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CMP social curating-hope

Date post: 10-May-2015
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Museum as a method…
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Page 1: CMP social curating-hope

Museum as a method…

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…to explore indigenous creativity,

visual culture and public culture,

and to encourage articulation and

participation …

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… towards Social Curating

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Project: In Search of Marginalized

Wisdom – Craftspeople in Sham Shui Po

From Social innovation to social enterprise (2007-)

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Background

• The city as interwoven clusters of

social resources

• Drain of local knowledge due to lack

of documentation & urban re-

development

• Articulation of local lifestyle and

indigenous creativity as building

block for social development

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Phase #1:

Research >>> Exhibition

Phase #2:

Craftsman-Designer Collaboration

Phase #3:

Towards a social enterprise

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Phase #1:

Research >>>

Exhibition

www.hkcmp.org/craftsman_book.pdf

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Craftspeople research

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Craftspeople research

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Craftspeople research

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Craftspeople research

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Focus: Materials & Components

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Focus: Tools

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Focus: Process (wooden cart)

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Focus: Space

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Focus: Community Network

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Exhibition: Setting

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Exhibition: Setting

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Guided tours

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Guided tours

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What have we learnt from the research?

How does the traditional production fit

into contemporary design?

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Observation: recycle system (wooden cart)

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Observation: versatility of technique (metal work)

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Observation: versatility of technique (metal work)

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Observation: space and production transform

(rattan furniture)

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Observation: space and production transform

(rattan furniture)

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Observation: modular production (rattan couch)

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Observation: participatory consumption >>

community network (beading)

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Observation: participatory consumption >>

community network (bead weaving)

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Observation: possibility of cross-sector

collaboration (seamstresses/NGO/designers)

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Observation: possibility of cross-sector

collaboration (seamstresses/NGO/designers)

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Phase #2:

Craftsman-Designer Collaboration

Principles of collaboration:

• Traditional technique >>> new &

contemporary applications

• Minimum modification to existing work

process

• Sharing credits and rights among

craftspeople and designers

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Craftsman-designer collaboration:

Yau Kee X Brian Lee

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Craftsman-designer collaboration:

Yau Kee X Brian Lee

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Craftsman-designer collaboration:

Yau Kee X Brian Lee

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Craftsman-designer collaboration:

Yau Kee X Brian Lee

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Craftsman-designer collaboration Craftsman-designer collaboration:

Yau Kee X Brian Lee

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Craftsman-designer collaboration:

Yau Kee X Brian Lee

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Craftsman-designer collaboration:

Yau Kee X Paul Chu

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Craftsman-designer collaboration:

Yau Kee X Paul Chu

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Craftsman-designer collaboration:

Ho Chung Kee X Benny Lau

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Works from R&D workshops

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Works from R&D workshops

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Craftsman-designer collaboration:

Ho Chung Kee X Albert Tsang

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Craftsman-designer collaboration:

Victory Metal Work X Tony Lim

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Craftsman-designer collaboration:

ADPL Social Service Centre Sewing Co-op X

Hung Hing Ho X Cheung Lik

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Craftsman-designer collaboration:

Tat Shing Rattan Furniture X Chong Wai-yung

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Phase #3: Towards a social enterprise

Craftsman X Designer X NGO collaborative

production:

•Based on knowledge exchange and creativity

•New design based on existing production

(craftsmanship/NGO) at a community level

•Commercially viable / competitive products

•To share credits and income among

contributors

•Production model that envelops education

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家縫

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家縫

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救世軍

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織職同盟

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YMCA

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Designer X NGO workshop

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Designer X NGO workshop

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Designer X NGO workshop

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Designer X NGO workshop

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Designer X NGO workshop

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Designer X NGO workshop

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Designer X NGO workshop

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Designer X NGO workshop

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Designer X NGO production

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Designer X NGO production

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Designer X NGO production

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Designer X NGO production

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Designer X NGO production

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Designer X NGO production

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Youth education workshop

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Youth education workshop

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Youth education workshop

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Youth education workshop

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Youth education workshop

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Project: Experiments in Upcycling

Design (2010-)

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Five-way partnership

Cultural partners:

artists/designers,

academics, researchers

Community

partners:

local industries /

craftspeople,

NGOs, residents

Education

partners:

institutes,

students,

apprentice

Business partners:

industrial material

donors, business

strategies, retailing

Government partners:

policy bureau, district

council

Production

Support

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Social Curatoring

• Mapping social resources / local

knowledge and skateholders

• Mix n’ match social resources >>> encouraging cross-disciplinary

collaboration & knowledge exchange >>> towards co-ownership >>> create new social relationship

• Need-based community building >>>

asset-based community building


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