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Composing Public Space

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Visit www.BoyntonCook.com or order by phone at 800.225.5800. The public classroom is a place where ideas can be engaged, interrogated, argued for, and investigated without fear of reprisal and in the spirit of inquiry—every idea can be questioned and critiqued, even the teacher’s. —Michelle Comstock, Mary Ann Cain, and Lil Brannon Composing Public Space Michelle Comstock Mary Ann Cain Lil Brannon Teaching Writing in the Face of Private Interests AFTERWORD BY NANCY WELCH Creating public space allows diverse voices to be heard and engaged. It enables all participants to explore the contradictions, coherences, and conflicts of their identities in relation to one another. Drawing on multidisciplinary research, Michelle Comstock, Mary Ann Cain, and Lil Brannon explore what counts as research in composition, discuss whose voices matter, and demonstrate how teachers can foster and support diverse classroom perspectives. 978-0-86709-598-2 / 2010 / 152pp / $21.00
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Page 1: Composing Public Space

Visit www.BoyntonCook.com or order by phone at 800.225.5800.

The public classroom is a place where

ideas can be engaged, interrogated,

argued for, and investigated without

fear of reprisal and in the spirit of

inquiry—every idea can be questioned

and critiqued, even the teacher’s.

— Michelle Comstock,

Mary Ann Cain,

and Lil Brannon

Composing Public Space

Michelle Comstock • Mary Ann Cain • Lil Brannon

Teaching Writing in the Face of Private Interests

A F T e r W o r d b y N a N c y W e l c h

Creating public space allows diverse

voices to be heard and engaged. It

enables all participants to explore the

contradictions, coherences, and conflicts

of their identities in relation to one

another.

Drawing on multidisciplinary research,

Michelle Comstock, Mary Ann Cain,

and Lil Brannon explore what counts as

research in composition, discuss whose

voices matter, and demonstrate how

teachers can foster and support diverse

classroom perspectives.

978-0-86709-598-2 / 2010 / 152pp / $21.00

Page 2: Composing Public Space

Visit www.heinemann.com to read Sample Chapters of our books and order online.

To order by phone call 800.225.5800 or fax 877.231.6980.Dedicated to Teachers

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Composing Public Space:

n highlights and critiques the problems of privatizing public

debate

n encourages teachers to engage with students in

investigating assumptions and ideas

n provides models and methods for working toward collective

action to resist privatization.

Teaching must foster genuine inquiry, critical thinking, and

the oral and written representation of individual and collective

identities. Composing Public Space invites you to take a

stand and make a case for the creation of public space and

collective civic engagement in every classroom.

“�What Composing Public Space reminds us is that our teaching in this

moment cannot be neutral and that as educators and writing teachers

we need to relearn the fullest language, the fullest rhetorical strategies

to reclaim, hang onto, and expand the public space, public issues, public

resources lost to privatization’s long reign.” —Nancy Welch

Composing Public Space

Michelle Comstock • Mary Ann Cain • Lil Brannon

Teaching Writing in the Face of Private Interests

A F T e r W o r d b y N a N c y W e l c h

Michelle Comstock is Associate Professor of English at the University of Colorado Denver, where

she teaches courses in public rhetorics and multimodal composition. Her latest research explores new

forms of sonic literacy (critical speaking and listening) inside and outside the composition classroom.

Mary Ann Cain is Professor of English at Indiana University Purdue University Fort Wayne, where

she teaches courses in fiction and nonfiction, rhetorics of identity, community, and narrative, and

women’s studies. Her current research explores community formation and collective identity while

her current fiction focuses on memory, language, and the effects of violence.

Lil Brannon is Professor of English at the University of North Carolina at Charlotte, where she

directs the UNC Charlotte Writing Project. She teaches courses in composition, qualitative research,

and English education. Her latest research explores issues of identity and agency in the teaching and

assessment of writing.


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