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BLOW is an alchemy. Not only between the group’s four members, all of whom have been friends for years, but also between pop and electronic music. An intelligent balance that has characterized the music of these Parisians for the last three years. With three EPs already under its belt (“I” followed by “Fall in the Deep” in 2016 and “Vertigo Introduction” in January 2018), the group has cemented its place as one of the most promising French electronic pop bands by releasing its first album “Vertigo” on June 8th. BLOW’s popularity stems above all from the seductive nature of its music, which it has nurtured from the very beginning. Songs such as “Fall in the Deep” (with already four million plays on Spotify) or “You Killed Me on the Moon” (the soundtrack for a Citroën advertising campaign) have, like others, been stepping stones for the group, representative of its development in sound: Quentin’s high voice, embellished with choruses, giving rise to aerial and dreamlike music over surrealist lyrics. But there are also the elaborate arrangements of the group’s guitarist Jean-Etienne, the tight and edgy grooves of the bass-drums combo Pierre-Elie and Thomas -- it’s clear that these four musicians didn’t just appear out of nowhere. They all have strong musical backgrounds. Thomas, Pierre-Elie and Jean-Etienne attended the Music Academy International in Nancy, France, and the first two also graduated from the French Conservatoire system. All three have developed through different musical styles, ranging from electronic music, metal and psychedelic rock. Thomas, the bassist, for example, was a member of one of the most important bands in the Rennes musical scene, Her, whereas Jean-Etienne has long been a live musician and composer for well-established French artists. He continues to compose for a large number of projects in France. BLOW draws much of its inspiration from the Pink Floyd of the Gilmour period, Moderat, Darkside and Jungle for its energy, but its influences go far beyond the simple musical framework. Science fiction, the world of Magritte, the desire to create timeless lyrics... All of the group’s members have backgrounds in rock music, which explains the importance of the guitars and lends the group it's pop aspect, supported by the Telecasters, catchy riffs and melodic inventiveness. If this alchemy has managed to holds its own and bring audiences to their feet at festivals such as We Love Green, Trans Musicales, Panoramas or the two sold-out Parisian concerts at Point Ephémère and then at Badaboum, their success goes all the way back to the childhoods of the members of BLOW. Jean-Etienne and Pierre-Elie have known each other since kindergarten, and first started playing together in a punk rock band. A few years later, in high school, they meet Quentin, who sang for a group heavily influenced by The Doors, The Raconteurs, The Rolling Stones, etc. Thomas came just after to add the dexterity of his bass guitar. Even their sound engineer, Thibault, joined the band of friends in those early years. Familiarity breeds success. The four musicians have stuck together ever since, when they launched BLOW, which continues to grow from project to project. Their first album, “Vertigo” is yet another proof of the bright future ahead of them. VERTIGO RELEASE : JUNE 8TH 2018 FIRST ALBUM BIOGRAPHY
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Page 1: CP BLOW LP1 EN - kitpromo.wartiste.comkitpromo.wartiste.com/BLOW/CP_LP1/CP_BLOW_LP1_EN.pdfon “Vertigo”, “Night Passenger” takes place in an interstellar universe. An astronaut,

BLOW is an alchemy. Not only between the group’s four members, all of whom have been friends for years, but also between pop and electronic music. An intelligent balance that has characterized the music of these Parisians for the last three years. With three EPs already under its belt (“I” followed by “Fall in the Deep” in 2016 and “Vertigo Introduction” in January 2018), the group has cemented its place as one of the most promising French electronic pop bands by releasing its first album “Vertigo” on June 8th.

BLOW’s popularity stems above all from the seductive nature of its music, which it has nurtured from the very beginning. Songs such as “Fall in the Deep” (with already four million plays on Spotify) or “You Killed Me on the Moon” (the soundtrack for a Citroën advertising campaign) have, like others, been stepping stones for the group, representative of its development in sound: Quentin’s high voice, embellished with choruses, giving rise to aerial and dreamlike music over surrealist lyrics. But there are also the elaborate arrangements of the group’s guitarist Jean-Etienne, the tight and edgy grooves of the bass-drums combo Pierre-Elie and Thomas -- it’s clear that these four musicians didn’t just appear out of nowhere.

They all have strong musical backgrounds. Thomas, Pierre-Elie and Jean-Etienne attended the Music Academy International in Nancy, France, and the first two also graduated from the French Conservatoire system. All three have developed through different musical styles, ranging from electronic music, metal and psychedelic rock. Thomas, the bassist, for example, was a member of one of the most important bands in the Rennes musical scene, Her, whereas Jean-Etienne has long been a live musician and composer for well-established French artists. He continues to compose for a large number of projects in France.

BLOW draws much of its inspiration from the Pink Floyd of the Gilmour period, Moderat, Darkside and Jungle for its energy, but its influences go far beyond the simple musical framework. Science fiction, the world of Magritte, the desire to create timeless lyrics... All of the group’s members have backgrounds in rock music, which explains the importance of the guitars and lends the group it's pop aspect, supported by the Telecasters, catchy riffs and melodic inventiveness. If this alchemy has managed to holds its own and bring audiences to their feet at festivals such as We Love Green, Trans Musicales, Panoramas or the two sold-out Parisian concerts at Point Ephémère and then at Badaboum, their success goes all the way back to the childhoods of the members of BLOW.

Jean-Etienne and Pierre-Elie have known each other since kindergarten, and first started playing together in a punk rock band. A few years later, in high school, they meet Quentin, who sang for a group heavily influenced by The Doors, The Raconteurs, The Rolling Stones, etc. Thomas came just after to add the dexterity of his bass guitar. Even their sound engineer, Thibault, joined the band of friends in those early years. Familiarity breeds success. The four musicians have stuck together ever since, when they launched BLOW, which continues to grow from project to project. Their first album, “Vertigo” is yet another proof of the bright future ahead of them.

VERTIGO

RELEASE : JUNE 8TH 2018

FIRST ALBUM

BIOGRAPHY

Page 2: CP BLOW LP1 EN - kitpromo.wartiste.comkitpromo.wartiste.com/BLOW/CP_LP1/CP_BLOW_LP1_EN.pdfon “Vertigo”, “Night Passenger” takes place in an interstellar universe. An astronaut,

- VERTIGES

- NEW MOON WALKER - GREEN UNICORN - FALL IN DEEP

- GET SOME - FLAMING SKY - IT’S ALL A LIE - MELANCHOLIA- RESENTMENT - POWER - SHARK THERAPY - YOU KILLED ME ON THE MOON

- LAST SUNSET, LAST GOODBYE

tracklist

LISTEN VERTIGO

Page 3: CP BLOW LP1 EN - kitpromo.wartiste.comkitpromo.wartiste.com/BLOW/CP_LP1/CP_BLOW_LP1_EN.pdfon “Vertigo”, “Night Passenger” takes place in an interstellar universe. An astronaut,

After three notable EPs, the most recent of which, “Vertigo Introduction”, was released in January 2018, the French group BLOW is stepping up into a higher gear. Their first album, “Vertigo”, is the logical continuation of this musical adventure, forged from a long friendship, and made possible by the group’s increasingly loyal audience.

For this new project, the most successful of their careers, the four musicians of BLOW have sprinkled their music with images, characters and stories... They continue to be influenced by the Pink Floyd of the Gilmour period, and by Moderat, Jungle, The XX and Apparat, and their electronic pop is laced with lyrics inspired by movies, road-trips, sex or hope for change. “Green Unicorn” tells the story of a man who earns his living by fighting clandestinely in cellars, “Get Some”, the tale of a young man trying to place the blame for his adultery on the woman who seduced him, in order not to assume the responsibility for what he has done. Everything about BLOW’s music is images and thought.

Of course, “Vertigo” also has its love stories, common to all peoples and all times. Most take place in a world in crisis, in cities or countries in post-apocalyptic settings. The album is a photograph of our age. Its characters want to escape, forget their lives... This gives the music its airy side, the feeling of weightlessness found in songs such as “Resentment”, “Fall in the Deep” (released on the EP of the same name) in 2016, which already has four million plays on Spotify), or “It’s all a Lie”.

BLOW continues to develop its sound: fluttering vocals, heavy drums, dreamlike synths and guitar arrangements that ensure powerful emotions. It should come as no surprise, then, that the first song on “Vertigo”, “Night Passenger” takes place in an interstellar universe. An astronaut, who has been living alone for far too long on a satellite base, goes mad and begins to believe that he is omnipotent, almighty.

The group also takes inspiration from its voyages. “Flaming Sky” tells the story of burnt land, of global warming, lifeless trees, images taken from a trip to Scotland in the middle of the Great Plains, or beside swooping cliffs, an environment conducive to musical creation. The same held true for Death Valley, in America, which inspired BLOW’s song “Last Goodbye”. The film “Valley of Love”, starring Isabelle Huppert and Gérard Depardieu, who play a couple who lost their son whose ghost haunts the valley, put the final touch on the atmosphere of one of the most memorable songs on the album.

Vertigo is filled with stories like these. These tales, together with BLOW’s singular sound, are what make this album so striking, so enigmatic. Just like the group itself, their live performances, and their promising discography.

VERTIGO : A COLLECTION OF PICTURES, CHARACTERS AND STORIES…


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