Date post: | 14-Aug-2015 |
Category: |
Technology |
Upload: | wearemuseums |
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The start of the project
Oct. 2013 : First meeting Orange/Orsay
Spring 2014 : Validation of the project
July 2014 : First brainstorming Orange/Orsay
May 2015 : Inauguration
Project team
Orsay Orange Polymorph
Writer
Eric JouvenauxAmélie Bodin Elvire CauposIsolde PludermacherAgathe Boucleinville Alexandre Therwath
Armelle PascoAbla Benmiloud Faucher Danielle Pelé Anne Bationo Tillon
Benjamin Billiet
Fabrice Guichard Emeline Amblard Marc LanouillerArnaud Ladagnous
Transmediascenarist
Michel Reilhac
Budget : +100K €
Why the Artist’s Studio ?- A masterpiece of XIXth Century- The size of the painting- The location of the painting- A work full of meanings, of secrets- The public restoration in 2014-2015
Why an AR application ?- A new experience for the Museum
- Be involved with new technologies
- A different kind of mediation for Museum’s educational mission
- Offer a playful and enriching experience to the visitors
Gustave Courbet
The Jew /Achille Fould
The 1893 Republican/Lazare Carnot
The Poacher / Napoléon III
The Undertaker / Emile de Girardin
The naked Woman
The Medallion / Virginie Binet
Alfred Bruyas Pierre-Joseph Proudhon
Champfleury The Art promoter /Apollonie Sabatier
Baudelaire
The thoughts of 12 characters give the keys to understand the painting
AccessibilityOn a part of the desk, tools intented for disabled visitors- Low desk with an iPad for visitors in wheelchair- Tactile reproduction of the painting- Sign language video- Samples of canvas to show how a painting is made
Enter the Studio- At the Musée d’Orsay- Surfing on www.entrezdanslatelier.fr Website- Follow the upcoming posts on @MuseeOrsay #entrezdanslatelier & on Orsay’s Facebook page