8/4/2019 Comp 2 Program With Page Numbers
http://slidepdf.com/reader/full/comp-2-program-with-page-numbers 1/4
8/4/2019 Comp 2 Program With Page Numbers
http://slidepdf.com/reader/full/comp-2-program-with-page-numbers 2/4
Introduction and Tarantella
By
Matt Westwood The Introduction is based on a keyboard improvisation, with the violin part then written almost entirely in a one-beat canon (or
one beat out of sync). The Tarantella attempts to capture the feelof techno music for acoustic instruments, with fast repeated
notes in the piano, a strong bass line, and an improvisatory violinsolo.
Performed by
Arun Patterson (Violin)Matt Westwood (Piano)
Endeavor for String Quartet
By
Hannah Zreikat A piece which explores my experience of life so far, full of HOPE, sadness, JOY, FRUSTRATION and determination.
Performed by
Bonnie Brown (Violin)Erin Lancaster (Violin)
Christopher Munn (Cello)Courtney Williams (Viola)
PAGE 1
Hubble: Galaxies Across Space and Time
By
Kelvin FungHubble: Galaxies Across Space and Time is a short film fromNASA that features a journey across 9 billion years of cosmichistory, with original source images from the Hubble Space
Telescope. As part of the requirement of a prescribed project, a new soundtrack, utilising different sounds, effects and instruments from
synthesisers, was composed for it in the hopes of capturing thebeauty and the vastness of space.
Trio for Alto Flute, Clarinet and PianoBy
Luke Hutton This work maintains a constant and fast-paced pulse with some
less-than-common time signatures. It is slightly jazz-inspired and makesfrequent use of fourths in its harmony. Most of the music is constructedfrom two primary themes: a fast and a slow one, which often appear in
counterpoint to each other.Performed by
Taryn Anderson (Clarinet)Luke Hutton (Piano)
Beth Morgan (Alto flute)
Shady Lane
By
Hannah Zreikat A song written in memory of a dear friend.
Performed byMarco Lombardi (Piano)Hannah Zreikat (Voice)
PAGE 6
8/4/2019 Comp 2 Program With Page Numbers
http://slidepdf.com/reader/full/comp-2-program-with-page-numbers 3/4
By
Matt Westwood This piece depicts a butterfly in many ways. The 3-on-2 cross
rhythms depicts its fluttering, while the simplicity of the melody and harmony depict its simple yet profound beauty. The
performer’s hands also depict a butterfly – the thumbs almostconstantly crossed make the body of the butterfly, while the rest
of the fingers are the butterfly’s wings. The title is also a referenceto Australian composer Elliott Gyger’s celesta concerto Angels
and Insects (which contrasts this piece in almost every way).Perhaps butterflies are the closest thing we have on Earth to a
combination of angels and insects.Performed by
Luke Hutton (Piano)
A Weaned Child
By
David CampbellPsalm 131 is a short musical poem written by King David of
Israel in c. 1000BC, and this arrangement for female voice andpiano reflects some of themes of quiet trust and hope. King
David committed murder and adultery, and yet was called a manafter God’s heart. The largest message is one of humility, and this
holds personal meaning as it was given to me on my baptism. There is nothing superfluous musically, but rather stripped back
to expose the beauty of hope in a Messiah, and being forgiven.Performed by
Laura Fleming (Soprano)David Campbell (Piano)
PAGE 5
Tituba
By
Courtney WilliamsOn March 1st, 1691, the slave Tituba of Salem Village was
brought before the Essex Court on Supposition of Witchcraft. This piece is about her confession, where she speaks of how theDevil came to her and said that if she didn’t harm, and later kill,
the town’s children, he would do worse to her. The devilappeared to her as many things – a great black dog, a pair of rats,a hog, a wolf, and cats. With other witches, she flew around on
sticks, where the Devil attempted to bribe her with a yellow bird,and other pretty things.
Performed byBonnie Brown (Violin)Erin Lancaster (Violin)
Christopher Munn (Cello)Courtney Williams (Viola)
Danse Macabre
By
Luke Hutton
This work, for solo piano, is a representation of the story of theDance of Death, which has had many forms and recreations inart and music throughout history. Here, after the personification
of Death rises, he and his minions begin moving and dancing more and more furiously until they abruptly stop as a bell tolls
midnight. Performed by
Luke Hutton (Piano)
PAGE 2
8/4/2019 Comp 2 Program With Page Numbers
http://slidepdf.com/reader/full/comp-2-program-with-page-numbers 4/4
Capriccio
By
Alden Cai I. Intrada: Tranquillo
II. Esposizione: Agitato-Subito meno mosso- Recitativo- FrenticoIII. Intermezzo: Adagio
IV. Tempo primo (agitato assai)- Coda: Largamente
In a world threatened by invasion of alien species, civil war andenvironmental crisis, a person attempts to gain recognition. From a lifeof meditation, hard work, reflections, he concludes that hard work is
inevitable.Capriccio is written for solo Horn and orchestrated computer pitches. Apart from the Adagio the whole piece is based on a dodecaphonic
pattern. The exposition and its recapitulation are palindromes. Performed by
Alden Cai (Horn)
Prologue
from the Imaginary OST
By Matt Westwood
The Imaginary OST is an ongoing project of compositions writtenin the style of RPG video-game music. Prologue is a piece to beplayed for the opening scene of the game, during which thenarrator (or just text on the screen) would be describing the
historical events the led to where the game begins.
Performed by Anna Cortez (Piano)
PAGE 3
Suppose to
By
David CampbellMusically this piece is an exploration of the tension between 7ths and9ths, which is expressed harmonically, melodically, in modulation and
rhythm. The main motif is contrasted with several modal and/orchromatic themes as the piece gradually transitions from A minor to
Bb minor layered on top. The dialogue draws inspiration fromIsaiah 30:15 “in repentance and rest is your salvation, in quietness and
trust is your strength, but you would have none of it”. The piece begins
with an expectation of what this is ‘supposed’ to be like, morphing slowly into the unforced rhythms of grace. A little bit like Jesus; a bit
unexpected, a bit upside down, a bit catchy.Dedicated to Harry.
Performed by Taryn Anderson (Clarinet)
Sian Williams (Flute)David Campbell (Flute)
Hallucinations
By
Kelvin Fung
Constructed upon a 9-notes scale, Hallucinations is a short pianosolo that has a strong sense of openness to it. It seeks to evoke
the imaginations, chaos, and emotions that one would experience when through hallucinations, and the calmness that comes after.
Performed byKelvin Fung (Piano)
PAGE 4