CURRICULUM VITAE - smkb...with Ulrich Mosch) tutor of a music research seminar (aesthetics, theory,...

1

Name: Yuval Shaked Date: July 30, 2011

CURRICULUM VITAE

1. Personal Details

Name: Yuval Shaked

Date of Birth: February 16, 1955

Country of Birth: Israel

Identity Card Number: 053262358

Marital Status: married

Permanent Home Address: 145, Ankor st., Pardess-Hanna 37048

Home Telephone Number: 077-4006360

Office Telephone Number: 04-8240170 (inside the University – 2170)

Electronic Address: [email protected]

[email protected]

mailto:[email protected]

mailto:[email protected]

2

2. Higher Education

Date of

Degree

Degree Name of Institution

and Department

Period

of

Study

April

1982

B.Mus. and

Teaching Diploma

Tel Aviv University, Rubin Music Academy 1976-

1981

February

1984

Diploma of Artistic

Final Examination

(M.A)

Reihnland State College for Music, Cologne

Music College, New Music Theater

1981-

1984

--- Ph.D. University of Osnabrück, Institute of

Musicology

1984-

1991

3. Academic Ranks and Tenure in Institutes of Higher Education

Rank/Position Name of Institution and Department Dates

Teacher Kibbutzim College Since 1985

Permanent staff member Kibbutzim College Since 1988

Lecturer Kibbutzim College Since 1998

Course Coordinator and

Instructor

Open University 1985-1999

Teaching Fellow University of Haifa, Music Department Since 2000

Lecturer (artist track) University of Haifa, Music Department Since 2003

Teaching Fellow Tel Aviv University, Buchmann-Mehta School

of Music

* 2009-2010

* here and henceforth, indicates activities since last promotion

4. Offices in University Academic Administration

Rank/Position Name of Institution and

Department

Dates

Member of the Teaching Kibbutzim College, School for 1995-1998

3

Committee Dance and Movement

Member of the Teaching

Committee

Kibbutzim College, School for

Dance and Movement

2000-2007

Temporary Head of

Music Department

University of Haifa, Music Dept. * 2009, July-November

Head of Music

Department

University of Haifa, Music Dept. * Since 2011

5. Scholarly Positions and Activities outside the University

a. Pedagogic Activities

1976-1981 Teacher for classical guitar playing and music theory at the Municipal

Music Conservatory in Ramla

1976-1981 Teacher at the Youth Summer Courses for Arts, Jerusalem (during summer

vacations)

1981 Establishment of a branch of the Municipal Music Conservatory in

Ramla, Director of it and teacher for classical guitar playing and music theory

1981-1983 Teacher for classical guitar playing at the Rohrbach Musikschule,

Cologne, West Germany

1987 Coordinator of the Youth Summer Courses for Arts, Jerusalem (during

summer vacation)

1991-1994 Teacher for Music History and Theory at the Kibbutzim Dance Company,

Kibbutz Ga'aton

1994 Teacher for composition at the Music Institute of the Tel-Hai College

1995 & 1996 Master classes for composition and new music at the Lviv Music

Academy, Ukraine

2000-2001 Development of the computer application which manages the databank of the

Feher Jewish Music Center at Beth Hatefutsoth (with Beligal Software)

2000-2003 Coordinator of the Final Project submitted by students at the School for

Dance and Movement, Kibbutzim College, Tel Aviv

2000-2008 Director of the Feher Jewish Music Center at Beth Hatefutsoth (The Nahum

Goldmann of Jewish Diaspora), Tel Aviv

* 2005 Lecturer at an Israeli-Palestinian Study Program held under the auspices of the

Università Pontificia Salesiana, Jerusalem and Rome

* 2005-2007 Member of the Executive Committee for the development of an integrative

computerized program which runs the various databanks at Beth Hatefutsoth

(with Hewlett-Packard Laboratories Israel)

4

* 2006 Master classes for composition and new music at the Kiev and Lviv

Music Academies, Ukraine

* 2010 Teacher for composition, music theory and musical analysis, and (together

with Ulrich Mosch) tutor of a music research seminar (aesthetics, theory,

analysis) at the 45th

International Summer Courses for New Music in

Darmstadt, Germany

b. Editing and Production Activities

1986-1988 Author of lines notes and editor of programs for concerts held at the

Dormitio Abbey, Jerusalem, in the framework of the Israel Festival, Jerusalem

1990-1996 Editor of the IMI-News Quarterly published by the Israel Music Institute, Tel

Aviv, and all other publications of the IMI

1993-1996 Editor of the booklets published with the CDs released by the Music In Israel

Association (MII)

1997-2008 Editor of the booklets published with the CDs released by the Feher Jewish

Music Center at the Diaspora Museum, Tel Aviv

2000-2008 Producer and editor of the CDs released by the Feher Jewish Music Center at

the Diaspora Museum, Tel Aviv

* Since 2009 Editor of the CD series entitled "Contemporary Jewish Music" released by the

Jewish Music Research Center at the Hebrew University, Jerusalem (together

with Edwin Seroussi)

c. Membership in Editorial Boards

Since 1992 Member of the Advisory Board of the MusikTexte magazine, Cologne,

Germany

2002-2004 Member of the Editorial Board of the Tav+ magazine, Haifa

* Since 2011 Editor of Music and Contemporary Culture journal, Haifa

5

6. Participation in Scholarly Conferences

a. Active Participation

Subject of Lecture /

Discussion / Comments

Place of

Conference

Name of Conference Date

The Own and the Other in the

Music of Myself and in the

Israeli Music (German: Das

Eigene und das Fremde in der

eigenen und in der israelischen

Musik)

Bremen,

Germany

The Own and The Other (Das Eigene und das Fremde)

April 1992

Contemporary Israeli Music:

Jewish? – Mediterranean? –

New? (German: Zeitgenössische

israelische Musik: jüdisch? –

mediterran? – neu?)

Bern,

Switzerland

The Politisation of

"Jewish Music" in the

20th century (German:

Die Politisierung der

“jüdischen Musik” im 20.

Jahrhundert)

October 2001

Sacred Jewish Music by

Israeli Composers (German:

Sakrale jüdische Musik

israelischer Komponisten)

Hannover,

Germany

Jewish Music May 2002

Present Political Occupations

in My Own Music (German:

Gegenwärtige politische

Auseinandersetzung in meiner

Musik)

Bremen,

Germany

Musical Occupations

with the Political Present (German: Musikalische

Auseinandersetzungen mit

dem politischen Gegenwart)

November 2002

The Databank and Recording

Collection of the Feher Jewish

Music Center

Jerusalem EVA/MINERVA 2005 –

The Second Jerusalem

Conference on the

Digitation of Cultural

Heritage

* November 2005

The Databank and Recording

Collection of the Feher Jewish

Music Center

Tel Aviv Info 2007 * May 2, 2007

Israeli Music between East

and West (German: Israelische

Musik zwischen Orient und

Okzident)

Potsdam Jewish Music as a

Dialogue between

Cultures and Dimensions

of Conveying it – Ways

for Inter-religious and

Intercultural

Understanding (German:

Jüdische Musik als Dialog der

Kulturen und ihre

Vermittlungsdimensionen –

Wege zur interreligiösen und

interkulturellen

Verständigung)

* July 13, 2010

Julius Chajes’ Family Roots and Görlitz, Jewish art music and its * October 22,

6

his Life Route from Lvov, through Vienna, Tel Aviv and Vienna again, to Detroit – The Viennese Roots of the Mediterranean School of Israeli Music and their Spreading in the US-American Exile

Germany creators in Eastern and

Central Europe:

persecution, expulsion,

rediscovery, perspectives

for the 21st century

2011

Music in the shadow of recognizing the loss of language – Il Canto sospeso by Luigi Nono is 55 years old

Sapir

Academic

College

The (Classical)

Concertante Musical

Discourse

* October 25,

2011

7

7. Invited Addresses (Selection)

Presentation/Comments Name of Forum Place of Lecture Date

Groping and Perceiving

– Music for Children

Lecturers' Colloquium Kibbutzim

College

October 29,

1985

Time Design – Aspects

of Rhythm and Form In

Ianis Xenakis'

Compositions (lecture)

Concert at the Hecht

Museum

University of

Haifa

1995

Ethnic – Yes or No? –

Questioning the Essence

of Ethnic Music (lecture)

Internship for inspectors of

music education at

kindergardens, held by the

Department of Early

Education at the Ministry of

Education

Ramat Gan November 30,

2000

Equivocation Regarding

the Universal Essence of

Classics in Music –

Three Values, Five

Criteria, Moving the

Enjoinment and a Single

Hold Up (lecture)

Music Education

Supervision Conference

Ramat Gan Music

Center

May 10, 2001

The Musical Tradition of

the Bene Israel of

Bombay

Release Ceremony of the

Eliyahoo Hanabee CD

Museum of the

Jewish Diaspora,

Tel Aviv

February 11,

2002

About the Jewish

Identity of Israeli Music

(lecture)

Internship held jointly by

the Museum and the Tel

Aviv University Center for

Educational Staff

Development ("Many Faces

– On the Multi-Cultures of

the Israelis")

Museum of the

Jewish Diaspora,

Tel Aviv

October, 21,

2002

Jewish Composers of

American Songs (lecture)




Educational Staff

Development ("In Uncle

Sam's Land; American Jews

– from Emigrants to

Americans")

Museum of the

Jewish Diaspora,

Tel Aviv

November 27,

2002

Jewish Themes in Works

by American Jewish

Composers (lecture)




Educational Staff

Development ("In Uncle

Museum of the

Jewish Diaspora,

Tel Aviv

November 18,

2002

8

Sam's Land; American Jews

– from Emigrants to

Americans")

The Florence Jewish

Music Tradition (lecture)

European Day of Jewish

Culture

Florence

Synagogue

* September

7, 2003

The Fate of Songs Sung

at Concentration Camps

(lecture)


the Museum and the

International School for

Holocaust School at Yad

Vashem ("1945 – End and

Beginning; 60 Years after

World War II")

Museum of the

Jewish Diaspora,

Tel Aviv

* December

28, 2004

Early and Late in the

Work of a Single and

Unique (lecture)

Opening of the Exhibition

"Paul Hindemith: The

Composer in His World"

University of

Haifa

* February 25,

2005

Music Recording

Expeditions – Joel Engel

and his Colleagues at

Eastern European Towns

between 1912-1925

(lecture)


the Museum and the



Vashem ("From My Little

Town; The Jewish Town –

Images, Figures and

Sounds")

Museum of the

Jewish Diaspora,

Tel Aviv

* November

15, 2005

Mokum – The Musical

Tradition of the

Ashkenazi Community

of Amsterdam (lecture)


the Museum and the



Vashem (The Memory

Doesn't Calm Down… –

Coping with the Holocaust

Memory and the Jewish

Past in Europe)

Museum of the

Jewish Diaspora,

Tel Aviv

* April 25,

2006

Tone-Series and Series-

Sound (lecture)

Lecture Series held by the

Box ("In the Footsteps of

Music")

Tel Aviv, the Box

(Jaffa)

* November

10, 2006

The Yagour Pessach

Seder

A Concert in Honor of

Yehuda Sharett

Museum of the

Jewish Diaspora,

Tel Aviv

* April 4 &

13, 2007

The Ruth Rubin Jewish

Music Recording

Collection (lecture)

An Evening in Honor of the

Ruth Rubin Jewish Music

Recording Collection

Haifa Music

Library

* November

22, 2007

Musical Traditions of the

Berlin, Danzig and

Königsberg Synagogues

(lecture)


the Museum and the



Vashem ("Portrait of

Museum of the

Jewish Diaspora,

Tel Aviv

* December

17, 2007

9

German Jewry")

Jewish Composers at the

German Cabaret in the

1920s (lecture)


the Museum and the




German Jewry")

Museum of the

Jewish Diaspora,

Tel Aviv

* December

24, 2007

Jewish Music? – Self

image? An image of

others? (lecture and

discussion)

Seminar directed by Dr.

Yossi Ziegler

University of

Haifa, Ofakim

Program

* January 15,

2008

Tonality: Re-assesment

(lecture)

Lecture Series held by the

Box ("In the Footsteps of

Music")

Tel Aviv, the Box

(Jaffa)

* February 8,

2008

Zion in Berlin, Berlin in

Zion – Jewish

Composers between

Germany and Eretz Israel

from the 1920s onwards

(lecture)


the Museum and the




German Jewry")

Museum of the

Jewish Diaspora,

Tel Aviv

* December

29, 2008

My Mentor Mauro

[Mauricio Kagel]

(lecture)

2009 New Music Marathon Tel Aviv, the Box

(Jaffa)

* June 6, 2009

The Spanish and

Portuguese Jewish

Musical Tradition

Piyyut Festival Jerusalem, Bei

Avi Chai

* Septemer 9,

2009

New Music's Full World

(5 lectures)

Lecture series held by the

Nikel Ensemble ("New

Music's Full World")

Felicia

Blumenthal Music

Center, Tel Aviv

* 2010 (Nov

27, 2009, Jan

29, March 26,

May 28, Jul 1,

2010)

Ballet Music by Israeli

Composers (lecture)

Internship for music

teachers at dance

departments in high schools

Tel Aviv * December

20, 2009

Mordecai Seter Israel Composers' League –

The Founding Fathers of

Israeli Music

Tel Aviv, the Box

(Jaffa)

* May 27,

2010

New Music's Full World

(5 lectures)

Lecture series held by the

Nikel Ensemble ("New

Music's Full World")

Felicia

Blumenthal Music

Center, Tel Aviv

* 2011 (Oct

22, Dec 24,

2010, March

11, April 8,

Jul 9, 2011)

To everything there is a

season, ...yet, how time

passes… – The

Celebration upon the

appearance of the first

volume of Pe'imot, an

Tel Aviv

University,

Buchmann-Mehta

* December

13, 2010

11

compositorial

consolidation of rhythm

and form problems in

new music

annual book on music School of Music

The Orchestral

Conductor as Seen by

Elias Canetti

International Mastercourse

for Conducting

Krieger

Performing Arts

Center, Haifa

* November

16, 2011

On Matters of Notation

for Cello – a masterclass,

together with Lucas Fels

Contemporary Music for

Cello in Germany

University of

Haifa, Music

Department

* December 7,

2011

11

8. Colloquium Talks (Selection)

Presentation/Comments Name of Forum Place of Lecture Date

The Radio Music

Beispiel (lecture and

discussion)

Radio Hörspiele, Seminar

directed by

Dr. Wolfgang Schäffermeyer

Folkwang

Hochschule,

Essen, Germany

July 1, 1985

Universalism in Music

(lecture and discussion)

Seminar directed by Oded

Assaf

Music Teachers'

College, Levisnky

Education

College, Tel Aviv

1993

Universalism in music –

J.S.Bach and Our

Criteria (lecture and

discussion)

Seminar directed by Oded

Assaf

Music Teachers'

College, Levisnky

Education

College, Tel Aviv

1996

[Title unknown anymore]

(lecture)

Course directed by Oded

Assaf

Tel Aviv

University,

Department of

Musicology

1997

Abel Ehrlich – The Art

of Mentoring and the

Mythical Thinking


Colloquium of the

Department of Musicology

Rubin Music

Academy, Tel

Aviv University

January 1,

1998

My Compositional Labor


Composition Seminar

directed by Prof. Helmut

Lachenmann

Hochschule für

Musik, Stuttgart

1998

The Essence of Luigi

Nono's Music (lecture

and discussion)


Assaf

Tel Aviv

University,

Department of

Musicology

1999

The Compositional

Thinking of Helmut

Lachenmann (lecture and

discussion)

Colloquium of the

Department of Musicology

Rubin Music

Academy, Tel

Aviv University

2000

Progress in Music



Assaf

Tel Aviv

University,

Department of

Musicology

June 4, 2001

The Material Conception

in the Music of Mid-

Twentieth Century



Assaf

Tel Aviv

University,

Department of

Musicology

* March 25,

2003

Helmut Lachenmann –

Thoroughly Thought

Creative Work (lecture


Assaf

Tel Aviv

University,

Department of

* May 4, 2004

12

and discussion) Musicology

Cultural Environment

and Personal Creative

Elaboration (lecture and

discussion)


Assaf

Tel Aviv

University,

Department of

Musicology

* June 6, 2005

Stefan Wolpe – His

Work and Its Place

within Israeli Music

(lecture)


Assaf

Tel Aviv

University,

Buchmann-Mehta

School of Music

* March 4,

2006

Music worlds of

Palestine (discussion

panel)

Goethe Forum (Live

broadcast in

Bayern4Klassik)

München * February

21, 2008

Forgotten and Tormented

Wellspring – Jaromir

Weinberger and his

Chmaber Music

Researching Teachers Tel Aviv,

Kibbutzim

College

* March 21,

2010

On the (Mis-

)Understanding of

Modern Music

(discussion with Helmut

Lachenmann)

Touched by Music (Berührt

von Musik)

Hochschule für

Musik Carl Maria

von Weber,

Dresden

* December

1, 2010

On the Strange Couple –

Art- and Light Music

Dean's Luncheon Lectures University of

Haifa

* February

23, 2011

On Symmetries in Bach's

Musical Offering

Lectures in Memory of Noa

Eshkol

Tel Aviv,

Kibbutzim

College

* March 15,

2011

Musical Thought in the

1960s

Course directed by Prof.

Amnon Wolman

Tel Aviv

University,

Buchmann-Mehta

School of Music

* March 23,

2011

On the Strange Couple –

Art- and Light Music

"Three at a Center" –

3-lecture forum

University of

Haifa

* May 11,

2011

Virtues of Graphic

Notation

Dynamic-Graphic Notation

Exhibition (Kolloquium)

University of

Haifa

* November

27, 2011

My Personal Creative

Work, the Status of

Creative Work and its

Reflection at the

Academy and my Role as

a Teacher

Ofakim Program Encounter Yitzhak Rabin

Merav Center,

Hof Hacarmel

* December

28, 2011

13

9. Research Grants

None

10. Scholarships, Awards and Prizes

1987 DAAD scholarship for composition (4-month sojourn in Cologne, West

Germany; monthly amount, 1,000 DM)

1994 Grant of Stiftung Kulturfond, Wiepersdorf, for composition (4-month

sojourn in Germany; monthly amount, ca. 1,200 DM)

* 2011 Grant of Siemens Music Foundation (Commission of a chamber work, 7,000

Euro)

11. Teaching

a. Courses Taught in Recent Years

Degree

B.A./M.A./M.Sc/Ph.D.

Type of

Course

Lecture /

Seminar /

Workshop

Name of Course Year

B.A. (Kibbutzim College) Seminar Music Life in the Third

Reich – a Precedence?

1986-1989

B.A. (Kibbutzim College) Lecture Introduction to Drama in

Music

1986

B.A. (Kibbutzim College) Lecture Rhythm and Meter 1986-2002

B.A. (Kibbutzim College) Lecture This or That Music 1987

B.A. (Kibbutzim College) Lecture Music and all the Rest 1988

B.A. (Kibbutzim College) Lecture Music and Childhood 1989

B.A. (Kibbutzim College) Seminar Biblical Stories in Music 1989

B.A. (Kibbutzim College) Lecture Declamation and Speaking

Choirs

1989

14

B.A. (Kibbutzim College) Seminar Music – What for? 1990

B.A. (Kibbutzim College) Lecture Beautiful Moments – The

Whole and Its Details

1991

B.A. (Kibbutzim College) Seminar Music in the Radio and

Television – Contexts of Art

and Politics

1992

B.A. (Kibbutzim College) Seminar Interactions of Music Life

and Politics

1992

B.A. (Kibbutzim College) Lecture Which Power has Music? 1993

B.A. (Kibbutzim College) Lecture Main Stations in Music Since 1993

B.A. (Kibbutzim College) Lecture Terpsichore Looking at

Herself and the Others, and

vice versa

Since 1995

B.A. (Kibbutzim College) Lecture This or That Music 1994-1997

B.A. (Kibbutzim College) Lecture Introduction to Music 1994-1997

B.A. (Kibbutzim College) Lecture Music and all the Rest Since 1994

B.A. (Kibbutzim College) Lecture Music Literature Since 1998

B.A. (Kibbutzim College) Seminar Hermeneutics of

Choreographic Works

Since 1998

B.A. (Kibbutzim College) Lecture Introduction to Musical

Perception

1996-1999

B.A. (Kibbutzim College) Lecture Music as an Element of

Stage Works

* 2005-2007

B.A. (Kibbutzim College) Lecture Dance and Technology * Since

2008

B.A. (University of Haifa) Lecture Phenomena and Tendencies

in Contemporary Music

2001/02

B.A. (University of Haifa) Lecture Introduction to Methods of

Formal Analysis

* 2003-2005

B.A. (University of Haifa) Lecture Theory of Musical Forms * 2005

B.A. (University of Haifa) Lecture Introduction to Musical

Analysis

Since 2002

B.A. (University of Haifa) Lecture Presentation of Canonic

Repertoire

* 2003

B.A. (University of Haifa) Lecture Theory of Musical Forms * 2005

B.A. (University of Haifa) Lecture Issues in Musical Notation * 2005

15

B.A. (University of Haifa) Workshop Analysis and Composition * 2003

B.A. (University of Haifa) Lecture Romantic Music in the 19th

-

century

* 2006

B.A. (University of Haifa) Lecture &

Workshop

Composition * 2006

B.A. (University of Haifa) Lecture Integrative Approach to

Tonal Theory

* 2008

B.A. (Kibbutzim College) Lecture Dance and Technology * 2009-2010

B.A. (University of Haifa) Lecture Israeli Music – Idea, Reality

and Dilemmas

* Since

2008

B.A. (Tel Aviv University) Lecture Analysis and Composition

According to 20-century

Models

* 2009-2010

B.A. (Tel Aviv University) Individual

lessons

Composition * 2009-2010

B.A. (University of Haifa,

Ofakim Program)

Lecture Themes in Themes and

Variations and Variations

Thereon

* 2009

B.A. (University of Haifa) Seminar Introduction to a Philosophy

of Music

* 2009 &

2011

B.A. (University of Haifa) Lecture Counterpoint * 2010

B.A. (University of Haifa) Lecture Music and Numbers * 2010

B.A. (University of Haifa) Lecture &

Workshop

Counterpoint (for

progressive students)

* 2011

B.A. (University of Haifa) Seminar Department Seminar * 2011

B.A. (University of Haifa) Lecture Listening and Looking * 2011

B.A. (“Derekh Haru’ach”,

University of Haifa)

Lecture Thoughts on Emotions,

Meaning and Understanding

in Music

* 2012

b. Supervision of Graduate Students

None

16

12. Miscellaneous

1987 Studies of Radio Editing at the music channel (Kol Hamusica), Israel

Broadcasting Authority

PUBLICATIONS

A. Ph.D. Dissertation

None

B. Scientific Books (Refereed)

None

Authored Books – Published

1. Shaked, Yuval (1992). Developing Music – Main Occurances in the Field of Musical

Composition Since 1945. Tel Aviv: Dvir. (173 pages; Hebrew)

Monographs – Published

1. Shaked, Yuval (1989). Meter and Rhythm – A New Theortical Discussion of an Old

Subject Matter. Tel Aviv: Kibbutzim College. (84 pages; Hebrew)

Authored Musical Compositions (Sheet Music)

Published

1. Shaked, Yuval (1989).String.ent/endo for guitar with six equal (E1) strings. Celle: Moeck

(Nr.7040). (German title: Einseitig ruhig; Hebrew title: Yetera Mizot)

2. Shaked, Yuval (1995). Liebeslament aus Der Gesang der Gesänge for oboe. Hamburg:

Peer Music (Nr.3320). (German title: Liebeslament; Hebrew title: Kinat Ahava)

17

3. Shaked, Yuval (1996). Aver dodici for flute and guitar. Hamburg: Peer Music (Nr.3344).

4. Shaked, Yuval (1997). Plotted Music, Octet for flute, oboe, clarinet, piano, percussion,

violin, viola and cello. Hamburg: Peer Music. (German title: Zeitgesonnene Musik (temp.);

Hebrew title: Musica Bat Zmamenu)

5. Shaked, Yuval (1997). 40 Times Presence for (baritone/alt/sopran)-saxophone,

percussion and piano. Hamburg: Peer Music. (German title: 40malige Gegenwart und

Rückmeldung; Hebrew title: Arba'im Pa'am Hove)

6. Shaked, Yuval (1998). 40 Times Presence and Checking It Out for (baritone/alt/sopran)-

saxophone, percussion and piano. Hamburg: Peer Music. (German title: 40malige Gegenwart

und Rückmeldung; Hebrew title: Arba'im Pa'am Hove Uvidu Hitvad'ut)

7. Shaked, Yuval (1998). Following eradicable brandmarks for flute/alt flute, oboe/English

horn and clarinet/bass clarinet. Hamburg: Peer Music. (German title: tilgbaren Brandmalen

folgen; Hebrew title: Be'ikvot Tzrivot Mechikot)

8. Shaked, Yuval (1998). Diaphany from My Wiepersdorf Practice, in Leichte Klaviermusik

aus aller Welt – Israel. Hamburg: Peer Music (Nr.3416; ISMN M-50011-684-4). (German

title: Diaphanie aus Meine Wiepersdorfer Praxis)

9. Shaked, Yuval (1998). Two Late Resonances of Diaphany from My Wiepersdorf Practice,

in Leichte Klaviermusik aus aller Welt – Israel. Hamburg: Peer Music (Nr.3416; ISMN M-

50011-684-4). (German title: Zwei nachzutragende Resonanzen zu Diaphanie aus Meine

Wiepersdorfer Praxis)

10. Shaked, Yuval (2000). Praefix, Etude cycle for two guitarists, Hamburg: Peer Music

(Nr.3483; ISMN M-50011-45-2). (German title: Präfix; Hebrew title: Reisha)

Authored Musical Compositions

CDs Released

1. Shaked, Yuval, "String.ent/endo", in Chimère – Reinbert Evers, (Hamburg: ambitus, amb

97 940, 1996). (German title: "Einseitig ruhig")

2. Shaked, Yuval, "40 Times Presence and Checking It Out", in Wittener Tage für neue

Kammermusik 1998, Trio Accanto, (Cologne: WDR, WD98, 1999). (German title: "40malige

Gegenwart und Rückmeldung")

* 3. Shaked, Yuval, "INMN", in In Nomine – The Witten In Nomine Broken Consort Book,

Ensemble Recherche (Vienna: Kairos, 0012442KAI, 2004).

* 4. Shaked, Yuval, "40 Times Presence and Checking It Out", in So Near So Far, Trio

Accanto, (Berlin: Edition Zeitklang, EZ 31029, 2009). (German title: "40malige Gegenwart

und Rückmeldung")

* 5. Shaked, Yuval, "Eleven Breakings of Silence", in: The Music Department, at the Dr.

Hecht Arts Center, University of Haifa (Haifa: University of Haifa, 2011).

18

Edited Books – Published

1. Shaked, Yuval, Music in the National-Socialist State – A Collection of Primary and

Secondary Documents (Tel Aviv: Kibbutzim College, 1988). (40 pages; Hebrew)

1a. Shaked, Yuval, Music in the National-Socialist State – A Collection of Primary

and Secondary Documents (Tel Aviv: Kibbutzim College, second enlarged edition,

1989). (98 pages; Hebrew)

* 2. Bahat, Avner, Jewish Music – Introduction to its treasures and creators (Tel Aviv:

Hakibbutz Hameuchad, 2011). (512 pages; Hebrew; Yuval Shaked – Scientific Editor)

D. Articles in Refereed Journals

Published

1. Shaked, Yuval, "Scroe and Introduction to the radio piece BEISPIEL", MusikTexte 4

(April 1984):34-39. (German; Original title: "Partitur und eine Einleitung zum Hörspiel

BEISPIEL")

2. Shaked, Yuval, ["Statement as a Response to a Questionaire about the International

Summer Courses for New Music 'Is Darmstadt Alive? – a Questionaire' "], MusikTexte 5

(July 1984):17. (German; Original title: "Statement als Erwiderung auf eine Umfrage zu den

Internationalen Ferienkursen für neue Musik 'Ist Darmstadt alive? – Eine Umfrage' ")

3. Shaked, Yuval, "Apropos Metz – Thoughts Raised by the 13th International

Contemporary Music Encounters in Metz", in MusikTexte 7 (December 1984):55-56.

(German; Original title: "Apropos Metz – Angeregte Gedanken zu den 13. internationalen

Begegnungen der zeitgenössischen Musik in Metz")

4. Shaked, Yuval, " 'Like a Beetle Twitching on its Back' – An Analysis of Helmut

Lachenmann's Composition MOUVEMENTS (– VOR DER ERSTARRUNG)",

MusikTexte 8 (February 1985):9-16. (German; Original title: " 'Wie ein Käfer, auf dem

Rücken zappelnd' – Eine Werkanalyse von Helmut Lachenmanns MOUVEMENTS (–VOR

DER ERSTARRUNG)")

5. Shaked, Yuval [Under the pseudonym: Karl-Heinz Schmitz], "In Our Own Matter", in

MusikTexte 9 (April 1985):S.60. (German; Original title: "In der eigenen Sache")

6. Shaked, Yuval, "Helmut Lachenmann's SALUT FÜR CAUDWELL – An Analysis ",

nova giulianiad / Freiburger Saitenblätter Bd.2, Nr.6 (June 1985):97-109. (German;

Original title: "Helmut Lachenmanns SALUT FÜR CAUDWELL – Eine Analyse")

6a. Shaked, Yuval, "Helmut Lachenmann's SALUT FÜR CAUDWELL – An

Analysis", in http://www.ictus.be/SpecialFiles/saluut.pdf, retrieved on January 3,

2009. (Flemic)

7. Shaked, Yuval, "On the Power of Feebleness – On the Reviews of the Stuttgart Days for

New Music", MusikTexte 10 (July 1985):57-60. (German; Original title: "Über die Macht

der Ohnmacht – Zur Kritik an den Stuttgarter Tage für Neue Musik")

http://www.ictus.be/SpecialFiles/saluut.pdf

19

8. Shaked, Yuval, ["Reaction to the essay 'Music In Israel' by A.Maayani"], in Prosa 88

(October 1986):47. (Hebrew)

9. Shaked, Yuval, "[Germany isn't a Paradise for Composers] – Interview with Oded

Assaf", in Musica 1, (March 1987):18-19. (Hebrew)

10. Shaked, Yuval, "On the Tradition Conception of the Oldest Among the Young

Composers of his Time – The Affinity of B.A. Zimmermann's INTERCOMUNICAZIONE

and Beethoven's Op.102 No.2", Quaderni Perugini di Musica Contemporanea 7/8 (June

1987):13-17. (Italian; Original title: "Sul concetto di tradizione nel piu anziano tra i giovani

del suo tempo – Le affinita fra l’ 'INTERCOMUNICAZIONE' di B.A. Zimmermann e

Op.102,2 di Beethoven")

11. Shaked, Yuval, "Multi-Facetted Lack of Interest – New Music in Israel", MusikTexte 21

(Oktober 1987):56-58. (German; Original title: "Facettenreiche Interessenlosigkeit – Neue

Musik in Israel")

12. Shaked, Yuval, "On Abel Ehrlich's Personal Way in Music", IMI-News 90/2 (April

1990):3-9. (Hebrew) (See also under Articles or Chapters in Scientific Books 3)

12a. Shaked, Yuval, "On Abel Ehrlich's Personal Way in Music", IMI-News 90/2

(April 1990):1-3.

13. Shaked, Yuval, "Stefan Wolpe – Break as a Metaphor and Truth", Gittit 99 (July

1990):14-15. (Hebrew)

14. Shaked, Yuval, "On His Own Right – On Max Brod and Music", IMI-News 91/1, (May

1991):2-9. (Hebrew)

14a. Shaked, Yuval, "On His Own Right – On Max Brod and Music", IMI-

News 91/1, (May 1991):1-3.

14b. Shaked, Yuval, "On His Own Right – On Max Brod and Music", hudebni

rozhledy ‘91/XLIV No.11 (November 1991):484-488. (Czech)

15. Shaked, Yuval, "John Cage – The Anachronism of Radicality", in Opus 8 (Fall

1992):57-60. (Hebrew)

16. Shaked, Yuval, "Continuous Absence to be Regretted", MusikTexte 46/47, (December

1992):47-48. (German; Original title: "Andauernd(e) zu bedauernde Abwesenheit")

17. Shaked, Yuval, "Frank Pelleg – the Practical Intellectual", IMI-News 93/4 (December

1993):9-10.

17a. Shaked, Yuval, "Frank Pelleg – the Practical Intellectual", in IMI-News 93/4

(December 1993):11-13. (Hebrew)

18. Shaked, Yuval, "Joy at the Pen and a Heart in the Hand – On Un-honorable Persons to be

Referred to", in Opus 11 (Spring 1994):17-21. (Hebrew; Original title: Ron Ba'et Velev

Bayad)

19. Shaked, Yuval, "All or Nothing at All – Correspondence with Arik Shapira / Queries",

IMI-News 94/2 (July 1994):2. (Hebrew)

19a. Shaked, Yuval, "All or Nothing at All – Correspondence with Arik Shapira /

Queries", IMI-News 94/2 (July 1994):1-2.

20. Shaked, Yuval, "P.E. Gradenwitz – Champion of Israeli Music (An Interview)", IMI-

News 94/3-4 (December 1994):4-8.

21

20a. Shaked, Yuval, "P.E. Gradenwitz – Champion of Israeli Music (An Interview)",

IMI-News 94/3-4 (December 1994):6-14.

21. Shaked Yuval, "Good Times?", Gittit 115 (March 1995):20-21. (Hebrew)

22. Shaked, Yuval, "The Game and the Mystery – David Alden, director and Paul Steinberg,

designer interviewed", IMI-News 95/2 (May 1995):8-9.

22a. Shaked, Yuval, "The Game and the Mystery – David Alden, director and Paul

Steinberg, designer interviewed", IMI-News 95/2 (May 1995):11-12. (Hebrew)

22b. Shaked, Yuval, "[Excerpts of] The Game and the Mystery – David Alden,

director and Paul Steinberg, designer interviewed", in Josef – Opera by Josef Tal,

published by the New Israeli Opera, p.[16-17]. (Hebrew)

23. Shaked, Yuval, "A Bulbul in a China Shop", IMI-News 95/2 (May 1995):20-21.

(Hebrew)

23a. Shaked, Yuval, "A Bulbul in a China Shop", IMI-News 95/2 (May 1995):14.

24. Shaked, Yuval, "On the Morality of Criticism – A True Story. Karl Kraus and Persons of

the Second Viennese School", Ears to Music 4 (February 2001):18-19. (Hebrew)

25. Shaked, Yuval, "Curses and Deterioration – On Seriouslessness in Our Serious Music",

Tav+ 1, Haifa (Winter 2003):9-13. (Hebrew)

25a. Shaked, Yuval (2003). "Curses and Seterioration – On seriouslessness in Our

Serious Music", in http://www.tav-plus.co.il/articles.asp?PrintID=1&ArticleID=11,

retrieved on December 23, 2009. (Hebrew)

26. Shaked, Yuval, "Ancient Culture, Hirer at a 50-year Old State with Values which

Become Strange, is Looking for a Musical Tradition", Neue Zeitschrift für Musik Vol.159

No.3 (May-June 1998):6-9. (German; Original title: "Uralte Kultur, Untermieterin eines

fünfzigjährigen Staates mit fremd werdenden Werten, sucht eine musikalische Tradition")

27. Shaked, Yuval, "Seemingly One of Us – Iannis Xenakis in Israel", MusikTexte 89 (May

2001):35-36. (German; Original title: "Scheinbar einer unseresgleichen – Iannis Xenakis in

Israel")

28. Shaked, Yuval, "In the Spirit of the Pioneers – Memories of Peter Gradenwitz",

MusikTexte 91 (November 2001):79-80. (German; Original title: "Im Geist der Pioniere –

Erinnerungen an Peter Gradenwitz")

29. Shaked, Yuval, "Always More Independent – Contemporary Palestinian Music",

MusikTexte 93 (May 2002):5-10. (German; Original title: "Zunehmend selbständiger –

Zeitgenössische palästinensische Musik")

30. Shaked, Yuval, "Jewish Sacred Music by Israeli Composers", European Judaism Vol.35,

No.2 (Autumn 2002):36-42. (See also under Articles in Conference Proceedings 2)

* 31. Shaked, Yuval, " The Pigeons Flew Away… – On Contemporary Palestinian Music",

Neue Zeitschrift für Musik Vol.164 No.2 (March-April 2003):44-49. (German; Original title:

"Die Tauben flogen weg... – Zur zeitgenössischen palestinänsischen Musik")

* 32. Shaked, Yuval, "The Florence and Leghorn Jewish musical tradition", Firenze

ebraica 14th year, No.6, (November-December 2003):9-13. (Italian)

* 33. Shaked, Yuval, "Inimitable Associative Acrobatics – Abel Ehrlich (1915-2003)",

MusikTexte 100 (February 2004):113-114. (German; Original title: " Von assoziativer

Akrobatik – Abel Ehrlich (1915-2003)" )

http://www.tav-plus.co.il/articles.asp?PrintID=1&ArticleID=11

21

* 33a. Shaked, Yuval, "Inimitable Associative Acrobatics", in New Music World

Magazine 14 (November 2004):46-48.

* 34. Shaked, Yuval, "Contemporary Music in Israel – Jewish? – Mediterranean? – New?",

Spuren – Zeitung für Gegenwärtige 3 (September 2008):10-13. (German; Original title: "

Zeitgenössische Musik in Israel – jüdisch? – mediterran? – neu?") (See also under Articles

in Conference Proceedings 3)

* 35. Shaked, Yuval, "Abstinence – Encounters with Mauricio Kagel", MusikTexte 119

(December 2008):28. (German; Original title: "Enthaltsamkeit – Begegnungen mit Mauricio

Kagel")

* 36. Shaked, Yuval, "Messanger for Times to Come – Obituary on Josef Tal",

MusikTexte 119 (December 2008):68. (German; Original title: "Botschafter für kommende

Zeiten – Nachruf auf Josef Tal")

* 37. Shaked, Yuval, "Ein Gev, Symphonic Fantasy (1952) [by Oedoen Partos]", in

http://www.americansymphony.org/dialogue.php?id=467&season=2008-2009, retrieved on

December 23, 2009.

* 38. Shaked, Yuval, "Midnight Vigil, Op.39a [by Mordecai Seter]", in

http://www.americansymphony.org/dialogue.php?id=468&season=2008-2009, retrieved on

December 23, 2009.

* 39. Shaked, Yuval (2009). Mauro My Mentor – A few ways of mine to introduce Maurcio

Kagel (Lecture held at the "Box", Tel Aviv, June 10, 2009), in

http://www.ensemblenikel.com/heb-cat.asp?catalogid=126, retrieved on November 25,

2009. (Hebrew)

* 40. Shaked, Yuval (2011). "On Contemporary Palestinian Music", in: Search – Journal

for New Music and Culture 8 (Summer 2011), http://www.searchnewmusic.org/shaked.pdf, retrieved on July 12, 2011.

* 41. Music Life in Eretz Israel prior to the Founding of the State, in:

http://baderech.hjm.org.il/Article.aspx/He/MusicInIsrael, Internet Exhibition “On the Way –

Jewish Creators who Went Out of Hungary in the 20th

Century”, Memorial Museum of

Hungarian Speaking Jewry, Safed 2011 (Hebrew and Hungarian)

* 42. Oedoen Partos, in: http://baderech.hjm.org.il/Article.aspx/He/PartosEden, Internet

Exhibition “On the Way – Jewish Creators who Went Out of Hungary in the 20th

Century”,

Memorial Museum of Hungarian Speaking Jewry, Safed 2011 (Hebrew and Hungarian)

* 43. Ilona Feher, in: http://baderech.hjm.org.il/Article.aspx/He/FeherIlona, Internet

Exhibition “On the Way – Jewish Creators who Went Out of Hungary in the 20th

Century”,

Memorial Museum of Hungarian Speaking Jewry, Safed 2011 (Hebrew and Hungarian)

* 44. Laszlo Vincze, Ilona Vincze-Krausz, in:

http://baderech.hjm.org.il/Article.aspx/He/VinczeLaszlo, Internet Exhibition “On the Way –

Jewish Creators who Went Out of Hungary in the 20th

Century”, Memorial Museum of

Hungarian Speaking Jewry, Safed 2011 (Hebrew and Hungarian).

http://www.americansymphony.org/dialogue.php?id=467&season=2008-2009%20

http://www.americansymphony.org/dialogue.php?id=468&season=2008-2009

http://www.ensemblenikel.com/heb-cat.asp?catalogid=126

http://www.searchnewmusic.org/shaked.pdf

http://baderech.hjm.org.il/Article.aspx/He/MusicInIsrael

http://baderech.hjm.org.il/Article.aspx/He/PartosEden

http://baderech.hjm.org.il/Article.aspx/He/FeherIlona

http://baderech.hjm.org.il/Article.aspx/He/VinczeLaszlo

22

E. Articles or Chapters in Scientific Books

(which are not Conference Proceedings)

Published

1. Shaked, Yuval, "Seven Questions – From an Interview of Yuval Shaked with Carola

Bauckholt on August 9, 1983", in Neuland, edited by Herbert Henck (Bergisch Gladbach:

Neuland, 1984), Band 4, 59-70. (German; Original title: "Sieben Fragen. Aus einem

Interview von Yuval Shaked mit Carola Bauckholt am 9. August 1983")

2. Shaked, Yuval, "Productivity and Sedan-Chair – On an Aesthetic Cartel", in In and

Around Education – Yearbook of the Kibbutzim College, vol.12 edited by Dorit Hopp, Nili

Keren and Yoel Snir (Tel Aviv: Kibbutzim College, 1990), 173-180. (Hebrew; Original title:

"Piryon and Apiryon")

3. Shaked, Yuval, "On Abel Ehrlich's Personal Way in Music", in Abel Ehrlich, edited by

Amnon Wolman and Yuval Shaked (Tel Aviv: Israel Music Institute, 1995), 10-15. (Hebrew)

(See also under Articles in Refereed Journals 12)

3a. Shaked, Yuval, "On Abel Ehrlich's Personal Way in Music", in Abel Ehrlich,

edited by Igal Myrtenbaum (Tel Aviv: Israel Music Institute, 1997), 11-17.

4. Shaked, Yuval, "Abel Ehrlich Hears", in Abel Ehrlich, edited by Amnon Wolman and

Yuval Shaked (Tel Aviv: Israel Music Institute, 1995), 39-45. (Hebrew)

4a. Shaked, Yuval, "Abel Ehrlich Hears", in Abel Ehrlich, edited by Igal

Myrtenbaum (Tel Aviv: Israel Music Institute, 1997), 45-53.

5. [Shaked, Yuval], ["In Honor of Abel Ehrlich"], in Israel State Prizes 1997, Jerusalem,

71-74. (Hebrew)

5a. [Shaked, Yuval], ["In Honor of Abel Ehrlich"], in Ben-Zion Orgad, Abel

Ehrlich, Andre Hajdu – Israel State Prizes 1997, Tel Aviv: Israel Music Institute, 8-

10. (Hebrew)

6. Shaked, Yuval, "To Immune against Music", in Dance Thoughts, edited by Tirza Sapir

(Tel Aviv: Kibbutzim College, 1998), 20-23. (Hebrew)

F. Articles in Conference Proceedings

Published

1. Shaked, Yuval. ["On Emigration, Adaptation, Adoption and Expropriation"], in Das

Eigene und das Fremde – Musik zwischen Aneignung und Enteignung, (Bremen:

Projektgruppe Neue Musik, 1992), 15-18. (German; Original title: "Über Wanderung,

Anpassung, Aneignung und Enteignung")

23

2. Shaked, Yuval. "Jewish Sacred Music by Israeli Composers", in Mit Pauke und Reigen,

Hannover: European Center for Jewish Music, 2002), 104-110. (German; Original title:

"Sakrale jüdische Musik israelischer Komponisten") (See also under Articles in Refereed

Journals 30)

* 3. Shaked, Yuval, "Contemporary Music in Israel – Jewish? – Mediterranean? – New?",

in Jüdische Musik? – Fremdbilder – Eigenbilder edited by Eckhard John and Heidy

Zimmermann (Köln: Böhlau, 2004), 269-288. (German; Original title: "Zeitgenössische

Musik in Israel – jüdisch? – mediterran? – neu?") (See also under Articles in Refereed

Journals 34)

* 4. Shaked, Yuval, and others, " ‚All Good Music is Jewish‘ " – A Diskussion among

Composers, with Chaya Czernowin, Josh Levine, Ruben Seroussi, Yuval Shaked and

Amnon Wolman", in Jüdische Musik? – Fremdbilder – Eigenbilder edited by Eckhard John

and Heidy Zimmermann (Köln: Böhlau, 2004), 303-318. (German; Original title: " 'Jede

gute Musik ist jüdisch" – Ein Gespräch unter Komponisten, mit Chaya Czernowin, Josh

Levine, Ruben Seroussi, Yuval Shaked und Amnon Wolman")

G. Entries in Encyclopedias

1. Shaked, Yuval, "Abel Ehrlich", in Komponisten der Gegenwart, edited by Hans Werner

Heister and Walter Wolfgang Sparrer (München: Edition text + kritik, 1996, 9th

Supplement). (German)

* 1a. Shaked, Yuval, "Abel Ehrlich", in Komponisten der Gegenwart, edited by

Hans Werner Heister and Walter Wolfgang Sparrer (München: Edition text + kritik,

2004, 27th Supplement). (German)

* 2. Shaked, Yuval, "Leef, Yinam", in Encyclopaedia Judaica, edited by Michael

Berenbaum and Fred Skolnik, 2nd edition (Detroit: Macmillan, 2007), vol.12, 600.

* 3. Shaked, Yuval, "Radzynski, Jan", in Encyclopaedia Judaica, edited by Michael

Berenbaum and Fred Skolnik, 2nd edition (Detroit: Macmillan, 2007), vol.17, 61-62.

* 4. Shaked, Yuval, "Ran, Shulamit", in Encyclopaedia Judaica, edited by Michael


* 5. Shaked, Yuval, "Sheriff, Noam", in Encyclopaedia Judaica, edited by Michael

Berenbaum and Fred Skolnik, 2nd edition (Detroit: Macmillan, 2007), vol.18, 462-463.

* 6. Shaked, Yuval, "Starer, Robert", in Encyclopaedia Judaica, edited by Michael


24

H. Other Scientific Publications

Articles in CD Booklets – Published

1. Shaked, Yuval, "Congregate for dialogue – Contact – No Dialogue?", in Mordecai Seter

– Piano works 1982/83, edited by Yuval Shaked (Tel Aviv: Music In Israel, MII-CD-13,

1993):[4-16]. (Hebrew)

1a. Shaked, Yuval, "Congregate for dialogue – Contact – No Dialogue?", in

Mordecai Seter – Piano works 1982/83, edited by Yuval Shaked (Tel Aviv: Music In

Israel, MII-CD-13, 1993):[4-17].

2. Shaked, Yuval, "[On Mediterranean Music and, under different pseudonyms – Notes on

three works], in Pnina Salzman plays Mediterranean Piano Music, edited by Yuval Shaked

(Tel Aviv: Music In Israel, MII-CD-19, June 1996):[?].

* 3. Clarkson, Austin & Yuval Shaked, "Stefan Wolpe in Jerusalem", in Stefan Wolpe in

Jerusalem 1934-1938, edited by Yuval Shaked (New York: Mode and Tel Aviv: Beth

Hatefutsoth, CD Mode 156, 2006):4-8.

* 3a. Clarkson, Austin & Yuval Shaked, "Stefan Wolpe in Jerusalem", in Stefan

Wolpe in Jerusalem 1934-, edited by Yuval Shaked (New York: Mode and Tel Aviv:

Beth Hatefutsoth, CD Mode 156, 2006):15-20. (German)

* 3b. Clarkson, Austin & Yuval Shaked, "Stefan Wolpe in Jerusalem", in Stefan

Wolpe in Jerusalem 1934-, edited by Yuval Shaked (New York: Mode and Tel Aviv:

Beth Hatefutsoth, CD Mode 156, 2006):27-31. (French)

* 3c. Clarkson, Austin & Yuval Shaked, "Stefan Wolpe in Jerusalem", in Stefan

Wolpe in Jerusalem 1934-1938, edited by Yuval Shaked (New York: Mode and Tel

Aviv: Beth Hatefutsoth, CD Mode 156, 2006):38-40. (Hebrew)

* 4. Halfon, Daniel & Yuval Shaked, "Preface", in Kamti Lehallel (I Rise in Praise) – The

Musical Tradition of the Spanish and Portuguese Jewish Communities of Amsterdam,

London and New York, edited by Yossi Avner, Anton Kras and Yuval Shaked (Amsterdam:

Joods Historisch Museum and Tel Aviv: Beth Hatefutsoth, BTR 0701, 2007):7-9.

* 4a. Halfon, Daniel & Yuval Shaked, "Preface", in Kamti Lehallel (I Rise in

Praise) – The Musical Tradition of the Spanish and Portuguese Jewish Communities

of Amsterdam, London and New York, edited by Yossi Avner, Anton Kras and Yuval

Shaked (Amsterdam: Joods Historisch Museum and Tel Aviv: Beth Hatefutsoth,

BTR 0701, 2007): ז-ח . (Hebrew)

* 5. Shaked, Yuval, ["On chamber works by Theodor W. Adorno and Artur Schnabel"], in

Theodor W. Adorno, Artur Schnabel – Chamber Music, edited by Yuval Shaked (Tel Aviv:

Beth Hatefutsoth, BTR 0702, 2008): ו-כה

* 5a. Shaked, Yuval, ["On chamber works by Theodor W. Adorno and Artur

Schnabel"], in Theodor W. Adorno, Artur Schnabel – Chamber Music, edited by

Yuval Shaked (Tel Aviv: Beth Hatefutsoth, BTR 0702, 2008):6-27. (Hebrew)

* 6. Shaked, Yuval, ["On Bach's Musical Offering"], in Johann Sebastian Bach – A

Musical Offering (BWV 1079) in der Realisation by Gerd Zacher (Remscheid: Gideon Boss

Musikproduktion, gb 003, 2009):[3-5]. (German)

25

* 6a. Shaked, Yuval (2009). ["On Bach's Musical Offering"], in Johann Sebastian

Bach – A Musical Offering (BWV 1079) in the Realisation by Gerd Zacher

(Remscheid: Gideon Boss Musikproduktion, gb 003, 2009):[5-7].

* 6b. Shaked, Yuval (2009). ["On Bach's Musical Offering"], in Johann Sebastian

Bach – A Musical Offering (BWV 1079) in the Realisation by Gerd Zacher

(Remscheid: Gideon Boss Musikproduktion, gb 003, 2009):[8-10]. (French)

* 7. Shaked, Yuval, ["On chamber works by Arnold Schoenberg and Anton Webern"], in

Arnold Schoenberg, Anton Webern – Chamber Music (Tel Aviv: Beth Hatefutsoth,

BTR 0901, 2009):4-9. (Hebrew)

* 7a. Shaked, Yuval, ["On chamber works by Arnold Schoenberg and Anton

Webern"], in Arnold Schoenberg, Anton Webern – Chamber Music (Tel Aviv: Beth

Hatefutsoth, BTR 0901, 2009):iv-xi.

* 8. Shaked, Yuval, “An Old Master in the New World”, in Jaromir Weinberger – Chamber and

Organ Music (Remscheid: Gideon Boss Musikproduktion, gb 005, 2011):[3-33]. (German)

* 8a. . Shaked, Yuval, “An Old Master in the New World”, in Jaromir Weinberger –

Chamber and Organ Music (Remscheid: Gideon Boss Musikproduktion, gb 005, 2011):[34-

51].

* 8b. Shaked, Yuval, “An Old Master in the New World”, in Jaromir Weinberger –

Chamber and Organ Music (Remscheid: Gideon Boss Musikproduktion, gb 005, 2011):[52-

71]. (French)

I. Other Publications

a. CDs Produced

1. Bahat, Avner and Yuval Shaked, producers, Like the Leaden Sky – The Terezin Ghetto

Remembered in Works by Israeli and Czech Composers (Tel Aviv: Beth Hatefutsoth,

BTR 9902, 2000).

2. Shaked, Yuval, producer, Eliyahoo Hanabee – The Musical Tradition of the Bene Israel of

Bombay (Tel Aviv: Beth Hatefutsoth, BTR 0101, 2001).

3. Bahat, Avner and Yuval Shaked, producers, Singing Dew – The Florence-Leghorn Jewish

Musical Tradition (Tel Aviv: Beth Hatefutsoth, BTR 0201, 2002).

* 4. Shaked, Yuval, and others, producers, Mokum – Jerusalem of the West, the Musical

Tradition of the Ashkenazic Community of Amsterdam (Tel Aviv & Amsterdam: Beth

Hatefutsoth & Joods Historisch Museum, BTR 0401, 2005).

* 5. Brandt, Brian and Yuval Shaked, executive producers, Stefan Wolpe in Jerusalem

1934-1938 (New York: Mode Records, Mode 156, 2006).

* 6. Shaked, Yuval, producer, Kamti Lehallel (I Rise in Praise) – The Musical Tradition of

the Spanish and Portuguese Jewish Communities of Amsterdam, London and New York (Tel

Aviv & Amsterdam: Beth Hatefutsoth & Joods Historisch Museum, BTR 0701, 2007).

* 7. Shaked, Yuval, producer, "The Jewish Musical Tradition of Alexandria (Egypt) and

Maestro Alberto Hemsi" [CD], in History and Culture of the Jews from Egypt in Modern

26

Times, edited by Ada Aharoni, Aimé Israel-Pelletier and Levana Zamir (Tel Aviv: WCJE,

University of Haifa and Herzl Institute, 2008).

* 8. Shaked, Yuval, producer, Theodor W. Adorno and Artur Schnabel – Chamber Music

(Tel Aviv: Beth Hatefutsoth and Deutschlandradio Kultur, BTR 0702, 2008).

* 9. Shaked, Yuval, producer, The Music Department, at the Dr. Hecht Arts Center,

University of Haifa (Haifa: University of Haifa, 2011).

* 10. Shaked, Yuval, co-producer, Jaromir Weinberger – Chamber and Organ Music

(Remscheid: Gideon Boss Musikproduktion, gb 005, 2011).

b. CD Booklets Edited

1. Shaked, Yuval, ed., Mordecai Seter: Piano Works (1982/83) (Tel Aviv: Music in Israel,

MII-CD-13, 1993).

2. Shaked, Yuval, ed., Ben-Zion Orgad: Mizmorim; Hallel (Tel Aviv: Music in Israel, MII-

CD-14, 1993).

3. Shaked, Yuval, ed., Clarinet Quintets: Paul Ben-Haim; Menachem Zur; Ben-Zion Orgad

(Tel Aviv: Music in Israel, MII-CD-15, 1994).

4. Shaked, Yuval, ed., Yinam Leef: Symphony No.1; Violin Concerto (Tel Aviv: Music in

Israel, MII-CD-16, 1995).

5. Shaked, Yuval, ed., Jacob Gilboa: From the Dead Sea Scrolls; Kathros Upsanterin;

Sonata; Three Vocalises for Peter Breughel (Tel Aviv: Music in Israel, MII-CD-17, 1995).

6. Shaked, Yuval, ed., String Quartets – Mordecai Seter, Tzvi Avni, Josef Tal, Oedoen

Partos (Tel Aviv: Music in Israel, MII-CD-18, 1995).

7. Shaked, Yuval, ed., Pnina Salzman plays Mediterranean Piano Music (Tel Aviv: Music in

Israel, MII-CD-19, 1996).

8. Avner, Yossi and Yuval Shaked, eds., Musica Judaica – Varda Nishry, piano. Works by

Ben-Haim, Hemsi, Yoffe, Blarr, Wolpe (Tel Aviv: Beth Hatefutsoth, BTR 9701, 1997).

9. Avner, Yossi and Yuval Shaked, eds., The Musical Tradition of the Jewish Reform

Congregation in Berlin (Tel Aviv: Beth Hatefutsoth, BTR 9702, 1997).

10. Avner, Yossi and Yuval Shaked, eds., The St. Petersburg School – Music for cello and

piano (Tel Aviv: Beth Hatefutsoth, BTR 9801, 1998).

11. Avner, Yossi and Yuval Shaked, eds., Israel Kibbutz Choir conducted by Avner Itai –

Jewish and Israeli Music (Tel Aviv: Beth Hatefutsoth, BTR 9901, 1999).

12. Avner, Yossi and Yuval Shaked, eds., Like the Leaden Sky – The Terezin Ghetto

Remembered in Works by Israeli and Czech Composers (Tel Aviv: Beth Hatefutsoth,

BTR 9902, 2000).

13. Avner, Yossi and Yuval Shaked, eds., Eliyahoo Hanabee – The Musical Tradition of the

Bene Israel of Bombay, Tel Aviv: Beth Hatefutsoth, BTR 0101, 2001).

14. Avner, Yossi and Yuval Shaked, eds., Singing Dew – The Florence-Leghorn Jewish

Musical Tradition (Tel Aviv: Beth Hatefutsoth, BTR 0201, 2002).

27

* 15. Avner, Yossi, Anton Kras and Yuval Shaked, eds., Mokum – Jerusalem of the West,

the Musical Tradition of the Ashkenazic Community of Amsterdam (Tel Aviv & Amsterdam:

Beth Hatefutsoth & Joods Historisch Museum, BTR 0401, 2005).

* 16. Shaked, Yuval, ed., Stefan Wolpe in Jerusalem 1934-1938 (New York: Mode

Records, Mode 156, 2006).

* 17. Avner, Yossi, Anton Kras and Yuval Shaked, eds., Kamti Lehallel (I Rise in Praise) –

The Musical Tradition of the Spanish and Portuguese Jewish Communities of Amsterdam,

London and New York (Tel Aviv & Amsterdam: Beth Hatefutsoth & Joods Historisch

Museum, BTR 0701, 2007).

* 18. Shaked, Yuval, ed., Theodor W. Adorno and Artur Schnabel – Chamber Music (Tel

Aviv: Beth Hatefutsoth & Deutschlandradio Kultur, BTR 0702, 2008).

* 19. Seroussi, Edwin and Yuval Shaked, eds., Kulmus Hanefesh – A Musical Journey into

the Hassidic Niggun (Jerusalem, Jerusalem Music Center, Jewish Music Research Center &

The Hebrew University of Jerusalem, CJM 0901, 2009).

J. Other Works Connected with my Scholarly Field

a. Essay in a Book

1. Shaked, Yuval, ["On My Work"], in The Sweet Psalmists of Israel – Music and

Musicians in Israel by Yehuda Cohen (Tel Aviv: Am Oved, 1990), 422-424. (Hebrew)

b. Entries in a Lexicon

1. Shaked, Yuval, "Heimat" in Ensemble Recherche Wörterbuch (Freiburg, 2000), [58].

(German)

2. Shaked, Yuval, "Weltmusik" in Ensemble Recherche Wörterbuch (Freiburg, 2000), [150-

151].(German)

c. Press

1. Shaked, Yuval, "Twelve Rods of Wrath", Ha’ir, December 15, 1989, 70. (Hebrew)

2. Shaked, Yuval, ["Neither a Superpanther nor a Subpudel – Reaction on an article by

Hanoch Ron published on May 25"], Tel Aviv, June 29, 1990, [?]. (Hebrew)

3. Shaked, Yuval, ["Intervention in the Dispute Concerning the Award of the Israel State

Prize to Arie Shapira"], Ha’ir, March 4, 1994, [?].

3a. Shaked, Yuval, "His Professionalism and his view of the world –

[Intervention in the Dispute Concerning the Award of the Israel State Prize to

Arie Shapira]", IMI-News 94/2 (July 1994):22.

28

3b. Shaked, Yuval, ["Intervention in the Dispute Concerning the Award of

the Israel State Prize to Arie Shapira"], IMI-News 94/2, (July 1994):26.

(Hebrew)

4. Shaked, Yuval, ["Second Intervention in the Dispute Concerning the Award of the Israel

State Prize to Arie Shapira"], Ha’aretz, March 28, 1994, [?]. (Hebrew)

4a. Shaked, Yuval, "I would be most surprised – [Second Intervention in the

Dispute Concerning the Award of the Israel State Prize to Arie Shapira]",

IMI-News 94/2 (July 1994):23.

4b. Shaked, Yuval, ["Second Intervention in the Dispute Concerning the

Award of the Israel State Prize to Arie Shapira"], IMI-News 94/2 (July

1994):26. (Hebrew)

5. Shaked, Yuval, "Mockery and Laughter", Ha’aretz, August 8, 1997, [?]. (Hebrew)

* 6. Shaked, Yuval, "To the Sounds of Music – [Review of the Book] Des Lagers Stimme,

Musik im KZ Alltag und Häftlingskultur in den Konzentrationslagern 1933 bis 1938 by

Guido Fackler", Ha’aretz, Literary Supplement, issue 539, June 25, 2003, 13. (Hebrew)

* 7. Shaked, Yuval, "Jewish Music – Adventure and Challenge – On the Feher Jewish

Music Center", in Beth Hatefutsoth [Newsletter of the Nahum Goldmann Museum of Jewish

Diaspora] 1 (September 2005): 6-7. (Hebrew)

d. Radio Lectures

1. Shaked, Yuval, "Helmut Lachenmann: MOUVEMENTS (– VOR DER ERSTARRUNG)

– An Analysis", broadcast on Deutschlandfunk (DLF), Wednesday, March 13, 1985, 9:00-

9:30 pm. (German; Original title: "Helmut Lachenmann: MOUVEMENTS (– VOR DER

ERSTARRUNG) – Ein Werkkommentar ")

2. Shaked, Yuval, "Contemporary Palestinian Music", broadcast on Deutschlandfunk (DLF)

– Atelier neuer Musik, Saturday, June 1, 2001, 10:05-10:50 pm. (German; Original title:

"Zeitgenössische palästinensische Kunstmusik")

* 3. Shaked, Yuval, "Forgotten and Tormented Wellspring – Jaromir Weinberger and his

Chamber Music", broadcast on Deutschlandfunk – Musikforum, Tuesday, July 13, 2010,

9:05-11:50 pm. (German; Original title: "Durquällte Quelle")

e. Radio Interviews (Selection)

1. April 17, 1984, 4:30-5:30 pm, WDR 3, Workshop New Music, Conversations about

Compositions

2. July 11, 1993, 8:00-9:30 pm, DRS 2, Between Intifada and Welling Wall – New Music in

Israel, Conversation with the composers Abel Ehrlich and Yuval Shaked

3. September 10, 1996, 4:00-6:00 pm, Kol Hamusica, My Concert

4. June 29, 1998, 9:00-11:00 pm, Kol Hamusica, A Matter of Consense

5. October 31, 2000, 10:00pm-00:00 am, Kol Hamusica, A Matter of Consense

29

6. February 13, 2002, 8:00-9:00 pm, DRS 2, The Israeli Composer Yuval Shaked

7. September 6, 2002, 4:00-6:00 pm, Kol Hamusica, My Concert (repeat)

*8. September 9, 2004, 11:00pm-00:00 am, Kol Hamusica, It isn't Late Yet

*9. April 23, 2005 (& July 9, 2005, repeat), Nordwest Radio, When the Rabbi listens to

Raggae… – Sigrid Brinkmann in Conversation with Yuval Shaked

*10. July 3, 2005, 10-10:30 pm, Music Feuilleton, Arch of World Music – The Composer

Yuval Shaked and the Feher Jewish Music Center in Tel Aviv

*11. March 24, 2006, 12:05 am (& 11:05 pm, repeat), hr2, Double-Head, At the Table with

Yuval Shaked, Sound Archivist

*12. October 12, 2007, 8:50 am, Channel 2, IBA, That's Life, Yuval Shaked – The Feher

Jewish Music Center at Beth Hatefutsoth

*13. August 3, 2008, 7:00-8:00 pm, Kol Hamusica, New at the Mediathek, Kamti Lehallel –

The Musical Tradition of the Spanish Communities, Conversation with Yuval Shaked

*14. September 1, 2009, 4:00-6:00 pm, Kol Hamusica, My Concert (repeat)

*15. March 6, 2011, 6:00-8:00 pm, Kol Hamusica, Music Magazine – On John Cage's

Sonatas and Interludes for prepared piano

*16. April 3, 2011, 6:00-8:00 pm, Kol Hamusica, Music Magazine – On Extended Playing

Techniques.

f. Paper Interviews (Selection)

* 1. Bar-On, Yaacov, "New, Modern and Innovative", JTimes (Makor Rishon), April 25,

2010, 6. (Hebrew)

* 2. Hitron, Haggai, “One Anthology, Four Worlds”, Ha’aretz, September 26, 2011, Art &

Leisure 4. (Hebrew)

g. Concert Programs – Editing & Writing

1. Shaked, Yuval, ["On J.S. Bach’s ST. JOHN PASSION"], in Program of the Israel

Festival, Jerusalem 1986, for a performance at the Dormitio Abbey.

1a. Shaked, Yuval, ["On J.S. Bach’s ST. JOHN PASSION"], in Program of the

Israel Festival, Jerusalem 1986, for a performance at the Dormitio Abbey. (Hebrew)

2. Shaked, Yuval, ["On Claudio Monteverdi’s VESPERS"], in Program of the Israel


2a. Shaked, Yuval, ["On Claudio Monteverdi’s VESPERS"], in Program of the


3. Shaked, Yuval, ["On Mozart’s and Salieri’s REQUIEM"], in Program of the Israel


3a. Shaked, Yuval, ["On Mozart’s and Salieri’s REQUIEM"], in Program of the


31

4. Shaked, Yuval, ["On J.S. Bach’s MAGNIFICAT and some other works by him"], in

Program of the Israel Festival, Jerusalem 1987, for a performance at the Dormitio Abbey.

4a. Shaked, Yuval, ["On J.S. Bach’s MAGNIFICAT and some other works by him"],

in Program of the Israel Festival, Jerusalem 1987, for a performance at the Dormitio

Abbey. (Hebrew)

5. Shaked, Yuval, ["On Anton Bruckner’s MASS in E minor and Heinrich Schütz’s

PSALMEN DAVIDS"], in Program of the Israel Festival, Jerusalem 1987, for a performance

at the Dormitio Abbey.

5a. Shaked, Yuval, ["On Anton Bruckner’s MASS in E minor and Heinrich Schütz’s

PSALMEN DAVIDS"], in Program of the Israel Festival, Jerusalem 1987, for a

performance at the Dormitio Abbey. (Hebrew)

6. Shaked, Yuval, ["On Arthur Honegger’s LE ROI DAVID"], in Program of the Israel


6a. Shaked, Yuval, ["On Arthur Honegger’s LE ROI DAVID"], in Program of the


7. Shaked, Yuval, ["On J.S. Bach’s CHRISTMASS ORATORIO"], in Program of the

Festival Vocal Music in Jerusalem, January 1988, for a performance at the Jerusalem

Theatre.

7a. Shaked, Yuval, ["On J.S. Bach’s CHRISTMASS ORATORIO"], in Program of

the Festival Vocal Music in Jerusalem, January 1988, for a performance at the

Jerusalem Theatre. (Hebrew)

8. Shaked, Yuval, ["On Ludwig van Beethoven’s MASS Op.86 and Felix Mendelssohn’s

PSALM 42"], in Program of the Festival Vocal Music in Jerusalem, January 1988, for a

performance at the Dormitio Abbey.

8a. Shaked, Yuval, ["On Ludwig van Beethoven’s MASS Op.86 and Felix

Mendelssohn’s PSALM 42"], in Program of the Festival Vocal Music in Jerusalem,

January 1988, for a performance at the Dormitio Abbey. (Hebrew)

9. Shaked, Yuval, ["On J.S. Bach’s CANTATAS No.82 & 189, and works by D. Buxtehude,

G. Torelli and A. Vivaldi"], in Program of the Festival Vocal Music in Jerusalem, January

1988, for a performance at the Dormitio Abbey.

9a. Shaked, Yuval, ["On J.S. Bach’s CANTATAS No.82 & 189, and works by

D. Buxtehude, G. Torelli and A. Vivaldi"], in Program of the Festival Vocal Music in

Jerusalem, January 1988, for a performance at the Dormitio Abbey. (Hebrew)

10. Shaked, Yuval, ["On J.S. Bach’s ST. MATTHEW PASSION"], in Program of the Israel

Festival, Jerusalem, May 1988, for a performance at the Dormitio Abbey.

10a. Shaked, Yuval, ["On J.S. Bach’s ST. MATTHEW PASSION"], in Program of

the Israel Festival, Jerusalem, May 1988, for a performance at the Dormitio Abbey.

(Hebrew)

11. Shaked, Yuval, ["On Bulgarian Folk Music"], in Program of the Israel Festival,

Jerusalem, May 1988, for a concert of the Sofia Women’s Choir at the Dormitio Abbey.

11a. Shaked, Yuval, ["On Bulgarian Folk Music"], in Program of the Israel Festival,

Jerusalem, May 1988, for a concert of the Sofia Women’s Choir at the Dormitio

Abbey. (Hebrew)

31

12. Shaked, Yuval, ["On three masses by J. Haydn, a Cantata by D. Buxtehude, and two

concertos by J.S. Bach"], in Program of the Israel Festival, Jerusalem, June 1988, for a

performance at the Dormitio Abbey.

12a. Shaked, Yuval, ["On three masses by J. Haydn, a Cantata by D. Buxtehude, and

two concertos by J.S. Bach"], in Program of the Israel Festival, Jerusalem, June

1988, for a performance at the Dormitio Abbey. (Hebrew)

13. Shaked, Yuval, ["On Myself"], in Concert Program [consisting of compositions by Oded

Assaf and Yuval Shaked], Rubin Museum, Tel Aviv, February 1, 1990.

14. Shaked, Yuval, "Contemporary Music from Israel", in ProgrammMagazin, Düsseldorf,

September 1998, 50-53. (German; Original title: "Zeitgenössische Musik aus Israel")

15. Shaked, Yuval, "About Contemporary Palestinian Music", in Ruhrfestspiele

Recklinghausen, in Program of the 10th European Festival, Recklinghausen, May 1 – June

25, 2000, 104-105. (German; Original title: "Zur zeitgenössischen palästinensischen

Kunstmusik")

h. Exhibition Catalogues

1. Pick, Anat and Yuval Shaked, "Composition for Shot Time", in The Candidate,

Exhibition Catalogue at the Navon Gallery, Neve Ilan, September 22 – October 20, 1993,

[13].

2. Shaked, Yuval, "12 Minutes: Dictation + The Identity Card", in The Poor The State The

Rich, Exhibitiom Magazine, Issued on the occasion of an exhibition by the Forum of Art

Museums at the Bat Yam, Arad and Kfar Saba Museums of Art, Israel; Cologne and Berlin,

Germany, (Yael Katz Ben Shalom, curator & editor), Tel Aviv, March 9, 2000, p.13.

i. Participation in exhibition

* 1. Würfelsequenzen | Pixelsound, Exhibition of drawings, objects and composition at the

Galerie im Kunsthaus, Erfurt, Germany, February 7 – March 25, 2006.

k. Translations (Selection)

1. Braun, Joachim, Aspects of Music Sociology in Israel, in [?]. (German to Hebrew)

2. Some Poems by Zohar Eitan, in Eclat, Program book for a contemporary music festival,

Stuttgart, Germany, February 1998. (Hebrew to German)

3. “Sh(e)lu na’alekhem” by Gershon Shofman, in Four Pieces for mixed chorus (Hamburg:

Peer Musikverlag, 1999), IV. (Hebrew to German)

4. Weil, Shalva,"The Bene Israel of India", in Eliyahoo Hanabee – The Musical Tradition of

the Bene Israel of Bombay (Tel Aviv: Beth Hatefutsoth, BTR 0101, 2001), 3-8. (English to

Hebrew)

32

6. Manasseh, Sara, "The Musical Tradition of the Bene Israel of Bombay", in Eliyahoo

Hanabee – The Musical Tradition of the Bene Israel of Bombay (Tel Aviv: Beth Hatefutsoth

BTR 0101, 2001), 9-13. (English to Hebrew)

7. Salvadori, Roberto G., "The Jewish Communities of Florence and Leghorn (Livorno)", in

Singing Dew – The Florence-Leghorn Jewish Musical Tradition (Tel Aviv: Beth

Hatefutsoth, BTR 0201, 2002), pp. יא-כו . (English to Hebrew)

8. Seroussi, Edwin, "Music from the Synagogue of Florence", in Singing Dew – The

Florence-Leghorn Jewish Musical Tradition (Tel Aviv: Beth Hatefutsoth, BTR 0201, 2002),

כז-ל . (English to Hebrew)

* 9. Ben Zeev, Noam, "Arie Shapira" in Komponisten der Gegenwart (Munich: edition

text + kritik, 26th Supplement, December 2003). (English to German)

* 10. Van Voolen, Edward, "Ashkenazi Jews in Amsterdam", in Mokum – Jerusalem of the

West, the Musical Tradition of the Ashkenazic Community of Amsterdam, Tel Aviv &

Amsterdam: Beth Hatefutsoth & Joods Historisch Museum, BTR 0401, 2005), ה-יא .

(English to Hebrew)

* 11. Kras, Anton, "The Choir of the Great Synagogue [in Amsterdam]", in Mokum –

Jerusalem of the West, the Musical Tradition of the Ashkenazic Community of Amsterdam,

Tel Aviv & Amsterdam: Beth Hatefutsoth & Joods Historisch Museum, BTR 0401, 2005),

יג-טו . (English to Hebrew)

* 12. Cohen, Julie-Marthe, "The Sephardi Communities of Amsterdam, London, and New

York", in Kamti Lehallel (I Rise in Praise) – The Musical Tradition of the Spanish and

Portuguese Jewish Communities of Amsterdam, London and New York (Tel Aviv &

Amsterdam: Beth Hatefutsoth & Joods Historisch Museum, BTR 0701, 2007), ט-טז .

(English to Hebrew)

* 13. Seroussi, Edwin, "Liturgical Music at the Spanish and Portuguese Synagogues", in

Kamti Lehallel (I Rise in Praise) – The Musical Tradition of the Spanish and Portuguese

Jewish Communities of Amsterdam, London and New York (Tel Aviv & Amsterdam: Beth

Hatefutsoth & Joods Historisch Museum, BTR 0701, 2007), יז-כו . (English to Hebrew)

* 14. Seroussi, Edwin and Rivka Havassy, ["Commentaries"], in An Early Twentieth-

Century Sephardi Troubadour: The Historical Recordings of Haim Effendi of Turkey

(Jerusalem: Jewish Music Research Centre, The Hebrew University of Jerusalem,

AMTI 0801, 2008), 4-39. (English to Hebrew)

* 15. Seroussi, Edwin, "Preface", in Kulmus Hanefesh – A Musical Journey into the

Hassidic Niggun (Jerusalem, Jerusalem Music Center, Jewish Music Research Center and

The Hebrew University of Jerusalem, CJM 0901, 2009), 4-5. (English to Hebrew)

* 16. Hajdu, Andre, "Introduction", in Kulmus Hanefesh – A Musical Journey into the

Hassidic Niggun (Jerusalem, Jerusalem Music Center, Jewish Music Research Center and

The Hebrew University of Jerusalem, CJM 0901, 2009), 6-20. (English to Hebrew)

33

K. List of Compositions and Their Performances / Broadcasts

a. Music Compositions

1. Plume – un homme paisible (Plume – A Peaceful Person)

Composed: 1979

For: narrator, clarinet, bassoon and viola

Text: Henri Michaux

Duration: ca. 7 min.

First Performance: Tel Aviv University, (?).(?).79

Tel Aviv Museum, (?).3.80

Haifa Auditorium, 19.3.80

Israel Radio, (?)

Feedback Studio, Köln, 11.4.83

Kammermusiksaal, Musikhochschule Köln, 3.5.83

Deutschlandfunk (DLF), 9.1.84

Westdeutscher Rundfunk (WDR III), 21.1.85

WDR III, Workshop Neue Musik, 30.4.85

Israel Radio, 11.3.92


2. Alleluia

Composed: 1980

For: alto und oboe


First Performance: Kammermusiksaal, Musikhochschule Köln, 3.5.83



WDR III, Studio Neue Musik, 12.4.88




34

3. für Klavier – Hommage à Stravinsky (for piano – Homage to Stravinsky)

Composed: 1981

For: piano


First Performance: Feedback Studio, Köln, 11.4.83

Kammermusiksaal, Musikhochschule Köln, 3.5.83

Jean-Pierre Collot, Khan Theater, Jerusalem, 28.8.08

4. Genus – Genera II

Composed: 1981

For: 2 trumpets, horn, trombone, tuba


First Performance: Neue Musik in Delmenhorst, 11.11.82

Osnabrück, Lagerhalle, 12.11.82

Radio Bremen (RB II), 1.3.83


5. Auf welche Beschreibungen treffen die Erklärungen zu? (What Descriptions Match

the Explanations?)

Composed: 1982

For: actor, 4 altos, oboe, piano, DIA-projection

Text: phonetic alphabet; German grammar exercises

Dedicated to: John Cage


First Performance: Musikhochschule Köln, 4.2.82

35

6. Marcia futurista

Composed: 1982

For: 3 rough voices

Text: graphic poem by F.T.Marinetti


First Performance: Juan Allende-Blin’s lecture, Köln, 13.5.82

Musikhochschule Köln, 6.7.82

Hessischer Rundfunk (HR II), 26.11.82

“Aspekte” Salzburg, 9.5.83

IGNM, Music-theatre Performance, Stadttheater, Basel, 25.3.88


Bar Ilan University, Ramat Gan, 16.12.91


Sender Freies Berlin (SFB3), 6.3.96


Swiss Radio (DRS2), 13.2.02

Werkstatt, Deutschlandradio Kultur, 20.6.10

7. Tod und Leben sind in der Macht der Sprache (Death and Life are in the Power of

the Tongue)

Composed: 1982

For: lutist, percussionist and accessories


Dedicated to: the life-wisdom of grandmothers


Folkwang Schule, Essen, 7.12.82

36

8. Die Polemik, Blasphemie (Blasphemy, Dispute )

Composed: 1982

For: 3 narrators, 2 horns, 2 trombones and violoncello

Text: Babylonian Talmud; Yuval Shaked; Carola Bauckholt








WDR III, 21.1.85


Deutschlandfunk (excerpt), 28.1.2005

Norddeutscher Rundfunk (NDR) (excerpt), 23.3.05

DeutschlandRadio Kultur (excerpt), 3.7.05

Radio Bremen (excerpt), 9.7.05

Hessischer Rundfunk, hr2 Kultur, Doppelkopf (excerpt, twice), 24.3.06

9. Züchtigung (Chastisement)

Composed: 1982

For: declamating pianist

Text: Isaiah 1:4; 24:19; 1:16




“Ensemblia”, Museum Abteiberg, Mönchengladbach, 3.7.83


Astrit Baltzan, Rubin Museum, Tel Aviv, 1.2.90

37

10. RhyMoDo

Composed: 1982

For: violoncello solo




11. Einseitig ruhig (String.ent/endo)

Composed: 1983

For: guitar solo with 6 equal strings (E1)


Dedicated to: Fritz Herweg, the first performer

Award of the 1985 Marl Musikimpulse Festival

First Performance: Fritz Herweg, Feedback Studio, Köln, 11.4.83


Fritz Herweg, Stadtbücherei Köln-Bocklemünd/Mengenich, 28.9.83


Altes Museum, Mönchengladbach, 14.7.84


Andreas Grün, Kulturzentrum Pforzheim-Dillweissenstein, 11.11.84

Andreas Grün, Spitalkirche, Breisach, 2.12.84

WDR III, 21.1.85

J.Devantski, Dreifaltigkeitskirche, Marl, 27.1.85

Andreas Grün, Süddeutscher Rundfunk (S II), 14.4.85

Werner Rottler, Musikkaffee, Freiburg, 29.6.85

Gunter Schneider, 9th Kärntner Mastercourses f. Actual Music, St.Leonhard, 14.7.85

Musikakdemie, Trossingen, 26.7.85

Rubin Museum, Tel Aviv, 1.2.90

The Guitar Society in Israel, Rubin Museum, Tel Aviv, 26.4.90

Yuval Music Association, Ramat Hasharon, 15.10.90

Berlin, 31.3.92

Lünneburg, 1.4.92

Reinbert Evers, Münster, 18.5.93

Reinbert Evers, Münster, 25.5.93

Reinbert Evers, Enschede, Holland, 16.6.93

38

Reinbert Evers, Unna, 12.11.93

Reinbert Evers, Detmold, 18.11.93

Reinbert Evers, Lublin, Poland, 26.11.93

Reinbert Evers, Sofia, Bulgaria, 1.12.93

Reinbert Evers, Moscow, Russia, 5.12.93

Julia Miller, Chicago, USA, 6.3.94

Reinbert Evers, Kulturzentrum Hardtberg, Bonn-Duisdorf, 25.4.97

Bayerischer Rundfunk (BR2), 24.4.98


Ruben Seroussi, Royal Academy of Music, London, 13.11.98

Ruben Seroussi, University of Keele, Keele, 16.11.98

Ruben Seroussi, Tel Aviv University, 14.6.99

(Excerpt), Friedrich Herweg, Swiss Radio (DRS2), 13.2.02

Ruben Seroussi, Montevideo, Uruguay, 11.9.02

Ruben Seroussi, Israel Radio, 10.6.03

Ruben Seroussi, Hecht Auditorium, University of Haifa, 8.1.04

Friedrich Herweg, Israel Radio, 14.1.07

Ruben Seroussi, Hateiva, Tel Aviv, 3.5.07

Friedrich Herweg, DeutschlandRadio Kultur (excerpt), 29.4.08

(Excerpts), in Schizophelia by Nir Vidan, Kibbutzim College, Tel Aviv, 16-20.6.09

(Excerpts), in Schizophelia by Nir Vidan, Kibbutzim College, Tel Aviv, 22-23.7.09

Friedrich Herweg, Israel Radio, 27.3.11

12. Beispiel, Hörspiel (A Fabel: for instance, Radio Composition)

Composed: 1983

For: narrator, oboe, violin, viola and violoncello

Text: Judges 9:9-20 (Martin Buber); Yuval Shaked



WDR III, Hörspielstudio, 21.2.84


39

Acustica international, Musikhochschule Köln, 30.9.85

Acustica International, Audiothek, Kunstverein, Köln, 27.9.-1.10.85

WDR III, Acustica International, C.Bauckholt’s lecture, 22.4.86

ISCM-Weltmusiktage 1987, Audiothek, 23.10.-1.11.87


Congress “Das Eigene und das Fremde”, Bremen, 28.4.92





13. Musik zum Beispiel (Music For Instance)

Composed: 1983

For: oboe, violin, viola and violoncello



Ensemble Recherche, Ars Musica, Brussels, 3.3.96

14. Der Gesang der Gesänge (Song of Songs)

Composed: 1983

For: narrator, actors, 2 recorder players, oboist, dove sounds

Text: Song of Songs; Samuel II 13

Duration: ca. 1 hour

First Performance: Theater am Marienplatz (TAM), Krefeld, 4.11.83

TAM, Krefeld, 11.11.83






Feedback Studio, Köln, (music only), 2.7.84

41

15. Liebeslament (Love Lamentation)

For: oboe solo


First Performance: blue rAn dances, Börsentheater, Brussels, 22.1.87

blue rAn dances, Börsentheater, Brussels, 23.1.87

blue rAn dances, Börsentheater, Brussels, 24.1.87

blue rAn dances, Jerusalem Theater, Israel Festival, 10.6.87



Christopher Redgate, London, 2.12.02

Jaime Gonzales, Lviv, 6.6.06

Jaime Gonzales, Freiburg, 16.11.06

Jaime Gonzales, Basel, 17.11.06

Undine Röhner-Stolle, MDR-Studio Konzert, Leipzig, 6.11.07

Undine Röhner-Stolle, MDR, 29.11.07

Kristiania, Jaime Gonzales, Lech am Arlberg, Austria, 23.1.08

Hombroich Inselmusik, Jaime Gonzales, Hombroich, Germany, 23.5.10

16. Das Spiegelbild einer Vision, eine Begegnung von Arnold Schönberg mit Karl

Kraus (The Reflection of a Vision, Meeting of Arnold Schoenberg with Karl Kraus)

Composed: 1983/84

For: narrator, violin, viola, 2 violoncellos and documentary recordings

Text: Karl Kraus




Altes Museum, Mönchengladbach, 14.7.84

WDR III, 21.4.87

Theaterhaus Stuttgart, Stuttgarter Tage für Neue Musik, 19.11.88

Israel Radio (Excerpt), 11.3.92

Concerto Berlin, Künstlerhaus Schloß Wiepersdorf, 24.9.94


41

17. Des Vaters Zähne, Entziffermusik für Söhne (The Fathers' Teeth, Music to be

Deciphered by Children)

Composed: 1985

For: 2-manual harpsichord

Dedicated to: Nevet


First Performance: WDR III, 28.8.86





18. Idependence – My Hatikvah, Homage in form of a persiflage, a piano etude with

sirene for beginners in politics

Composed: 1985

For: piano and sirene

Dedicated to: Nevet


First Performance: KGNM-Musikfest, Kunstverein, Köln, 9.11.85

Rubin Museum, Tel Aviv, 1.2.90

Petah Tikva Conservatory, 25.6.90

Pit Therre, TAM, Krefeld, 17.4.91

Israel Radio (excerpt), 11.3.92


Evangelische Akademie Tutzing, 20.4.96

Beth Hatefutsoth Museum, Tel Aviv, 5.5.97

Benjamin Kobler, Bremen, 16.11.2002

Benjamin Kobler, MDR Kultur, 10.4.03

Hervé Schaal, Strasbourg, 12.11.03

Benjamin Kobler, Bayerischer Rundfunk, Kulturjournal (excerpt), 21.11.04

DeutschlandRadio Kultur, 3.7.05


42








19. Abortus (Abortion)

Composed: 1985

For: theorbe solo


Has not yet been performed

20. Etzel, Quintet (To Be-, Quintet)

Composed: 1985/86

For: violoncello, harp, percussion and Maronite chants

Dedicated to: Ronit Land


Commissioned by: Inbal Dance Theatre for a choreography by Ronit Land

First Performance: Inbal Dance Theatre, Tel Aviv Museum, (?).3.86

Inbal Dance Theatre, Tel Aviv Museum, 17.3.86

(from magnetic tape), Rubin Museum, Tel Aviv, 1.2.90

“Keys”, Israel Radio, 27.9.90

“The End of a Decade”, Israel Radio, 31.12.90

The Israeli Academic Centre in Cairo, Egypt, 2.5.92


SFB3, 6.3.96

“Keys”, Israel Radio, 3.7.96

Rivers & Bridge, 5/6.9.1996

Israel Contemporary Players, Tel Aviv, 25.1.97

Israel Contemporary Players, Jerusalem, (Live broadcast in IBA), 26.1.97


43



Ensemble Linea, Jean-Philippe Wurtz, Strasbourg, 12.11.03




21. Präfix, Etüdenzyklus für zwei Gitarristen (Praefix, Study cycle for two guitarists)

Composed: 1989

For: 2 guitars


First Performance: Westdeutscher Rundfunk (WDR III), 12.9.91


WDR III, 13.5.2001

Ruben Seroussi, Nadav Lev; Tel Aviv, 13.2.03

Ruben Seroussi, Nadav Lev; Haifa, 17.2.03




22. Allotria, die Lage (Allotria, the Situation)

Composed: 1986-89

For: 2 pianos

Dedicated to: Yukiko Sugawara

Duration: 26 min.

Commissioned by: Ministry for Science and Art, Baden-Württemberg, for Yukiko Sugawara

and Gunilde Kraemer

First Performance: Tage für Neue Musik, Stuttgart, 10.10.92

S2 Kultur, 2.2.93


Irina Plotnikova, Yuri Lysychenko; Contrasts – 2nd Int. Cont. Music Festival, Lviv,

Ukraine, 17.11.96


Swiss Radio (DRS2), (Excerpt) 13.2.02



44

23. Zikhron Devarim (Particella, Piano quartet)

Composed: 1991

For: piano, violin, viola, cello

Duration: 2:35

First Performance: Tel Aviv, 7.7.91


24. Choshekh Legaresh? – Anachnu?! Eikh?! ( Expell (The Darkness)? – We?! How?,

Piano etude for beginners in politics)

Composed: 1992-94

For: piano

Duration: 4:30

First Performance: Benjamin Kobler, Bremen, 16.11.2002


Benjamin Kobler, Bayerischer Rundfunk, Kulturjournal (Auschnitt), 21.11.04



25. Meine Wiepersdorfer Praxis (My Wiepersdorf Practice)

Composed: 1994

For: piano

First Performance (DIAPHANIE): Deutschlandfunk, Köln, 4.3.2001

Yukiko Sugawara, Deutschlandfunk, 3rd Programm, 24.3.2001

Radio Ylen Ykkösen musiikkia, Finnland, 4.2.2002

Yukiko Sugawara, Nürtingen, 21.4.2002

Yukiko Sugawara, SWR2, 26.11.02

Yukiko Sugawara, MDR, 19.9.02

Yukiko Sugawara, 9.9.04


45

Iris Gruber, Alte Schmiede, Vienna, 25.11.09

Reto Staub, Felicja Blumental Music Center, Tel Aviv, 27.4.10

Reto Staub, University of Haifa, 28.4.10





26. Mäeutische Trägheit

Composed: 1994

For: symphony orchestra


27. Apsiden (Apsis)

Composed: 1994

For: piano


28. Scriptum, eine Annäherung an ein Streichquartett (Scriptum, Approaching a

String Quartet)

Composed: 1994

For: string quartet


46

29. Die Wiepersdorfer Wippe und Jüterboger Jitterbug

Composed: 1994

For: piano


First performance (JITTERBUG): Amit Dolberg, White Night, Tel Aviv, 29.6.2006

First Performance (full): Jean-Pierre Collot, Khan Theater, Jerusalem, 28.8.08


(WIPPE) Pit Therre, TAM, Krefeld, 7.5.10




30. Rasguado

Composed: 1995

For: chamber ensemble


31. Drash (Homily)

Composed: 1995/96

For: flute, guitar

Commissioned by: The National Council of Arts and Culture for Ruben Seroussi and

Marcelo Ehrlich

Duration: 6 min.

First Performance: Jerusalem, Israel Radio (live broadcast), 20.5.96

Marcello Ehrlich, Ruben Seroussi, Israel Radio, 29.6.98

47

32. Aver Dodici

Composed: 1996

For: flute, guitar

Dedication: to my daughter, Nevet

Duration: 3:30

First Performance:Jerusalem Theatre, Israel Radio (live broadcast), 20.5.96




Israel Radio (presented by Oded Assaf), 15.11.99



Eleonore Pameijer, Martin Kaaij, Amsterdam, 21.3.05

M.Ehrlich, R.Seroussi, Radio Bremen (excerpt), 9.7.05


NDR Info, 19.3.08

M.Ehrlich, R.Seroussi, DeutschlandRadio Kultur (excerpt), 29.4.08



M.Fiedel, L.Stanze, HMT "Felix Mendelssohn-Bartholdy", Leipzig, 20.4.11

48

33. Musica Bat Zmamenu (Plotted Music)

Composed: 1996

For: flute, oboe, clarinet, percussion, piano, violin, viola and violoncello

Duration: 8 min.

Commissioned by: Ensemble Recherche

First Performance: Ensemble Recherche, Kwamè Ryan, Graz, 11.10.96

Ensemble Recherche, Y.Sh., 2nd Int. Cont. Music Festival, Lviv, 22.11.96

Austrian Radio, ORF 1, 4.12.96

Sender Freies Berlin (SFB), 3.2.97

Musica Nova Consort, Tel Aviv Museum, 12.3.97

Ensemble Recherche, Peter Rundel, Freiburg, 2.6.97

Ensemble Recherche, Kwamè Ryan, Zurich, Switzerland, 9.11.97


Ensemble Notabu, Mark-Andreas Schlingensiepen, Düsseldorf, 26.9.98

Ensemble für zeitgenössische Musik, Jürg Wyttenbach, Berne, 21.10.01

Swiss Radio (DRS2), 13.2.02

Ensemble Linea, Jean-Philippe Wurtz, Strasbourg, 12.11.03

Ensemble recherche, Peter Rundel, Deutschlandfunk, 21.3.05

Ensemble recherche, Peter Rundel, DeutschlandRadio Kultur (excerpt), 13.4.07

Ensemble recherche, Peter Rundel, DeutschlandRadio Kultur (excerpt), 7.8.07

HMT "Felix Mendelssohn-Bartholdy", Reinhard Schmiedel, Leipzig, 20.4.11

34. 40malige Gegenwart (40 Times Presence)

Composed: 1994-97

For: (bar/t/sop)-saxophone, percussion and piano

Dedicated to: Tobias Stengel

Duration: 8 min.

Commissoned by: Saarlaendischer Rundfunk (SR) for Trio Accanto

First Performance: Trio Accanto, 20th Century Music, Saarbrücken, 8.5.97

Saarländischer Rundfunk (SR 2 KulturRadio), 6.10.97

Trio Accanto, Ars Nova, Rottenburg, 4.4.98


Saarländischer Rundfunk (SR 2 KulturRadio), Mouvement, 17.3.2009

49

35. 40malige Gegenwart und Rückmeldung (40 Times Presence and Checking it out)

Composed: 1994-98

For: (bar/t/sop)-saxophone, percussion and piano

Dedicated to: Tobias Stengel and the musicians of Trio Accanto

Duration: 12 min.

Commissoned by: Stadt Witten für die Wittener Tage für neue Kammermusik 1998

First Performance: Trio Accanto, Witten, 26.4.98

WDR 3, 18.6.98

Trio Accanto, International Courses for New Music, Darmstadt, 25.7. 98

Exhibition of Tobias Stengel’s works, European Workshop for art and culture

Hellerau, 4.10.98

Exhibition of Tobias Stengel's works, European Workshop for art and culture

Hellerau, 11.10.98

BR (Bayern 4), 24.1.99

WDR 3, 7.1.2000

Klassik: Musikwelt, NordwestRadio, 21.12.04

Deutschlandfunk (excerpt), 28.1.05





Nikel Ensemble, Jerusalem, Israel Radio (live broadcast), 11.12.06

Nikel Ensemble, Tel Aviv, 12.12.06

Nikel Ensemble, Jerusalem, Israel Radio, 6.8.07

Trio Accanto, DeutschlandRadio Kultur (excerpt), 7.8.07

51

36. Zwei nachzutragende Resonanzen zu Diaphanie aus Meine Wiepersdorfer Praxis

(Two late resonances of Diaphany from My Wiepersdorf Prctice)

Composed: 1998

For: piano

Dedictaed to: Ruthi

Duration: 9 min.

First Performance: Deutschlandfunk, Köln, 4.3.2001

Kibbutzim College, Tel Aviv, 26.3.2001

Kibbutzim College, Tel Aviv, 27.3.2001

Yukiko Sugawara, Deutschlandfunk, 3rd Program, 9.6.2001

Radio Ylen Ykkösen musiikkia, Finnland, 4.2.2002

Yukiko Sugawara, Nürtingen, 21.4.2002

Yukiko Sugawara, SWR2, 26.11.02

Yukiko Sugawara, MDR, 19.9.02

Yukiko Sugawara, 9.9.04

Yukiko Sugawara, Bayerischer Rundfunk, Kulturjournal (second piece), 21.11.04

Yukiko Sugawara, Norddeutscher Rundfunk (NDR) (second piece), 23.3.05

Yukiko Sugawara, Radio Bremen (second piece), 9.7.05

Yukiko Sugawara, DeutschlandRadio Kultur (excerpt), 7.8.07


Iris Gruber, Alte Schmiede, Vienna, 25.11.09

Reto Staub, Felicja Blumental Music Center, Tel Aviv, 27.4.10






Irena Friedland, Haifa, 11.6.12

51

37. Tilgbaren Brandmalen folgen, Zweiter Annäherungsentwurf zu Tobias Stengels

Varianten zum Würfel (Following eradicable brandmarks, Second Attempt to

approach Tobias Stengel’s Variants on a Cube)

Composed: 1997-99

For: flute/alto flute, oboe/English horn and clarinet/bass clarinet

Dedicated to: my daughters – Nevet, Enmar, Arava

Commissioned by: Wind trio of Ensemble Recherche


First Performance: Eastern Festival, Innsbruck & Hall, 24.3.99

Ensemble Aventure, Wiesbaden, 9.2.2003

Ensemble Aventure, Freiburg, 21.3.03

Ensemble Recherche, Traiettorie, Parma, Italy, 26.9.03

Ensemble Recherche, Israel Radio, 9.9.04

2nd

-5th

mvnts., Galerie im Kunsthaus, Erfurt, 3.2.06

Ensemble Recherche, Ultraschall, Berlin, 28.1.07

DeutschlandRadio Kultur, "Konzert", 5.2.07


Kulturradio vom RBB (Radio Berlin Brandenburg), "Musik der Gegenwart", 25.4.07

38. INMN

Composed: 1999

For: flute, oboe, bass clarinet, percussion, piano, violin, viola and violoncello

Dedictaed to: Harry Vogt

Commissioned by: Ensemble recherche

Duration: 3 min.

First Performance: Ensemble Recherche, Hamburg, 21.11.99

Freiburg, 7.12.99

SWR (Südwestrundfunk) 2, 15.2.2000

Ultraschall, Berlin, 20.1.2001

Bizau (im Bregenzer Wald), Austria, 12.7.03

WDR 3, 14.12.03

Radio Beethoven, Siglo XX, Santiago de Chile, 27.12.05

Projektensemble KlangNetz Dresden, Kennart Dohms, Dresden, 7.12.10

52

39. Spielsplitter und Troptrophäe (Drop Trophy)

Composed: 2001

For: flute and pocket percussion

Dedicated to: Nevet

Duration: 3:30


40. Ume'azLoLamad, Piano etude (with Enmar's voice) for beginners in politics

Composed: 2001/02

For: piano with Enmar reading

Duration: 11 min.

First Performance: Benjamin Kobler, Bremen, 16.11.2002


Benjamin Kobler, Israel Radio, 9.9.04

Benjamin Kobler, Byerischer Rundfunk, Kulturjournal (excerpt), 21.11.04

Benjamin Kobler, Norddeutscher Rundfunk (NDR) (excerpt), 23.3.05

Benjamin Kobler, Radio Bremen (excerpt), 9.7.05



* 41. Esh-Kolot, Incidental music for Rachel Nul-Kahana's Marionettes

Composed: 2002/03

For: two clarinets

Duration: ca. 5:00


* 42. Entente harmonique

Composed: 2003 (revised 2004/05)

For: flute, oboe/Eng. horn, clarinet/bass clarinet, percussion, piano, violin, viola and cello

Dedicated to: Ensemble recherche

Commissioned by: DeutschlandRadio Berlin

Duration: 10 min.

First Performance: Ensemble recherche, Jonathan Stockhammer, Ultraschall, Berlin,

19.1.2004

DeutschlandRadio Werkstatt, 12.2.04

53

Kulturradio (Berlin Brandenburg), Musik der Gegenwart, 19.4.04


Ensemble recherche, SWR, Freiburg, 16.3.05

Ensemble recherche, Freiburg, 17.3.05

Ensemble recherche, Basel, 18.3.05

Ensemble recherche, Schwerin, 24.5.06

* 43. L'Augmentation, Incidental music for the theater piece by Georges Perec

Composed: 2008

For: piano

Commissioned by: University of Haifa

Duration: ca. 10 minutes

First Performance: Inbal Guter-Alexandron, Haifa, 3.3.08

Haifa, 4.3.08

Haifa, 5.3.08

Haifa, 6.3.08

Haifa, 7.3.08

Haifa, 8.3.08

Haifa, 9.3.08

Haifa, 10.3.08

Haifa, 11.3.08

Haifa, 12.3.08


* 44. L'Augmentation, Suite from the Incidental music for the theater piece by Georges

Perec

Composed: 2008

For: piano


First Performance: Jean-Pierre Collot, Khan Theater, Jerusalem, 28.8.08






54

Reto Staub, Israeli Music Festival, Conservatory, Beer Sheva, 13.9.10

* 45. Footfall

Composed: 2008

For: electric guitar


First Performance: Yaron Deutsch, Klangspuren, Innsbruck, 13.9.08

Yaron Deutsch, Tel Aviv, 7.2.09

Yaron Deutsch, Tel Aviv, 9.6.09

* 46. Eleven Breakings of Silence

Composed: 2008

For: (sop/a/t/bar-) saxophone and electric guitar


First Performance: Nikel Ensemble, Israeli Music Festival, Jerusalem, 24.9.08

Nikel Ensemble, Hateiva, Tel Aviv, 26.9.08

Nikel Ensemble, Alte Schmiede, Vienna, 29.1.09

Nikel Ensemble, Felicja Blumental Music Center, Tel Aviv, 27.4.10

Nikel Ensemble, University of Haifa, 28.4.10

* 47. One More Question, Piano etude (with Josef Tal's voice) for beginners in politics

Composed: 2008-10

For: piano and pre-recorded CD (Josef Tal's voice)


First Performance: Reto Staub, Felicja Blumental Music Center, Tel Aviv, 27.4.10






55

* 48. Outmoded – To the far away ER

Composed: 2008-11

For: flute, oboe/Eng. horn, clarinet/bass clarinet, percussion, piano, violin, viola and cello



* 49. Rejection of the Prevention Support

Composed: 2008-11

For: saxophone player, percussion, electric guitar, piano and double bass



* 50. In Two Voices

Composed: 2010-11

For: mezzo-soprano, flute, clarinet, bassoon, piano, violin, viola and cello

Text: T. Carmi



Commissions:

Ministry for Science and Art Baden-Würtemberg, Germany, for Yukiko Sugawara

(ALLOTRIA); National Council for Culture and Art, Israel, for Ruben Seroussi

(HOMILY); Ensemble Recherche, Germany (PLOTTED MUSIC); Saarländischer

Rundfunk, 20th Century Music Festival, for Trio Accanto (40MALIGE GEGENWART);

City of Witten, Wittener Tage für neue Kammermusik, for Trio Accanto (40MALIGE

GEGENWART UND RÜCKMELDUNG); Wind Trio of Ensemble Recherche, Germany

(TILGBAREN BRANDMALEN FOLGEN); Yukiko Sugawara (DIAPHANIE und ZWEI

NACHZUTRAGENDE RESONANZEN); DeutschlandRadio Berlin (ENTENTE

HARMONIQUE); Ensemble Nikel (ELEVEN BREAKINGS OF SILENCE)

Performances:

Neue Musik in Delmenhorst, 1982; “Aspekte” Salzburg, 1983; “Ensemblia”,

Mönchengladbach, 1983; Theater am Marienplatz (TAM), Krefeld, 1983, 1991, 2010;

Acustica International 1985, Cologne; ISCM World Music Days 1987, Cologne; Israel

Festival, Jerusalem, 1987; Music Conference “Das Eigene und das Fremde”, Bremen, 1992;

Tage für Neue Musik, Stuttgart, 1988 & 1992; Ars Musica, Brussels, 1996; Musikprotokoll,

56

Styrian Autumn, Graz, 1996; “Contrasts” – 2nd International Contemporary Music Festival,

Lviv, Ukraine, 1996; Music in the 20th Century, Saarbrücken, 1997; Tage für Neue Musik,

Zurich, 1997; Ars Nova, Rottenburg, 1998; Wittener Tage für neue Kammermusik, 1998;

International Courses for New Music, Darmstadt, 1998; Musik des XX. Jahrhunderts,

Tonhalle Düsseldorf, 1998; Festspielhaus Hellerau, Dresden, 1998; Royal Academy of

Music, London, 1998; University of Keele, 1998; Osterfestival – Musik der Religionen,

Innsbruck & Hall, 1999; Ultraschall, DeutschlandRadio Berlin, 2001, 2004 u. 2007; Forum

neuer Musik, Deutschlandfunk, Cologne, 2001; Biennale Bern 2001; Music Conference

„Reactions“, Bremen, 2002; Traiettorie, Parma, 2003; Summer Nights, Jerusalem, 2008;

Klangspuren, Innsbruck, 2008; Hochschule für Musik Dresden Carl Maria von Weber,

2010; Hochschule für Musik und Theater "Felix Mendelssohn-Bartholdy" Leipzig, 2010;

Productions:

Westdeutscher Rundfunk (WDR), Cologne; Israel Radio, Jerusalem; Radio Bremen (RB),

1984; Südwestfunk (SWF), Baden-Baden; Süddeutscher Rundfunk (SDR), Stuttgart;

Austrian Radio (ORF), Graz; Saarländischer Rundfunk (SR), Saarbrücken; Deutschland

Radio (DR), Cologne; Hessischer Rundfunk (HR), Frankfurt; Mitteldeutscher Rundfunk

(MDR), Leipzig; Bavarian Radio (BR), Munich; Norddeutscher Rundfunk (NDR),

Hamburg;

b. Video Composition

1. Schlechte Dialektik I-III, Video-Miniaturen (Wrong Dialectics I-III, Video Miniatures)

Composed: 1983

For: video und souffleur

Text: I. Introduction in Time and Energy: Yuval Shaked, from various acoustic books

II. Commentary: Richard Wagner, Sketch for an opera plot (“The Wedding”)

III. Audience Opera: Yuval Shaked, from various opera guides

Duration: I: ca. 5 min.; II: ca. 2 min.; III: ca. 7 min.


57

K. Enteries about my Work in Lexica

1. Kölner Gesellschaft für Neue Musik (Hrsg.) (1991). Klangraum – 40 Jahre Neue Musik in

Köln 1945-1985. Köln: Wienand, S. 120.

*2. Tischler, Alice (2011). A Descriptive Bibliography of Art Music by Israeli Composers.

Sterling Heights, Michigan: Harmonie Park Press, pp.318-320.

58

M. Professional Agenda

Over the years, my professional interests are focused on a few fields: new music; specific

theortical and analytical aspects of music; Jewish and Israeli music; and philosophy of music.

My main activities have been teaching and mentoring; writing on music; editing and

translating various texts; collecting, archiving, documenting and producing recordings; and

composing. It is my aim to achieve insight and clarity in the subject matters I deal with.

Cherishing hard labor, I am fully aware of the responsibility with which it must be done.

These are my plans for the near future:

Running the best I can the Music Department of the University of Haifa, trying to make some

significant development plans of it become soon truth.

Writing a book on Luigi Nono and his compositions, commissioned by the Committee for

Music Books at the National Council for Culture and Arts, Israel

An article I wrote about the use of text in compositions by Helmut Lachenmann

(commissioned for issue 2 of Pe’imot, journal for music and culture published by Resling

Publishing House, Tel Aviv) will soon be published.

Composing a large-scale piece for piano for Pavlos Antoniadis

Preparing for print the manuscripts of my two 5-lecture series on specific aspects of

contemporary music (held in (held in 2009/10 & 2010/11 at the Felicia Blumental Music

Center, Tel Aviv)

Teaching Jewish and Israeli Music a whole semester at the Abraham Geiger Kolleg, affiliated

to the Potsdam University upon the invitation of Prof. Walter Homolka, the University's

Rector (probably during winter 2013)

My lecture on “Israeli Music between East and West”, held on July 13, 2010, at a conference

which had been organized at the University of Potsdam, Germany, is soon to be published in

a book (conference proceedings), edited by Jascha Nemtsov.

My lecture on “Julius Chajes’ Family Roots and his Life Route from Lvov, through Vienna,

Tel Aviv and Vienna again, to Detroit – The Viennese Roots of the Mediterranean School of

Israeli Music and their Spreading in the US-American Exile”, held in October 22, 2011, at a

conference which had been organized by Meetingpoint Messiaen in Görlitz, is soon to be

published in a book (conference proceedings), edited by Albrecht Goetze.

My lecture on “Music in the shadow of recognizing the loss of language – Il Canto sospeso

by Luigi Nono is 55 years old”, held on October 25 at the Sapir College in the framework of

its 7th

Forum will be published in a book.

I’ve been invited to lecture in Darmstadt, Germany, on April 14, 2012, in the framework of a

conference held by the Institute for New Music and Music Education. My lecture will focus

on Rebecca Saunder’s Violin Concerto.

I’ve been invited to teach for the second time at the International Summer Courses for New

Music in Darmstadt during the two last weeks of July 2012. Together with Uli Mosch (Sacher

Foundation Basel, Salzburg Music Academy) and Christoph Neidhöfer (McGill University,

Canada) I’ll direct the “Aesthetics, Theory, Analysis” seminar.

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