Date post: | 16-Apr-2017 |
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SCULPTURE / CONCEPTSPasi Kirkkopelto
CONCEPTS
ORGANIC FORM
GEOMETRIC FORM
MASS
VOLUME
ORGANIC FORM / NATURAL, EVOLVING / HENRY MOORE
ORGANIC FORM
• Natural, imitating nature
• evolving
• free rhythm
• soft transitions and arching forms
HENRY MOORE
• human figures
• positive form and negative space
• volume
• Inside & outside at the same time
MOORE IN HIS OWN WORDS:
‘A piece of stone can have a hole through it and not be weakened - if the hole is of a studied size, shape and direction. On the principle of the arch, it can remain just as strong. The first hole made through a piece of stone is a revelation. The hole connects one side to the other, making it immediately more three-dimensional. A hole can itself have as much shape-meaning as a solid mass. Sculpture in air is possible, where the stone contains only the hole, which is the intended and considered form. The mystery of the hole - the mysterious fascination of caves in hillsides and cliffs’ (‘The Sculptor Speaks’ in The Listener, 18 August 1937; reprinted op. cit., p.xxxiv).
http://www.tate.org.uk/art/artworks/moore-recumbent-figure-n05387/text-catalogue-entry
Video: https://youtu.be/Hr09gZitg1s
ORGANIC FORM / NATURAL, EVOLVING / HENRY MOORE
GEOMETRIC/CONSTRUCTED FORM / AMILCAR DECASTRO
CONSTRUCTED FORM
• manmade
• geometric forms
• mathematical rhythm
• Flat surfaces, straight lines, symmetrical curves
• e.g.-- cubes, spheres, pyramids
AMILCAR DE CASTRO
• geometric form
• abstract
• positive / negative space
GEOMETRIC/CONSTRUCTED FORM / AMILCAR DECASTRO
GEOMETRIC/CONSTRUCTED FORM / AMILCAR DECASTRO
BLENDING ORGANIC AND GEOMETRIC / MARTTI AIHA / RUMBA
https://upload.wikimedia.org/wikipedia/fi/0/0f/Martti_Aiha_Rumba_1992.jpg
CONCEPTS OF SCULPTURE | MASS
CONSTANTIN BRANCUSI : KISS
• What does this work consist of?
• What properties/qualities does this work have?
info: minimalism
• How is it made?
• What kind of tool?
• What does the work depict?
• What feelings does it evoke? How does it do it - by which visual means?
Definition: The outside size and bulk of an object, such as a building or a sculpture; also the visual weight of an object.
JU MING TAI CHI-SERIES
• Compare the sculture above to ”the Kiss”
• What similarities can you notice?
• What differences?
• What qualities does it have other than the Brancusi Kiss?
• What does this sculpture depict?
• How is this related to space?
A STEP FORWARD: JU MING TAICHI-SERIES
Push Hand Untitled
MASS AND MOVEMENT: JU MING TAICHI-SERIES
MASS AND MOVEMENT: JU MING TAICHI-SERIES
Taichi single whip Arch
• How is this sculpture different from the other Ju Ming sculptures?
• How does it influence the whole sculpture?
• Does it change it's relationship with the spectator, surrounding area?
CONCEPTS OF SCULPTURE / VOLUME
Look at these three images: What do they all have in common?
• How are they different from Brancusi Kiss or Ju Ming sculptures?
• What similarities do you notice?
Gianlorenzo Bernini: David Myron: Discobolus Henry Moore: Detail
Konstantin Brancusi : Kiss Gianlorenzo Bernini : David
mass: closed, unified form, The outside size and bulk of an object, such as a building or a sculpture; the visual weight of an object.
volume: form and the open space within the form, also the area of influence the sculpture has
Describes the space within a form, such as that of a container or building.
CONCEPTS OF SCULPTURE: VOLUME
CONCEPTS OF SCULPTURE / VOLUME
Look at the four views of Gianlorenzo Bernini’s David
CONCEPTS OF SCULPTURE / VOLUME
Look at the thin human figures of Alberto Giacometti on the left and compare the sculpture with Japanese bonsai art - miniature trees and forests
• How can separate parts form a whole?
• What qualities do they need to have?
CONCEPTS OF SCULPTURE: VOLUME