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Cool Britannia

Date post: 03-Aug-2016
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Highlights from Sims Reed Gallery's Cool Britannia Summer 2016 exhibition
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Sims Reed Gallery

43A Duke Street St James’s

London

SW1Y 6DD

T +44 (0)207 930 5566

E [email protected]

W www.gallery.simsreed.com

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Howard HodgkinCigaretteSugar lift-ground etching and aquatint with carborundum in colours, with hand-colouring in acrylic, 2000-02.Signed in pencil and numbered from the edition of 55.Printed on Two Rivers Cotton paper by Jack Shirreff, 107 workshop, Wiltshire.Published by Alan Cristea Gallery, London (Heenk 110)29 x 33.5 cm

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David HockneyViews of Hotel Well IIILithograph printed in colours, 1985.Signed in pencil, a trial proof before the edition of 80. With the sculptural framed designed by the ar tist.Printed on TGL handmade paper by Roger Campbell and Lee Funderburg.Published by Tyler Graphics Ltd, California. (Tokyo 274)117 x 89 cm

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Harland MillerI’ll Never Forget What I Can’t RememberScreenprint, 2015.Signed & numbered from the edition of 50.109.3 x 148.5 cm

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Peter DoigBig SurEtching and aquatint printed in colours, 2000 – 2001. Signed in pencil and numbered from the edition of 46. Printed on 350g Hahnemuehle paper. Published by Paragon Press, London.114 x 160.5 cm

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Allen JonesUntitled (From album)Lithograph with collotype printed in colours, 1971.Signed in pencil and numbered from the edition of 75.Printed on BFK Rives paper by E. Matthieu, Zurich.Published by Marlborough Graphics, London. (Lloyd 60g)64 x 48 cm

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David HockneyCelia in ArmchairLithograph, 1980Signed in pencil and numbered from the edition of 74. Printed on Arches Cover paper by Gemini G.E.L., Los Angeles.Published by Gemini G.E.L. with their blindstamp.(Tokyo 239)101.6 x 121.9 cm

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Gerald LaingBrigitte BardotScreenprint in colours, 1968. Signed in pencil. Titled and dated in pencil. Numbered from the edition of 200. Printed on smooth white paper by the ar tist. Published by the ar tist with his blind stamp.(Ingram & Halliwell 22)89 x 58.8 cm

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Bridget RileyStanding Up, Turning Round, Lying DownScreenprint in colours, 2015.Signed in pencil and numbered from the edition of 75.Printed by Ar tizan Editions, Gloucester.Published by Karsten Schuber t, London.95 x 74.9 cm

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Gerald LaingAADScreenprint in colours, 1968. Signed in pencil. Titled and dated in pencil. Numbered from the edition of 150. Printed on smooth white paper by the ar tist. Published by the ar tist with his blind stamp. (Ingram & Halliwell 18)58.5 x 89 cm

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Richard HamiltonSwingeing London 67Etching and aquatint with embossing, 1968.Signed in pencil and numbered from the edition of 70.Printed on mould-made paper by Grafica Uno, Milan.Published by Petersburg Press, London.(Lullin 70)57 x 73 cm

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Allen JonesFast CarLithograph printed in colours, 1962. Signed in pencil and numbered from the edition of 30. Printed and published by the ar tist at the Croydon College of Ar t, London. (Lloyd 16)58.2 x 79 cm

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Gerald LaingDeceleration IIScreenprint in colours, 1968. Signed in pencil. Titled and dated in pencil. Numbered from the edition of 150. Printed on smooth white paper by the ar tist. Published by the ar tist with his blind stamp.(Ingram & Halliwell 21)89 x 58.5 cm

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Peter DoigBoathouseEtching and aquatint printed in colours, 2004.Signed and dated in pencil, numbered from the edition of 119.Printed on on Zerkall paper.Published by Grif felkunst-Vereinigung, Hamburg.53.5 x 38 cm

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Peter DoigAlmost GrownEtching and aquatint printed in colours, 2001.Signed in pencil dated and inscribed C/P. A rare colour proof aside from the edition of 28, a colour variant existing in a handful of impressions.Printed on wove paper.81.5 x 94 cm

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Peter DoigPelicanEtching and aquatint printed in colours, 2004. Signed and dated in pencil. From the edition of 119. Printed on on Zerkall paper.Published by Grif felkunst-Vereinigung, Hamburg.53.5 x 38 cm

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Howard HodgkinInterior FigureLithograph printed in colours, 1966.Signed in pencil and numbered from the edition of 75.Printed on BFK Rives paper by Emil Matthieu, Switzerland.Published by Editions Alecto, London. (Heenk 5)50 x 65 cm

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Bridget RileyArcadia 4Screenprint in colours, 2013.Signed in pencil and numbered from the edition of 75.Printed by Ar tizan Editions, Hove.Published by the ar tist.64.4 x 89 cm

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David HockneyTwo vases in the LouvreEtching, softground etching and aquatint, 1974.Signed and dated in pencil, one of 18 ar tist’s proofs aside from the edition of 75. Printed on Inveresk mould-made paper by Maurice Payne, London.Published by Petersburg Press, London.(Tokyo 154; SAC 168)99.5 x 92 cm

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Gerald LaingThe KissScreenprint in colours, 2007.Signed in pencil and numbered from the edition of 90.Printed by Ar tizan Editions, Hove.Published by the ar tist.94.3 x 110.6

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Bridget RileyBagatelle 3Screenprint, 2015.Signed in pencil & numbered from the edition of 75.Printed by Ar tizan Editions, Hove.Published by Karsten Schuber t, London.67 x 58.5 cm

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