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ASEANA Feasibility Study – October 2013 Copyright © Goethe-Institut Alle Rechte vorbehalten www.goethe.de/indonesien 1 Cultural Heritage South East Asia Project: ASEANA Digital Library Feasibility Study Revised Web Version: 29 November 2013 Background The Goethe-Institute proposes a joint initiative of Association of Southeast Asian Nations (ASEAN) member countries to secure, conserve, digitise and provide access to their cultural heritage in form of text, images, sounds and video. The ten member countries (Brunei Darussalam, Cambodia, Indonesia, Lao PDR, Malaysia, Myanmar, Philippines, Singapore, Thailand and Viet Nam) each have their own rich cultural heritage. Their books, manuscripts, pictures, maps, music and other documents are often endangered by climate, natural disasters, and neglect. Lack of basic infrastructure and weak regional or international cooperation are further obstacles to access. While information about these resources may be in many different national languages and dialects, the existing collections may not searchable in the official language of ASEAN, which is English. Almost all the member countries have started digitisation initiatives, but the projects are often of limited scale, and not linked to each other. There are no uniform standards for metadata that might promote interoperability. The digital data is stored and backed up to different levels of security. The existing collections are managed by a mix of governments and non-governmental organisations (NGOs), and funded from national budgets, international grants, and private donations. Their sustainability is not guaranteed. ASEAN's goal is 'one vision, one identity, one community'. The proposed ASEANA Digital Library would strengthen the cultural identity of Southeast Asia as a region. It would promote cultural diversity as one of its important assets. Access to all kinds of visual, textual, audio and video holdings, including the documentation of intangible heritage like dance and customs, could promote new levels of intra-regional understanding, mutual appreciation of the deep history of these disparate neighbours as well as provide inspiration to arts and science. It would create economic opportunities, especially for creative and technology industries that would be required to support it. Boosting education and technical capacity and equipment may also encourage greater international cooperation and interconnectivity. While providing access to cultural heritage content is an important goal on its own, in the context of a regional digital portal, it must be balanced with respect for rights and ownership. As stated in the United Nations Educational, Scientific and Cultural Organization (UNESCO)/University of British Columbia (UBC) Vancouver Declaration : “A better understanding of the digital environment is essential for the establishment of digital preservation models that respect fundamental legal principles enshrined in
Transcript
Page 1: Cultural Heritage South East Asia Project: ASEANA Digital Library - … · 2014-11-21 · This initiative will be similar to Europeana. ASEANA will create a digital library that functions

ASEANA Feasibility Study – October 2013 Copyright © Goethe-Institut Alle Rechte vorbehalten www.goethe.de/indonesien 1

Cultural Heritage South East Asia Project: ASEANA Digital Library

Feasibility Study

Revised Web Version: 29 November 2013

Background

The Goethe-Institute proposes a joint initiative of Association of Southeast Asian Nations (ASEAN)

member countries to secure, conserve, digitise and provide access to their cultural heritage in

form of text, images, sounds and video. The ten member countries (Brunei Darussalam,

Cambodia, Indonesia, Lao PDR, Malaysia, Myanmar, Philippines, Singapore, Thailand and Viet

Nam) each have their own rich cultural heritage. Their books, manuscripts, pictures, maps, music

and other documents are often endangered by climate, natural disasters, and neglect. Lack of

basic infrastructure and weak regional or international cooperation are further obstacles to access.

While information about these resources may be in many different national languages and dialects,

the existing collections may not searchable in the official language of ASEAN, which is English.

Almost all the member countries have started digitisation initiatives, but the projects are often of

limited scale, and not linked to each other. There are no uniform standards for metadata that

might promote interoperability. The digital data is stored and backed up to different levels of

security. The existing collections are managed by a mix of governments and non-governmental

organisations (NGOs), and funded from national budgets, international grants, and private

donations. Their sustainability is not guaranteed.

ASEAN's goal is 'one vision, one identity, one community'. The proposed ASEANA Digital Library

would strengthen the cultural identity of Southeast Asia as a region. It would promote cultural

diversity as one of its important assets. Access to all kinds of visual, textual, audio and video

holdings, including the documentation of intangible heritage like dance and customs, could

promote new levels of intra-regional understanding, mutual appreciation of the deep history of

these disparate neighbours as well as provide inspiration to arts and science. It would create

economic opportunities, especially for creative and technology industries that would be required to

support it. Boosting education and technical capacity and equipment may also encourage greater

international cooperation and interconnectivity.

While providing access to cultural heritage content is an important goal on its own, in the context

of a regional digital portal, it must be balanced with respect for rights and ownership. As stated in

the United Nations Educational, Scientific and Cultural Organization (UNESCO)/University of British

Columbia (UBC) Vancouver Declaration:

“A better understanding of the digital environment is essential for the establishment of

digital preservation models that respect fundamental legal principles enshrined in

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institutional regulatory frameworks, and balance access with privacy, right to knowledge

with economic rights, and respect

ownership and control of indigenous cultural heritage and traditional knowledge in digital

format.”

This initiative will be similar to Europeana. ASEANA will create a digital library that functions as a

portal – providing a gateway to cultural heritage materials that reside on the websites of their host

institutions. The ASEANA website will facilitate discovery and access through the use of metadata

and thumbnail images on a single website but detailed information and the digitised objects

themselves will remain with the host institutions themselves.

The initiative will be launched by Goethe-Institut in conjunction with other partners in Southeast

Asia and Europe. The first step would be to set up a framework for its vision, mission and policy.

Roadmaps at the regional and national level would then ensure ASEAN can create the political and

organizational framework required to sustain this effort, playing the same role that the European

Union/European Commission (EU/EC) did for Europeana. This cooperation between Southeast

Asian and European institutions would acknowledge the long history of trade, colonization and

migration between these two regions. This left behind a legacy of many historical valuable texts,

images and objects from Southeast Asia as part of the collections of European museums, libraries

and archives. The digitisation policy and process should draw on the experiences of Europeana, the

Digital Library of America and other similar digital portals. It will follow the IFLA/UNESCO

Manifesto for Digital Libraries. The spirit of the Vancouver Declaration should be invoked to

encourage national governments, intergovernmental organizations and sponsors to recognize the

strategic importance of digital libraries and to actively support their development.

Potential partners:

• Professional level: IFLA, CONSAL, national and other libraries, museums, archives, NGOs

and private foundations

• Supporters and donors: ASEAN, EU / European Commission, UNESCO, Asian Development

Bank (ADB) and other development agencies.

The Goethe-Institute Jakarta, which coordinates the Goethe-Institutes in all ASEAN countries (plus

Australia and New Zealand), has undertaken some preliminary research to assess the existing

digitisation projects in the region and the opportunities for cooperation. This research identified a

variety of preservation and digitisation projects, some of them supported professionally and

financially by organizations from Europe, or the United States (U.S.) as well as their national

institutions.

The Goethe-Institutes Southeast Asia / Australia / New Zealand agreed to adopt the idea of an

'ASEANA Initiative', and to conduct a feasibility study, including:

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• preliminary research of existing projects, their scope and results;

• communication with experts, stakeholders and decision-makers from Southeast Asia, Europe

and international bodies such as IFLA and UNESCO. The methodology included a review of

existing studies, written surveys, and consultation with experts and conference participants;

and,

• communication with potential partners, supporters and donors about their ideas and possible

involvement

If the results are positive, a political decision by ASEAN and EU officials should be sought. Once

the decision is endorsed, a roadmap including funding and proposals for institutional cooperation

will follow.

Methodology of the Feasibility Study

The feasibility study aimed to identify existing cultural heritage digitisation projects in all ASEAN

countries as well as review a selection of reference projects in Europe, USA, Japan, Australia and

New Zealand.

It was conducted during June and July 2013 by consultant Tanya R. Torres, who was assisted by

Goethe-Institut staff who identified digital cultural heritage collections that were available online

from each of the 10 ASEAN member countries. Potential collections were found primarily through

national museum, library, and archive websites. Other collections were identified through online

research into UNESCO initiatives such as “Memory of the World” and cultural heritage preservation

programs conducted by NGOs, private foundations and regional/provincial museums and libraries.

For the purpose of this feasibility study, the focus was on digitised collections that were available

(either wholly or in part) in the ASEAN countries.1

Cultural heritage materials were defined broadly to include digitised versions of tangible objects

such as written materials (manuscripts and books), works of art, architecture, anthropological

artifacts (ceramics, tools, textiles, etc.) as well as intangible objects such as music, dance and

drama performances.

An initial list of approximately 70 potential digital collections and projects from ASEAN countries

was compiled. The collections and projects on the initial list were then scrutinized to ascertain their

readiness to be part of a beta version of a cultural heritage portal.

1 Numerous collections of Southeast Asian cultural heritage materials are available in non-ASEAN countries – examples include the British Library’s Endangered Archives Programme (http://eap.bl.uk/) and the South East Asian Digital Library (SEADL) hosted by Northern Illinois University in the U.S. (http://sea.lib.niu.edu/).

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Given the limitations of the beta phase of the project, the feasibility study focused on digital

projects or collections that were already online with metadata (as opposed projects that may be in

the early stages of digitisation). The final selection was limited to digital projects/collections that

had descriptions available in English, which is the official language of ASEAN. Eventually ASEANA

should be a multi-lingual portal but the initial beta version would concentrate on identifying those

existing collections that are ready to be aggregated. Given that preservation continues to be an

issue in the region, a future iteration of ASEANA may also provide a server/institutional home

within the country or region for collections that lack the either the technical, financial or

administrative ability to provide online access and preserve their collections in a secure

environment over the longer-term.

Based on the criteria outlined above, approximately 30 digital collections/projects were selected to

be included in the initial feasibility study and 1-2 pages profiles were developed for each collection

or project (see Annex D).

Outputs of the Feasibility Study

The final outputs of the feasibility study included the following:

• A list of people and organizations that were contacted to identify potential cultural heritage

digital collections in the ASEAN region (Annex A)

• A profile/questionnaire that facilitated research on each digital collection or project, which

included a description of the project, the type of content, scale (size of the project), scope

(for which purpose) and metadata used, a link to its public website and a contact person or

institution (Annex B)

• A list of cultural heritage digital projects included in the research (Annex C)

• A final profile for each cultural heritage project in that included: a description of the

project, the type of content, scale (size of the project), scope (for which purpose) and

metadata used, a link to its public website and a contact person or institution (Annex D)

The Goethe-Institut will share the results of the feasibility study for its project ‘Cultural Heritage

Southeast Asia’, and work with ASEAN members, IFLA, CONSAL the National Library of Singapore,

the German National Library/German Digital Library, DigitalNZ and other interested parties to help

develop an ASEANA Digital Library. The results of the feasibility study may be made available to

the public, particularly on the Goethe-Institut’s website and websites of project partners.

Select Findings and Recommendations

Digitization and metadata standards in among the different collections varied widely, indicating a

need for adopting a regional or perhaps even global set of standards for cultural heritage

materials. The study also compared cultural heritage collections and digital portals such as

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Europeana, the Digital Public Library of America and the German National Digital Library to

determine how digitization and metadata standards are being used by other collections around the

world. There appears to be a trend toward using a common set of standards for digitization and

metadata across many of the larger collections. This enables discovery and access of local content

across regional collections as well as creates the possibility of a truly global portal of cultural

heritage materials. According to the IFLA/UNESCO Manifesto for Digital Libraries:

“A collaborative digital library allows public and research libraries to form a network of

digital information in response to the needs of the Information Society. The systems of all

partners in a collaborative digital library must be able to interoperate.”

One possible next step for ASEANA may be to work with the ASEAN member countries to develop

regional standards based on the newly developed International Federation of Library Associations

and Institutions (IFLA) Rare Books and Manuscripts Digitization Guidelines. The guidelines are

suggestive and provide a series of questions that libraries can use to develop a comprehensive

digitization and preservation program for rare books and manuscripts, and may be applicable to

other materials as well. These guidelines may provide an opportunity for the national libraries

from the ASEAN member countries to work together in adopting standards and as well as future

steps, such as developing centers of competency in each country. As suggested in the

UNESCO/UBC Vancouver Declaration, “education and training programmes for information

professional must be developed and provided to prepare or reposition them to implement both

digitization and preservation practices relevant to the needs of governments and their citizens…”.

The diverse local content collections in the ASEAN region reflect the rich cultural heritage traditions

in the member countries. By working together toward the goals of preservation and digitization,

the ASEAN member countries can provide access to these cultural heritage collections for

generations to come.

The larger vision for this initiative includes working with ASEAN members to develop a framework

for the ASEANA Digital Library, which would include:

• Identifying and developing an institutional home for a regional and national centers of

competence which would be supported by network of digitisation project partners, specialists

from Southeast Asia, Europe, Oceania and the US, supporters and donors; and,

• Identifying and adapting best practices and policies for the digitisation of cultural heritage

materials in the region.

For additional information, please contact:

Christel Mahnke, Head of Information & Library

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Christel.mahnke at jakarta.goethe.org

Tanya R. Torres, Consultant

trtor at fastmail.fm

Goethe-Institut Indonesia

Jl. Sam Ratulangi 9-15, Menteng

Jakarta 10350

Tel. +62-21-23550208 - 105

Fax. +62-21-23550021

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Annex A – List of people and organizations that were contacted to identify potential

cultural heritage digital collections in the ASEAN region

Christel Mahnke

Head of Information & Library

Goethe-Institut Indonesia

Alicia Paraiso

Head, Information and Library

Goethe-Institut Manila

Sirirat Tinarat

Head of Information and Library

Goethe-Institut Thailand

Viet Phuong Tran

Head of Information and Library

Goethe-Institut Vietnam

Roger Tol

Director

Koninklijk Instituut voor Taal-, Land- en Volkenkunde (KITLV) / Royal Netherlands Institute of

Southeast Asian and Caribbean Studies/Jakarta

Will Tuchrello

Field Director

Library of Congress (LOC) Jakarta

Ky-Anh Nguyen

Assistant Director Culture & Information Division

ASEAN-Secretariat

Arief Maulana

Culture & Information Division

ASEAN-Secretariat

Myat Sann Nyein

Director of Baldwin Library

Yangon, Myanmar

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Aditya Nugraha, MS (Liauw Toong Tjiek) –

Head of the Library - Perpustakaan Universitas Kristen Petra

Surabaya, Indonesia

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ASEANA Feasibility Study – August 2013 B-1

Annex B – Sample Project or Collection Questionnaire

1. What is the title of the project or collection?

2. Is the project or collection available online? If so, what is the URL?

3. What is the scale of the project or collection?

4. Please describe the project or collection, including the scope.

5. What type of content is available through the project or collection?

6. What is the copyright status of the project or collection? Are there any rights associated with

the content?

7. What kind of metadata does the project or collection have? What languages are used for the

metadata titles and/or content?

8. Who should we contact for additional information about the project or collection?

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ASEANA Profiles C-1

Annex C - List of the Digital Project/Collection Profiles

No. Country/Region Title Page

1 Regional - Europe Europeana D-1

2 Germany Deutsche Digitale Bibliothek (DDB)/ German Digital Library D-3

3 Netherlands

Koninklijk Instituut voor Taal-, Land- en Volkenkunde

(KITLV) / Royal Netherlands Institute of Southeast Asian and

Caribbean Studies Digital Media Library

D-5

4 Japan National Diet Library Digital Contents D-7

5 United States Digital Public Library of America (DPLA) D-9

6 Australia National Library of Australia Digital Collections D-11

7 Australia Trove D-13

8 New Zealand DigitalNZ D-15

9 Cambodia National Museum of Cambodia: Image collection of Angkor

complex and neighbouring temple groups D-13

10 Indonesia National Library of Indonesia - Digital Collections - Images D-19

11 Indonesia National Library of Indonesia - Digital Collections - Johannes

Rach's Paintings D-20

12 Indonesia National Library of Indonesia - Digital Collections -

Manuscripts D-21

13 Indonesia Petra Christian University Surabaya - Surabaya Memory D-22

14 Indonesia PACE Papua Heritage Foundation D-24

15 Indonesia Lontar Foundation – Lontar Digital Library D-26

16 Lao PDR Digital Library of Lao Manuscripts D-29

17 Malaysia State Library: Pustaka Negeri Sarawak D-31

18 Malaysia The Sabah Museum/Jabatan Muzium Sabah D-34

19 Philippines Filipinas Heritage Library D-35

20 Philippines Retrato – Photo Archive of the Filipinas Heritage Library D-37

21 Philippines The University of the Philippines Center for Ethnomusicology D-40

22 Singapore Singapore Collections Online (SGCool) D-42

23 Singapore Singapore Memory D-45

24 Singapore NAS National Archives – Access to Archives Online (A2O) D-48

25 Thailand Chiang Mai University Library (CMUL)

Digital Heritage Collection D-50

26 Thailand CMUL Lanna (Northern Thai) Collections D-51

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ASEANA Profiles C-2

27 Thailand Digital Archive of Research on Thailand (DART) D-54

28 Thailand Princess Maha Chakri Sirindhorn Anthropology Centre D-56

29 Viet Nam National Library of Viet Nam - Indochina Book Collection D-59

30 Viet Nam Han Nom Special Collection Digitization Project D-61

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Annex D - Digital Project/Collection Profiles

Country: Regional – Europe

Title: Europeana

URL: http://www.europeana.eu/

Scale: Regional

Description

& Scope:

From Europeana - About Us:

Europeana is the trusted source of cultural heritage provided by the Europeana

Foundation and a large number of European cultural institutions, projects and

partners, including 130+ of the leading galleries, libraries, archives and

museums. Over 24 million objects are available including books and

manuscripts, photos and paintings, television and film, sculpture and crafts,

diaries and maps, sheet music and recordings.

Type of

Content:

From Europeana - About Us:

Digital portal (aggregation from other collections) - includes:

• Images - paintings, drawings, maps, photos and pictures of museum objects

• Texts - books, newspapers, letters, diaries and archival papers

• Sounds - music and spoken word from cylinders, tapes, discs and radio

broadcasts

• Videos - films, newsreels and TV broadcasts

Rights: From the Europeana Data Exchange Agreement:

With regard to licensing of the resources provided by data providers to

Europeana, the Data Exchange Agreement (DEA) sets out two simple principles:

1. For all descriptive metadata provided to Europeana, data providers

grant Europeana the right to publish the metadata under the terms of the

Creative Commons CC0 1.0 Universal Public Domain Dedication. This means that

all metadata provided to Europeana can be re-used by third parties without any

restrictions.

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2. Each digital object (and the associated preview) that is available via

Europeana needs to carry a rights label that describes its copyright status. Data

providers grant Europeana the right to publish previews provided to Europeana.

Previews may not be re-used by third parties unless the rights label related to

the object allows such re-use.

Metadata: From Europeana Professional - EDM documentation:

Uses Europeana Data Model (EDM) for Cultural Heritage attempts to

accommodate a wide range of international standards such as DC, LIDO for

museums, Encoded Archival Description (EAD) for archives and METS for digital

libraries. The EDM framework also collects, connects and enriches metadata by

adhering to Semantic Web modelling principles that link to other cultural

heritage collections. Provides a wide range of metadata-related instructional

materials such as EDM primers, mapping guidelines and object templates. The

EDM features 10 mandatory properties and 12 optional properties for each

object.

Contact

Information:

Europeana Office

+31703140991

Info at europeana.eu

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Country: Germany

Title: Deutsche Digitale

Bibliothek (DDB)/

German Digital Library

URL: http://www.deutsche-digitale-bibliothek.de/

Scale: National

Description

& Scope:

From About us and Institutions - Deutsche Digitale Bibliothek

The Deutsche Digitale Bibliothek (DDB) is a national portal which aims to bring

together and network digital content from all (+1990) of Germany’s cultural and

scientific institutions by providing access to millions of books, archived items,

images, sculptures, pieces of music and other sound documents, as well as films

and scores, from all over Germany. As part of Europeana, the DDB functions as a

national portal for digitalised artistic and cultural assets and integrates them into

the European cultural memory.

Type of

Content:

From Contents of the Deutsche Digitale Bibliothek:

Include digital representations and derivatives of books, documents, paintings,

statues, installations and monuments, as well as films and music. Users can

browse the finding aids of archives or access information from the field of

cultural heritage preservation. They can read, view or listen to the objects,

arrange them into virtual displays and use them in virtual research

environments.

Rights: From the DDB Terms of Use:

1. The DDB and its data suppliers retain all copyright and other industrial

property rights to the public, freely accessible (and free of charge) digital

content, derivatives and metadata including layout, software and their content in

line with the principle of „free access – rights reserved“.

2. Any use of the digital content, derivatives and metadata for commercial

purposes is hereby prohibited, unless approved by the title holder in individual

cases. As a rule, the DDB is not the title holder itself, but only acts as an agency

providing access to the digital content, derivatives and metadata, so that any

further rights of utilisation must be acquired from the respective institute that

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has contributed said content.

3. Where the individual digital content, derivatives and metadata give specific

legal instructions concerning the use of the content in question, these shall apply

in addition to these General Terms and Conditions of Use.

4. It is forbidden to alter and/or remove information concerning copyright

and/or brand names and/or any other information provided as part of the

content.

5. Special conditions apply for individual areas of this website. When

registering in these areas, the users are explicitly asked to read the conditions

applicable for these. More specific conditions of this type shall have priority over

these conditions when using said services.

Metadata: From Frequently Asked Questions - Deutsche Digitale Bibliothek

The internal metadata format of the DDB is based on the Conceptual Reference

Model (CRM) of CIDOC. CIDOC-CRM is a model that provides definitions and a

formal structure for describing cultural works. The formal structure of the model

consists of classes (entities) and relations (properties) between the classes. The

DDB data model also uses entities from FRBRoo, a formal ontology that

harmonises the functional requirements for bibliographic records (FRBR) with

CIDOC-CRM. In this way, bibliographic information is integrated and brought

together with museum resources.

Admissible input formats are Dublin Core, MODS/METS, MARC21, EAD(-DDB)

and LIDO. Data should be delivered in XML format, as they will be converted

using XSLT-based transformers to the internal format of the DDB. If the formats

mentioned above cannot be supplied, the DDB competence network provides

help with converting the existing format in each case to one of the required

standard formats.

Contact

Information:

For general questions about the DDB please contact the competence network at:

fragen at deutsche-digitale-bibliothek.de.

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Country: Netherlands

Title: Koninklijk Instituut voor Taal-, Land- en

Volkenkunde (KITLV) / Royal Netherlands

Institute of Southeast Asian and Caribbean

Studies Digital Media Library

URL: http://media-kitlv.nl/

Scale: From KITLV — Digital Resources:

Multi-country/special emphasis on collecting information and advancing research

on the present and former Dutch colonies.

Description

& Scope:

From KITLV — Library and Digital Resources:

KITLV maintains a digital library with collections of more than 150,000 photos,

prints, drawings, maps and songs particularly from Indonesia, the Dutch Indies,

Suriname and the Caribbean. Additionally there are images of migrants from

these areas who resided temporarily or resettled in the Netherlands. As of 2010,

KITLV had contributed more than a third of the items pertaining to Southeast

Asia to the World Digital Library, which makes significant primary materials from

countries and cultures around the world available on the Internet, free of charge

and in multilingual format.

Type of

Content:

Photos, prints, drawings, maps and music.

Rights: From KITLV copyright notice:

Music - Copyrights of audio samples that do not fall in the public domain are

dealt with by the Dutch organization for music licensing and authorship

BUMA/STEMRA. KITLV pays an annual fee to BUMA/STEMRA to be able to

maintain this website. BUMA/STEMRA is the official organization to secure

remuneration of royalties to composers or performers.

Photographic materials - A photograph or other paper document may only be

published after permission has been given by the Department of Special

Collections of the KITLV and after the copyright payment has been made.

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CONDITIONS OF PERMISSION FOR THE REPRODUCTION OF PHOTOS,

MAPS, PRINTS, ETC., FROM THE COLLECTIONS OF KITLV/Royal

Netherlands Institute of Southeast Asian and Caribbean Studies

A photograph or other paper document may only be published after permission

has been given by the Department of Special Collections of the KITLV and after

the copyright payment has been made.

The KITLV hereby grants permission for use of the specified image in one

publication only. The use of the material for further printing, publication, sale,

lending, broadcasting or any other public purpose, whether by the same person

or by others, without prior permission from the KITLV, is prohibited.

Each time the specified image is used full mention must be made of the source,

viz.:

- ‘Collection of the KITLV, Leiden, The Netherlands.’

The client is requested to send a complementary copy of the publication

concerned by way of proof to the KITLV (The department of Special Collections)

upon publication.

After having used the images the client is requested to return them to the KITLV

(The department of Special Collections). When the images were supplied on CD-

ROM the client is obliged to send them back at all times.

Metadata: Good metadata, ranging from 8-12 properties. Unclear what metadata schema

was used. Appears to have received assistance from Picturae for image and

audio collection digitization.

Contact

Information:

archives at kitlv.nl

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Country: Japan

Title: National Diet Library Digital

Contents

URL: http://www.ndl.go.jp/en/service/online_service.html#digital

Scale: National

Description

& Scope:

The NDL Digitized Contents includes the following collections:

• Digital images of books, periodicals, rare books and old materials

(manuscripts, prints, and maps created before 1868), and official gazettes

held by the NDL. Approx +92,000 objects.

• Historical sound recordings digitized by the Historical Records Archive

Promotion Conference.They were originally recorded on 78rpm records and

other obsolete audio media produced in Japan between 1900-1950.

• As well as special collections such as the Digital Library from the Meiji Era

Type of

Content:

Images of books, manuscripts, maps, and audio.

Rights: From Concerning Copyright from National Diet Library:

Unless otherwise specifically noted, the National Diet Library holds the copyright

of its websites and all contents.

From Copyrights of the Materials from the Digital Library from the Meiji Era:

The NDL digitizes its collection for preservation purposes as stipulated in Article

31(2) of the Copyright Law (Japanese only). Digitized materials are first made

available within the facilities of the NDL. Then after copyright clearance, they

became available on the Internet at the Digital Library from the Meiji Era. There

are three cases where the NDL is able to provide materials on the Internet:

(1)the material belongs to the public domain, (2)the NDL obtains the permission

from the copyright holder, and (3) the NDL gets licensed by the Commissioner

for the Cultural Affairs based on the Article 67 of the Copyright Law. The NDL is

working on the copyright clearance of the books published in the early Show

period (1925-1945).

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Metadata: Extensive metadata appears to be available in Japanese for all digital collections.

Only the Digital Library from the Meiji Era and limited number of other objects

have metadata available in English.

Contact

Information:

Inquiries and comments about technical aspects of the NDL Digitized Contents

and the Digital Library from the Meiji Era can be sent to the following address:

Digital Library Division, the Kansai-kan of the National Diet Library

8-1-3 Seikadai. Seika-cho, Soraku-gun, Kyoto 619-0287 JAPAN

E-mail: dl at ndi.go.jp

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Country: United States of America

Title: Digital Public

Library of America

(DPLA)

URL: http://dp.la/

Scale: National

Description

& Scope:

From About the DPLA:

The Digital Public Library of America (DPLA) brings together the riches of

America’s libraries, archives, and museums, and makes them freely available to

the world. It strives to contain the full breadth of human expression, from the

written word, to works of art and culture, to records of America’s heritage, to the

efforts and data of science. The DPLA works with hundreds of libraries, archives,

museums, and knowledge institutions across the United States and abroad

through hubs partnerships and other collaborations, to increase access to shared

cultural heritage.

Type of

Content:

From About the DPLA:

The DPLA offers a single point of access to millions (+2.5M) of items—

photographs, manuscripts, books, sounds, moving images, and more—from

libraries, archives, and museums around the United States.

Rights: From DPLA Terms of Service:

5. License to Content Delivered through the Services

5.1. Content Generally

Except for the Metadata, any images, video and audio delivered through the

Exhibitions (the “Visual Assets”), as well as DPLA’s trademarks, logos, trade

dress, look and feel, and other identifying characteristics of the Services

(collectively, the “DPLA Marks”), all content delivered through the Services is

made available and licensed by the DPLA under the CC BY 3.0 License.

5.2. Metadata

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All Metadata has been dedicated to the public pursuant to Creative Commons’

CC0 public domain dedication, and is available for download through DPLA’s

Metadata API. Please read DPLA’s Metadata Policy for more information

regarding the Metadata.

5.3. Visual Assets

The Visual Assets displayed as part of any Exhibitions are subject to the rights

granted within the metadata associated with each Visual Asset, if any. If you

would like more information how to license these Visual Assets, please contact

the relevant rights-holder. Please refrain from scraping or copying any of the

Visual Assets from the Services. If you do, you do so at your own risk, and are

fully liable for any damages that may arise out of this behavior.

Metadata: From Digital Public Library of America FAQ:

The DPLA API is built following the DPLA Metadata Application Profile (MAP), our

internal metadata schema. The DPLA MAP is designed to build on the experience

of the Europeana Data Model (EDM) and to crosswalk with commonly used

metadata standards, including Dublin Core (qualified and unqualified), MODS,

and others. It references Dublin Core, ORE, and a variety of controlled

vocabularies and thesauri. A preliminary release of the RDF schema is also

available. The MAP will continue to evolve to implement more linked-data

friendly methodologies to better share, expose, and connect DPLA’s content with

users across the web.

Contact

Information:

Digital Public Library of America team:

info at dp.la

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Country: Australia

Title: National Library of Australia

Digital Collections

URL: http://www.nla.gov.au/digicoll/

Scale: National

Description

& Scope:

From Digital Collections of the National Library of Australia (NLA):

The National Library of Australia digitises selected items in its collections to

provide users with easy online access to some of Australia’s most significant

cultural materials. Explore the Australian story through captivating pictures, rare

historical maps, early Australian printed music, manuscripts belonging to famous

Australians, selected printed works from our Australian and overseas collections,

and selected audio recordings of our oral history and folklore items.

Type of

Content:

From NLA’s Digitisation of Library Collections:

As of 30 June 2012, a total of 189,013 collection items (consisting of 624,910

images) have been digitised. This includes pictorial material, maps, printed

music, manuscripts, and selected books and serials.

Rights: From NLA Copyright for this website:

© National Library of Australia

Content published on this web site is copyright. You may download, display, print

and reproduce this content for your personal or non-commercial use but only in

an unaltered form and with the copyright acknowledged.

Agencies wishing to make Library content accessible through their web site are

encouraged to link to the required content on this site.

This site contains links to a wide range of resources which do not belong to the

National Library of Australia. While the Library aims to provide links which will be

useful to users of the site, it cannot endorse these sites or guarantee the content

of linked resources.

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Copyright and our collections

Various copying and publishing conditions apply to content in the Library's

collections, depending on material type, age and whether a donor rights

agreement is in place. For more information see our Copyright in Library items

page.

Metadata: From NLA’s Standards:

Uses a variety of metadata standards for different types of contents, including

Australian METS profiles, MARC21 for books, and their own metadata schema for

images. Metadata is available for harvesting using the Open Archives Initiative

(OAI) protocol for metadata harvesting.

Contact

Information:

Digitisation and Photography Branch

National Library of Australia

Canberra ACT 2600

Ph: +61 (02) 6262 1557

Email: digitisation at nla.gov.au

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Country: Australia

Title: Trove

URL: http://trove.nla.gov.au/

Scale: National

Description

& Scope:

From Marketing Trove - National Library Of Australia:

Trove is a free, online, national content delivery and discovery service (search

engine) built and managed by the National Library of Australia. The National

Library gathers information and combines under one search portal. Trove

harnesses digital technology to take its users straight to the source of millions of

resources from almost 2000 libraries and other cultural institutions around

Australia as well as international digital collections of relevance. Utilizes social

media and user contributions to augment metadata and collections.

Type of

Content:

From Home - Trove:

Digital portal which provides access to over 358,226,502 Australian and online

resources: books, images, historic newspapers, maps, music, archives and more.

Rights: From Full Terms and conditions of use for the NLA’s Trove service:

Creative Commons Share and Share Alike licence.

Trove users are required to grant to NLA a non-exclusive licence to

distribute, copy and preserve your content under a Creative Commons

Attribution-NonCommercial-ShareAlike 2.1 Australia Licence.

Copyright.

Users must not upload or transmit to Trove any copyright material of

which you are not the owner, unless you have the express written

permission of the copyright owner to do so. Copyright in images of book

covers included in Trove is reserved by the original copyright holders.

Non-Commercial Use only.

Trove is provided solely for personal use. As a participant, you must not

include in your Posting(s) or otherwise distribute on or through Trove

any content or material containing any advertising, promotion,

solicitation for goods, services or funds or solicitation for anyone to

become members of any commercial enterprise or organisation without

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the express written permission of the NLA. Any unauthorised use of any

interactive area of Trove, its Content or Postings is expressly prohibited.

Metadata: From Technical specifications for contributing - Trove:

Trove works with two metadata schemas:- Unqualified Dublin Core and the

Picture Australia Metadata Schema. Trove uses a number of transfer protocols to

harvest records from contributors’ systems. These include the Open Archives

Initiative Protocol for Metadata Harvesting (OAI-PMH), Harvest Control Lists,

RSS feeds, Sitemaps and custom APIs.

Contact

Information:

National Library of Australia

Parkes Place CANBERRA ACT 2600, Australia

web: http://trove.nla.gov.au/

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Country: New Zealand

Title: DigitalNZ

URL: http://digitalnz.org/

Scale: National

Description

& Scope:

From About - DigitalNZ:

DigitalNZ is an initiative with more than 120 partners, led by the National Library

of New Zealand. Search across more than 25 million digital items to discover

New Zealand treasures such as amazing aerial photos, old posters and

memorabilia, newspaper clippings, artworks, and publications. Items are

contributed from partners including Te Papa, the Alexander Turnbull Library,

Auckland Art Gallery, Te Ara, NZ On Screen and many many more.

Type of

Content:

From About - DigitalNZ:

Digital portal (aggregation from other collections), and also host of text, images,

audio, video, data, web-pages, multi-media and sets.

Rights: From Copyright - DigitalNZ:

Unless stated otherwise:

1. the material on this website is subject to copyright protection;

2. all items are protected by third-party copyright or other usage

restrictions;

3. website content in the about, blog, developer, and partner sections of

this website is released under a Creative Commons Attribution 3.0 New

Zealand licence. This licence does not apply to design elements or

images on the site

The copyright of much of the Content on this website is owned by third parties.

If you want to copy (including download), adapt, publish or otherwise distribute

any of this Content, you are responsible for determining and clearing copyright,

obtaining permissions and meeting any other requirements. Please see the

information about reusing items found on DigitalNZ for assistance.

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Metadata: From DigitalNZ Metadata Dictionary:

Loosely based on Dublin Core with additional custom fields. For additional

details, please refer to DigitalNZ Metadata Dictionary.

Contact

Information:

Contributing search content: Fiona Fieldsend

info at digitalnz.org

Phone +64 4 474 3015

Technical support: Chris McDowall

develop at digitalnz.org

DigitalNZ Developers Google Group

Phone +64 4 470 4536

Digital project advice: Lewis Brown

advice at digitalnz.org

Phone +64 4 474 3159

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Country: Cambodia

Title: National Museum of

Cambodia: Image collection

of Angkor complex and

neighbouring temple

groups

URL: http://www.cambodiamuseum.info/en_khmer_art_history/angkor_complex.html

Scale: From Angkor complex and neighbouring temple groups:

Collection of +60 descriptions temple images with metadata in English and

Khmer in HTML on the National Museum of Cambodia website.

Description

& Scope:

Unknown.

Type of

Content:

Images

Rights: From Angkor complex and neighbouring temple groups:

©2013 National Museum of Cambodia. Website is sponsored by the Bickford

Family Trust and Friends of Khmer Culture, Inc (FOKCI).

Metadata: Basic descriptive terms in HTML.

Contact

Information:

H.E. Him Chhem

Minister

Ministry of Culture and Fine Arts

227 Kbal Thnal, Preah Norodom Boulevard

Sangkat Tonle Bassac, Khan Chamkar Mon

Phnom Penh 12305

Kingdom of Cambodia

Tel: +855 (0)23 217 643, +855 (0)23 217 645, +855 (0)23 217 647-8

Fax: +855 (0)23 218 146

Mr. Kong Vireak, Director

Ms. Sam Thida, Deputy Director

Mr. Chhuon Sareth, Deputy Director

Mr. Kep Sovann, Deputy Director

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Ms. Seng Bopha, Deputy Director

Ms. Suon Pholine, Deputy Director

Ms. Oun SokunTheavy, Deputy Director

National Museum of Cambodia

Street 13

Sangkat Chey Chumneas, Khan Daun Penh, Phnom Penh

Kingdom of Cambodia

Email: museum_cam at camnet.com.kh

Tel/fax: +855 0(23) 211 753

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Country: Indonesia

Title: National Library of

Indonesia - Digital

Collections - Images

URL: http://www.pnri.go.id/en/KoleksiFoto.aspx

Scale: From Digital Collections - Image / Photo Collection:

Digital collection of +800 photos with good metadata in Indonesian and Dutch.

Description

& Scope:

See above.

Type of

Content:

Images of photos, primarily black and white.

Rights: From homepage of National Library of Indonesia website:

copyright © 2011 Perpustakaan Nasional Republik Indonesia

Metadata: From Digital Collections - Image / Photo Collection:

Basic metadata available in Indonesian or Dutch (title, author, physical

description, general notes and subject).

Contact

Information:

Mr. Joko Santoso

Head of Library Cooperation and Automation Division

Center For Library and Information Services

The National Library of Indonesia

Jl. Salemba Raya No. 28A - Jakarta 10430

Indonesia

Tel/fax: 6221-3103554

URL: http://www.pnri.go.id

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Country: Indonesia

Title: National Library of

Indonesia - Digital

Collections -

Johannes Rach's Paintings

URL: http://www.pnri.go.id/en/KoleksiJRach.aspx

Scale: From Digital Collections - Johannes Rach Paintings:

Digital collection of 167 images works by Johannes Rach, a Danish painter and

draughtsman who created numerous paintings and drawings of architecture and

culture during his time in Indonesia (1762-1783). 1

Description

& Scope:

See above.

Type of

Content:

Images of drawings or paintings.

Rights: From homepage of National Library of Indonesia website:

copyright © 2011 Perpustakaan Nasional Republik Indonesia

Metadata: From Digital Collections - Johannes Rach Paintings:

Basic metadata available in Indonesian or Dutch (title, physical media, general

notes, annotation, subjects and call number). Titles are available in Indonesian

and English.

Contact

Information:

Mr. Joko Santoso

Head of Library Cooperation and Automation Division

Center For Library and Information Services

The National Library of Indonesia

Jl. Salemba Raya No. 28A - Jakarta 10430

Indonesia

Tel/fax: 6221-3103554

URL: http://www.pnri.go.id

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Country: Indonesia

Title: National Library of

Indonesia - Digital

Collections -

Manuscripts

URL: http://www.pnri.go.id/en/KoleksiManuskrip.aspx

Scale: From Digital Collections - Manuscripts:

Digital collection of 345 manuscripts as PDF files with good metadata in English.

Description

& Scope:

See above.

Type of

Content:

Manuscripts in different languages from different parts of Indonesia, available in

PDF format.

Rights: From homepage of National Library of Indonesia website:

copyright © 2011 Perpustakaan Nasional Republik Indonesia

Metadata: From Digital Collections - Manuscripts:

Basic metadata available in Indonesian or Dutch (title, physical description,

general notes, annotation, language, subjects and call number).

Contact

Information:

Mr. Joko Santoso

Head of Library Cooperation and Automation Division

Center For Library and Information Services

The National Library of Indonesia

Jl. Salemba Raya No. 28A - Jakarta 10430

Indonesia

Tel/fax: 6221-3103554

URL: http://www.pnri.go.id

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Country: Indonesia

Title: Petra Christian University

Surabaya - Surabaya Memory

URL: http://www3.petra.ac.id/surabaya-memory/

Scale: From Surabaya Memory - Petra Christian University:

Several collections of images and documents pertaining to the cultural heritage

of Surabaya, East Java, Indonesia’s second largest city:

1) Daily Life of People (59 images);

2) Old/Ethnic Quarters/Villages -(4 documents);

3) Historical Event(s)- (4 documents);

4) Important/Influential Figures/Character(s) - (2 documents);

5) Rivers - (11 documents);

6) Documentation of Settlements in Indonesia - (9 documents);

7) City Planning - (30 documents);

8) Old Street - (34 documents);

9) Historical Buildings/Sites/Monuments - (149 documents).

Description

& Scope:

From the Goals of Surabaya Memory:

1. To document the various stages of development of the city of Surabaya,

including its historical and/or cultural heritage and its people's daily life

from different era;

2. To provide a virtual gathering space where people of the same concerns

and interests can exchange ideas, knowledge, and expertise for the

preservation of historical and/or cultural heritage of the city of Surabaya;

3. As a showcase to introduce the concept of digital library and digital

collections, and their roles in encouraging society's awareness for the

preservation of Surabaya city's historical and/or cultural heritage.

For more information on the background of Surabaya Memory Project, please go

to the History section.

Type of

Content:

From Surabaya Memory - Petra Christian University - Documentation of

Settlements in Indonesia - Pokok-pokok pemukiman:

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Images and descriptions in Indonesian are available as PDFs online.

Rights: From one of the Surabaya Memory pages:

The resource(s) is/are maintained by Petra Christian University. Reproduction &

distribution for non-commercial purposes is permitted provided that the credit

for the Author(s) and the maintainer are explicitly stated, and no alterations are

made.

Metadata: From one of the Surabaya Memory pages:

Good metadata available in Indonesian and English (title, author, year, subject,

keyword, category, language and rights). Descriptions are available in

Indonesian.

Contact

Information:

Mr. Aditya Nugraha, MS (Liauw Toong Tjiek) –

anugraha at petra.ac.id

Head of the Library - Perpustakaan Universitas Kristen Petra

Surabaya, Indonesia

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Country: Indonesia

Title: PACE Papua Heritage Foundation

URL: http://www.papuaerfgoed.org/en

Scale: From Artefacts - PACE (Papua Heritage Foundation) and Multimedia - PACE:

Over the past seven years, PACE (Papua Heritage Foundation) has assembled an

extensive collection of images of ethnographic artifacts (+900). The collection

consists of images of jewelry, clothing, utensils, ritual objects and weapons.

Many of the objects were acquired by their donors during the late 1950s and

early 1960s. Additionally, over 100 clips from videos, +1000 images, 5 audio

(including music) featuring Papuan culture and music are available online.

Description

& Scope:

From the PACE Organization page:

PACE (Papua Heritage Foundation) was founded in September 2001. It gives

access to and digitizes cultural heritage such as artifacts, documents, books,

movies, pictures and oral history. The Foundation does this by collaborating with

private individuals, museums and religious institutions. This heritage is made

accessible to users in The Netherlands, in West Papua and internationally by

publishing it in Dutch, English and Malay. Where possible heritage items are

repatriated to West Papua.

Type of

Content:

Images, video, audio and documents.

Rights: From the PACE Books and Documents page:

Copyright

The PACE site provides access to various publications, documents, images, audio

clips and other such material which our foundation has made digitally accessible

under license from its owner (s). In some cases, despite thorough efforts and

care taken, we have failed to identify the copyright owners.

Nonetheless, any work made accessible is still subject to copyright protection

under the provisions of the Dutch Copyright Act 1912.

Metadata: From pipe - PACE:

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Good metadata in mixed English/Dutch: Origin(s), dimensions, production

technique, thesaurus terms (material, cultural, geographic, objects categorical

thesaurus). Appears to use art/museum international standards (perhaps Getty

AAT?).

Contact

Information:

Papua Heritage Foundation info at papuaheritage.org

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Country: Indonesia

Title: Lontar Foundation – Lontar Digital Library

URL: http://library.lontar.org/

Scale: Collections of images: Indonesian manuscripts (+250) and Indonesian

Performance Traditions (19), as well as film/video of notable Indonesian authors

(30+) available online.

Description

& Scope:

From the About the Lontar Digital Library:

Similar to the objectives of the Lontar Foundation, the Lontar Digital Library

seeks to:

• Provide access to Indonesian literature, history and culture;

• Expand the volume and variety of Indonesian literature and cultural content

on the Internet; and,

• Provide resources for educators, scholars, and general audiences.

The Lontar Digital Library provides preservation and access to materials

produced and gathered by the foundation over its 20+ year history including:

• Books and journals: publications by Lontar, Amanah and Godown (imprints

of the Lontar Foundation), as well as information about Lontar’s library

holdings (a collections of over 3,000 books and other research materials

related to Indonesian history, literature, drama, language, poetry and other

topics.

• Video: films from the Indonesian Writers Series, Indonesian Performance

Traditions, and Wayang Kulit/Shadow Puppet Theater Series

• Audio: interviews and recordings with Indonesian authors and witnesses

from significant events in Indonesian history.

• Images: archival photographs of traditional manuscripts, colonial-era

postcards, and historical images from the New Order to the present.

The Lontar Digital library will allow users to search for materials by title, author,

subject and type, as well as browse materials by collection title. All materials

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produced by Lontar will be preserved in high-resolution digital format. Previews

and brief clips will be made available online.

Type of

Content:

Images, video and documents.

Rights: From the Lontar Digital Library home page:

Data in the Lontar Digital Library (LDL) is made available under the Open Data

Commons Attribution License (ODC-BY 1.0 license). Copyright of images and

book covers included in the LDL is reserved by the original copyright holders

unless otherwise stated. Books in PDF format and videos are licensed under a

Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported

License.Permissions beyond the scope of this license may be available at

http://www.lontar.org. Information about people and organizations from

Wikipedia is licensed under CC BY-SA unless otherwise stated.

From the Images page:

Terms and Conditions

The contents of the Lontar Digital Library are available for your use in research,

teaching and private study.

Some of these items are protected by Indonesian Copyright Law and some items

may have additional restrictions. If you use the items in this collection, make

sure you abide by any restrictions stated in the Rights section for each item.

The nature of these collections often makes it difficult to determine the copyright

status of an item. We have made every effort to provide information about

copyright owners and other restrictions. It is your responsibility to use the item

according to the terms governing its use.

If you are a copyright holder and the information is either not listed or listed

incorrectly, please let us know so that we can update the information on our site.

Metadata: Good metadata in English and/or Indonesian. Based on Dublin Core (title,

description, creator, medium, original language, longitude, latitude).

Contact

Information:

Lontar Librarian

library at lontar.org

Lontar Foundation

Jl. Danau Laut Tawar No 53

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Pejompongan, Jakarta 10210 Indonesia

Phone: +62-21-574-6880 Fax: +62-21-572-0353

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Country: Lao PDR

Title: Digital Library of Lao

Manuscripts

URL: http://www.laomanuscripts.net/en/index

Scale: +12,000 images of Lao manuscripts

Description

& Scope:

From the Digital Library of Lao Manuscripts Home Page:

The Digital Library of Lao Manuscripts makes images of almost 12,000 texts from

throughout Laos easily accessible for study. Collaborating institutions are the

National Library of Laos, the University of Passau, and the Staatsbibliothek zu

Berlin Preußischer Kulturbesitz. The project is funded by the German Research

Foundation (DFG) and the German Federal Ministry of Economic Cooperation and

Development (BMZ).

There is a wide diversity in the manuscript collection, covering a large

geographical area and historical timeframe, different literary traditions and

schools of scribes, and different languages and scripts. The majority of the texts

are from the Lao, Lan Na and Tai Lue traditions, with smaller numbers in Tai

Nuea, and Tai Dam, etc.

The DLLM database can be searched by title, ancillary term, language, script,

category, material, location, date, and code number. Images of the manuscripts

can be viewed online or copied to your desktop, and complete sets of images of

inventoried texts can be downloaded. The grey-tone images were digitised from

microfilm, while colour images were taken directly from the original manuscripts.

Type of

Content:

Images

Rights: According to David Wharton, researcher with the National Library of Laos2:

The Preservation of Lao Manuscripts Programme (PLMP) of the National Library

of Laos holds the copyright to the images in the digital library. They are freely

available for educational and non-commercial use without contacting the library.

Please acknowledge the source as: Digital Library of Lao Manuscripts, National

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Library of Laos, and feel free to provide links to the website.

If you would like to print any of the images for publication, please contact the

library for permission. In this case, better resolution 300ppi images are also

available.

Metadata: From Cao hong fa kham/ເຈົ ້ າຫົງຜາຄໍ າ. (n.d.). Digital Library of Lao Manuscripts:

Excellent metadata in English/Lao (title, language, script, location, date,

category, material, complete, no. of fascicles, no. of folios., condition, image

legibility, colophon, illustrated, PLMP Code and remarks).

Contact

Information:

The Digital Library of Lao Manuscripts

National Library of Laos,

Setthathirat Road,

PO Box 8818,

Vientiane,

Lao PDR

Tel/Fax: +856 (0)21 26 46 56

Email: laomanuscripts at gmail.com

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Country: Malaysia

Title: State Library: Pustaka Negeri Sarawak

URL: http://www.pustaka-sarawak.com/Pustaka-Sarawak/index.php

Scale: From Multimedia Galeri - Home page:

Several collections are online, including:

1) Aviola: sound recordings on the oral tradition, musical recordings of ethnic

group of Sarawak.

2) Merpati: 103 paintings

Description

& Scope:

From the Digital Initiatives Background page:

The digital collection represents digital surrogates for rare and significant

materials on Sarawak. Apart from improving considerably the availability and

usage of these materials, this digital project was initiated to create a Center of

Excellence for research resources and works on Sarawak. As well as providing

services to present day and future users, Pustaka is obliged to ensure that the

precious originals are properly managed. This project evolved 4 parts which

includes:

a. In-house collection - digitization of selected rare materials on Sarawak,

lithographs, theses and newspaper cuttings on Sarawak

b. Off-site collection - digitization of significant materials (based on

recommendations and expert opinions) on Sarawak which are held by

other agencies such as the Department of the Sarawak Museum, Majlis

Adat Istiadat, SAG's office, and the likes

c. Creation of new collection - Born digital (Pustaka commissioning the

research and production of information materials in digital formats)

d. Acquisition of readily available digital resources

- Obtained through purchase

- Secure through the Legal Deposit provision

-

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The objectives of this initiative are :

a. To provide access to digital representation of primary sources materials

documenting and illustrating the culture and history of Sarawak

b. To serve as a rich and coherent intellectual resources that help to foster

research about Sarawak's culture and history

c. To have alternatives format for fragile materials

d. To have control over collections and information contained in them

e. To increase and broaden access to collection

f. As a mean of securing old collection by preserving them in digital

formats

Type of

Content:

1) From the Aviola collections page:

Contains of sound recordings on the oral tradition, musical recordings of ethnic

group of Sarawak. Technical note: Recordings were not able to be played

accessed online – may need to be onsite to do so.

2) From the Merpati collections page:

This collection contains about 103 paintings (art reproduction), which were

displayed during an Art Exhibition by one of the local universities. This collection

constitutes a unique photographic record of life in Sarawak, places, scenes and

events from the various communities in Sarawak.

Rights: From Sarawak State Library Home page:

© Sarawak State Library. All Rights Reserved | © Pustaka Negeri Sarawak.

Hakcipta Terpelihara

Metadata: 1) From the Aviola collections page:

Good metadata available in English, as brief/full and MARC records.

2) From the Merpati collections page:

The Merpati collection has metadata available in both Dublin Core (title, creator,

subject, date created, resource type, format extent, resource identifier,

collection, e-location & access and rating) and MARC.

Contact

Information:

librarian at sarawaknet.gov.my

Pustaka Negeri Sarawak

Jalan Pustaka, off Jalan Stadium

93050 Kuching

Sarawak, Malaysia.

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Tel : 6082-442000

Fax : 6082- 449944

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Country: Malaysia

Title: The Sabah Museum/Jabatan Muzium Sabah

URL: http://museum.sabah.gov.my/

Scale: The Sabah Museum appears to have several different digital collections:

Ethnography, Ceramic, Zoology and Herbarium.

Description

& Scope:

From Sabah Museum Online Collections - Ethnography Collection and Ceramic

Collection:

See above. The Ethnography collection appears to have +80 objects. The

Ceramic collection appears to have 70+ objects.

Type of

Content:

Primarily images.

Rights: From the Sabah Museum Copyright page:

Copyright Policy

All materials, i.e., contents, information, text, images, graphics, applications,

sound files, video files, the structure arrangement, source codes and all other

aspects, are copyright of the Sabah Museum unless otherwise indicated.

No part of this website may be modified, copied, distributed, retransmitted,

broadcasted, displayed, reproduced, published, licensed, transferred, sold or

commercially dealt with in any manner without the prior written permission from

the Sabah Museum.

Metadata: Basic metadata in English (title, ethnic community, object (object name,

alternate name) and dimensions (length and width, if applicable).

Contact

Information:

Sabah Museum Complex

Jalan Muzium, 88300 Kota Kinabalu, Sabah

Tel: (+6088) 253199, (+6088) 225033

Fax: (+6088) 240230

Email: Muzium.Sabah at sabah.gov.my

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Country: Philippines

Title:

Filipinas Heritage Library

URL: http://www.filipinaslibrary.org.ph/

Scale: From Filipinas Heritage Library – Home:

Several digital rare book/serial collections, including:

• The Life and Times of Admiral George Dewey (5 digitized books),

• Oldest Materials in the Collection (1 manuscript available online -

Ilustracion Filipina),

• Early Editions of Jose Rizal's novels Noli Me Tangere and El

Filibusterismo, in Spanish, English, and Tagalog translations (7

editions available online)

• Philippine Annual Reports and Yearbooks (2 digitized reports),

• Biographies of Great Men (2 digitized books)

• Philippine Commission, In Depth (3 digitized reports).

Description

& Scope:

From the Rare Materials Collection page:

The Filipinas Heritage Library is housed in the historic Nielson Tower,

once the passenger terminal and control tower of the first commercial airport of

the Philippines and now the only remaining pre-World War II building in the

Makati Central Business District. But the Library lays claim to a historical worth

that goes beyond its structure and goes back to centuries before the war.

The Library is home to a valuable collection of rare books on the

Philippines, with materials ranging from seventeenth-century historical accounts

by Spanish missionaries to early twentieth-century reports of the Philippine

Commission of the United States government. Other valuable materials in the

library’s collection are eighteenth-century grammars of Philippine languages,

twentieth-century studies on Philippine flora and fauna, polemical writings on the

Philippine Revolution, and personal recollections of battles in the Philippines

during World War II.

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With its holdings on Philippine arts and letters, religion and politics,

social and natural sciences, dating from the early 1600s to the mid-1900s, the

Rare Books Collection of the Filipinas Heritage Library is indeed a treasure trove

of materials on Philippine history.

Type of

Content:

Digitized books available via Flipbook (http://www.digizines.com/) – of which the

Abstract, Bibliographic Description, and Preliminary Pages are free for viewing.

Subscription required for viewing full text.

Rights: From the Home page of the Filipinas Heritage Library:

Copyright © 2013 Filipinas Heritage Library. All Rights Reserved.

Metadata: Minimal metadata in English appears to be based on MARC (title, author,

abstract, call number, subject, publication and physical description, if available).

Contact

Information:

Filipinas Heritage Library

A Division of Ayala Foundation, Inc.

Address:

Makati Avenue, Ayala Triangle

Makati City, Philippines 1224

Telephone: T : (632) 892-1801

Fax: F : (632) 892-1810

http://filipinaslibrary.org.ph

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Country: Philippines

Title: Retrato – Photo Archive of the Filipinas Heritage Library

URL: http://www.retrato.com.ph/

Scale: From Retrato introduction page:

+35,000 images

Description

& Scope:

From Retrato introduction page:

Retrato is where the public can view the images in the Filipinas Heritage

Library’s Photo Archive. It consists of searchable black-and-white images, in

thumbnail size, depicting Philippine life through the late-19th and early-20th

centuries. The images are documented according to a standard adopted by the

Library.

A long-term project, Retrato has these aims:

• To classify and document the approximately 35,000 images in the

Library’s Photo Archive.

• To digitize these images and make them accessible online, with a system

for ordering and payment.

• To expand the collection to include images from the second half of the

20th century

Type of

Content:

From Organizing the Photo Archive page:

Black and white images categorized into 18 generic headings: Arts and Craft,

Architecture, Celebrations and Observances, Churches and Church Art, Clothing

and Adornments, Filipinas Circa (period photos of Philippine life), Foreign

Profiles, Geographical, Historical File, Industries , Memorial

(commemorating a person or an event, Plant and Animal Life, Peoples, Philippine

Profile (Filipino men and women in various fields of endeavor), Public Works and

Facilities, Religious Images, Special Collections (sets from a common source),

and Special Subjects.

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Rights: From the Retrato Terms and Conditions:

The undersigned understands and is agreeable to the following terms and

conditions which bind this authorization:

1. The photograph/s may be used solely for the purpose indicated above.

Authorization must be secured and corresponding fees must be paid for

each use in and per edition of any publication containing reproductions

from FHL.

2. One copy of any publication containing/video tape/CD-ROM including

images from the Filipinas Heritage Library must be given to the Filipinas

Heritage Library on publication or release date.

3. One copy of each photograph, color slide, transparency and video clip

taken must also be given to the Filipinas Heritage Library.

4. Filipinas Heritage Library is to be acknowledged in the

publication/video tape/CD-ROM which include images from the Filipinas

Heritage Library Photo Collection. Acknowledgement should carry the

name "Filipinas Heritage Library".

5. Payment of fees, including the deposit fee, is to be made before

photo/filming session.

6. The Ayala Foundation Inc.shall not be liable for any use contrary to

law of reproductions from the Filipinas Heritage Library.

Metadata: From Organizing the Photo Archive page and One of the Photo pages: Ati-Atihan:

Very good metadata in English, developed by comparing with SEAiT (South East

Asian images & Texts Project): (photo ID, generic heading, subject, title, place,

date, photographer, collection, notes, if available).

Contact

Information:

RETRATO

Filipinas Heritage Library

A division of Ayala Foundation, Inc.

6F Ayala Museum

Makati Ave. cor. De la Rosa St.

Makati City

Telephone (632) 7577117 loc 36

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Fax (632) 757-3588

E-mail asklibrarian at filipinaslibrary.org.ph

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Country: Philippines

Title: The University of the Philippines

Center for Ethnomusicology

URL: http://www.upethnom.com/index.php

Scale: +22,000 objects but unclear how many are available online.

Description

& Scope:

From the UP Center for Ethnomusicology About Us – Our Roots page:

The UP CENTER FOR ETHNOMUSICOLOGY is a center for music research with

material collections on the music and musical traditions in the Philippines,

Southeast Asia, and representative areas from other continents. The Center was

founded by Dr. Jose M. Maceda (1917- 2004), composer, ethnomusicologist,

pianist, philosopher, scholar, and National Artist. It was established by the Board

of Regents of the University of the Philippines on June 16, 1997. The core

holding of the Center is the Jose Maceda Collection, consisting of library and

archive materials including sound recordings, field notes, video, film, still

photographs, and other documentary items as well as musical instruments, and

original music compositions that were put together by Dr. Maceda, his research

staff and other scholars since 1953. Together with Dr. Maceda’s personal

collections which were officially transferred and deposited at the U.P. Center for

Ethnomusicology last September 22, 2005, the collection has recently been

inscribed in the UNESCO Memory of the World Register in August 2007, as an

item of documentary heritage of exceptional value. The Center is located on the

second floor, Main Building of the U.P. College of Music, Abelardo Hall, Diliman,

Quezon City.

Type of

Content:

From The Collection - UP Center for Ethnomusicology:

Collection includes digital photos, field notes, audio recordings, images of

instruments and musical scores. While the images appear to be available online,

it’s not clear how many of the other objects are available online.

Rights: From the UPCE Collections Portal - Terms of Service:

2. Digital Content.

The UPCE Collections Portal. The Collections Portal enable you, subject to the

restrictions set forth herein, to browse the Collection catalog and view sample

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Digital Content (catalogs, diagrams, scores, audio, video, documents, and

images) on your devices, including but not limited to mobile devices, e-readers,

and personal computers.

Restrictions. You may not copy, rip, download, upload, reproduce, exhibit,

present, transmit, distribute, broadcast, sell, rent, lease, transfer, or assign

rights to the Digital Content or any portion of it except as expressly permitted by

the Center. In addition, you may not remove any watermarks, labels, or other

proprietary notices on or in the Digital Content. The copyright in all the Digital

Content remains the property of their respective owners.

Metadata: From Details: UPCE-P-1 and Details: UPCE-I-20 - UP Center for Ethnomusicology

Good metadata in English for images (format, catalog number, collection type,

researchers/author, group/country, year and description). For images of musical

instruments, dimensions are also provided.

Contact

Information:

U.P. Center for Ethnomusicology

Abelardo Hall, College of Music

University of the Philippines

Diliman, Quezon City, Philippines 1101

Telephone: (+632) 9257139

Fax: (+632) 9296963

Email: upethno at gmail.com

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Country: Singapore

Title: Singapore Collections Online

(SGCool)

URL: http://www.sgcool.sg/eMP/eMuseumPlus

Scale: From the NHB’s FAQs:

Provides access to the digitized works from the museums and heritage

interpretive centres under the National Heritage Board:

• Asian Civilisations Museum

• The Peranakan Museum

• National Museum of Singapore

• National Archives of Singapore

• Reflections at Bukit Chandu

• Memories at Old Ford Factory

• Singapore Philatelic Museum

• Singapore Art Museum

• 8Q sam

Note: Although the site appears to be a portal, it appears that users are not

able to link online from an object in the SGCool site to the museum/centre that

houses the object.

Description

& Scope:

From the SGCool home page:

The Singapore Collections Online (SGCOOL) website is an online repository of

artefacts and artworks in Singapore, making available to the public highlights

from the National Heritage Board's collection. This website provides virtual

access to digitised artefacts and artworks of the collection. Visitors can now view

cultural treasures and historical artefacts at the click of a mouse and in the

comfort of their own homes.

SGCOOL is a resource for researchers, art aficionados and enthusiasts alike. The

collection includes iconic pieces such as Singapore's leading artist Tan Swie

Hian's Humming Birds Racing; celebrated artist John Singer Sargent's century-

old, highly valued portrait of Sir Frank A. Swettenham and the Kushana Buddha,

one of the few rare examples of this kind of sculptures in the world. Many of

these images are accompanied by summarised write-ups on the artefact or

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artwork.

Artefact and artwork images from NHB's collection are updated and uploaded to

the SGCOOL website regularly. Enjoy our selected highlights by clicking on

Highlights above or click on Search to embark on your journey of discovery.

Terms of Use apply.

To experience these artefacts and artworks first hand, please visit our family of

museums.

Type of

Content:

Primarily images of artworks and artefacts.

Rights: From the SGCool Terms of Use:

Proprietary & Copy Rights

3. This Website is owned and provided by the National Heritage Board

(NHB).

4. The contents of this Website including, but not limited to, text,

information, images, documentation, software, files, audio and video

files/clips and other materials contained on or available through this

Website (the Content) are protected by copyright, trademark and other

forms of proprietary rights and restrictions.

5. NHB fully retains all rights, title and interest it may hold in the Contents,

including but not limited to copyright.

6. Copyright in the Content on this Website may also reside in persons and

entities other than, and in addition to, NHB. NHB is fully committed to

respecting the intellectual property rights belonging to others.

Reasonable effort has therefore been made to trace any such copyright

holders to obtain their permission for the use of copyright material on

this Website. Any information or queries in respect of this should be

addressed to: NHB_SGCOOL at nhb.gov.sg.

Restrictions on Use of Contents

8. No part of the Contents of this Website shall be reproduced, copied,

published, adapted, uploaded, posted, transmitted or otherwise

distributed in any way, without the prior written permission of NHB. A

request for permission in writing, stating the part(s) of the Contents

required; the nature of the use; time frame of use and identity of the

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user can be addressed to: NHB_SGCOOL at nhb.gov.sg . NHB reserves

the right to require more information about the proposed use or the

user; and to refuse permission without assigning any reason.

Metadata: From SGCool - Slippers:

Very good metadata in English (object name/title, description, dating, region,

dimension, accession number, creditline, museum and permalink).

Contact

Information:

NHB HEADQUARTERS

E-mail: nhb_feedback at nhb.gov.sg

Hotline: 1800–CALL–NHB (1800-2255-642)

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Country: Singapore

Title: Singapore Memory

URL: http://www.singaporememory.sg/

Scale: From The Singapore Memory Project:

National movement to capture “memories” that uses crowdsourcing and mobile

apps to stimulate residents and visitors to capture and document experiences

about the country.

Description

& Scope:

From the Singapore Memory About Us page:

The Singapore Memory Project (SMP) is a whole-of-nation movement that aims

to capture and document precious moments and memories related to Singapore;

recollections not merely from individual Singaporeans, but also organisations,

associations, companies and groups.

The SMP currently involves partners (academic, research and library institutions,

heritage agencies, public agencies, private entities and community

organisations) and Memory Corps – volunteers who serve various roles, such as

helping individuals with difficulties documenting their memories; connecting the

SMP to people with memories of key Singapore events, personalities and places;

and enrolling more volunteers to join the SMP cause.

The web portal – SingaporeMemory.sg - allows every Singaporean to own a

memory account to deposit their memories and stories. Memories can be

deposited in the form of texts, audio files, video files or images. The web portal

will help in community bonding by connecting contributors with shared memories

and similar experiences. This will help to draw Singaporeans from all walks of life

closer and foster greater social cohesion.

Type of

Content:

From the Singapore Memory FAQs:

Memories can be personal accounts that tell the Singapore Story, be it past or

present memories; in physical or digital format. These may come in the form of

photographs, letters, ephemeral, manuscripts, videos, or oral interviews. The

stories can be as recent as something that happened a few minutes ago. What is

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present now, will serve as a past memory for future generations.

Rights: From the Singapore Memory Terms and Conditions:

Proprietary Rights

This Web Site is created, updated and maintained by NLB. When any user

deposits or donates any memories at this Portal, the user does so on the strict

legal understanding that, all such memories are deposited or donated in

accordance with the laws of the Republic of Singapore, especially the National

Library Board Act (Cap. 197), a Singapore legislation/stature that can be

accessed at the www.agc.gov.sg website. The user should either have the legal

ownership to the said deposited or donated memories and/or have the legal

authority granted to him by the legal owner of the said memories to deposit or

donate the said memories at this Portal. Additionally, the user who deposits or

donates the memories at this Portal for the Singapore Memory Project shall

complete all the fields of information details requested at the deposit or donation

sub-page of this Portal. All information details and entries must be factually

accurate, to the best of the user’s actual knowledge. The intellectual property

rights to the deposited or donated memories shall be reasonably reflected and

attributed by all users of this Portal, who shall print, download and use the

memories for both non-commercial educational and research purposes.

The memories and library materials located on this Web Site including the

information and software programs (the Contents), are protected by copyright,

trademark and other forms of proprietary rights. All rights, title and interest in

the Contents are owned by, licensed to or controlled by NLB and the respective

Singapore Government Agencies and contributors of memories whose names are

attributed herein.

For all memories contributed to this Portal by any and all Parties, the Parties

shall grant to the NLB, the perpetual, worldwide, non-exclusive licence to

digitise, make available to third party(s) and/or members of the public via the

Internet and/or successive technologies for downloading, printing and shall grant

to the NLB and SMP the right to reproduce and republish this Portal’s contents in

any formats and platforms including print; electronic media; social media

platforms; websites; publications; for both NLB’s and SMP’s internal and external

uses and for non-commercial purposes. The afore stated licence grants the NLB

the legal right to sub-licence for non-commercial use the contents of this Portal

at NLB’s sole discretion and on such terms as the NLB may impose on the users.

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Such non-commercial use includes but is not limited to, use for personal

enjoyment, private study and research purposes and/or posting of all content

item(s).

When using and re-using the memories and library materials located on this Web

Site, the online Patrons of this digital library portal of the NLB, shall undertake to

comply with the various formalities stated herein, complete the relevant forms

and undertakings attached and fill in all the information details requested

truthfully at the respective web page.

Metadata: Because the material is largely generated through user contributions, metadata

(and content) is variable.

Contact

Information:

National Library Boards of Singapore (NLB)

Tel: +65 6332 3133

Fax: +65 6332 3233

Address:

National Library Board

100 Victoria Street #14-01

Singapore 188064

helpdesk at library.nlb.gov.sg

Helpdesk at +65 6332 3255

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Country: Singapore

Title: NAS National Archives – Access to Archives

Online (A2O)

URL: http://www.a2o.com.sg

Scale: National archive

Description

& Scope:

From Home - Access to Archives Online, Singapore:

Various digital collections, including: 1) Private Textual Records - Records of

private organisations include those from clan associations, clubs, associations,

religious organisations and individuals which provide insights into Singapore's

history and heritage. PRISM (Private Records Information System); 2) Old

Building Plans and Maps -The NAS' holdings include old building plans and maps,

which are part of Singapore's documentary heritage. The maps include

topographical, geographical, road maps and hydrographic charts. CARDS

(Cartographic & Architectural Records Database Singapore); 3) Oral History

Recordings - The NAS has databases of interviews that capture the social,

political and economic fabric of Singapore. The collection is based on themes

such as: Pioneers of Singapore, Japanese Occupation of Singapore, Vanishing

Trades, Communities of Singapore, Oral Traditions, Political Developments,

Economic Growth, Senior Civil Servants and Education. CORD (Collection of Oral

History Recording Database) 4) Photographs/Images - Our photographs and

images are acquired from government and private sources. Comprising

photographs dating from the 19th Century to the present, this collection

documents various aspects of Singapore's history and society. Subjects include

landscape, sports, costumes, festivals, architecture, arts and entertainment, and

transportation. PICAS (Picture Archives Singapore); 5) Audio-Visual Collection -

The collection dates back to the 1940s and includes film, television, radio, music

and sound recordings, newsreels and associated materials such as film posters.

MISAS (Moving Image and Sound Archives Singapore)

Type of

Content:

Digitized documents and images – unclear whether audio/video is available

online.

Rights: From the National Archives of Singapore Terms of Use:

Content

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Except as otherwise provided, the Contents of this website shall not be

reproduced, republished, uploaded, posted, transmitted or otherwise distributed

in any way, without the prior written permission of NAS.

You may use, hyperlink, copy and distribute the contents found on this website

solely for personal, internal, non-commercial, informational purposes only. You

may download one copy of any information provided in this website onto a single

computer for your own personal non-commercial use provided that you keep

intact all accompanying copyright and other proprietary notices. You may not

display, distribute or otherwise use any of the content found on this website for

any commercial purpose unless you receive specific written consent from NAS.

Modification of any of the Contents or use of the Contents for any other purpose

will be a violation of NAS's copyright and other intellectual property rights.

Graphics and images on this website are protected by copyright and may not be

reproduced or appropriated in any manner without the written permission of

their respective copyright owners.

The design and layout of this website is protected by intellectual property and

other laws and may not be copied or imitated in whole or in part. No logo,

graphic, sound, image or search engine from this website may be copied or

transmitted unless expressly permitted by NAS.

Metadata: Very good metadata available for all content – metadata varies by content type

(document, image, audio, video, etc.).

Contact

Information:

National Archives of Singapore

1 Canning Rise, Singapore 179868

Tel: (65) 6332 7909

Fax: (65) 6339 3583

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Country: Thailand

Title: CMUL Digital Heritage

Collection

URL: http://library.cmu.ac.th/cmul/en/content/special-collections

Scale: From CMUL Digital Heritage Collection page:

Approximately +800 objects.

Description

& Scope:

Chiang Mai University Library has been digitizing a large collection of palm leaves

mostly found in the north of Thailand and has made them accessible online to

researchers with accompanying metadata.

Type of

Content:

Digitized images of Thai manuscripts.

Rights: From CMUL Special Collections page:

Copyright©2010 Chiang Mai University Library. All rights reserved

Metadata: From Search Picture Lanna

Very good metadata with titles in English and Thai and content in Thai (title,

creator, manuscripts, digitization location, name of script, name of donor,

investigator, Hulsakrach of script, Buddhist era of investigation, type, format of

the original, digital format, identifier number, script, language, right of

digitization institution, manuscript condition, integrity, resolution detail).

Contact

Information:

Ms. Wararak Phattanakietphong (library director)

wararak at lib.cmu.ac.th

Chiang Mai University Library

239 Huay Kaew Road, Muang District, Chiang Mai 50200, THAILAND Phone: 0-

5394-4531 FAX: 0-5322-2766

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Country: Thailand

Title: CMUL Lanna

(Northern Thai)

Collections

URL: http://library.cmu.ac.th/cmul/en/content/special-collections

Scale: Approximately 833 objects.

Description

& Scope:

From the Pictures Lanna – Overview and History:

The Chiang Mai University Library has been well aware of its significance of being

a Northern Thai Information Center, and this has become one of the main

missions of the library. The center was established to be a Northern Thai

Information Center providing services and supporting the idea and goal of

becoming a learning society within the university and among the members of the

northern community.

Since in the fiscal year 2007, the library has established a service of publicizing

information about the north of Thailand through computer networks both inside

and outside the university. The library has cooperated with the Computer

Technology Service Center (now the Information Technology Service Center) in

the preparation and publicizing e-Northern Information Multimedia as one of the

activities of the Living Library Project which is a step to becoming a learning

society. The first year of the project started with the launching of a presentation

of “Lanna Food” through http://library.cmu.ac.th/ntic/en_lannafood to

disseminate, preserve, improve and carry on the cultural identity and local

wisdom of Lanna and to support the government’s Food Safety policy through a

user friendly multimedia IT service.

In the next fiscal year of 2008, the library and the Information Technology

Service Center will collaborate in the project of publicizing the “Lanna Pictures”

at http://library.com.ac.th/ntic/en_picturelanna with the objectives as

follows:

1. To collect and present through electronic media the Lanna pictures and

descriptions (of Chiang Mai, Lamphun, Mae Hong Son, and Chiang Rai)

taken and provided by Mr. Boonserm Satrabhaya.

2. To compare the pictures of the old and the present Lanna in electronics

media.

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3. To collect and publish through the World Wide Web the biography of

Boonserm Satrabhaya, a man who deserves to be honored and praised

as a history photographer of Lanna and a story teller of the past through

his photos.

4. To publicize the valuable information about northern Thailand for

research and studies.

5. To instill in the northerners the Lanna spirit as well as the pride and

awareness of the protection and preservation of their historical and

cultural heritages.

The past pictures of Lanna to be presented in fiscal year 2008 will be limited to

only the works of Boonserm Satrabhaya, a total of 665 photos taken from 1939-

1992 containing photos of the following provinces:

598 photos of Chiang Mai

8 photos of Chiang Rai

2 photos of Lampang

15 photos of Lamphun

20 photos of Mae Hong Son

7 photos of Tak

15 photos of Nan (Tong Lueang or Mlabri tribe)

Besides the pictures of the past, the project had presented the present scenes of

the same sites to show the changes of Lanna, especially to Chiang Mai.

“Good pictures…must contain stories”, therefore, the staff and advisory

committee of the project realized that the preparation and organization of the

descriptive and supporting information would be helpful for research and study

so they put an effort in adding as much details as possible from reliable sources

and interviews with Mr. Boonserm the photographer, and other experts.

The presentation of these photos is done in data base form for the convenience

of the users to search by keywords, topic and the photographer’s name. In the

future the responsible staff will add more photos of the Lanna past taken by

other photographers.

Type of

Content:

Digitized collection of 833 images of Northern Thai food, culture, history and

architecture.

Rights: From the Photo Lanna Collection page:

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Content is licensed under a Creative Commons Attribution-NonCommercial-

NoDerivs 3.0 Unported (CC BY-NC-ND 3.0).

From an individual photo page:

Rights Access: Saving or printing of all photos or contents are allowed only

for research or study purposes. For other purposes, contact

the Chiang Mai University Library for permission.

Metadata: From CMUL Digital Heritage Collection - 07158:

Very good metadata (possibly Dublin Core) with titles in English and Thai and

content in English and Thai (title, creator, keyword, subject, description,

publisher, publisher.place, publisher.email, contributor, format.IMT,

format.extent, image number, rights, rights access, digitization location, name of

script, name of donor, investigator, Hulsakrach of script, Buddhist era of

investigation, type, format of the original, digital format, identifier number,

script, language, right of digitization institution, manuscript condition, integrity,

resolution detail).

Contact

Information:

Ms. Wararak Phattanakietphong (library director)

wararak at lib.cmu.ac.th

Chiang Mai University Library

239 Huay Kaew Road, Muang District, Chiang Mai 50200, THAILAND Phone: 0-

5394-4531 FAX: 0-5322-2766

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Country: Thailand

Title: Digital

Archive of

Research on Thailand (DART)

URL: http://dartproject.org/xmlui-dart/community-list?locale-attribute=en

Scale: From the DART Archive:

Approximately 2072 images of Thailand, categorized into general themes and

topics such as agriculture, religious rites and ceremonies, housing and buildings,

handicrafts, birth/marriage/death, and other.

Description

& Scope:

According to the Communities in DART page, collections include digitized images

from:

Sirindhorn Anthropology Centre:

• Chavivun Prachuabmoh ฉวีวรรณ ประจวบเหมาะ

• Michael Moerman Photograph Collection

University of Washington Libraries DART Collections:

• Charles and Jane Keyes Thailand Photograph Collection

• Charles Keyes Thailand Field Notebooks 1960s

Type of

Content:

From the DART Archive:

Digitized color images and field notes/documents (with login restrictions).

Rights: From the Michael Moerman Photograph Collection page:

Copyright Information

All rights to information, images and documents in the Michael Moerman

collection are held by the Sirindhorn Anthropology Centre in Bangkok, Thailand.

For more information, please contact the Thailand Anthropological Archive

Project.

Address:

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Princess Maha Chakri Sirindhorn Anthropology Centre

20 Pha Boromarachachonnani Rd. Bangkok 10170

Tel. +66 2 8809429

Fax. +66 2 8809332

Email. archive at sac.or.th

Metadata: From Basket and wicker shop:

Very good metadata (Dublin Core) includes title, contributor, coverage, date,

date.accessioned, date.available, date.issued, identifier, identifier.URI, format,

relation and subject in – much of the metadata (titles and data) is available in

both English and Thai.

Contact

Information:

Email: libsa at u.washington.edu

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Country: Thailand

Title: Princess Maha Chakri

Sirindhorn

Anthropology Centre

URL: http://www.sac.or.th/en

Scale: Several collections, including:

• Anthropological Archives (in cooperation with DART – see above)

• Inscriptions in Thailand database (approx. 2274 objects)

• Rare Books of Siam

As well as other digitized collections not yet available online.

Description

& Scope:

From the Inscriptions in Thailand Database - About Us page:

“The Inscriptions in Thailand Database Project”, which is ongoing at the moment,

is a continuing project developed from the “Mulberry paper turned digital

database on steles and inscription project” between 2541 and 2545 B.E., which

was a co-operation between the Department of Oriental Languages, Faculty of

Archaeology, Silpakorn University. That project was led by lecturer Anchana

Chitsutthiyarn and Associate Professor Kannikar Wimonkasem, and Princess

Maha Chakri Sirindhorn Anthropology Centre, (formerly affiliated to Silpakorn

University but now an independent organization), led by Professor Khunying

Khaisri Sri-arun (former director of the centre). When this project finished in

2545 B.E., the current project “Thailand’s steles and inscriptions database

experimental project” followed, established to classify information in digital

format, and group it in accordance with the regions and provinces where various

steles and inscriptions were found.

Later, in 2546 B.E. Dr. Paritta Chalermpow Koanantakool, the director of

Princess Maha Chakri Sirindhorn Anthropology Centre (Public organization) at

that time, came up with an idea to modernize the data searching system as well

as add more information to each stele and inscription in order to make them

more complete. This initiative brought about the following tri-partite co-

operation:

1. The Department of Oriental Languages, Faculty of Archaeology,

Silpakorn University.

2. Research and Development Department, High Performance Computing

Center, National Electronics and Computer Technology Center (NECTEC).

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3. Research and Research Support Unit, Princess Maha Chakri Sirindhorn

Anthropology Centre (Public organization). Currently, the modernized

and up-dated database is in service, but only for the sections where

information is complete. The information team kept re-writing

information into groups in accordance with the types of letters it

uncovered and has now completed certain stages. Any newly completed

information will be added should new discoveries be made, and the

reading and translations made ready for public use.

From the Rare Books of Siam page:

As part of its mission to collect and organize documentary resources in the field

of anthropology and related disciplines, the SAC is currently collecting rare

manuscripts and archival materials to be housed and digitized at the SAC library.

The copyright of many of these books and documents has expired, and therefore

they are very difficult to find. The project team hopes to make these resources

available to interested individuals in an easy-to-use format.

The Rare Books of Siam project was launched in November 2007, and made its

first resources available to the public in October 2008 through a digital collection

of literature by the author Wachira Yanwiset. Since then, the project team has

divided its manuscripts and documents into four main categories: books by

Wachira Yanwiset; literature; history and ethnic groups; and journals and

newspapers.

The main goal of this project is to make these valuable resources available for

study and for pleasure while protecting and preserving the original documents.

For further information about the Rare Books of Siam project, please enter the

project’s Thai language website HERE, or contact Anan Sommool.

Type of

Content:

Images and documents.

Rights: Unknown.

Metadata: From Prasat Mueang Sing Inscription (K.Ch. 4) (Thai version):

Very good metadata in English available for the Inscriptions in Thailand Database

(name, script, date, language, face/line, material, form, size, found at,

exhibited, description, reference, illustrations).

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Contact

Information:

Princess Maha Chakri Sirindhorn Anthropology Centre

20 Baromaratchachonnani Rd,

Taling Chan, Bangkok 10170

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Country: Viet Nam

Title: National Library of Viet

Nam - Indochina Book

Collection

URL: http://sach.nlv.gov.vn/

Scale: From Indochinese Books Collection:

Collection contains 222 issues comprising 47,513 pages and 9,997 articles.

Description

& Scope:

From the Indochina Collection page:

Indochina Collection: is a rare collection of the National Library of Vietnam

comprised of 67,000 books copies published from the 17th century to 1954

contains historical, cultural, geographical value of Indochina. In order to

preserve valuable old materials in French, avoid damage by time passing,

researches and readers searching for such materials easily, the National Library

of Vietnam cooperate with French Embassy in Vietnam and Ministry of Foreign

Affairs in France to implement project on “Digitization of old French collection in

Vietnam” (VALEASE). At present, the National Library of Vietnam has digitized

over 95,000 pages (equal to 800 copies), compiled as electronic books and

upload on internet to serve readers.

Type of

Content:

Digitized books.

Rights: From the Indochina Collection page:

Copyright © 2013 National Library of Vietnam. All Rights Reserved

Metadata: From Indochinese Books Collection | Ai làm chấn động hoàn cầu 1939:

The Indochinese Books Collection has good metadata with titles available in

English and Vietnamese and data available in Vietnamese, French or English:

(code, title, author, area, publisher, year, number of pages, keywords and

description).

Contact

Information:

National Library of Vietnam

Address: 31 - Trang Thi Street - Hoan Kiem District– Hanoi Capital City

website: http://www.nlv.gov.vn, http://thuvienquocgia.vn

Email: info at nlv.gov.vn

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Tel: 84-4-38254938

Fax: 84-4-38248051, 84-4-38255357

Director: Ms. PHAN THI KIM DZUNG

Cell phone: 84-913249391

E-mail: phankimdung at nlv.gov.vn

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Country: Vietnam

Title: Han Nom Special

Collection

Digitization Project

URL: http://nlv.gov.vn/ef/en/han-nom-collection.html

Scale: From Han-Nom collection | Các bộ sưu tập:

National collection of approx. 1,258 digitized books (+192,000 pages).

Description

& Scope:

From the Han-Nom Collection page:

NLV’s Han-Nom collection is one of big collections of Vietnam about old books

written in Nom script. This collection includes 5,200 books published manually in

Do paper, of which a major numbers are in manuscript. This is a very precious

collection that NLV is archiving and serving readers. In order to provide long

term preservation of the collection as well as widely disseminate knowledge

about culture, history, geography ancient literature in those books, NLV has

collaborated with the Vietnamese Nom Preservation Foundation to digitalize this

collection. At present, NLV has digitalized and put on its website full text of

about 1,258 title of books (equivalent to 192,000 pages) at

http://nom.nlv.gov.vn. This is a full-text online database with interface in two

languages: English and Vietnamese.

Type of

Content:

Digitized books.

Rights: From the Sino-Nom Books page:

Copyright © 2013 National Library of Vietnam. All Rights Reserved

Metadata: From NLV-VNPF: The Han Nom Special Collection Digitization Project - nlvnpf-

0518-01:

The Sino-Nom Books collection has good (Dublin Core) metadata with titles

available in English and Vietnamese and data available in Vietnamese script or

Romanized text: (title, creator, place of publication, publisher, date, description

(images/size), contributor, type, format, language (script), identifier, source,

coverage, rights).

Contact National Library of Vietnam

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Information: Address: 31 - Trang Thi Street - Hoan Kiem District– Hanoi Capital City

website: http://www.nlv.gov.vn, http://thuvienquocgia.vn

Email: info at nlv.gov.vn

Tel: 84-4-38254938

Fax: 84-4-38248051, 84-4-38255357

Director: PHAN THI KIM DZUNG (Ms.)

Cell phone: 84-913249391

E-mail: phankimdung at nlv.gov.vn

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1 Rach, Johannes, d. 1783 & Rijksmuseum (Netherlands) & Perpustakaan Nasional (Indonesia) (2001).

Johannes Rach, 1720-1783 : artist in Indonesia and Asia. National Library of Indonesia : [and]

Rijkmuseum Amsterdam, Jakarta.

2 Wharton, D. (2013, July 29). Email regarding copyright status of Digital Library of Lao Manuscripts.


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