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Inhalt Contents Klaus Paier Das Akkordeon Buch, Band 3 The Accordion Book, Volume 3 All compositions: Klaus Paier Art work: Britta Keber Graphik design: Knut Schötteldreier www.dasakkordeonbuch.com www.jova-music.de MCV 1643 © Copyright 2013 by Klaus Paier Accordion Systems The Accordion's Unique Sound Notation Positioning the Accordion Enhanced Triads in a Major and Minor Key Octaves Sixth Double Stops in Legato Thirds and Sixths Triplets and the Swing Feel Chromatics Folkloric Music Jazz Stylistics and Improvisation Modal Sounds Appendix Akkordeonsysteme Die Tonsprache des Akkordeons Notation Die Haltung des Akkordeons Erweiteter Dreiklang in Dur und Moll Oktaven Sext-Doppelgriffe im Legato Terzen und Sexten Triolen und Swing Feel Chromatik Folklore Jazzstilistik und Improvisation Modale Klänge Anhang
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Page 1: Das Akkordeon Buch 3 · PDF fileThe Accordion's Unique Sound Notation Positioning the Accordion Enhanced Triads in a Major and Minor Key Octaves Sixth Double Stops in Legato Thirds

Inhalt Contents

Klaus PaierDas Akkordeon Buch, Band 3The Accordion Book, Volume 3

All compositions: Klaus PaierArt work: Britta KeberGraphik design: Knut Schötteldreierwww.dasakkordeonbuch.com

www.jova-music.de MCV 1643

© Copyright 2013 by Klaus Paier

Accordion Systems

The Accordion's Unique Sound

Notation

Positioning the Accordion

Enhanced Triads in a Major and Minor Key

Octaves

Sixth Double Stops in Legato

Thirds and Sixths

Triplets and the Swing Feel

Chromatics

Folkloric Music

Jazz Stylistics and Improvisation

Modal Sounds

Appendix

Akkordeonsysteme

Die Tonsprache des Akkordeons

Notation

Die Haltung des Akkordeons

Erweiteter Dreiklang in Dur und Moll

Oktaven

Sext-Doppelgriffe im Legato

Terzen und Sexten

Triolen und Swing Feel

Chromatik

Folklore

Jazzstilistik und Improvisation

Modale Klänge

Anhang

Page 2: Das Akkordeon Buch 3 · PDF fileThe Accordion's Unique Sound Notation Positioning the Accordion Enhanced Triads in a Major and Minor Key Octaves Sixth Double Stops in Legato Thirds

Tarantella1

18

Tarantella

q.=140

A

A

1 2 35 1

D

2 45

1

G7

2 3 5

C A

3 2

m

3 2 4 2

7

5

M

5

m

D G7 C

5

A

2 3

D7

Mm

5

G7

2

C

3 1

A

2 3 51

D

2 3 5 5

G7

2

7M

m 7

FineC

B 3

A

3

M

3 2

m

32

3

E

m

23

25

SB

stacc.

Page 3: Das Akkordeon Buch 3 · PDF fileThe Accordion's Unique Sound Notation Positioning the Accordion Enhanced Triads in a Major and Minor Key Octaves Sixth Double Stops in Legato Thirds

23

Kleine Volksweise5 A Short Folk Melody

52

41

31

41

52

41

52

41 5

241

52

41

52 4

1

3 2 3 2 3 2 3 2

Fine

31 5

31

421

3 4 2 4 5

D.C. al Fine senza rep.

521

FB

legato

Page 4: Das Akkordeon Buch 3 · PDF fileThe Accordion's Unique Sound Notation Positioning the Accordion Enhanced Triads in a Major and Minor Key Octaves Sixth Double Stops in Legato Thirds

Kadenzen mit DreiklängenCadences With Triads

Kadenz I - IV - V - I

Kadenz VI - II - V - I

Cadence I - IV - V - I

Cadence VI - II - V - I

Erfinde oder improvisiere eine Melodie über diese Begleitung. Verwende hierfür die Töne der C-Dur Tonleiter. Erfinde auch eigene Begleitungungen und Akkordfolgen/Kadenzen.

31

Write or improvise a melody for this accompaniment. Use the notes of the C major scale to do so. Also create your own accompaniments and chord progressions, or cadences.

Auf allen 7 Stufen der Tonleiter können Dreiklänge gebildet werden. Transponiere auch in andere Tonarten.

Triads can be formed on all 7 degrees of the scale. Transpose into other keys as well.

C

I

D

II III

E F

IV

G

V

A

VI VII

C F G C

I IV V I

A D G C

VI II V I

A D G C

m M

SB

Page 5: Das Akkordeon Buch 3 · PDF fileThe Accordion's Unique Sound Notation Positioning the Accordion Enhanced Triads in a Major and Minor Key Octaves Sixth Double Stops in Legato Thirds

34

Blues15 Blues

iq = q e3

Swing feel Blues Scale

Swing FeelSwing Feel

q=110

C7

42 1 33

7

24

3 4

F7

4

3 33 3

7

24

C7

3

G7

3

F7

3

7

2 4

1. 2.53

C7

351

3 51

G7

1521

4

SB

1 2 1 2 1 2 3

Page 6: Das Akkordeon Buch 3 · PDF fileThe Accordion's Unique Sound Notation Positioning the Accordion Enhanced Triads in a Major and Minor Key Octaves Sixth Double Stops in Legato Thirds

Abendstimmung Evening Mood

38

18

34

56

4

23

= C

34

56

4

23

= G

34

56

4

2

3 = F

C

espress.

1

4 3 2

3

G

4 3 2

3

C

1

F

3 1 3

C

4 4 2 3

FB

Page 7: Das Akkordeon Buch 3 · PDF fileThe Accordion's Unique Sound Notation Positioning the Accordion Enhanced Triads in a Major and Minor Key Octaves Sixth Double Stops in Legato Thirds

Carousel

q=140

A

A

11 2 3 1 3

D

2 1

G

14

C

2 4

E

2

3

m

2 3 2 4 3

M

5 43

m

2

3

D

22 1

G

32

3

C

B1

A

1

D

3 2

M m

23

23

2

E

11

A

1 1 2 1 2

D

1

G

1 21

CM

23

m m M

A D E Am M m

Fine

D.C. al Fine

3

A

2 1 2 1 2 4

D

2 3 4

G C

3 53 5 4 4 5

M

SB

Karussell19

41

Page 8: Das Akkordeon Buch 3 · PDF fileThe Accordion's Unique Sound Notation Positioning the Accordion Enhanced Triads in a Major and Minor Key Octaves Sixth Double Stops in Legato Thirds

FolkloreFolkloric Music

D.C. al Coda

D7 G D7 G7

M7

A 5

C

3 2 1 1

G7

2 3 541 3

1

C

41 3

1

5 4

M

3 4 3 2

7

4 2

M

Ø

C G7

21

C7

B1

D7

2 3 51

41

G

51

31

D7

51

G

3 2

7

4 2 5 4

M

3 4

7M

SB

Boarischer22 Boarischer

C5321

G75321

A G5321

D75321

B

46

Page 9: Das Akkordeon Buch 3 · PDF fileThe Accordion's Unique Sound Notation Positioning the Accordion Enhanced Triads in a Major and Minor Key Octaves Sixth Double Stops in Legato Thirds

47

Typische Begleitung Typical Accompaniment

ØC 5

3

F

42

31

53

G

421

C7

531

531

421

F

521

531

M m7

M

F G C7 Fm

7

Form: AA | B | A | CC | A | CC

3

q=160

M7

M

SB

Page 10: Das Akkordeon Buch 3 · PDF fileThe Accordion's Unique Sound Notation Positioning the Accordion Enhanced Triads in a Major and Minor Key Octaves Sixth Double Stops in Legato Thirds

Kadenzen mit VierklängenCadences With 4-Note Chords

Auf allen 7 Stufen der Tonleiter können Vierklänge gebildet werden. Transponiere auch in andere Tonarten.

54

Jazz-Kadenz II - V - I Jazz Cadence II - V - I

Vierklangs-Umkehrungen 4-Note Chord Inversions

Vierklänge mit Standardbass 4-Note Chords With a Standard Bass

4-note chords can be formed on all 7 degrees of the scale. Transpose into other keys as well.

C^ Dm7 Em7 F^ G7 Am7 BØ

IIm7 IIIm7 VIm7V 7IV^I ^ VII Ø

Dm7 G7 C^

Dm7 G7 C^

m

25

C^

M

53

Dm7

M

24

Em7m

25

F^

7

24

G7M

Am7

53

m

24

Page 11: Das Akkordeon Buch 3 · PDF fileThe Accordion's Unique Sound Notation Positioning the Accordion Enhanced Triads in a Major and Minor Key Octaves Sixth Double Stops in Legato Thirds

Jazzstilistik und ImprovisationJazz Stylistics and Improvisation

Karneval26 Carnival

Tonleiter-Training

Groove-Training Groove Training

Scale Training

q=200

A53

C7

53

F6

3 2

3

4 4

1. 2.

C7

F6

52

F6

3

4 2 4

3 4

SB

56

C7 F67M

SB

C7 F67M

1 2 1 2

SB

Page 12: Das Akkordeon Buch 3 · PDF fileThe Accordion's Unique Sound Notation Positioning the Accordion Enhanced Triads in a Major and Minor Key Octaves Sixth Double Stops in Legato Thirds

Swing Time30 Swing Time

q=120 iq = q e

A Gm7

3

C7 F^

3M 7

MM

Gm7 C7 F^

3M 7

MM

B Gm7 C7 F^

3 3

M

7

MM

Ø31

Gm7 C7 F^

3M 7

MM

SB

64

Page 13: Das Akkordeon Buch 3 · PDF fileThe Accordion's Unique Sound Notation Positioning the Accordion Enhanced Triads in a Major and Minor Key Octaves Sixth Double Stops in Legato Thirds

3

Gm7 C7 F^ M 7

MM

D.C. al Coda

Gm7 C7 F^ M 7

MM

ØF^

3MM

MM

solo

65

Page 14: Das Akkordeon Buch 3 · PDF fileThe Accordion's Unique Sound Notation Positioning the Accordion Enhanced Triads in a Major and Minor Key Octaves Sixth Double Stops in Legato Thirds

Modale KlängeModal Sounds

DorischDorian

Die folgenden Stücke bestehen jeweils aus einer Tonleiter/Skala. Innerhalb der einzelnen Stücke darf und soll improvisiert werden. Transponiere auch in andere Tonarten.

The following pieces each consist of a scale. You may and should improvise within each individual piece. Transpose into other keys as well.

Dorisches Lied34 Dorian Song

72

Dm7

q=70

mp

A 4Dm7

espress.

1 2 1 41 2

4 1

2 4 3

Ø3

B 21

3 2 3 41

FB

Page 15: Das Akkordeon Buch 3 · PDF fileThe Accordion's Unique Sound Notation Positioning the Accordion Enhanced Triads in a Major and Minor Key Octaves Sixth Double Stops in Legato Thirds

D.C. al Coda

Ø rit.41

1 2 1 2

4 3 4 3

2 1C 5

2 41

31

21

31

3 5 4 3 2 4 3 4 3

73

Page 16: Das Akkordeon Buch 3 · PDF fileThe Accordion's Unique Sound Notation Positioning the Accordion Enhanced Triads in a Major and Minor Key Octaves Sixth Double Stops in Legato Thirds

Der Clown40

84

The Clown

q=200

A

mf

4G7[9¨]

1 32 1 3 2 1 2 3 3

4

24

3

2

B

p

53 3

121

mf

42

31

p

31

42

31

mf

42

31

A'

FB

Page 17: Das Akkordeon Buch 3 · PDF fileThe Accordion's Unique Sound Notation Positioning the Accordion Enhanced Triads in a Major and Minor Key Octaves Sixth Double Stops in Legato Thirds

Mysterious41

86

Mysterious

C vermindert Tonleiter C Diminished Scale

mp

A

espress.

4C7[9¨]

1 2 1

4 2

5

A'43

FB 32 4 2

C7


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