrat,on Satisfac- it's pleasant to hear a new
at his smoothes t and most romantic with fo ur ballad standards. He Rets a beaty
~s~~~~n~~ma~~e aSh~~~:'~u~~ settmg by Norrie Paramor's Orchestra on "Fly Me To The Moon" and "My Colou ri ng Book", and Gary Sherman's Orchestra on "Everyone Needs Someone To Love"
TH E HOLLIES: " I Can' t Lt' t Go" (Parlophone). That most consistent of Rroups, t he Hol lies, couple two of their bigtest hits, "I Can't Let Go" and "Look Through Any Window" with the belting " I've Gol A Way Or My Own" and the romantic "So Lonely"_ A nicely contrasted set
JOAN BAEZ: "A Hard Ral n'5 A-Go nna Fall" (Fontana). The pure Baez. voice combines with Bob Dy lan's undoubted compasing talents o n three songs-the superb tllle track and hardly ,ess er rect1ve •·Daddy, You Been On My Mind" and "It Ain't Me Bahe" Some fine &uitar adds to the deli2hts of a rirst rate f.P
BEACH BOYS: "Pel Sounds" (Capitol). Now we know
why Brian Wi bon doesn't lour wJth the Beach Boys -he's far too busy a l home thinking up pet ,ound s. He's brought In th e lot here - •
~j~~s~r•:ral nso:::sdoa:rf!~t: Ing fo r n s ta r t. Thi s ls the
:~~th'!°~ ofLP: re~~a11~~~• u-;. usual vo1cinas, In tricate wril• Ing, muh i-trackl na, e tc. ll 's good vaJue fo r LP buyers thoujh how they can c,•er do ll ln rerson Is bafflln&, Llite Geur t,:I:! Harrison says they'll be gol n.! on with tape record• trs The su nes are not as slruni,: as 1111. production, but ther.? a re some good one, partlcula rly " God On J y Knows", " Pe t Sounds'' " Caroline, No", "Wouldn •1' It Be Nice" and "Let's Go Away Fo r A While". Mu si be the Bench Boys biggest selle r 10 da te.
••T"~u~1~0~~~1~ •:o~~ll~~t
Wld<' nppeal. For those who can't he bothe red wit h B s ides
- ---rtut·lAI~ ,,1 we 11L--- ~E~ft1e88y r i~tl:., ~;~n~.~
1:~:
Br!;!thers' "My Sh'ip ls Comins:, In , the Four Seasons' '"Let's Hang On" and Rogtr Miller's ··England SwinR&" DO you k n ow the m ake
or guitar used by Sego,...,a?-Gladys Hillman. Ton bridge.
Accnrd1na to Frcdnik. (lf ,1n• and Fredl."n)t. Segovia Pla} s 2u1tars made 1n his own rc.-q,uri:ments by Swedish 1u1tar-maker Georse Bolin Sr,(!'ov1a wa• mtrod11ced to him. lnf<d one nf hi s hanrl mld<' g1u tart, lrki·d 1t and enc.(,uraa..-d him Now he has l'\ve f lh~m and nf'vN plays • ny r1ther
J HAVE acquired a paJ r or drum.,tick, marked 8
ahd M, Mod~I o. Who ntak~s thesP, wha t d o they tn?tt, 111nd ~ here ca n I buy th,m?-8. Bamtc,, r ort~mouth .
They iHf' .. p,, Jut.I fr m1,.1!1IC"'ho~ulc-r1 8.1rri1• and Mullin ltd Tht!y ar'" <•ht• mab!• frnf11 any 11; trum•nr shc,p, pncr 7
d Yr:rur nt11rtst dealtr 11 < )\,rtnay 11n<1 Walk.-r 2fil C '1lfnerC1al ,uad 'pnrl
,,u,
Kind Of Girl ... which was wnt ten for a snnR contest by l.e11l1e Bncus~. It r<'ach<'d No 5 on March 25 and April I , l!Jfil. Matt hC'ard ··walk Away" m Copcnha,i:cn, and hi! manager, Don Blalk, transl•· 1~ the words, intn Enilish Bnth ar~ mclud~d (ln an LP ft • turmg his most-succeurul \onJ!l, '"Hats Of Yesterday" (P;1r/nphnnc PMC 12651
W"~ r:: ,:,b~~::sofsi~';!~ with Ambrou and his OrchH lra 111 the 193011--Cli ffo rd Amiee, Ryde, I. or W.
fls1t retir("d • r<,und J953. ,ncl for a fev.- :,,rars run he-r ~•wn htllroom .:it Toot1nA, m London S ht" has since been cr1.1p1ed with pl rsun::il hus1
n, as ot1'a1u and 1, cu rrt"ntly on•1clt-rin11: ,,fftr 10 record
ind tr/ev11.-, lcaturm~ som~ nf 1l'r old SIIJ\JtS
WHAT 1 u1tar t trln1• and
John F~':'!~11~11,, -:; r~:"Wh:~ -Har~ 'Vlurdoch, GIH •ow.
~tr1ngs • re laqre l) a quuuon of iwuonal t .. 11", hu t I uw and rt>£omm.-nd Rot•.> 90\lnd wtrt-wound W1lh the-w 11 it b~s.l tn havr lhf' hmJte as low dnwn II po111hle- lhC"\' hav, a •t1•1y 1w• nav 101.1nd ,._h11"h 1• brou&h l oul 1n advan t.akr h-.,i mv amphfh artun I ult' tv,o Mar hall 100-wart amp• wllh Ill I l inch SPf'alr
e~. one un bass tone and tht." other on Lreble, crcat in1,1 a stereo effect Altol(ethcr I posc;es!I eight ,::u1tars; ll Gibson l';lid with twr, pick-ups, ::i C,11>son acousut, a I-ender Precisi on, a f("nder Jau BaH, a Frnder ,1x-stnnft. two Hor ncr violin huse,, and a Mos ntC'. which is a four-stnnp 5Qhd t•lectnc made 1n the Slates and u11ed hv the Vl"n• turf"~. There or( only two of these ,n Br11111n - J OHN ENTWHISTLC.
JS there a shor l-nale bau a uilar, and It so, I, It tune:J
In lhe ,a rne WIii ) as a • l•ndard ban guita r? Wh at 5lrina• and tunln1 a re u1ed l)n the fo urlil rin& tenor a ult•r1- G. Sulll-
v• y't',~'\e::~;o~,k, a ~~i~:.~~~alt· h:i, ,:u1tar. and the tuning is 1dtntl(11/ to dout,lt han· G "''• D 1nd, A 3rd, E 4th This l'I th~ !>llndard hlnlOj! for 4lt tius aullar!I Th,. Ci1bton rata lu,:ue s tath that lhe fo ur , 1r1na tt"nor guitar can flithN be 1H11f:>d •~ • follow-up rrom l hl" tennr or bari lnne ukelelfl lln which (Hf'! th(" tunini •nuld he tht- samf'J 1»r •• an rntrodu< t1nn In the 111x scrma I \.lrlar Tht> tuntna wou ld tht"n hr- thr- Hme •• Iha! lop fo ur 1tr111,:5 nf lht KUIIU. £ ht. 8 lr, rl , ti 3rd. D 4th --Guharlat aP\1111 teacha-r JOHN l f.NNETI. It Corblt"um, Lon"'1n JII .
HJTMA KERS INTl::RNA-TIONAL" (Pye). Anot her fine foursome This one house, the
~~~1C'1a~r.:~.f~I/ ~~~{drf::::;~ Brown', " I Got You" a~d Fon tella Bass' grtat "Re:-l·ue Me" G ENE PITNEY; "Backs1aae"
(S tote1 ide). Pitne} ha~ • thin voice that's not very tuneful But he doe-s know how to pres<'nt o song dramatically This 1s ex-aclly w hat he does on "Rackstnf(e" "Lasl C.:htnce To 1 urn AM)und" ~~~~.~ina Thru' The Eyes ol
RUDOY GRECO: "Greco Jn London" (Columbia) , Showhit. type singer does h •~ usual 1velte JOb "There',s A PlaC(" Cal led London" i,, one of t hn1e song~ that c:ontr ive.s lO f!t Nelson·., Column, Leicest("r Square and the Strand into it,, lyric,;, Sentimental and •lnppy Ot'hers ''Mr Kiss.
~1t\~~~~dB~.~·~-, •~~:~ ~:t~!'• KIKJ DF E: "Kikl In Clover"
(Fontana). K1ki dc-,rrvH more rtl'OKnltmn. 11'!1 hard on slrl
:~~-~~!l ~OI h~: f;~on I:a~it frnm one nr 1wu fX<-e ptiona Shto h a • I &Qod voftT, a •u r-
r:1~~":e, rasi: 1::. ·:: ,:1,"1:
.~1• llv dm1nct1ve .,;., r,rr .. Onctor In Cinvtr"", "'take A
~~ ... A.~w'tJi":.. 'i&u~• You
Sandie passes test of time •• •
SA~?.~~ ~fd~~ ~~~~=>-A s upe rb se lecti o n of al l Sandie's m e mo ra ble hi ts. It's noteworthy that none of Miss Shaw 's past successes ha ve dated w ith th e pa~sag e of time. "Always Something There To Remind Me" , for example sounds as fresh as a new sing le. And fo r Sandie fons who missed them first time round there's "Long Live Love'', "Message Unders tood", "Gi rl Don' t Co me", and all the others lhat helped put Sandie at the top of the pop tree.
SERENDIPITY S INGERS: ''We Belong Together" (Phillps), Togetherness is the lheme running through the work or this Ameri can vocal group, rather in the spirit of •he old New Christie Minstre ls However the Serendip&, immensely popular in the States, also make use of tenor saxophone and guitars, which makes them even more commerc1nl, on tracks like ''Run, Run, Chicken Run", but the ir forle Is as a powerful choir with plen ty of guitar o.nd banJO backing.
JAMES BROWN: "James Brown Pla;;:s New Breed"
~:~~i~~o~~e;u~J! nli1~c~::
a no.me that just wasn't dropped anymore. Artists who had been so.ymg in interviews for
fr:ennt~ d ·;/j.~;~ ft;:~~ !~: that," meaninR " I pinched a ll h1a best stuff," fell s ilent when It became appare nt t hat visually the Brown show was emharrasa,ngly unpinchable It was a ll too much- li ke this o.lbum. Here Brow n's unbe liev-
FOLK LPs
• Th .. do... • lbl Is M IJ.-Y ,llftd 1110 •uni• 111 either but ho hu • great llkln1 r'tw their Mlllp .1111d has l petlt a lot of Ume IHrnln1 them. On "Sen9• or A •u•lan Gypsy" (• ountJ IYM>OJ) _ he launches- enthu.l• utlully Into ii variety of Ital· lads and what h• describes H " h a ppy...., ffe r,- gypsy 1un•"· They are su1119 In lluuian or c;.,-psy d ialect, eacept ror the
::,•tt,~~1:i':! ::~=ct~:,.dr.:1:: "Ka roubushka " . Among the 1011111, If It m e an, anythln11, • re ••Dyen I Noch " , " Metyellta.a" and .. K• gda Ya Pyann" . I don't know how clo1e thl1 15 to t.he nal thing, bul It hu ~"'.'., than a touch of the 1,phit.
• Jackie washlngten 11 an Amer ican entertil.ine,.._..rn In • oswn of Negro.Pue rto lllcan
~:..r::t~ e-~~ ':f!,!n •':1~a:I•::: 11 11111 lr'ildftional 9011111 • nd conle mporuy s tuff •hlch f• Hs • •th in the broad compa rtment la belled " Fol k And ProtH t " . On " JACKIE WASHINGTON AT CLU I 47" (Fonuina TFUOW), he si ng,, plit,yl, ta lks and JokH a boul Covernor Wa llace and J im Crow In genera l - a ll In • pleutnl • nd , I gue11, winning manner. His progra mme ln-cludq. hl1 own " Fnedem School' ', " Song For a• n ChM-
::;:i .::!~!na(•h~:r=.:mlt~~
::: lfter.p ~:: "D~t':i~~le:: " Fa ther' s Cnwa" E lnltltlh Collon•, " Su1• re• " ' and "a.", II Ain't No Ue"' , a Ne•fnft ii Wnt Indian and • PIH'uvlan .. n, and HHral lndlU011al1 It'• alt ri1hl if you 11kt cabarat: type rolk . .. d ,NWst.- N.,. ! .. ~r:.n!~:•·;.~:g ·:.:..:. :-~ut:i': ;::,.~m•.!11:":•~;; ~...-~-:.,ta "':r~"•:,1 .. :,:~h~= n~rd, i111 u 'CAIIOLYN HIS· TU AT TOWN HALL" (Dot DLJt Jill) lh• J tend te dr.. Sha werk• 1hrou1.. lho n 1t• rtetn that -"• WU llflglftl a n har .... • r'klP 1rfp, Dylan'• "IPlay• = ·~n:,:,•a,•r!!~;..';c~~!,:
ab ly g rt')ovy band are featu red hth md Brown's M,tan wa1 lr n1t lt '!'I all inurumenta l .IOUI plus: Jl7;:-and it's a ll gc,od'
JOHNNY AND CHARLF.Y: "La Yenka" (Hlspa Vox). La Yenka •~ a huge C,ontmcn tal d ance c-ra7e, a nd anybodv who fa ncies recreat in g tht' s pmt of their ho hda :y abroad will fi nd thi s an excellent sou venir It 's 1nte re1t1ng how Ame rican roc k and roll beat ha, Ix-en ada pt ed lO traditio nal Euro pe-an vocal s tyles Spanish pop • tar, Johnny and Charley add a few
~~0 ~is1::1~;• stgu!~: ~~t~1
"Lo Yenka" PETER AND GORDON:
{Columbia) More good th ings from Peter and Gordon, a com, inatJon that alwayJ stands for ci:ood tHte and qua/lty 1n pop rnusic . Although they are o ft en associated with heavy tear Jerker ballads they are equally ca pable of dnvin,li: beat numbers. Compare "let It Be M e", wh1ch falls into the fonner ~roove with "I Know A Man" complete with organ and gu itar
HOLLYRIOGE STRINGS: " Beach Boys Song Book" (Capito!). In the same way the Beatles' songs have lent themselves to string-laden orchestral • rrangemenu the Beach Boys hits are now given that ethereal "cinema interval" sound It's the sort or sound that echoes majesttcaUy around the half-empty Odeon Just after the doors have opened Exceed ingly pleasa nt hstenmR that underli nes how st rong 1s the melod ic con lent
Ci! Bcarh Bo>•' h111 l1k,. "I Gf't Arriund", "Dnn'I Wrirr 'y Bab:r", "Surt'ln' U.SA", ··fun. fun, Fun•·, and manv mr,re
MINDBl:.NOERC,: '" T he Mlndbend ers " (F o n I a n a). Ama7m1 hollr rnuch 11J,.n1 pal"k~ into such a •~al' iroup At well •• 1h,, vr><• ah11t ty o r f n c Stew1rt, P.c,t Lang, a nd R,r Rothwell, t hf'} com h1ne excelle n, inst ru meri ta l c• pab1hliH All t ht-n aoeo a re wdl d isplay~ o n tht 1r t\r,t album whi ch has 1ood ma tl'n a l and in tehg("nt bac-k1n1 Th• guitar t a.ss and drum i; are r,cea51o nall y augmentl"d hy bras• or o rgan 10 RQOd effecl Ric Rr, th well emeraes. •~ a so lo s1ng~r o n "Jun A Litlle 81t ·• and "All N11ht WQrker" . and con tribute• some ftne drumm1n1. on ··Rockm' Jaybee" the o nl y 1n,trumental track TtmPo• ran,i:e from cool ballad• tn raving rockers
MARKETIS: "The Batman Theme" (Wamer Brothen): It's hard to 1)e.lieve, but here 11 another Batman LP Tlu.• is from the M• rketts who scored a b1& hit 1n th~ U.S with their "Theme" All the tunes arc n bit monot1Jnous and sound like a c ros• between cinema m~rval mu• ic and the James Bnnd theme Choirs drift tn and out shril• ling •·Robin the Boy Wonder". or "The Joker, He-He-He"! As every num ber has 1ts roots tel In a repititiou• Venturestype riff with different brau and organ riffs over the top the. album • 'i a whole is- very borina Not recommended for adve nturous listeners
[ TOM RUSH HAS A NEW /OLD BAGI]
TO USH - ., -= ... -" ·', ,4-,,,,' ') '·' . t ' :A I·
"Tait• a littl• Walk With M." EKL 301/ EKS 730I
ratt- I:! \ 1F LODY \1AK~R. July 2, 1966
A COOL LOOK AT FOLK SCENE USA
For and read
M A IN trends on the
• • s1ng-1n sit-in, plug-in
FOLK n
! > > ir ir a: t"" .. .,, t'l2 C'l A
~>< " IQ a !!' t"" !!! t"" n =--!! ...... II, >m DI
"S. :Z:ta2 e II, UJ::,o A i:r
FOLK FORUM THURSDAY
AID SEAMAN night., Sc:OI.S Hoou
EWAN McCOLL c, PEGGY SEEGER
SUNDAY
STUDES' DRUM (;H•I l1 )IJn l 11.llriclc:c R•Hld W,· 1
THE FRUGAL SOUND (~...,. r,iOA t GOSl'El I SOUl J.,,,...,,o .. TMI,..., ,~1j,71
RAM HOLDER BROS. E--,y <;,'fU..-,,.T FOLi( llU£5
MOX [',fl.,. $Uf,10,t.T 'AMERICAN' I: & I
C-JAM BLUES E,.-yMON0J.T
Qu,./, r-'a•.cf l>"'O'"G by
JOHNNY CHRISTIAN l.....,.. JV£Sf>,.V OIUGINAl llutS
HAMILTON KING'S BLUES MESSENGERS
.,_1r.,....._ ..._,t'Nf~C!J.TS JUG 01: JAZZ
THE JUG TRUST American "folk"
scene can be broken down as follows:
II,
ir -n 1-i
= Cl~ A~a~~E~Um ~\~~,ia~l.ss 't~N- HOT Clue OF Kl ,l' AAMSTAOtU:; welcom ed b~ e I Olk. RO<.I<. More than
half tho:> cnfTc«-· house,. that It .,1ur~I folk:;mi.;mg \es-. th.in twu year:. agu arc now i.tm:tl~ rod Jnd roll or J_olk Rock The U rban ( h:t.lnhcalmn programme h, l11r tho~e .,..-ho want to h whrtl' •t·s at, where 1t'i, 1~in~"\1~~-~~--nd \\'~<;~l l~~fta~~ nm, lui.:.ged m
.. , ::,,
0
~ n 0
" i:r
-< DI
AT THE COUSINS, 49 Gr..,ck SI
EL vs't:"~E~BERG AT THE COUSINS, U .30·6 a m .
=" t'l2 0 = a:
FRI DAY
sun McC:ulh)'. "1llll• l{orh'Y .:.ml LONDON QUINTET .1011nn1t· Macnam.11r.a I~========='
JOHN PEA-;;;, T~E LEATHER· ~ HEN :ti THE KINC 'S HEAD, ~1ur ket Plan.•, r.nfltld Town
PUTNEY-TO NIG HT l1;1U Moon· l.o•·cr R11.:1lmmuJ
Rnad
KNUCKLES NOW "IUHCH Of s•, .. ""' VIV ,....C.f
"IN & OUT" CLUB-DISCOTEK 1.!cen1.d for loone<1, 9 p rn -J o ..,
Clo,-cl Sundoy, li"• Souf'ICU No M,..,b.rsh,p ,,,qu,r.d
• DYLAN • BAEZ • BUTTERFIELD 0 -<
Noi:i. MURPHY LAUNCHING >""" :z:!
GERRY LOCKRAN ROYD RIV ERS
CLIF F AUNGIER 1, CAIUSLEST.iEO, SOHO SO , W 1
GU,o,i, 1171
ROYALTIES
t.11.'\lfll hill~ ,n Grl•nw1ch '11li1~ • l un1bridKf', Old T'l"-TI Jfl-1 N,~11h Bcat:h arc w.a, up --.ln<l l arc rt:turd ruyalt1f's rtie d"vtl<,pmt•nt ho" been in lh..: wurk f<1r a number of \t-.a r\ le\1.-n hdnrl' the BeJtlcs) 11.ir11ng ""h•·n 1hc-, h1pr,1cs be•
,t~d~0
) d•wi!i~~~~"':~d Hot~~~~ Btrr)·, Tlot' Paul Butterfie ld Blut-,. Ba nd hridr.r:d the ~ap to 1h1 vr,h1tr, "k ids, ond Bnh Dy• 1 n 1•1 1\ t'lrl.'cnlnR, olf on a 111·\.\- n1ur~ R1,tht now, ~ome-1,rnc r,1Jk ha!lcd Aroup~ such H rh1· Lo \ln' ."ipoonrul, the :~~c, ci:~/i~~e~o~';v~ndh!~~!: r"''P chan-bu!>ltr
11,i; \ll/Ut' and h>n,t-tenn SIR nihc.mu: l1r!" a 11nurce of J:reat , llnlr"\ 1 \ amnn~ pt:rfnrml'rs
nd cr,11u The mu,-,c seem, I tu• unquC'-l 1<.>n:ahl} parl (,f th P<•fl nrt" urh~aval .tnd 11,11s ,,., n 1ht• t'ndnrsl'menl or 1 h nPU\ r•u • UJ!d1n~I 1ntcrpre• 1111u,n" I thr enVt'fope b the rtM'n.l~t. hal•)-l. trJUcs A !t"" (cc,11n1 mt' amoni;e. them ) 1hmk tlu "hull' th1nR U a frt'n71ed 10kt' that ,1ves the , url1t11)Jnl 11\e 1llusrn n thar h1~ navel 1s tht centne 111 the
ERUPTION e PROTEST. For cQmmerc1al purposes. at ltH I. brg1nnin1 to v.nr a little thin Civil
~•;~i, {E!!/nrt•r .!::; Y.!.t~ Sha ll Ovt-rcum a" ) Tht' healthy ,. , uptlon of a few years qo
::.u~::.~· ':~du~~ce~~•lzl:: Ptllls Oehl, Tom Paaloa, Buffy Sl Marie t UII pilch1n1---bul 1he ~en ae o f ur1ency Isn' t ('u1tc there, except fo r Un
~,~r~nd
:i,';;n whJo: .:'~"",.~ s«1u, JuJy CoWne. Barbara
Dane sull headline the parade!I and demon.!.trations
New \/01ces: Ji mmy Collier, a young Negro from Chicago's South Side with somf' strong ,ongs reflecting the new Nc~ro mood, and Joe MacDonald, a younR man from San Fran c1sco, whose anu-war "I Feel Like I'm F1,cin' To Die Rag" has caplured some or the reel 1n11 of tht: young radu:als.
(t nO~c~nrn~~; :;: a~c~~~cnlf~~fl~ led one o l the best.
CONCERTS e TRADITION. A discerning, intelhgent audience has grown up whn has been able to give ~omP measur e of support to 1rad1t1onal ar t1s1s. Performers like Roscoe Hokomb. Mance Lipscomb. Doc Watson, John Hurt, and dozens of other'! DP· pear regularly at college con· certs a nd coffee houses
Tht: New Los t City Ramblers, who helped pave the way tor t his development , are at ill go,nR strong In concert •P· pearanc.es
GHITTO e BLUES. B1uer than evtr a nd no end 1n s ig ht. The o ld time rural blues m en are idoHH<I (sometllMS l C) the point of e-mbarraument) by a new xenerat1o n of white city kid• who aet turned on by Son
:r:.-anri. ~~mt=l. The Ch1ca10 Bluu Men
1:=t.:: i~T.tc>n1::v!"~~ audiences now - lhelr main ba.e • till In the 1heuo, but a srowlnR white coUeae aud1• ence u wen. Still lou of white kkl• (and older folk · s 1n1e ra. too) tn die traditional bl~• baa, bul. even rnon interesuns, took for a pouible
DISC & MUSIC ECHO
BEATLES IN GERMANYI
* ON IOARD
BIG L! * CILLA PICKS THE POPSI
DISC --- OUTNOW ..
., lrcnd towards young c1ty-hom or hll nr-,. £ P Negroes reda1mmg the blues -- -n • COUNTRY MUS IC. The AT ™tHN~~,n~ ' ~.~~{~ HEAD
~i:l~h/in:1"d":ivnc
1~ ~~d~;ro
8i~: TONY ROSE hy Nashv ille's bid 10 1akc over Tony Sha• ou\.-i;I the pop charts. The workini; ST. PANCRAS class base that once made !his HELEN KEN NED Y
ASSEMBLY HALL • vital muslcol form w hen the THE CA UCERS
Yi!:m~ ''t:~ar't rt~d FU:.l!f; ·----------1 Ill th~ Scoh c~~~\.. Di.mllrlcl Dave Macon were the stars
~!!rs~ee; s~~~~~!e~f i~r;~~:e~~ THURSDAY, 7th JULY TH/!~~L~:RL~.' :::;v H~:uLD n am War son gs em anatinM, THE CENTRAL. • ARKING ROAD
~:~ :.~S:~~lkie h~rl~~~u~f 7•38 P·•• •harp coun try music. The young city musicians who dig the style the most have developed as fabulous instrumentalists with lyrics becoming more a nd mo re occasional
SATURDAY
:md Sp..,ctal Gu~• ,l Slar NEW HARVESTERS
Next wtck the t>nc and ALEX CA MPBELL
TUESDAY . T HE CONTEHl'OllARY
FOLK CLU• Ttir~d:i.}• .ll II p .m
AL STEWART 1rnd Gursl Sln,;.cr11
Ltdui:t•", 7'l O'Arbla)' St Yt .l ,oft' wardour s, ) GER 5091i
AT STEAD . CAMPBELL_. ___ _
AT FE NNARIO FOLK H.md ..
FOCUS ON FOLK AT THE COUSINS . l .)O-U ,30 r1,~/'ft. T:;~n~; ~r-:~ • tulp:~1
.JACKSON FRANK "''"•' P.,ul O;!lc>
BL~K~-~ ~~~ olnsJag role In • three-hour Him epic, "Kubl• Khan" to be shot In the Hhnai•y1I
mount•lno of Inell• In September. Gerry wW be In India. where he waa born, for four to five month& ad hu lo hll•e his hair rlaht - lo bl• shoulders lor the put.
Thal. lie nplalud to ... , la wby It'• ID loll& at the .........
..,,,,. INt JM•• for Jadla IM'II N ....... a monlk In Paris ud plus lO IUke -• Lh fer die new neonl com~rml• wtdl AUX
TV folk
to nan-foll. audiences 111ho jv.11 don't want to know. Some bave complallH'd bltterly to m• abuul tbls, but (rankly a touch "' lh1• sort of reahty, alter the somewhat rarltled atmorphtre of the folk clubs, wouki do some 1ln1er1 I know a M of 100d
Festivals
EXCELSIOR CLU• a l AT THE HOLE IN THE CROUND SCOTS HOOSE
WESTON CAVIN rtir~a~~1; ••• •.Tn~ ~ ••• "•.L·L·l·ARD rur 21 WINCH• STER ROAD, N ,W.) F
s1~~tv~llc ~-Lufi:;.-~\GH~'"r •I~ SION MIDNIGHT
SPIDER JOHN KOERNER N. CAffOUSE TONY McCARTHY
a l th• kol• Hoose, C.i.mbrldJ Ctrcus
SEEGER-WEST John s now, • roed.-klc I t . 7.31
•-~• C8UIINI PIIH8NTS 12-
ALLN((;HTER
ALEXIS KORNIR
R. HOLDER BROS. AL SflWA• T
AT THE _MARQUEE
I i~:•1~:la,c ~~:211T,RtJor::. FRAl• R, TONY NcCAIITNY ,
TH URS DAY NIGHT DISC SESSION
..,,tt, TO, D.J ~. LATEST RECORDS ond GUEST STAJtS, plu, I,- group,
fr,doy, M y ht
SPENCER'S I WASHBOARD KINGS , ~ . M,'2nd
HUMPHREY LYTTELTON AND HIS IA.ND
S--,., .llllyJrd
BRIAN GREEN 'S NEW C>«LEANS STOMl"flS
1 /IMJ#!day, July ,tt.
III D MARTYN'S RAGTIME BAND
Tundoy, My5H,
STEVE DERBISHIRE and th e
YU M YUM BAND fMu. Full Supo<1l"1 '"'9rom'"
WNffluday, J uly 6 th
TERRY LIGHTFOOT'S JAZZMEN
FULLY LICENSED BAR EVERY EVENING
. IOUCIO u.ns fOI sruotHT MEMHU
~~ °"C::.~ o; 't.~ct::.ri;tr5.:7i lG£1:0ll11
CJ..- T.le ..... ne N" .,.._ MUS n111 ot:1:1
KEN COLYER
(STUDIO ' 51 l CLUB 10 11 Gl NEWPORT STREU
L[l(ESTEI SQUU[ (!UBE) Th1,1t tday, I 0, Folk a lluH
RAY & EMMITT Friday, Jul y I 11, T,30
GOTHIC JAZZ BAND Soturday, July '2nd, 7.30
IIEN COLYEll'S JAZZMEN Su,ula,-. July 3rd, 7 30
IIEN COL YER'S JAZZMEN .............. ,,.. } Folk & llue1 All-nlghle r
CANA YAIIIYY A_.,NC't' •J '•• .. .._... S-..,. l ....... WI aAA't',_ Ul6
... PAm la&Elt! & HU: IELIU
BLUESOLOGY ON
FONTANA I1:fCottoS
ILUfSOLOGY proudly w1th to
::":c:~o~:~~:~;~::,~:: will MAltOl.la .unm· A09«'/' llC.,.W. ...... loANt!, WI ..._..MOl/1/J =- 4INOID TINDUI
WflLOW WITH THf lfSJ J
IAnEtSEAP.UK CONCEIT ,AVILION
CHRIS BARBER'S JAZZ BAND
Tuesday, Ith July I p.m. 3/
IN• •4-•• .,._.11191
ronnie scotts club NOW AT 47 fllTH STIUT, WI
GUI: 47S2
NIGHTLY 1 30 p m. • l • M..
(Clo1od s,..ndoy1)
W INE ANO DINE UNTIL 3 • ·"' o nd hoo, the world '• fine,!
jo uorti11t
NOW APPEARING. till SATURDAY, 23rd JULY
DIRECT FRO M AMERIO N SUCC ESS
ALAN HAVEN DUO
AND
BLOSSOM DEARIE
wiH,
RONN!E SCOTT ST AN TRACEY TRIO
COMMENCING MONDAY 25th JULY for ONE MONTH
JOHNNY GRIFFIN AND
SHEILA JORDAN WINE ANO OJNE 8. 30 p .rn .-3 om. In tho N EW RONNIE SCOTT CLU B tho flnut Jou Club 11'1 the wo,ld I
THE ED FA ULTLESS TRIO MOOUN ;Al1
. THE p'H oEN IX Co•,-<>d ,h Souore WI MAY !700
W~dn~•do; u , 61h B l S I 1 p .,
GORDON BEC K TRI O • •, • • • L
BULL'S HEAD i,.,-, • t,f':o Bl-:I[)I f f • , 1 ....,...,.,._,__
IOT ... eta:11 UIAN TON'fUOB
'"""· ~, • .......,, ,._,. & o-a,
-GAIYCOXAIT ELUfSON
TOMMY WHITTU -IOIIUIINS -,_ DANNY MOSS
...... GAIYCox .... DANNY MOH -11IIIY Hlffl QUAim
"":b1 lffOID - ... ...,!!AIIY SOUTH 1'IIIO
....!:f:N' AST OUAllffl
MFI ODY MAKFH: fol \/ 2. J9fifi- P•~" 1 1
manguee 90 Wardour Street London W .1
Thur1doy, J,_ 30th . 7 30-1 I OJ
*THE ACTION * ALAN BOWN SET fndoy, July ht /7 JO. 11 OJ -,It LfT'S GO SUll~N' 'A THE SUMMER SET * WISHFUl THINKING Soturdoy, July '1rtd (2 JO., 30) *THE SATURDAY SHOW
PAN auYII GUrfAH, AM'S. S,U.:U., CUJ:INn'S. tTC PANarnl
lUlhA\IA.llAlll ,tOVfOOll'91Cnl£TlB
m USl.Alt tUU1A\IAII.At,1£ ,.....,.,......,....._.... .... ""'
GUITAIS GIISON fflllO ti 0 CWUQN 17S. Woood. tlU GIIS()HUS.•- 1110 aSONUO,i..v- t.9S w.ttONICASNO £100 f'9llllt M.GUAI. d..(• M l _ lH ,..._ M.llMASlft. ......... US GUIU)SUM.11"'-lp,cl,...,. '75 1'1ND11 fflAloc.utll. t'-- ef I
.... u, GHTKMTl!NNISSlAH. cnbNnd.,.... tlOO GIETSCH OOIAll ANNNl'IISAJIY US HCIIM9VUITMN ao t lOC8'ACXll. 3 ,......, .......... llO!II l'INDfl 11t1CASfflS. <h6.c-a ..Jo US OfHOM LIO a-t ttO FINDl:l l'tlCfflON IAH US flNDO JAll lASS US
GlHTAl AMPS I • .A. SYl11MS VOX A ( .,0, Wocli D S MAtsttAUSO, <I • 1:r lllO rtNDn: TH.h«>t.Ull, ......... US 511.MO TWIN ,0, l_... A- r.21 SllMO IOCMAC 1WJN IO DS IIUIJ!ll lootAC TWIN ,0 tAI ICIUT••ll~ l"'-'C.......i t H vox ACIOTW\N en VOX A.C. U fWIN,, ,.,,.. t:lS I IID H - w.tt OtOAN ., llAO AMI' _., f.-- C.i.-t to~ t H ICIUY•A COWMNS, <la 10' C.-_,.,eod, .,...uo ll'.B.1T Cl-UT IOXU. it.. ..,_. 1n
PA .. 6 , IO"Cel .. -"'_.. tlOO m.l.T SOUteMASTn Ml'-"· ...... £U MAUMALl P.A SY'STl#lil 2 o 12" '·"' c--.. u, ._O X WI P.A AMP tAS VOll ,o.._,,., AMP as
lUOWtO CHAMPAGNI Sf',Ultll, co, .... r.w,;-, a,o AJA.ll NU,SOUNO, a..,,......, ..,.i.. •- s .. pel' z,... 1100 l11UCON Ill.II mlrt. ._..,.,,. US OlTM,t( GHT SPAaltlf., •,..... US
LUDWIG Kit. Brond n•w. Champogn• finish . Comp. 1 ot 265 gn1.
as new 99.,... Twin , as new IUINS T.R.2, shop GlffSCH Boss Amp IOiS.d only 90 gm. Brond new 11 I at 90 gm. HAIMONY M•t.or, IURNS Sonic 30 im,noculaf• cond. 59 FIi· D•m. soil•d only 55 9n1. RITUIAMA 2 p / up I S.C. Ban omplifi•r 1'cn11 r•d 19 IM- ond cabinet 35 .,., GIISON E.S t 20.T BURNS O,bil IIIA . N.w I 70 9111. Dem. model. New 90 9111. MATON, &iq1b y, DYNACHOIDEmin-caM, brond ne wl 120gns. •nee A,nplifi•r, _. x YOX 2 p-up. Codt 10" 1pkr1. in twin borga in 12 gnl . columns IOgM. DINS Jau Ion, VOX Bau Twin 30
I061, CK new 36 .,.. _ now I Oemon1tration1 oll day by ••pert. Compl• 210 .... MOFNII V 3 moc:lel, • Other mod•I• ovoilabte up to 10 p11dal1 pef'fec;t 26gns. • Writ• or coll for frn Catologu• on loldwin-lurna Amps ,
SEEKERS MUSIC IN AUSTRALIAN DOCUMENTARY NE2Z~~•~~: s-::ke:_
nd;;
provide the music for a documentary tllm about the hi~ tory or Auttralla.
Judith Durham returned to lhe 1roup on Sunday, after
~~~nedec~~t th~e&'r1!:oo~e~ Soci•I C4ub, Rotherham, 1or a week .
Next Monday (") they start 1 week tt Bournemouth Win ter Gardens.
• G~::-.o~d G!:~~rAZ; ::~ Hollies' current hit, "But Stop" makes hi, Decca disc debut wit h hit own Manchester-hued a roup, th.e Mockingbi rds. tomo"ow (Friday).
Gr;nham's hit songs include the Ya rdbirds' "Heart FuH Of Soul" •nd "For Your ·Love' '
g:~en~~r;·~1~~~~ P~~~~· T!k~
You There ." Bul for his own s ingle he
hts chosen an American song, "One By One "
• G~:~•~,!t~ E an~
nd Ch~
Farlowe and the Thunderbirds top the bill for a World Cup
: : !!..e~,l:~ o':•fuf r I :.allroom. Abo on the t>7.1 are three
local aroups, the ColU:, the Gn Board and the Junco Partners_ All the learns Involved in the North-East section of the Cup have been invited
•
Bel11um • nd Gerni an y •n • lso tak1 n1 p• rt
• TAU.. wJUowy Judy Colhnt
In t::~::~th:t\re.~~ the. ~r• Houn, Rlaclcpool, Is not the U.S. tolk 1lnaer H s tated last wffk. despite th• similari ty or n•m•.
Judy Is. 1n rac1, a Well F..nd
~a?\ns;f
