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Dancing in the StardomRecording Industry and Grassroots Marketing
Agnese VellarDepartment of Social Sciences - Universit di Torino
ESA - Sociology of Culture Conference
Universit Bocconi, 8 October 2010
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new markets
2
Recording industry in the Web 2.0
Major
labels
Indie
labels
digital distribution
e-commerce
participatory cultures
filesharing
networked technologies
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Music How, When, Where You Want It.But Not Without Addressing Piracy
Diversify! Educate and Punish!New way to distribute music.
2009: 27% of the music industriesrevenues come from digital channels
Graduated response approach
(deals with ISP).
Legal battle against file sharingservices and p2p users.
-la-carte
download model
centralized platform
for HQ music videos
ad-supportedservices
handset makers
(IFPI Report, 2010)
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4
Affective economies
Swedish indie musictransnational audience(Baym & Burnett, 2009)
grassrootsmarketing
Jarvis Cockerindie rock
(Beer, 2008)
Li Yuchunpop national idol
(Yang, 2009)
Rate, tag, translate, MP3 Blog,distribute bootlegs
Fans as promoters:
social and cultural rewards
Talent show
promotional packagescharity foundationanti-piracy campagin
Live performances Networked collectivismMySpace profile
Tori Amossongrwiter
(Farrugia & Gobatto, 2010)
Pop music Indie music
(Jenkins, 2006)
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Ethnographic research
construct acelebrity persona!
harness the freework of fans!
Shakira(Colombian)
Marco Mengoni(Italian)
Lady Gaga(US)
Italian fan base of grasroots promoters
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1.construct a celebrity
persona!
to create an affective relationshipbetween musiciants and fans
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Shakira: the philantropyst
Mango and Unicef
Branded products
Barefoot foundation Online self
Ethnic and bilingual
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Mengoni: the reality-celebrity
Talent show Backstage moments
Videomessagesandonline diaries
(Curnutt, 2009)
Broadcast Tv
Content sharing
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@perezhilton i wish i had been there, you area wonderful friend, only you would party allnight/free cuba in the morning
Lady Gaga: queen of social mediaMy Daddy had open heart surgery today.And after long hours, and lots of tears, they
healed his broken heart, and mine.Speechless.
Performance of the intimateself to reduce social distance
videomessages
Happy 4th of July little monsters! I can smellyou from backstage. Lipstick, whiskey, andthe rat pack. F*ck I love AC. X MotherMonster
fan video and pictures
engage
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2.
harness the free workof fans!
to outsource the promotionalactivities
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Street team portal
Group leadercoordinates the local team(composed by 2 to 10streetteamer).
Moderatormoderate the public forum,coordinate the local teamsand share the flyers.
Professional Staff: Our motto is Fan just wanna have fun. Our aim is to let
fans participate in the carrier of their favourite artists to knock down the wall
that in the past keep separate recording industry and fans.
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Mengoni: flashmob
In every city. In every villages. All over the world. You too. All
Me too. Everyone together. Lets dance together
online audience
online performances & offline performance
live audience
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Shakira: Waka Waka dance
Every child in the world should have access to an education. Thistime dance with me for this one goal. [] 1 Song, 1 dance, 1 goal.
online audience online performances & offline performance live audience
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Lady Gaga: Flash mob contest
costuming
Performative consumption (Hills, 200)
challange
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Pop music cultures in the Web 2.0new media company:
harness
collective intelligencecollaborative construction ofshared knowledge
stardomrecording industrytransmedia music star:
sport eventtalent show
social media
loyalconsumers
grasroots performance(online and offline)
performative
cunsumption
harnessing
participative stardom
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[email protected]://agneseh.wordpress.com/
http://twitter.com/agneseh
Thank you!