CloseReadingImages:GoingDeepintoTwoDimensions

Recently,someofhisMarinebuddieshavebeencallingMillerup,cryingdrunk,andrememberingtheirwarexperiences.JustlikePapawJoeLeeusedtodowhenMillerwasaboy."There'salotofVietnamvets...theydon'thealunIl30,40yearsdowntheroad,"Millersaid."PeopleboMleitup,becomeangry,easilytemperamental,andhell,beforeyouknowit,thesearethepeoplewhoaresnappingonyou."Jessicainterrupted."You'realreadylikethat,"shesaid.SherecalledherownfirstglimpseoftheMarlboroMan‐‐animageseenthroughtearsofreliefthathewasalive,andmiseryathowwornhelooked."Somepeoplethoughtitwassexy,andwethought,'Oh,myGod,he'sinthemiddleofawar,closetodeath.'Wejustcouldn'tunderstandhowsomepeoplecouldlookatitlikethat,"shesaid."ButIguessforsomepeopleitwasglory,likepatrioIsm."

• Photographs are not actually objective• They come from individual perspectives• They often perform specific jobs• They contribute to familiar narratives• They often make arguments• They work both directly and indirectly

• What job does it do?• What argument does it seem to

make?• Why are we seeing it?• What story is it telling?• How do different viewers interpret

the image?

• Close focus on the face• Face painted, dirty, bleeding• Cigarette hanging loosely, almost casually• Smoke billowing around and in front of the Marine’s face• Eyes squinting, looking “over our shoulders”: reads of

alertness, “hard edge,” almost reminiscent of James Dean• Little to no background or terrain, except desert gray• Face framed by the helmet and the strap

Consider its elements:

• After a day of bloody fighting during the battle for Fallujah• At that point, this battle had claimed more American lives

than any other campaign in the Iraq war• The battle for Fallujah was fought door-to-door, in the streets

and in the houses, instead of from the air or from a distance.• The Iraq War was beginning to become less “popular” back in

the US, but still held support among a majority of Americans.

Consider its context:

• Once more: focus on the face, but in profile, with hand loosely up

• Face is clean—and looks radically different. Rounder, softer, much less strong.

• Cigarette is still here, but it feels very different here: the hold, the ash—even the length—all seem less at ease.

• Eyes look away, now downward: feels like regret, like loss.• We see part of the USMC tattoo—but it’s upside down and

partially obscured.

Consider its elements:

• 2007: near the end of the Bush administration. The war is much less popular, and more than half of the American public are now in favor of withdrawal.

• It had become hard to identify, clearly, why the US was still fighting in Iraq: many used the word “quagmire” to describe the war.

• The article was talking about the difficult conditions soldiers returned to in the US, and of the toll that the war had taken on them.

Consider its context:

Consider its elements and context

Towrapup:

• PhotosfeelobjecIve—theyfeellikethetruth

• Attheverysame.me,theytellstoriesandsupportarguments.

• Bothphotoswerewhollyandcompletelytrue.

• Bothsupportedradicallydifferentstoriesandarguments—abouttheIraqWar,aboutheroism,aboutus—evenaboutsmoking.