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COMM 2250 STORY COMPONENTS –PART · PDF fileSTORY ROBERT MCKEE’SELEMENTS OF STORY...

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COMM 2250 STORY COMPONENTS – PART TWO
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Page 1: COMM 2250 STORY COMPONENTS –PART  · PDF fileSTORY ROBERT MCKEE’SELEMENTS OF STORY CHARACTER vs. CHARACTERIZATION Characterizationis the totality of all

COMM 2250STORY COMPONENTS – PART TWO

Page 2: COMM 2250 STORY COMPONENTS –PART  · PDF fileSTORY ROBERT MCKEE’SELEMENTS OF STORY CHARACTER vs. CHARACTERIZATION Characterizationis the totality of all

STORYCharacter Backstory Exercise

Objective: Write a character backstory starting with your character’s birth and hitting all the major events of your character’s life up to the point where the story

starts.

These life events should reveal or indicate how your character thinks/feels. What positions do they take in life? What do they want in life? What do they value?

The character backstory can be simple, covering the highlights and important events throughout your character’s life. It can also become elaborate, depending on how

much detail you want to put in and how clearly the character speaks to you.

Page 3: COMM 2250 STORY COMPONENTS –PART  · PDF fileSTORY ROBERT MCKEE’SELEMENTS OF STORY CHARACTER vs. CHARACTERIZATION Characterizationis the totality of all

STORYROBERT MCKEE’S ELEMENTS OF STORY

CHARACTER vs. CHARACTERIZATION

Characterization is the totality of all observable personal traits and qualities of a

human being:Age and IQ

Values and Attitudes

Choice of Home, Car, and Dress, etc.

All aspects that we could know about someone by observing them day in and day out.

Page 4: COMM 2250 STORY COMPONENTS –PART  · PDF fileSTORY ROBERT MCKEE’SELEMENTS OF STORY CHARACTER vs. CHARACTERIZATION Characterizationis the totality of all

STORYROBERT MCKEE’S ELEMENTS OF STORY

CHARACTER

Revealed in the choices a human being makes under pressure–the greater the

pressure, the deeper the revelation, the truer the choice to the character’s essential nature.The only way to know the TRUE CHARACTER is to witness the character make choices under pressure in the pursuit of their desire. As one

chooses, so they ARE.

Page 5: COMM 2250 STORY COMPONENTS –PART  · PDF fileSTORY ROBERT MCKEE’SELEMENTS OF STORY CHARACTER vs. CHARACTERIZATION Characterizationis the totality of all

STORYROBERT MCKEE’S ELEMENTS OF STORY

CHARACTER REVELATION

No matter what they say, no matter how they comport themselves, the only way we ever

come to know characters in depth is through their choices under pressure.

The revelation of deep character in contrast or contradiction to characterization is

fundamental in major (interesting) characters. Principals must be written in depth–they cannot

be at heart what they seem to be at face.

Page 6: COMM 2250 STORY COMPONENTS –PART  · PDF fileSTORY ROBERT MCKEE’SELEMENTS OF STORY CHARACTER vs. CHARACTERIZATION Characterizationis the totality of all

STORYROBERT MCKEE’S ELEMENTS OF STORY

CHARACTER ARC

The arc or change in a character’s inner nature that occur, for better or for worse, over the

course of the telling.By the climax of the story, the choices made have profoundly changed the humanity of the

character.

Page 7: COMM 2250 STORY COMPONENTS –PART  · PDF fileSTORY ROBERT MCKEE’SELEMENTS OF STORY CHARACTER vs. CHARACTERIZATION Characterizationis the totality of all

STORYROBERT MCKEE’S ELEMENTS OF STORY

STRUCTURE AND CHARACTER FUNCTIONS

The function of STRUCTURE is to provide progressively building pressures that force

characters into more and more difficult dilemmas where they must make more and

more difficult risk-taking choices and actions, gradually revealing their true natures, even

down to the unconscious self.


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