Translated into English Verse by Richard Wilbur by Molière Costume Designer ......................................................Louella Powell Choreographer .............................................................Marcia Parsons Ladies and gentlemen, there can be no flash photography during the performances and no video or audio recording of the show. We thank you for remembering to turn off any personal electronic devices that might beep, buzz, ring, or vibrate. 1UWMPeckSchooloftheArts
1 UWM Peck School of the Arts Department of Theatre proudly presents Lovers’ Quarrels by Molière Translated into English Verse by Richard Wilbur Directed by Bill Watson Mainstage Theatre December 8-12, 2010 Scenic Designer................................................................. R. H. Graham Costume Designer ...................................................... Louella Powell Lighting Designer ............................................................ R. H. Graham Sound Designer ................................................................... Chris Guse Choreographer ............................................................. Marcia Parsons Ladies and gentlemen, there can be no flash photography during the performances and no video or audio recording of the show. We thank you for remembering to turn off any personal electronic devices that might beep, buzz, ring, or vibrate.
Transcript
1UWM Peck School of the Arts
Department of Theatre proudly presents
Lovers’ Quarrels
by Molière
Translated into English Verse by Richard Wilbur
Directed by Bill Watson
Mainstage TheatreDecember 8-12, 2010
Scenic Designer.................................................................R. H. Graham
Stage Management StaffStage Manager ............................................................ Jessica Connelly/Brandon CampbellAssistant Stage Manager ........................................................................................Allison HuntAssistant Director .......................................................................................Cheryl Ann Lisowski
Technical Production StaffTechnical Director ........................................................................................................ Chris GuseProduction Shop Supervisor ..............................................................................Tim LaughnerScenic Artisan ............................................................................ Theresa Ennis, Eric Shallhorn, Christine Isabell, Ann Vollrath, Sarah Olsen, Casey Miller, Kelly PurselyTechnical Crew ...............................................................................Students of 214 Stagecraft Properties Director............................................................................................ Sandra J. StrawnProps Master ........................................................................................................... Samuele SirnaProperties Artisans .....................................................................Lauren Pekel, Meredith RoatMaster Electrician .........................................................................................Stephen Roy WhiteElectricians ..................................................................................... Ross Zentner, Julia WilliamsAssistant Scenic Designer........................................................................................... Jane VangLight Board Operator ..........................................................Adam Jermain, Charles RooneySound Board Operator .............................................................................................. John LeahyDeck Crew ................................................................................... Ian Jones, Chad Abramowski, Sasha Sigel, Fairuza Buitron Jones Grey, Nicky Mazur, Timothy AlbrechtsonCostume Production StaffCostume Director ....................................................................................................Jeffrey Lieder Show Supervisors ................................................................ Brent Roberts, Samantha RebroAssistant Show Supervisor .................................................................................... Karmen SeibDrapers ...................................................................................................Kari Ehler, Rebecca RohrFirst Hands ............................................................................. Chelsey Findlay, Emily PeplinskiStitchers ...............................................Members of the 225 Costume Construction Class, Chelsey Findlay, Emily Peplinski, Rebecca Rohr, Kari Ehler, Abbey PetersonCrafts ............................................................................Brent Roberts, Karmen Seib, Kari EhlerHair/Wigs ...................................................................................Frieda Carlson, Sally Arenberg, Julianne Arnstein, Melissa Newman, Molly Mingey, Colin GawronskiWardrobe Supervisor .............................................................................................. Karmen SeibWardrobe Run Crew ................................................................Jaclyn Green, Nick Yarbrough
There will be one 15 minute intermission
3UWM Peck School of the Arts
DIRECTOR ’S NOTES
Comedy is perhaps the theatre’s greatest gift to world culture. Certainly the comic point of view didn’t come from the theatre, either exclusively or even primarily. Northwest Coast Indians hold that Raven created the world, but it was not an alto-gether rational universe he created. He is also the trickster who messes with the best laid plans of mice and men. Coyote in the American Southwest and Monkey King in East Asia are very similar figures - the gods behind all that goes wrong in our lives. A sense of the absurd is clearly the conjoined twin of Consciousness and our choice seems to be either to ascribe divine intention to the absurd or to laugh at it. In the West the Theatre found part of its Raison d’être in the comic point of view and especially in the comedy of 16th century Italy, explored and developed the structures of comedy that underlie all that we experience of comedy today. The Italian street theatre that grew into the Commedia Dell’Arte passed through Shakespeare and Ben Jonson and others, but found its greatest wellspring in the theatre of Jean-Baptiste Poquelin, AKA Moliere. To Shakespeare, comedy is a point of view, poetic and romantic – a way to see the world and understand it better, es-pecially love. But while comedy is still that promontory from which Moliere views the life around us, and while the subject matter is still inevitably love or at least love as a force around which all of the players swirl in some way, it is also about the laugh. The most amazing of impulses – the laugh. Why do we laugh? What makes us laugh? How does one cause a laugh, create a laugh, release a laugh? Mo-liere built machines peopled with the characters born in the Italian Comedies and emerged the master engineer of the comic moment. The bit, the take, the routine, the stand-up comic act, they’re all there in Moliere’s plays. If he didn’t invent them, he certainly mastered them and passed them on to us.
This play was written in 1656 but its comic structures are with us still.
As the father, Albert, and his son’s tutor, Metaphraste, tussle over who gets to talk, shades of Abbott and Costello, Lucy and Ricky, Ralph and Alice Cramden play in our minds. A 300-year separation and the same comedy plays in front of us today on Comedy Central as operates in Moliere’s plays. Lovers’ Quarrels or le Depit Amoureux was Moliere’s second verse play and the most produced in his lifetime. His comic invention will develop sharper barbs in later years and lacer-ate the grandees of his time in the masterpieces whereby we more familiarly know Moliere; Tartuffe, The Misanthrope, The Imaginary Invalid, but here is a gentler target – the mistakes made in the fog of love. We are also gifted with this glittering translation by Richard Wilbur. A formidable poet himself, one of the country’s greatest poets of the latter third of the twenti-eth century and the former Poet Laureate of the United States, Wilbur has given the English-speaking world its most magnificent translations of Moliere’s verse plays and in the last 15 years brought forward several new translations, this piece being one, to join his masterful renditions of Tartuffe, The Misanthrope, School for Wives and The Learned Ladies of 40 years before. Finally, we hope, more than any-thing else, that we make you laugh. It is sufficient to laugh. The laugh is restorative, cleansing, communal – a release and a solace. If we leave the theatre with a smile, for that moment, do we need anything more? Enjoy.
Faculty and Teaching Academic StaffAnne Basting, Ph.D. ............................................................. Associate Professor, PlaywritingJessica Berlin .............................................................................. Lecturer, Stage ManagementDick Chudnow ..................................................................................................... Lecturer, ActingR.H. Graham ........................................................ Associate Professor, Graphics and DesignChris Guse ...........................................Associate Professor, Scenic and Audio ProductionJoseph Hanreddy ......................................................................... Visiting Artist in ResidenceRebecca Holderness ......................................................................Assistant Professor, ActingAnthony Horne ..............................................................................Assistant Professor, TheatreTim Laughner ............................................................. Associate Instrumentation Innovator, Scene Shop SupervisorJeffrey Lieder ......................................Associate Professor, Head of Costume ProductionMichelle Lopez-Rios ..................................................... Assistant Professor, Voice & SpeechJessica Maerz, Ph. D. ............................Assistant Professor, Theatre History, DramaturgyRaeleen McMillion .................................................................................Senior Lecturer, ActingRobin Mello, Ph.D. .................................................. Associate Professor, Theatre EducationCorliss Phillabaum, Ph.D. ............................................ Professor Emeritus, Theatre HistoryLouella Powell ................................................................................................Lecturer, CostumesPamela J. Rehberg ..................................................................Associate Professor, CostumesAlvaro Saar-Rios ...................................................................................... Lecturer, Play AnalysisPamela Schermer ...........................................Associate Professor, Visual Communication for Performing ArtsSandra J. Strawn ............................................. Associate Professor, Properties Production, Head of Technical ProductionJames Tasse ........................................................................................................... Lecturer, ActingJenny Wanasek .................................................................................................... Lecturer, ActingWilliam Watson ..............................................................Associate Professor, Head of ActingStephen R. White .................................................................Senior Lecturer, Lighting Design
PECK SCHOOL OF THE ARTS
Wade Hobgood ........................................................................................................................DeanScott Emmons ......................................................................................................Associate Dean
Administrative StaffMary McCoy ............................................................................................... Assistant to the DeanSue Thomas ..............................................................................................Administrative OfficerRandall Holper .................................................................................................Facilities Manager
7:30 pm on Wednesday - Saturday; 2 pm on SundayMainstage Theatre, Director: Rebecca Holderness
No, No, NanetteMay 4 - 8
7:30 pm on Wednesday - Friday; 2 pm and 7:30 pm on Saturday; 2 pm on SundayMainstage Theatre, Director: Tony Horne
Mainstage TheatreThe Arts Center
2400 E. Kenwood Blvd.
LabWorks Series
Tickets: $5.
The Second Best Bed:Shakespeare’s Women Revealed
February 25 - March 67:30 pm on Friday - Saturday; 2 pm on SundayKenilworth Studio 508, Director: James Tasse
Aimee and JaguarApril 27 - May 1
7:30 pm on Wednesday - Saturday; 2 pm on SundayKenilworth Studio 508, Director: Joseph Hanreddy
Box Office: (414) 229-4308at the Helene Zelazo Center for the Performing Arts,
2419 E. Kenwood Blvd.More information at: arts.uwm.edu/theatre
6 UWM Peck School of the Arts
New Dancemakers: In The FleshDecember 9-12, 2010 Studio 254, Mitchell Hall
ARTISTIC D IRECTOR ’S STATEMENT
Welcome to our festival of creativity!
New Dancemakers: In The Flesh is about how these young choreographers have approached making their dances: they got it done by showing up and doing the work in person – no texting, no facebooking, no skype. Our process as choreographers and dancers is about real bodies in motion and
the physical expression of emotions and ideas in real time. They are creating work one-on-one, one minute at a time to the best of their abilities while also living within the constraints of this busy, interrupted, mediated life. It’s like they are writing their first novels while the phone and doorbell are ringing!
In my story, the years surrounding my 20’s looked nothing like what these young choreographers have to contend with in terms of issues of identity and gender. Through so much of our “instant” communication, the world seems a much more diverse and yet polarized place. But even as uncertainty seems to surround us, it is comforting to see so many of our students caring about connecting personally--we have a record 26 choreographers presenting work. And, because of your past enthusiastic response to our New Dancemakers shows, we added 4 shows to our schedule. We are all here in this space celebrating our connection “In the Flesh” and I am deeply honored to be part of this event with you!
Best wishesLuc Vanier
7UWM Peck School of the Arts
CHOREOGR APHER B IOGR APHIES
Michelle Anton, “All of a Sudden…”Michelle will be gradu-ating in May 2011 with a BFA in Dance. This past summer, she studied abroad in Brazil with Simone Ferro.
Prior to college, Michelle studied various styles and techniques of dance and per-formed in her studio’s competitive team and performing company. She worked with many choreographers including Dani Kuepper and Krislyn World. After graduat-ing, Michelle hopes to continue working with many different artists and continue sharing her love for dance with others through performing and teaching.
Nastassja Bates, “Lady Machine”Dancer and singer Nastassja Bates will graduate with her BA in Dance in December 2010. As a recipient of the Gilman Scholarship,
Nastassja spent the 2009 fall semester in Spain, studying many forms of dance and as the lead female vocalist for a local band. During summer 2010, Nastassja received awards from Undergraduate Research and the Center for Latin American and Caribbean Studies to study native dances of Brazil and research the Bumba Meu Boi festival with Professor Simone Ferro. She recently danced for the world premiere of Rio de Sangre with the Florentine Opera Company.
Alberto Cambra, “Random Day. Random Thoughts.”Alberto was raised in Milwaukee just outside the city. Growing up, he dabbled in dance, theatre, music, and
other artistic forms. During his study at UWM, he performed in four productions on campus as well as two Danceworks Studio Theatre shows. This is his first stab at choreographing a work. Graduating this December with a BFA in Dance, he ex-pects to move onward with his life in Los Angeles, and start a dance/performance career. Whether it is theatre or dance, on stage or on camera, teaching, dancing or choreographing, Alberto is ready for it.
Frieda Carlsen, “Huyana”Frieda has always had a love for dance and musical theater, thanks to her mother. She is working towards her BFA in Dance and a mi-
nor in Somatics. She performed in pieces by Ed Burgess, Ferne Bronson, Krislyn World, Luc Vanier and the reconstruction of “Water Studies” by Alwin Nikolais. She also had the pleasure of appearing in Four Seasons Theatre’s West Side Story, Thoroughly Modern Millie, Evita and South Pacific. She is now excited to present her first piece of work for New Dancemakers and would like to thank everyone for their love and support!
Mary-Elizabeth Fenn, “This is Not About Her”Mary-Elizabeth trained with Milwau-kee Ballet School, Central Pennsylvania Youth Ballet, Joffrey
Ballet School, BalletMet, and Point Park University, as well as summer programs at Dance New Amsterdam, Juilliard, and Netherlands Dance Theater. Mary-Elizabeth has performed with BalletMet in Columbus, OH and with Your Mother Dances and DanceCircus in Milwaukee, WI. She was recently featured in the DVD live performance of “Unwigged and Un-plugged” with Spinal Tap. Mary-Elizabeth has been teaching and choreograph-ing for various studios in Wisconsin for the past four years and is graduating in December with a BFA in Dance.
Benjamin Follensbee“Better Without It. Better Alone.”At UWM, Ben was fortunate to be part of works by guest artists Uri Sands of TU Dance, Alwin Nikolais, Suniti
Dernovsek, and Garth Fagan as well as working with faculty members Ferne Bron-son, Simone Ferro and Ed Burgess. His pro-fessional credits include working with Ed Burgess and Simone Ferro at Danceworks. He continued to study (all on scholarship) by attending summer programs with
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CHOREOGR APHER B IOGR APHIES (c o n t.)
Dallas Black Dance Theater, the Milwaukee Ballet, and Garth Fagan Dance. Ben would like to thank his family and friends for their love and encouragement.
Chloe Gray, “Fragile: This Side Up”Chloe began dancing at the age of six at Trinity Irish Dance Academy. In 2005, she began her undergrad-uate studies at UWM,
and is currently a BFA Dance major in the Peck School of the Arts. She performed in guest artist works such as Suniti Dernovsek’s “Always Merry and Bright” and Garth Fagan’s “From Before”. Chloe also choreographed and performed her own work over the past four years. During summer of 2010, she attended a two-week intensive in New York with Alberto del Saz, Kim Gibilisco, Peter Kyle, and Phyllis Lamhut.
Lindsey Krygowski, “A Round About Way, to Show You Today, This Little Dance” Lindsey is currently pursuing a BFA in Dance at UWM. Lindsey began her dance training at
Turning Point Dance Academy and Point Dance Ensemble. She attended Arizona State University for one year and transferred to UWM in 2008. Her choreography was featured in Point Dance Ensemble’s annual company performance in spring 2010. She participated in summer dance programs: Bates Dance Festival, Trisha Brown Sum-mer Intensive in NYC, and International Dance Festival ImpulsTanz in Vienna, Austria. Lindsey plans to pursue a professional dance career after graduating in May 2011.
Nicholas Alexander Lauerman, “A 9 Year Old’s Answers to Unknown Questions”Nicholas Alexander Lauerman is a senior in the Department
of Dance. At UWM, Nicholas has danced in pieces by Ed Burgess, Simone Ferro, Ferne Yangyeitie Caulker-Bronson, and Garth Fagan. He intends to continue
choreographing and dancing for the rest of his days. Nicholas would like to thank his friends, family, faculty members and of course his dancers for all their support and hard work.
Mari Mathers, “Voyde”Mari will be gradu-ating in December 2010 with a BFA in Dance and a minor in Business. Since the age of 6, she trained
in ballet, jazz, tap and modern, and her middle and high school years were spent dancing for the Menomonee Falls Dance team taking state and national titles. During her last four years at UWM, she performed in works by Dani Kuepper, An-dre Tyson, Ferne Bronson, and Janet Lilly. Mari spreads her passion by teaching studio dance. After concluding her stud-ies at UWM, Mari plans on auditioning throughout the US.
Molly Mingey, “Excuse Me?”Molly has been danc-ing at UWM since the fall of 2006, pursuing her BFA in Dance. Outside of school, she choreographed and
performed in Danceworks DanceLAB concert series Art to Art and Here Comes Trouble. She performed with Wild Space in their site-specific work Trace Elements, and was a performer at the Milwaukee Art Museum’s Wearable Sculpture Fash-ion Show 2010. This past summer, she was an attendee at ImpulsTanz Interna-tional Dance Festival in Vienna, Austria. This is her second time choreographing for New Dancemakers.
Elizabeth Mudroch, “You Will Never Understand Me”Elizabeth is double majoring in Dance and American Sign Language Studies. She performed in
“Water Studies” by Alwin Nikolais and Simone Ferro’s “Prologue” and “Boi Redux.” She recently received the Don-ald Shea Scholarship to participate in
9UWM Peck School of the Arts
CHOREOGR APHER B IOGR APHIES (c o n t.)
the study abroad program in Brazil sum-mer 2010. She is excited to go to New York next semester to perform “Water Studies” at the Nikolais Festival. After she graduates, she plans to travel the world to learn about cultural dances. She would also like to open a dance stu-dio to teach dance to deaf individuals.
Nikka Pamenter, “Dyssomnia”Nikka is pursuing a BFA in Dance with a minor in Somatics. She is a registered yoga teacher and teaches yoga, belly dance,
and other movement classes around the Milwaukee and Sheboygan area for over four years. She attended Bates Dance Festival in Maine in the summer of 2009 and the ImpulsTanz International Dance Festival in Vienna, Austria in the summer of 2010. She aims to pursue a career professionally performing dance and movement therapy. Her goal is to help guide people in learning how to relax, have fun, and be healthy!
Joshua D. Robinson, “Myth: Of Shades & Feathers”Josh graduated from Rufus King High School before audi-tioning for the Peck School of the Arts.
He has been dancing hip-hop since 8th grade and has been training in various other forms of dance since entering college. His goal is to move into the enter-tainment field and dance professionally in music videos, perform in musical theatre, and eventually open his own studio. He hopes that you will enjoy the show!
Monique Lizette Silva, “Verónica-s”This is Monique’s last semester at UWM. She will be graduating December 2010 with a BFA in Dance. She
recently spent the summer participating in UWM Study Abroad program in Brazil with Professor Simone Ferro, where she received the Undergraduate/Graduate Advanced
Research Award provided by the Center for Latin American and Caribbean Studies. In 2009, Monique spent the summer in New York City at Ballet Hispanico’s summer in-tensive program. One of Monique’s goals is to continue her education in New York City and join a professional dance company.
Emily Spadafora, “Till The End”Raised in Wausau, Wis-consin, Emily danced in story time ballets for the Allegro Regional Dance Theatre. She performed principal
roles in The Little Mermaid, Peter and the Wolf, and Cinderella, alongside professional dancers from the Milwaukee Ballet, Joffrey Ballet, and American Ballet Theatre. During high school she studied in the academy program of the Milwaukee Ballet School, and soon after received a professional contract with the Missouri Contemporary Ballet. She has attended summer intensive programs including the Milwaukee Ballet, American Ballet Theatre, and Dance New Amsterdam in New York City. She joined the UWM Dance program in 2008, and plans to graduate with her BFA in May of 2011.
Melissa SternMelissa attends UWM where she is currently pursuing her BFA in Dance. She was with Warped Dance Co. While in school, Melissa worked with choreog-
rapher and artistic director Maria Hackbarth of Warped Dance Company and traveled to various cities performing her works, includ-ing Denver, CO for the Denver Independent Choreographer’s Project; Edinburgh, Scot-land for the Edinburgh Fringe Festival; New York City; Provincetown, MA; and most re-cently, the Kohler Arts Center in Sheboygan, WI. After graduating, Melissa plans to pursue her passion by dancing professionally.
Sarah L. Taylor, “HeLLoGoOdbYe!”Sarah will be graduat-ing in May 2011 from UWM’s Dance Depart-ment with her BFA. During her study, she participated in classes
10 UWM Peck School of the Arts
CHOREOGR APHER B IOGR APHIES (c o n t.)
with guest artists with Uri Sands, Camille A. Brown, Tim O’Donnell, Milwaukee Ballet, Jant-Bi and Richard Move. Sarah will be per-forming the Mark Morris work “Canonic 3/4 Studies” in February. She currently teaches at the Pat Kellar Dance Studio in Milwaukee and Waukesha, WI. Sarah hopes to continue expressing herself through the art of dance well into her golden years.
Sarah Teschendorf, “Fragile: This Side Up”Sarah began dancing at the age of two at Young Dance Acad-emy from 1990-99 under the guidance of Sandra Young. In 2000,
Sarah continued her dance training at the Milwaukee Ballet School. Sarah be-gan her undergraduate studies at UWM in 2008. There, she studied under the guidance of Melissa Anderson, Ed Bur-gess, Simone Ferro, Elizabeth Johnson, Dani Kuepper, Janet Lilly, Deb Loewen, Marcia Parsons, and Luc Vanier. She per-formed in guest artists’ work including “Water Studies” by Alwin Nikolais.
Bridgett Tegen, “Slackless”Originally from Chanhassen, Minneso-ta, Bridgett is working on her BFA in Dance from UW-Milwaukee. Since entering the
program, Bridgett performed works by the talented Luc Vanier, Darci Wutz, Elizabeth Johnson, Simone Ferro, Ed Burgess and guest choreographers Alwin Nikolais and Mark Morris. Through composition classes and showcases in Milwaukee, Bridgett is working on her choreographic style and hopes to establish her own company. She would like to thank the faculty and her peers in the department for creating the encouraging environment necessary for artistic development.
Yeng Vang-Strath“Suspension”Yeng is ecstatic to graduate this Decem-ber with a BFA in Dance from UWM. She had the pleasure of dancing in faculty pieces with
Elizabeth Johnson and Simone Ferro and a guest artist work, “Always Merry and Bright” by Suniti Dernovsek. Yeng is cur-rently dancing with Wild Space Perfor-mance Company. She invites you to visit her site www.maiyeng.wordpress.com.
Chelsey Walker, “Misunderstood”Chelsey will receive her BFA in Dance in May 2011. In summer 2006, Chelsey received a hip hop scholarship to the Millennium
Dance Complex in Los Angeles, CA from dancer/choreographer Jesse Lee Santos. She also received the Dance Under-graduate Student Scholarship every year since she entered the program. Chelsey created her own works throughout her education at PSOA, and conducted hip hop workshops at local studios including Danceworks, Guy Singer Dance Studio, and LaurenziDance. Chelsey’s desired future would involve a performance op-portunity with Cirque du Soleil.
Stephanie Warsh, “A Day Like Today”Stephanie was raised in Brookfield, WI and was first introduced to dance by taking classes with the Milwaukee Ballet and continued
on to Accent on Dance Studio in Wauke-sha, WI. Her senior year she auditioned a spot in the Company Competitive level at Accent. There she explored multiple styles of movement that she believes has gotten her to where she is today. She couldn’t be happier to be a part of UWM’s Dance Department and over the past years has grown and learned so much from a great group of faculty and peers.
Andrew Mark Zanoni, “RA36282455 T47”Andrew’s training in dance began only four years ago, but his jour-ney through the Dance BFA Program at UW-Milwaukee has been a
life changing experience. After graduating in December, Andrew will be performing with Your Mother Dances, as well as working
11UWM Peck School of the Arts
CHOREOGR APHER B IOGR APHIES (c o n t.)
COLL ABOR ATOR B IOGR APHIES
Christine BarclayChristine is a fifth year Senior at UWM working towards a BFA in Music Composi-tion and Technology, a BA in Voice and her Liberal Arts certificate from the Honors College. Christine previously collabo-rated with UWM Dance by writing “On A Bus in India” choreographed by Leandra Williams, one of two works selected to go to the American College Dance Festival conference last spring. In an effort to promote the work of female composers, she collaborated with Tanya Kruse-Ruck by organizing the Women Composer’s Festival, which featured Libby Larsen as a composer-in-residence.
Iain Court, Production ManagerIain has worked as a designer, performer, director, and stage manager across all genres of performance and in theatres throughout Australia and touring Europe. He has lit works in medieval churches, circus tents, on riverbanks and in haunted houses as well as many theatres. He is interested in new media performance and collaborated on award-winning instal-lations and touring productions. Recent projects include lighting for Dreams Dammed in New York, Keely Garfield Dance at Danceworks, Simone Ferro and Friends at Danceworks, Unrinetown: The Musical at Cardinal Stritch University, Summerdances and Dancemakers at UWM.
Thomas Grathwol, ComposerThomas is a 22 year-old Minnesota na-tive. Now attending DePaul University in
Chicago, he spends his free time writing and recording cross-genre pop music under the moniker TASRU, through which he has received positive reviews from a variety of publications, and has also had music featured on radio shows across the world. This work is his first experiment in performance composition.
Matt Martell, Composer, “As the Rain Drops the Beat”Matt is currently an undergraduate stu-dent at UWM pursuing music composi-tion and technology. A large majority of his studies focused on electro-acoustic music and he participated in Nashville’s SoundCrawl festival the last two years. Matt is also a member of the Milwau-kee Laptop Orchestra, Delta Omicron and Music From Almost Yesterday. He studied with Kevin Schlei and William Heinrichs and this is his third year work-ing with New Dancemakers.
Scott Roush, Composer, “Words to Remember”Scott is a composer, drummer, and percus-sionist living in Denver, CO. 2010 marks his third year premiering music for New Dancemakers. This year’s piece is based around words Rudolf Laban used to describe, visualize and notate any type of human movement. The concept words for this electronic music included punch, slash, dab, flick, and press. Scott graduated from UWM’s Peck School of the Arts in 2008.
as Assistant to the Choreographer on the upcoming UWM Musical Theatre production of No, No, Nanette. His future plans include finishing out a summer here in Milwaukee and making the move to New York City.
Steven Zarzecki“Just One Sip And The Glass Is Half Empty”Steven’s movement career began as an athlete interested in the performing arts.
Since beginning training in 2007, Steven
has danced works by Luc Vanier, Elizabeth Johnson, Darci Wutz, Simone Ferro and Ferne Bronson as well as masterworks by Mark Morris, Alwin Nikolais and Garth Fagan. Steven has also been honored to perform work by Adele Myers in the New York City Summer Dance Intensive and is excited to perform at the Nikolais Centen-nial in New York City this spring. I want to thank my parents as well as the UWM dance faculty for their unconditional sup-port. stevenzarzecki.wordpress.com
12 UWM Peck School of the Arts
PRODUCTION TEA M
Production Manager ...............................................................................................................Iain CourtMusic Director ..........................................................................................................Seth Warren-CrowStage Manager .............................................................................................................Colin GawronskiLighting Designer....................................................................................................... Dustin DonohoeDance Production Students .................................................................................................Run CrewKorporate Media ...............................................................................................................Videographer
DEPARTMENT OF DANCE
Ed Burgess ........................................................................................................................Professor, Chair Ferne Caulker-Bronson, Janet Lilly, Marcia Ruth Parsons ......................................................Professors Simone Ferro, Luc Vanier, Darci Brown Wutz ................................................Associate ProfessorsGloria Gustafson, Mary D. Hibbard .................................................. Associate Professor EmeritiElizabeth Johnson, Dani Kuepper ..........................................................................Senior LecturersIain Court ...............................................................................................................Production ManagerKayla Premeau ............................................................................................ Program/Office Manager
PECK SCHOOL OF THE ARTS
Wade Hobgood ..................................................................................................................................DeanScott Emmons ................................................................................................................Associate DeanMary McCoy .........................................................................................................Assistant to the DeanSue Thomas ....................................................................................................... Administrative OfficerEllen Friebert Schupper......................................................................... Director of Marketing and Community RelationsDiane Grace ................................................................................................. Director of DevelopmentNicole Schanen.....................................................................................................Marketing SpecialistCraig Kroeger ............................................................................................................. Graphic DesignerRegan Jacobson ....................................................................................Web Application DeveloperJan Brooks ...............................................................................................................Box Office ManagerRandy Holper ............................................................................................................ Facilities ManagerChristine Barclay .............................................................................................Senior House Manager
COLL ABOR ATOR B IOGR APHIES (c o n t.)
Luc Vanier, Artistic DirectorLuc is the recipient of the 2009 Wisconsin Arts Board Award. He both received his MFA from the University of Illinois and became a certified Alexander teacher in 2001. His research on linking the Alexan-der Technique, developmental movement and Ballet is at the forefront of integrat-ing somatic work into dance curriculum and has been presented throughout the world. His book Dance and the Alexander Technique: Exploring the Missing Link is awaiting publication by the University of Illinois Press. His latest work “Sur_Ren-dered” was presented by the Milwaukee Ballet last January. Luc also partners with Elizabeth Johnson as a dancer and Associ-
ate Director of the scrappy hybrid Ballet/Modern dance theater company Your Mother Dances. www.lucvanier.com.
Seth Warren-Crow, Music DirectorSeth is a sound artist, sound designer, composer, percussionist, and instructor. He composes music locally and nationally for dance and theater performances and regularly collaborates with performance artist Heather Warren-Crow as warren-crow+warren-crow. Seth received a BA in English and Religious Studies from Lawrence University in Appleton, WI and a MFA in Electronic Music and Recording Media from Mills College in Oakland, CA.
