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Daniel P Baciuska

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Portfolio of selected design work from Columbia University and the University of Virginia.
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DANIEL P A R C H I T E C T U R E D E S I G N P O R T F O L I O E DANIEL P BACIUSKA
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  • DANIEL P A R C H I T E C T U R E D E S I G N P O R T F O L I O E DANIEL P BACIUSKA

  • EDUCATION

    Columbia University: GSAPP, New York, NY Masters in Architecture from the Graduate School 2011 (expected) of Architecture, Planning and Preservation University of Virginia: School of Architecture, Charlottesville, Virginia Bachelor of Science in Architecture, Design Concentration 2006 Minor, Architectural History Design Studio GPA: 3.72 /4.0; Cumulative GPA: 3.52 / 4.0 Architecture Study Abroad Program in China and Japan, Summer 2005

    Cornell University: Ithaca, New York School of Architecture 6 week Summer Credit Program 2001

    University of Maryland: College Park, Maryland School of Architecture 3 week Summer Credit Program 2000

  • EXPERIENCE

    Farewell Mills Gatsch Architects Princeton, NJ Architect Consultant 2009Brought onto design team to assist on the renovation of the Statue of Liberty for the National Park Service. Project scope included complete overhaul of interior pedestal to bring monument in line with modern codes. Work consisted of designing and presenting various options of interior circulation schemes within parameters of code compliant stairs, elevators as well the avoidance of the historic original Eiffel steel. Additionally, potential temporary exposed stair towers to allow for continued access of statue during renovation pedestal were explored.

    Shalom Baranes Associates, Architects Washington, DCStaff Architect 2007-2008Supported the renovation of the U.S. Department of Treasury building and several mixed-use projects in conjunction with the redevelopment plan for the revitalization of Southeast Washington, DC and the Washington Nationals new baseball stadium. Later, was part of project team in the development of Burnham Place, a 3.0 million square foot mixed-use development concept to be built above the existing rail yards of Union Station. Worked on preliminary design documents for the developer that included hotel, office, retail, residential and public space to be built atop the Amtrak rail yards on a platform a block north ofthe U.S. Capitol and city monumental core. Design development and analysis also included structural studies of various schemes for the proposed platform decking to allow for train operations to continue during construction.

    Clark Construction, LLC Washington, DC Project Management- Engineer 2006- 2007Functioned as a key engineer at the onsite field office for the DC USA Retail Center in Washington, DC. Assisted with the design, constructability and trade coordination of the 190,000 square foot urban revitalization project atop the Columbia Heights Metro Station. Coordinated efforts between the owner, architect, structural engineer and subcontractors. Managed Change Orders, Requests for Information, submittals and subcontractors on $100M project.

    URS Architecture- Engineering Corporation Washington, DC Paid Intern 2005 Assisted architects and engineers with the Department of Transportation (DOT) Building Competition. Modeled modified floor and roof structures of the original DOT in Washington, DC to transform the building into viable office space.

    MCO Construction Co. Charlottesville, VACarpenter / General Laborer 2004Assisted in the construction of Walker Square Apartments, a complex consisting of 200 units in 10 buildings. Performed structural wood framing, masonry and general labor onsite.

    HONORS

    Deans List- University of Virginia, 2002-2006 US Army Airborne School Graduate, US Army Paratrooper; Earned Jump Wings in June 2004, Fort Benning, Georgia ARCH 401/ARCH 402 Studio Projects Chosen for UVA School of Architecture Archive for accreditation, 2005-2006 Representative for UVa School of Architecture AIA at the NE Conference in 2005 (Toronto) and 2006 (Philadelphia) Core Studio I and III projects chosesn for print in Columbia Universitys GSAPP architecture publication entitled Abstract (2009,2010 editions)

    ACTIVITIES

    Habitat for Humanity 2000 Volunteer. Aided in the construction of subsidized housing in Trenton, NJ and the metropolitan Washington, DC area.EMT East Windsor Township District 1 1998 2002Volunteer. Responded to township emergency calls and supported accident response and patient care. Delta Upsilon International Fraternity 2003 2006Executive Council, 2005 2006. Served on advisory committee that supported various house functions, including budget formation, new recruitment and philanthropic planning.

  • 04TABLE OF CONTENTS

    RESUME ________________________________________________________________ 02-03

    COLUMBIA UNIVERSITY_2008-(2011)GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATIONNEW YORK, NY

    STUDIO SEQUENCE: CORE STUDIO I 01_CLIMATOLOGIST MONITORING CELL 06-07 02_ATMOSPHERE AIR LAB 08-13 CORE STUDIO II 03_MUSEUM OF DELINATION 14-21 CORE STUDIO III 04_QUEENS HOUSING 22-33

  • 05

    UNIVERSITY OF VIRGINIA_2002-2006SCHOOL OF ARCHITECTURECHARLOTTESVILLE_VA

    ARCH 401_FALL 2005 05_LIBRARY ON THE POTOMAC 34-41 ARCH 402_SPRING 2006 06_BOAT BUILDING SCHOOL 42-49

    SELECETED COURSEWORK_2008-2009COLUMBIA UNIVERSITY_GSAPP

    ARCHITECTURAL TECHNOLOGY IV FOLK ART MUSEUM ANALYSIS 50-51 ARCHITECTURAL TECHNOLOGY III BRYANT PARK PAVILION 52 ARCHITECTURAL DRAWING + REPRESENTATION I RENAULT CENTRE 53 ARCHITECTURAL PHOTOGRAPHY SELECTED IMAGES 54-55

    CONTACT 56-57

  • 06CLIMATOLOGIST CELL

    In his 2004 State of the State Address, NY Governor Pataki set the ambitious goal of making the Hudson River suitable for swimming from its source in the Adirondacks down to Manhattan by 2009 - the 400th anniversary of Henry Hudson's voyage up the River. To ensure that the river is reaching safe swimming levels, the Hudson Climatologist spends 12 hour shifts out on the river, monitoring and measuring the PCB levels found in the soil he dredges up from the riverbed and from fish that he catches in the waterway. Currently, no formal swimming areas are located on Manhattan, although there are several movements to begin to utilize the river for recreational swimming. As the city redsicovers its waterfront, the climatologists data will provide essential information for this Hudson River tradition to be reestablished. The working environment of the Hudson Climatologist is directly related to his daily routine on the river. The monitor cell becomes an extension of the climatologist and the river itself as data is collected and recorded.

    rest_ eat_ analysis_ input_ work_ sitting_ outside_ personal_ hours_

    _THRESHOLD

    _COUNTER

    _STORAGE

    _MULTI-USE

    _WORK SPACE

    42

    80

    _SLEEP

    _NARROW

    _LAVATORY

    hudson river_swimming hole_c 1925

    hudson river_swimming hole_2008

    _SHORT

    01 COLUMBIA UNIVERSITY_GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION

  • 073 WEEKS NEW YORK_HUDSON RIVER

    PLAN_D

    PLAN_E

    PLAN_D

    SECTION_C

    SECTION_B

    SECTION_A

    8

    3

    PLAN_E

    _A

    _B

    _C

    2

    1

    5

    Measurement allows us to understand relations: our body in relation to the enviornment around us, the proximity to objects, the reactions to threatening actions, the thickness of walls, the vulnerbility of weather, etc. This project explores the volumetric differential between claustrophobic and efficient work environments. A workspace is designed of minimal size for a Hudson River Climatologist whose job is to monitor and measure riverbed data. The key tool for the project is the exploration of the section that maps a body in relation to immediate surroundings.

    FALL 2008CORE I STUDIO CRITIC_SOLOMONOFF

  • ATMOSPHERE AIR LAB02 08

    Line, plane, surface and volume are mathematically bonded and interrelated. In architecture, the geometrical properties of the line are associated with columns and beams, the plane with walls and floors, and surface and volume with resultant space. Architecture allows us to understand the mathematical relations of these elements in new and unexpected ways. The client, Columbia University is building a center to further the influence and impact of the Climate Change Team. The design of the Air Lab is a scientific, research and policy laboratory to expand knowledge of global warming, address them politically and effectively propose policy to reduce harmful emissions while aiming at technological growth.

    HUDSON RIVER HUDSON RIVER PARK WEST SIDE HIGHWAY

    HIGH WATER LINE

    COLUMBIA UNIVERSITY_GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION

  • 09NEW YORK_MANHATTAN_WEST SIDE HIGHWAY

    ATMOSPHERE AIR LAB HOLLAND TUNNEL EXHAUST TOWER

    WASHINGTON ST

    FALL 2008CORE I STUDIO CRITIC_SOLOMONOFF6 WEEKS

  • ATMOSPHERE AIR LAB02 10

    New York City has close to 600 miles of coastline, and four of its five boroughs are on islands. All this makes New York especially prone to global warmings most dramatic effects. Sea levels have been rising along the East Coast for thousands of years, in part because of the natural sinking of the land. However, in the last several decades, scientists have concluded that part of the rise can be attributed to global warming. Water at the Battery has risen more than a foot during the last century. Although sea levels in the New York area are projected to edge up several inches more by 2050, that's not what most worries experts. Coastal storms, including northeasters, tropical storms and hurricanes, greatly affects New York City. In fact, New York's densely populated and highly developed coastline makes the city among the most vulnerable to hurricane-related damage. The site sits in the flood plain and is adjacent to the Holland Tunnel Exhaust Tower on Canal Street and the West Side Highway.

    H U D S O N R I V E R

    H O L L A N D T U N N E L

    R I V E R B E D

    B E D R O C K

    A I R L A B N Y / M A N H A T T A N N J / J E R S EY C I T Y

    WE

    ST

    SID

    E H

    IGH

    WA

    Y

    CANAL STREET WA

    SH

    ING

    TON

    STR

    EE

    T

    SPRING STREET

    HU

    DS

    ON

    RIV

    ER

    E X H A U S T T O W E R

    COLUMBIA UNIVERSITY_GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION

  • 11NEW YORK_MANHATTAN_WEST SIDE HIGHWAY

    If a category-3 hurricane hit NYC, the U.S. Army Corps of Engineers estimates that nearly 30% of the south side of Manhattan would be flooded. Storm surge flooding could threaten billions of dollars of property and have a grave impact on the lives of the millions of people who live in NYC.

    The Headquarters, built to withstand all types of natural disasters, serves as a beacon for the region that the city is operational during storms that could potentially cripple city management.

    For New York, a big problem is the combination of rising seas and stronger storms. Scientists predict that over the next century as the earth warms, weather extremes will become more frequent and storms more violent. What's called a 100-year flood today could become twice or even four times more frequent. The city's boroughs are linked to each other and the mainland by about 80 bridges and tunnels. Most subway and tunnel entrances are only slightly above sea level, as are the three major airports. They are particularly vulnerable to rising seas and flooding from Northeasters and hurricanes.

    FALL 2008CORE I STUDIO CRITIC_SOLOMONOFF6 WEEKS

  • 12ATMOSPHERE AIR LAB02

    5

    20

    10

    COLUMBIA UNIVERSITY_GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION

  • 13NEW YORK_MANHATTAN_WEST SIDE HIGHWAY

    5

    20

    10

    HOLLAND TUNNELSOUTH TUBE

    HOLLAND TUNNELNORTH TUBE

    FALL 2008CORE I STUDIO CRITIC_SOLOMONOFF6 WEEKS

  • 14MUSEM OF DELINEATION03

    The site, 231 Bowery, is bordered on the North by the New Museum of Contemporary

    .noissiM yrewoB eht yb htuoS eht no dna trAIt is a 47,000-square-foot lot that forms a dead end to the east-west running Prince Street. Using this condition to penetrate the site, the museum becomes a continuation of the street itself. The building responds by pushing past the facades of its neighbors and emerges back into the city while also providing views to the occupants inside of Downtown Manhattan, Midtown, SOHO and the Lower East Side. The New Museum (opened 2006) and MOD are two institutions that indicate the shift in public culture along the Bowery from an infamous skid row to the Bowery as the cusp of contemporary design.

    COLUMBIA UNIVERSITY_GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION

  • 16 WEEKS 15CRITIC_ELDREDSPRING 2009NEW YORK_MANHATTAN_BOWERY

    E HOUSTON ST.

    BOW

    ERY ELIZ

    ABET

    H S

    T.

    CHRY

    STIE

    ST.

    FORS

    YTH

    ST.

    S A

    R A

    D R

    O O

    S E

    V E

    L T

    P A

    R K

    PRINCE ST. NEW MUSEUM OF CONTEMPORARY ART

    STANTON ST.

    RIVINGTON ST. TWO BLOCKS / LAFAYETTE ST.

    FOUR BLOCKS / BROADWAY

    W

    L O W E R E A S T S I D E

    S O H O

    L I T T L E I T A L Y

    The Museum of Delineation / MOD, is a museum for both the arts, production and tools of deliniation. MOD collects, exhibits and educates the public on all manner of linear representations both analog and digital. MOD contains both flexible and permanent galleries for works ranging in scale and content. Working within the multi-scalar framework of Micro/Meso/Macro Delineation the focus is on the Meso (the scale inbetween where mirco and macro meet). Although it is the interface between micro and macro, the Meso scale is in itself measurable. It is a framework that the foundation of (bio)diversity scales time and structures and links structures to performances. Like drawing, digital technology is transforming the arts of design and construction. Museums reflect the integration of design, construction, environmental controls (light and temperature) and multi-scalar structuring. At the scale of the objects, this includes technologies of display, storage and archiving.

    CORE II STUDIO

  • MUSEUM OF DELINETATION03 16

    DETAIL TO SYSTEM: n e t w o r k DETAIL TO OBJECT: s c a l e DETAIL TO OBJECT: s i t e DETAIL TO OBJECT: s i t e

    dependent

    single face mutliple faces

    concealed screened

    accumulation

    shifting orientation

    radial

    erraticoriented

    diffused

    patterned

    OR

    GA

    NIZ

    ATIO

    NA

    L S

    TRAT

    EG

    IES

    SPA

    TIA

    L S

    TRAT

    EG

    IES

    COLUMBIA UNIVERSITY_GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION

  • CORE II STUDIO CRITIC_ELDREDSPRING 200916 WEEKS NEW YORK_MANHATTAN_BOWERY 17

    OBJECT TO SYSTEM: v o l u m e

    OBJECT TO SYSTEM: e n v e l o p e

    STREET FACADE LINE

    180

    B O

    W E

    R Y

    S

    T R

    E E

    T

    CORE II STUDIO

  • 18MUSEUM OF DELINEATION03

    S T R E E T L E V E L_

    5 PUBLIC PASSAGE 6 CAFE SEATING7 CAFE BAR / COUNTER

    S E C O N D L E V E L_

    10 2ND FL GALLERY11 DIGITAL GALLERY

    T H I R D L E V E L_

    12 ADMINISTRATION13 3RD FL GALLERY

    F O U R T H L E V E L_

    14 EDUCATION ZONE15 LIBRARY16 4TH FL GALLERY

    F I F T H L E V E L_

    17 5TH FL GALLERY18 OUTDOOR GALLERY19 CLOSED EXHIBITIONS

    L O B B Y L E V E L_

    1 ENTRY2 PUBLIC PASSAGE3 RECEPTION / TICKETING4 COAT ROOM

    B O

    W E

    R Y

    4

    5

    6

    5

    6 7

    8

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    16

    14

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    8 KITCHEN9 OUTDOOR PUBLIC SEATING

    18 19

    17

    1

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    3

    10

    A

    B

    _private_public_natural light_connectivity_flexibility_exterior views

    _private_public_natural light_connectivity_flexibility_exterior views

    _private_public_natural light_connectivity_flexibility_exterior views

    _private_public_natural light_connectivity_flexibility_exterior views

    _private_public_natural light_connectivity_flexibility_exterior views

    _private_public_natural light_connectivity_flexibility_exterior views

    _private_public_natural light_connectivity_flexibility_exterior views

    _private_public_natural light_connectivity_flexibility_exterior views

    _private_public_natural light_connectivity_flexibility_exterior views

    179-6

    51-0

    4,700 sf

    2,100 sf

    1,300 sf

    2,400 sf

    13,500 sf

    5,400 sf

    5,490 sf

    5,500 sf

    _9_9

    _4_4

    _3

    _4

    _25

    _10

    _10

    _10

    rece

    ptio

    nca

    fe /

    shop

    even

    t spa

    ceed

    ucat

    ion

    galle

    ries

    adm

    in z

    one

    serv

    ice

    x-pr

    ogra

    m

    COLUMBIA UNIVERSITY_GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION

  • CORE II STUDIO 19CRITIC_ELDREDSPRING 200916 WEEKS NEW YORK_MANHATTAN_BOWERY

  • MUSEUM OF DELINEATION03 20

    FLOOR 4

    EDUCATION

    ADMINISTRATION

    FLOOR 3

    GALLERYFLOOR 2

    CAFESTREET LEVEL

    LOBBY

    COMMUNITY SPACE

    B-1

    FLOOR 5

    NEW MUSEUM175 - 0

    FLOOR 6

    B-2

    COLUMBIA UNIVERSITY_GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION

  • CORE II STUDIO CRITIC_ELDREDSPRING 200916 WEEKS NEW YORK_MANHATTAN_BOWERY 21

  • 22QUEENS HOUSING04

    500:1

    SITE PLANORGANIZATIONAL GRIDLINES

    CONTOURS

    PHYTOREMEDIATION

    12x24 CLUSTER STRUCTURAL GRID

    N

    H O U S I N G // I N F R A S T R U C T U R E The studio explored the design of urban housing in relation to density and connectivity to transportation infrastructure and the East River waterfront. The site is Hunters Point, in Queens, New York. With a focus on issues central to post-war housing in the U.S. including the rise of the suburban model, mass production, commuting, and relationships of housing to economic markets as well as government intervention, the studio proposes new forms of housing that are simultaneously local in scale, but also designed with a deep awareness of New York City, national and global issues. The studio offers design for the Citys development goals for Hunters Point in Queens.

    Key factors included an examination of the United States housing paradigms in relation to a range of technologies that are at times literally architectural in character, or just as often, financial, social and ultimately political in nature but organized in instrumental ways as virtual architectural technologies. The driving force behind the studio is a hypothesis that the architect is poised at a threshold of a new technical means and capabilites, and that the deep array of financial and political infrastructures that support housing are simultaneously facing immense demands to re-organize.

    Buildings could be understood as the aggregation of spaces that emerge out of the complex relationship between the volumes that facilitate a program (rooms), spatial sequences (circulation) and structural logics. The resolution of the negotiation between these categories inevitably results in three dimensional system, a pattern, which gives the building not only a particular arrangement, but also its specific character. New spatial paradigms were invented based on the manipulation of structure, volumes and circulation.

    HUNTERS POINT

    EAST RIVERMANHATTAN NEWTOWN CREEK

    COLUMBIA UNIVERSITY_GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION

  • BROWNSFIELD.GREENSFIELD.QUEENSFIELD.

  • HIGH TIDE

    LOW TIDE

    HUMUSTOPSOILELUVIATION

    SUBSOIL

    BEDROCK

    WATER TABLE

    QNS-MIDTWN

    LIRR

    7 TRAIN

    N N N

    TOP SOIL LAYERROAD RUN OFFRECENT INDUSTRIAL ACTIVITY

    MIDDLE SOIL LAYERENVIRONMENTAL DISASTERPAST INDUSTRIAL ACTIVITY

    FUNGI1 PECHAY

    4 FERN12 DAYLILIES

    2 TOMATO3

    FOUNTAINGRASS3

    NINEBARKSHRUB16

    BUFFALOGRASS8

    COMPASSPLANT13

    BLACKEYEDSUSAN5-6

    WILLOWUP TO 40

    POPLARUP TO 40

    LOWER SOIL LAYERWATERWAYS RUN-OFFPAST INDUSTRIAL ACTIVITYENVIRONMENTAL DISASTER

    DEALING WITH A TOXIC SITE

    PHYTOREMEDIATION

    COLUMBIA UNIVERSITY_GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION

    24QUEENS HOUSING04

  • 1 BEDROOM UNIT

    WORK/STUDY 1 BR LOFT UNIT

    2 BEDROOM LOFT UNIT

    3 BEDROOM UNIT

    SHARED AMENITIES

    EXISTING SITE CONTOURS MODULAR HOUSING GRID

    PHYTOREMEDIATION PATHWAY EXTENSION SITE SPECIFIC COMPOSITE GRID

    EXISTING SITE CONTOURS MODULAR HOUSING GRID

    PHYTOREMEDIATION PATHWAY EXTENSION SITE SPECIFIC COMPOSITE GRID

    1/16 = 1

    EXISTING CONTOURS PHYTOREMEDIATION

    PHASE 1 PHASE 2

    PHASE 3

    25CORE III STUDIO NEW YORK_QUEENS_HUNTERS POINT 16 WEEKS FALL 2009 CRITIC_MARINOSTUDIO PARTNER_ANDY VANN

  • QUEENS HOUSING 2604

    PHASE 1 TOWER CLUSTER

    PLANS CLUSTER ELEVATION

    A 12 x 12 Concrete framework forms the structure of phase 1 to occupy the river front and property line closet to Long Island City. Leaving the interior open for remediation. The structures extensions allow for further growth in later phases of the project. Each cluster is 3 stories high served by a core on the north sice. Central to each cluster is a common room containg the kitchen and main living room space of the 8 units it serves.

    COLUMBIA UNIVERSITY_GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION

  • CORE III STUDIO NEW YORK_QUEENS_HUNTERS POINT 16 WEEKS FALL 2009 CRITIC_MARINOSTUDIO PARTNER_ANDY VANN

    27

    27,700 SFMARKET

    17,700 SF

    DAYCARE8,500 SF

    SCHOOL18,000 SF 32,000 SF

    WORKSHOPS/RETAIL

    COMMUNITY SPACE

    18,600 SFCLINIC

    GYM12,000 SF

    6,000 SFBOATHOUSE

    COMMUNITY CENTER31,300 SF

    FISH MARKET7,200 SF

    6,000 SFRETAIL/CAFE

    AUDITORIUM12,000 SF

    32,000 SFCOMMERCIAL

    COMMERCIAL19,800 SF

    COMMUNITY SPACE4,700 SF

    MARKET29,100 SF

    RECYCLING CENTER20,700 SF

    RETAIL9,400 SF

    GYM18,500 SF

    8,500 SF

    RETAIL/WORKSHOPS

    BROWNFIELD//GREENFIELD//QUEENSFIELDHUNTERS POINT, LONG ISLAND CITY, QUEENS, NY

    PHASE

    01 PHASE

    02 PHASE

    031:100

  • 28QUEENS HOUSING04

    PHASE 2 BAR CLUSTER

    A D

    DE F

    A

    B FE

    B

    C

    C

    PLANS CLUSTER ELEVATION

    A steel truss forms the structure of phase 2 to span the site from phase 1 on the river to phase 2 adjacent to the city. Still leaving the interior open for remediation phase 2, with indivdual kitchen units offers views of Manhattan, Brooklyn and the East River. Again, each cluster is 3 stories high served by a central corridor linking the cores at each end which are extensions of the phase 1 cores built 20 years earlier. Through wrapping around the corridor, each unti has both northen and southern exposure.

    COLUMBIA UNIVERSITY_GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION

  • 29FALL 200916 WEEKS CORE III STUDIO NEW YORK_QUEENS_HUNTERS POINT

    27,700 SFMARKET

    17,700 SF

    DAYCARE8,500 SF

    SCHOOL18,000 SF 32,000 SF

    WORKSHOPS/RETAIL

    COMMUNITY SPACE

    18,600 SFCLINIC

    GYM12,000 SF

    6,000 SFBOATHOUSE

    COMMUNITY CENTER31,300 SF

    FISH MARKET7,200 SF

    6,000 SFRETAIL/CAFE

    AUDITORIUM12,000 SF

    32,000 SFCOMMERCIAL

    COMMERCIAL19,800 SF

    COMMUNITY SPACE4,700 SF

    MARKET29,100 SF

    RECYCLING CENTER20,700 SF

    RETAIL9,400 SF

    GYM18,500 SF

    8,500 SF

    RETAIL/WORKSHOPS

    BROWNFIELD//GREENFIELD//QUEENSFIELDHUNTERS POINT, LONG ISLAND CITY, QUEENS, NY

    PHASE

    01 PHASE

    02 PHASE

    031:100

    CRITIC_MARINOSTUDIO PARTNER_ANDY VANN

  • 3004 QUEENS HOUSINGN

    PHASE 3 INFILL CLUSTERS

    PLANS CLUSTER ELEVATION

    Stick Built, phase 3 infills the site with density as the land is no longer toxic. Occipying both the ground and roofs of phase 1, phase 3 is the final installment on the site. Light and easy to build, the stick built phase takes on a different quality than the concrete and steel buildings of phase 1 and 2. Clusters vary in height depending on application but employ the central kitchen serving several units.

    COLUMBIA UNIVERSITY_GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION

  • 31CORE III STUDIO NEW YORK_QUEENS_HUNTERS POINT FALL 200916 WEEKS CRITIC_MARINOSTUDIO PARTNER_ANDY VANN

    27,700 SFMARKET

    17,700 SF

    DAYCARE8,500 SF

    SCHOOL18,000 SF 32,000 SF

    WORKSHOPS/RETAIL

    COMMUNITY SPACE

    18,600 SFCLINIC

    GYM12,000 SF

    6,000 SFBOATHOUSE

    COMMUNITY CENTER31,300 SF

    FISH MARKET7,200 SF

    6,000 SFRETAIL/CAFE

    AUDITORIUM12,000 SF

    32,000 SFCOMMERCIAL

    COMMERCIAL19,800 SF

    COMMUNITY SPACE4,700 SF

    MARKET29,100 SF

    RECYCLING CENTER20,700 SF

    RETAIL9,400 SF

    GYM18,500 SF

    8,500 SF

    RETAIL/WORKSHOPS

    BROWNFIELD//GREENFIELD//QUEENSFIELDHUNTERS POINT, LONG ISLAND CITY, QUEENS, NY

    PHASE

    01 PHASE

    02 PHASE 031:100

  • 32QUEENS HOUSING04

    MODEL: 1/16 = 1

    COLUMBIA UNIVERSITY_GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION

  • 33FALL 200916 WEEKS NEW YORK_QUEENS_HUNTERS POINTCORE III STUDIO

    NSITE PLAN 1:50

    CRITIC_MARINOSTUDIO PARTNER_ANDY VANN

    COMPOSITE SITE PLAN

  • 05 34LIBRARY ON THE POTOMAC COLUMBIA UNIVERSITY_GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION

  • 35 CRITIC_BEDNARFALL 200516 WEEKS VIRGINIA_OLD TOWN ALEXANDRIA_WATERFRONTARCH 401

    Old Towns busy King Street, lined with shops and restaurants runs East-West before ending at the Potomac River. The site is located in between a public park to the South, the renovated Torpedo Factory Art Gallery and waterfront plaza to the North. From the waterfront piers that extend into the river, a view of the monument core of downtown Washington, D.C. can be seen. It is at these crossroads that a new library is proposed.

    Circulation, light and existing views drove the form. The library engages the site by allowing movement through the building, connecting two public spaces along the waterfront. Light is manipulated and controlled through the geometry of the plan. The first floor follows the grid of Alexandria. The upper floors are angled to allow for the natural light to slip into the spaces below. The main reading rooms take advantage of park and river views and become transparent. The edges facing the exisiting context of Old Town respect their brick and masonry neighbors. Programmatic elements that require less light are located in these areas.

    WASHINGTON DC

    OLD TOWN ALEXANDRIA

  • 05 36UNIVERSITY OF VIRGINIA_SCHOOL OF ARCHITECTURELIBRARY ON THE POTOMAC

  • 37CRITIC_BEDNARFALL 200516 WEEKS VIRGINIA_OLD TOWN ALEXANDRIA_WATERFRONTARCH 401

  • 05 38UNIVERSITY OF VIRGINIA_SCHOOL OF ARCHITECTURELIBRARY ON THE POTOMAC

    VIEW FROM SOUTH READING WEST FACADE & KING ST ENTRANCE

    VIEW FROM STACKS TOWARDS MAIN READING ROOM AND RIVER

    UPPER STACKS AND READING ROOM

  • 39CRITIC_BEDNARFALL 200516 WEEKS VIRGINIA_OLD TOWN ALEXANDRIA_WATERFRONTARCH 401

    EVENING VIEW OF MAIN READING EVENING VIEW DOWN KING ST DAYTIME VIEW OF MAIN READING

    VIEW FROM MAIN READING ROOM TOWARDS STACKS

    At night, the Library becomes a lantern on the Potomac River. The reading rooms are oriented to overlook the adjacent park and frame views of the Maryland shoreline across the river. A Tower, located at the end of King Street marks the main entrance into the library. From its deck, views north to Washington D.C. engage one with the region. The existing shoreline river walk is uninterrupted by the library and allows pedestrians and library patrons to pass through the site and structure. The 9 degree shift of the upper floor is explicitly exploited to control the natural light on all floors while not infringing on the facades that face Old Town. A connection is made back to the river by channeling it into the site along the park and at the plaza entrance at the foot of King.

  • 05 40UNIVERSITY OF VIRGINIA_SCHOOL OF ARCHITECTURELIBRARY ON THE POTOMAC

  • 41CRITIC_BEDNARFALL 200516 WEEKS VIRGINIA_OLD TOWN ALEXANDRIA_WATERFRONTARCH 401

  • 06 42UNIVERSITY OF VIRGINIA_SCHOOL OF ARCHITECTUREBOAT BUILDING SCHOOL

  • 43CRITIC_FORDSPRING 200616 WEEKS VIRGINIA_HAMPTON ROADS_FORT MONROEARCH 402

    A Boat Building School is proposed to build wooden boats, provide instructional classroom space and the ability to launch them into the James River. The spaces are large enough to rig a 30 sailboat inside. A series of work bays with sliding doors and roofs allow for numerous configurations depending on the project and weather. The school is aligned with the River Walk Boardwalk that has been extended into the the water. Numerous boats can be constructed and and launched. The light framework of the boat building bays is juxtaposed with the heavy classroom spaces. An additional path allows for the public to go through the work area on an elevated level to observe the work in the school.

  • 06 44UNIVERSITY OF VIRGINIA_SCHOOL OF ARCHITECTUREBOAT BUILDING SCHOOL

  • 45CRITIC_FORDSPRING 200616 WEEKS VIRGINIA_HAMPTON ROADS_FORT MONROEARCH 401

  • BAY DOORS CLOSED

    FRONT BAY DOORS RAISED

    BAY DOORS AND SKY ROOF OPEN 46

  • 47CRITIC_FORDSPRING 200616 WEEKS VIRGINIA_HAMPTON ROADS_FORT MONROEARCH 402

    Fort Monroe is located where the James River meets the Chesapeake Bay at the southernmost tip of the eastern Virginia Peninsula. Formerly dedicated with the task of standing guard to the bay, today the Fort is the scene of tourists, bikers, runners and sailors.

  • 48

    ELEVATION FROM FORT RAMPARTS TOWARDS RIVER

    ELEVATION: FROM RIVER TOWARDS FORT

  • 49CRITIC_FORDSPRING 200616 WEEKS VIRGINIA_HAMPTON ROADS_FORT MONROEARCH 402

  • 50FOLK ART MUSEUM ANALYSIS

    D

    B.5

    8.25.253

    B

    A

    1098.53.7 4

    4.54.2

    B.2

    C.2

    8.8

    C

    C.5

    21 6 7 8

    COLUMBIA UNIVERSITY_GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION

  • CRITIC_WEBSTER/ WALLANCE

    SLAB CONNECTION

    TYPICAL CONNECTION

    HVAC STUDYBEAM STUDY 51

  • 52GSAPPBRYANT PARK PAVILION

    THE SPECTACLE DEFINING THE URBAN ENVELOPE

    CABLE TENSION SYSTEM LIGHT NET CREATES ENCLOSURE

    2 DIA CABLE

    CABLE CONNECTION

    S/S GUSSET PL

    STEEL PLATE / NELSON STUDS

    CONCRETE FOUNDATION

    2 DIA CABLE

    CABLE CONNECTION

    S/S GUSSET PL

    STEEL PLATE W/ ANCHOR BOLTS EMBEDDED INTO EXISTING SLAB

    CONCRETE SLAB OF EXISTING BUILDING

    ADVANCED STRUCTURES III FALL 2008 INSTRUCTOR_LAUFSGROUP: ANDY VANN_TIM BELL

    DETAIL_1

    DETAIL_2

    DETAIL_2

    DETAIL_1

  • 53GSAPPRENAULT CENTRE ARCHITECTURAL DRAWING & REPRESENTATION I FALL 2008 INSTRUCTOR_UHL

    R E N A U L T C E N T R E S W I N D O N _ E N G L A N D _ 1982

    N O R M A N F O S T E R

    T Y P I C A L B A Y E X P L O D E D M A I N S U P P O R T D E T A I L

    R E N A U L T C E N T R E S W I N D O N _ E N G L A N D _ 1982

    N O R M A N F O S T E R

    T Y P I C A L B A Y E X P L O D E D M A I N S U P P O R T D E T A I L

  • 54GSAPPPHOTOGRAPHY ARCHITECTURAL PHOTOGRAPHY FALL 2008 INSTRUCTOR_ATTALI

    NEW JERSEY MEADOWLANDSIMAGES FROM 10/08 - 12/08

  • 55

  • 56

    a_fallingwater_pa_dpb 99b_fallingwater study_pa_dpb 99c_glass house_ct_dpb 01d_national gallery of art_dc_dpb 00e_notre dame la grande_france_dpb00

    a

    b

  • 57

    511 West 113 Street Apt 22 New York, NY 10025

    [email protected]

    dpbportfolio

    c

    d e


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