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Create a Surreal Ramen Bowl

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Create a Surreal RamenBowl Illustration inAdobe Photoshop
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pdfcrowd.com open in browser PRO version Are you a developer? Try out the HTML to PDF API All Topics Find tutorials, courses, and more... Design & Illustration Categories Learning Guides DIGITAL PAINTING Create a Surreal Ramen Bowl Illustration in Adobe Photoshop by Melody Nieves 20 Jan 2015 7 Comments 63 146 9
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    DIGITAL PAINTING

    Create a Surreal RamenBowl Illustration inAdobe Photoshopby Melody Nieves 20 Jan 2015

    7 Comments

    63 146 9

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    What You'll Be Creating

    On a global scale, ramen is internationally known as a delicious dish that is quick,

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    easy, and very cheap to make. In today's tutorial, you'll learn how to illustrate a bowl

    of ramen, turning it from your everyday budget friendly meal into a surrealistic

    digital painting. I'll be using Adobe Photoshop CS6 and a pen tablet to achieve this,

    focusing on watercolor-like textures and the Ambient Occlusion painting technique.

    Let's get started!

    Tutorial Assets

    The following assets were used in the production of this tutorial:

    Noodles in Bowl and Chopsticks

    Pinterest Inspiration

    Ramen Bowl Sketch

    The Brainstorm

    I love Korean dramas. And after a binge marathon of the popular show, "Let's

    Eat", I had a huge list of new foods I wanted to try. It was also one of the first times

    I saw people enjoying ramen way beyond the traditional just-boil-it-in-a-pot method.

    See, at the core of your basic ramen is noodles, seasoning, and a delicious broth.

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    The dish originates from Japan and can come with a variety of toppings, some you'll

    even get to know today. So during the brainstorming process I made sure to

    thoroughly research ramen, scanning dozens of food blogs and Pinterest posts for

    inspiration.

    Adding the Surrealistic TouchSince painting ideas usually come to me in words, I make lots of graphs to flesh out

    the scene in my head. These bits of word association help me stay organized by

    mentally keeping track of all the little details and unique components I'd like to

    achieve. I fill the graph with as many concise explanations as possible then move

    on to constructing my faux recipe.

    Back to the RecipeToday's recipe is similar to a miso ramen dish, served with hard boiled eggs,

    scallions, and narutomaki, a beautiful fish paste cake featuring a salmon spiral

    middle. You see, whenever you're building a food illustration it's important to get

    familiar with the ingredients, not only for their history and significance to the dish but

    for their aesthetic qualities as well.

    1. Thumbnail Sketches

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    I start by sketching several thumbnails in Photoshop. My main mission here is to

    make sure that both the ingredients and the koi fish are clearly visible to the

    viewers.

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    After eight thumbnails, I set my eyes on these two.

    At first I thought an interesting angle would work, but later I ran into problems

    during the painting process. When this first attempt didn't work out so well, I came

    back to my thumbnails and settled on the right one for my final sketch.

    2. The Line Art: Bowl and Chopsticks

    Step 1

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    Next, create a New Document in Photoshop with the following settings:

    Image Size set to 3000 x 2400 pixels

    Resolution set 300 dpi

    Step 2To avoid problems with perspective, simply trace the bowl and chopsticks from a

    Photodune reference. Rotate the original reference with the Free Transform Tool

    (Control-T) for a unique trace. With the Ellipse Tool (U) selected, trace two circles

    to represent the edge of the bowl and its center. Set the Fill to No Color and the

    Stroke to black with a size of 3 pt.

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    Step 3To keep this sketch clean we'll use the Pen Tool (P) for the chopsticks. First, set the

    Brush Tool (B) to a size of 3 pixels and 100% Hardness. Next, trace one of the

    chopsticks and right-click to set the Stroke to Brush.

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    Step 4Right-click to duplicate the chopstick layer. With the duplicated layer selected, go

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    to Edit > Transform > Flip Horizontal and adjust into place.

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    3. The Line Art: Draw the Ingredients

    Step 1Now it's time to Draw the ingredients. Set your Brush Tool (B) to the following

    settings:

    Brush Color set to Black

    Size set to 6 pixels

    Hardness set to 100%

    Transfer with Opacity Jitter Control set to Pen Pressure

    Draw each ingredient, paying special attention to how they're positioned in the bowl.

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    Step 2Below is the completed line art. Adjust both the Opacity of the bowl and the

    chopsticks to match the color of the sketched ingredients. Once you're finished,

    make sure to Merge the completed sketch layers together.

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    4. Create the Grayscale Base

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    Step 1Painting in grayscale is a favorite technique amongst digital artists to help establish

    the lighting scenario more quickly. Create a New Layer (Control-Shift-N)

    underneath the sketch layer. Use a Hard Round Brush to paint a solid gray color

    as the base for our grayscale painting.

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    Step 2Lock Transparent Pixels. Locking the transparency will allow you to paint without

    having to worry about going pass the edges of your grayscale base. Duplicate this

    layer, setting the duplicate to Multiply. Next, set to the Default Foreground and

    Background Colors of black and white to begin Erasing the extra gray that was

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    applied from the duplicate.

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    5. Ambient Occlusion: The Bowl

    Step 1Ambient Occlusion is a shading technique we most often see in 3D renderings. In

    digital painting, however, it allows us to set up the lighting by concentrating on

    painting shadows in the creases, cracks, and intersections of details. To start using

    this technique, select the Elliptical Marquee Tool (M) and draw a circle. Right-

    click and select Transform Selection to adjust the circle so that it fits the center of

    the bowl perfectly.

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    Step 2Since we want to paint the outside of the bowl first we have to inverse the selection.

    Right-click and select Inverse. Set your Brush Tool (B) to the color black with a

    Hardness of 0%, bringing down the brush's Opacity to 20%. Begin painting

    shadows on the bowl by running a large brush along the edge of the selection. The

    selection will keep the brush from bleeding into the center of the bowl, so use long,

    fluid strokes to complete your shading.

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    Erase any parts of the shading that might overlap the ingredients.

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    Step 3Reverse the selection to paint the shadow for the broth. Right-click and

    select Inverse. Just like in our previous step, we want to paint large, fluid strokes of

    shadow towards the edge of the selection. Pick and choose which ingredients

    should look submerged in the broth, and Erase any that shouldn't be overlapped.

    The finished bowl should look like this.

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    Step 1Let's continue this technique with the chopsticks. Use the Pen Tool (P) to trace just

    one of them. Right-click to Make a Selection and begin painting shadow so that

    the center is left illuminated.

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    Step 2

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    Duplicate this layer. Go to Edit > Transform > Flip Horizontal so that you have a

    shadow that perfectly reflects the first chopstick. Rotate into place using the Free

    Transform Tool (Control-T).

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    7. Ambient Occlusion: Painting the Ingredients

    Step 1Starting to get the hang of this technique yet?

    Now it's time to move on to the food! Just like in our previous steps, we're going to

    make a selection on each ingredient to paint in more shadows. The only difference

    this time is that I'll be using the Polygonal Lasso Tool (L) to make the selections.

    First, I shade the eggs.

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    Step 2Next, I move on to the other ingredients including the narutomaki, scallions, and any

    remaining broth.

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    Step 3I also begin shading the surreal elements like the flowers, lily pads, and koi fish.

    8. Ambient Occlusion: Freehand the Noodles

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    Step 1You might have noticed that I haven't covered the noodles yet. This is because

    we're going to use this step to further the impact of the overall technique, only this

    time we'll Freehand the rest of the shading. Still using the Brush Tool (B), lightly

    shade the sides of the noodles in order to achieve an instantly realistic effect.

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    Step 2Continue shading the noodles until you're finished with them all.

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    9. Final Shading Details in Grayscale

    Step 1Shading with the Ambient Occlusion technique is a pretty tedious process, but I urge

    you to push these steps as far as you can before moving onto color. Toggle the

    Visibility of the original Sketch Layer on and off to see how far along you've come

    with your shading. Once you're able to see your painting pop out without the sketch,

    you know you're done.

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    Step 2Let's not forget the shadows underneath the chopsticks! Use the Lasso Tool (L) to

    make selections around both chopsticks and Fill them with the color black.

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    Free Transform (Control-T) to Warp the shadow so that it bends along the bowl.

    Bring down the Opacity to 20% and go to Filter > Blur > Gaussian Blur, setting

    the radius to 17 pixels.

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    Step 3The last step in our grayscale painting is to add a background. Use the Gradient

    Tool (G), setting it to Foreground to Transparent for the gradient blend. Bring

    down the Opacity to 20% and drag your marker in the directions where the

    shadows would hit.

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    Remember the base we created in the beginning? Duplicate the base layer and go

    to Image > Adjustments > Hue/Saturation. Set the Lightness to -100 and position

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    it according to the overall lighting scenario. Bring down the Opacity of the layer to

    55% and lightly Erase the edges for a more natural look.

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    Bring down the Opacity of the original sketch layer to 30% in order to prep it for

    color. The final grayscale painting will look something like this:

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    10. Adding Color: The Ingredients

    Step 1Finally, let's color this painting! On a New Layer (Control-Shift-N) begin painting

    solid colors for all your ingredients with the Brush Tool (B) set to 100% Hardness.

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    Step 2Set the Layer Blend Mode to Linear Burn. Feel free to keep all the solid colors on

    one layer or to separate them for each detail.

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    11. Adding Color: Ramen Bowl & Background

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    Step 1Next, follow the same steps as before to color the ramen bowl and background. I

    opted for neutral tones against a bright pop of orange, but feel free to experiment

    with the color choices here.

    Step 2For better contrast against the bowl, Erase the color off any details you don't want

    affected by the bowl's color.

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    Once you've painted in all your colors, set the layer to Linear Burn.

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    12. Adding Color: The Broth

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    Step 1We need to take special care in painting the broth because it is far more complex in

    texture and color than the other elements in this painting. Use the Elliptical

    Marquee Tool (M) to create a circle for the broth and Fill this circle with a deep tan

    color.

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    Step 2

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    Set the Blend Mode to Linear Burn and begin erasing away the broth. Pay special

    attention to details that are submerged in broth versus details that aren't.

    Vary the Opacity on your Eraser Tool (E) to gradually take away broth that is

    overlapping the ramen noodles. Experiment with what works best for the painting

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    13. Adding Texture to the Broth

    The broth to this delicious meal wouldn't be complete without a little texture! To

    mimic the oily quality of ramen broth, we're going to use the Watercolor Textures

    found in Mary Winkler's recent Watercolor Brush Tutorial.

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    Create a New Layer (Control-Shift-N) above the Broth Layer, and right-click to

    set it as a Clipping Mask. Using the two textures above, paint a dark gray texture

    all over the broth, erasing any excess with the Eraser Tool (E). When you're

    finished, set the layer to Divide.

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    14. Adding More Light With Blend Modes

    The beauty of working so hard on the grayscale portion of this painting is that once

    we apply the initial colors, we won't need to develop the colors too much further.

    However, it's always interesting to experiment and see what other tweaks you can

    bring to the table, especially with Blend Modes.

  • pdfcrowd.comopen in browser PRO version Are you a developer? Try out the HTML to PDF APIIn this case, I decided to Fill a New Layer with a bright baby blue color. I Erased

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    In this case, I decided to Fill a New Layer with a bright baby blue color. I Erased

    the middle where the bowl sits, set the Blend Mode to Divide, and brought down

    the Opacity to 70%. Not only does this change make the background pop, but it

    also allows the chopsticks to be affected by color from their environment.

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    Step 1Adjustment Layers play an essential role in correcting your overall color scheme.

    First up, Color Balance. Go to Layer > New Adjustment Layer > Color Balance.

    Adjust only the Highlights by moving the sliders over to the Blue and Cyan colors.

    Since I only want this to affect the bowl's highlights, I select the Layer Mask

    Thumbnail and paint black all along the background.

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    Step 2Next I create a New Adjustment Layer for Selective Color. I adjust the colors

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    under the Reds, Blues, Yellows, Greens, and Whites in order to tone down the

    intense orange colors.

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    Step 3My last New Adjustment Layer is for Color Balance, making sure to move the

    slider over to the Blue side under Midtones.

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    16. Cleaning Things Up

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    It's at this stage of the painting when I know that, for the most part, I'm settling on

    this particular color scheme. With all the previous adjustments made, I can now

    focus on cleaning up the details. To do this I use a Hard Round Brush (B) to paint

    over any outlines created by the sketch.

    Line art flattens paintings, so any time you paint over the line art you add greater

    realism into your piece. Try to keep the Opacity of your brush in the 50

    100% range for the best effect with this step.

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    17.More Blend Mode Adjustments

    Step 1Currently the handles of the chopsticks seem too muted for such a vibrant overall

    color scheme. To change their color, I create a New Layer (Control-Shift-N) and

    begin painting a solid blue on top of each handle. Afterwards, I set the layer to

    Color.

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    Step 2Next, I Fill another New Layer with a light green color and set it to Divide. Now all

    the colors really work well together!

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    Step 3

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    Since I'm still working with Blend Modes, I decided to add texture to the

    background for a more uniform look. Using the Watercolor Brushes from earlier, I

    paint a dark gray texture on top of the background and set the layer to Overlay.

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    18. Adding in Highlights

    Step 1Although this painting already has great shading and color, now we need the

    highlights! Use a Hard Round Brush (B) to begin painting highlights on each

    component of our mealyes, literally. Personally, I like to select colors in the

    painting with the Eyedropper Tool (E), then use the slider on the Color Picker to

    choose the highlight color I need.

    Step 2

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    Continue painting in the highlights until you're happy with the result. Sometimes a

    crisp white line is all the highlight you need. Be sure to Zoom in and out of your

    painting often to understand what the viewer sees in order to paint accordingly.

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    19. Finishing Details: Shiny Broth

    I couldn't wait to get to this last step! Not because it's the final stage of the painting

    but because the painting really transforms once you add shine to the broth. Use a

    Hard Round Brush (B) to begin painting white squiggly lines to represent the shine

    and places where food breaks the broth's surface.

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    Create strokes that follow the natural direction of your ramen, and paint dots

    scattered about for a more realistic effect. It's really that simple! As always, use the

    Eraser Tool (E) to soften any edges.

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    All Done! Let's Eat!

    I really hope you've enjoyed creating and learning more about this tasty meal today.

    The journey of a great digital painting can seem like a long and tedious one, but I

    assure you that combining smart techniques proves to save much time and energy

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    in the long run. Now reward yourself with a great bowl of ramen! Yum!

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    About Melody Nieves

    I'm an artist who loves to paint inPhotoshop while helping others learn too.Follow me on DeviantArt or tweet me

    @MelloNieves and tell me what tutorials you'd liketo see next!

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    Share

    Join the discussion

    Reply

    Asher Benson 2 months ago

    I live for this tutorial... excellent break down and process.

    2

    Reply

    Melody 2 months ago> Asher BensonThanks Asher I was hoping it was clear!! AnWhat a sweet comment! Thanks so much An! I would love to see your drawings some time :) Ambientocclusion is my new life saver so I'm glad this tutorial could help! :D

    1

    Rhidona pratama 2 months ago

    long tutorial. but i like it.

    Recommend 1

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    Reply

    good idea.

    1

    Reply

    ParasUniversal 2 months ago

    What an awesome tut and final.

    1

    Reply

    Melody 2 months ago> ParasUniversalThank you!!

    Subscribe Add Disqus to your sited Privacy

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