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Deconstruction Architecture

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Page 1: Deconstruction Architecture

ARCHITECTURE

Deconstruction

Page 2: Deconstruction Architecture

“When we deconstruct anything, we simply do not destroy, dissolve or cancel the legitimacy of what we will be constructing”.

-Jacques Derrida-

ABSTRACT

Then, what is the Deconstruction?

Page 3: Deconstruction Architecture

INDEX

1• INTRODUCTION

2• PHILOSOPHY

3• HISTORICAL BACKGROUND

4• DESIGN CHARACTERISTICS

5• CRITIQUES

Page 4: Deconstruction Architecture

INTRODUCTION

INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

Page 5: Deconstruction Architecture

Basic Shape

Fragmentation

Transformation

Recombining

It is an architectural movement that began in the early 1980s. It is influenced by the theory of "Deconstruction". It is characterized by fragmentation, and interest in manipulating a structure's surface or

skin through transform the basic Volumes of architecture (Cube, Cuboid, Pyramid & sphere) in order to recombine it in a new hybrid shapes.

INTRODUCTION - What?

INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

Page 6: Deconstruction Architecture

 Deconstructivism rejected the postmodern acceptance of the historical references, as well as the idea of ornament as an after-thought or decoration.

INTRODUCTION - Why?

INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

Modern

Postmodern

Deconstruction

Page 7: Deconstruction Architecture

 Deconstructivism attempts to move away from the supposedly constricting 'rules' of modernism such as:

INTRODUCTION - Goals

INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

Truth to materialsPurity of formform follows function

Page 8: Deconstruction Architecture

HISTORICAL BACKGROUND

INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

Page 9: Deconstruction Architecture

HISTORICAL BACKGROUND

INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

Deconstructivism came to public notice with the 1982 Parc de la Villette architectural design competition.

(especially the entry from Jacques Derrida and Peter Eisenman and Bernard Tschumi's winning entry).

Page 10: Deconstruction Architecture

HISTORICAL BACKGROUND

INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

The Museum of Modern Art’s (MoMA) 1988 Deconstructivist Architecture exhibition in New York, organized by Philip Johnson and Mark Wigley.

Philip Johnson

Mark Wigley

Page 11: Deconstruction Architecture

HISTORICAL BACKGROUND

INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

and the 1989 opening of the Wexner Center for the Arts in Columbus, designed by Peter Eisenman.

Page 12: Deconstruction Architecture

HISTORICAL BACKGROUND

INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

The New York exhibition featured works by Frank Gehry, Daniel Libeskind, Rem Koolhaas, Peter Eisenman, Zaha Hadid, Coop Himmelb(l)au, and Bernard Tschumi.

Page 13: Deconstruction Architecture

HISTORICAL BACKGROUND

INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

Since the exhibition, some architects associated with Deconstructivism have distanced themselves from it.

Nonetheless, the term has stuck and has come to embrace a general trend within contemporary architecture.

Page 14: Deconstruction Architecture

PHILOSOPHY

INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

Page 15: Deconstruction Architecture

Deconstruction is a literary theory and philosophy of language derived principally from Jacques Derrida's 1967 work Of Grammatology.

PHILOSOPHY

HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

INTRODUCTION PHILOSOPHY

Page 16: Deconstruction Architecture

AnalyzeDescribe

the clearest explanation on Derrida’s thinking, which I also found to be notoriously difficult. it’s fundamental to Derrida’s extraordinary view of the world that nothing has much meaning anyway.

That’s why he struggles so hard not to communicate with us; he actually intends it to be difficult for us to find out what he says, if he has anything to say at all!

Many attempts to explain or to analyze Deconstruction have been violently rebutted on the grounds that such approaches violate the very nature of Deconstruction.

Its proponents insist that "it cannot be described and stated as other positions can" because it is a new form of logic that has superseded the old traditional logic in which such analyses are couched.

PHILOSOPHY

HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

INTRODUCTION PHILOSOPHY

Page 17: Deconstruction Architecture

Subjects

1. Metaphysics 2. Clarity 3. Logocentrism 4. Meaning 5. Feelings 6. Binary Thinking 7. Phonocentrism 8. Palimpsest

Derrida tends to work not so much by initiating ideas as by reacting, forcibly, to what others have written already.

In each case Derrida aims to refute thinkers with arguments derived from the author’s own writings, to demonstrate -successfully in many cases- that the very premises on which the authors base their cases will, if pursued to their logical conclusions, defeat the original arguments.

Deconstruction, after all, is literally concerned -as Derrida insists- with written texts. His attacks are especially focused on subjects such as:

PHILOSOPHY

HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

INTRODUCTION PHILOSOPHY

Page 18: Deconstruction Architecture

Metaphysics is the age-old search for “truth” and the “essence of being” that has been the center of occidental Philosophy. Derrida despises this search through the centuries

for the ultimate truth, for the reason of our existence & the idea that there should be some kind of "absolute knowledge", "prime mover" or "God".

PHILOSOPHY

HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

INTRODUCTION PHILOSOPHY

1. Metaphysics

Page 19: Deconstruction Architecture

This is relevant to architecture in that, for Derrida, there is no "one best way", no "International Style", no roots from which all architecture has grown. So there are no received truths - Classical, Modernist or other.

PHILOSOPHY

HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

INTRODUCTION PHILOSOPHY

Absolute knowledge

Absolutesin

Architecture

Page 20: Deconstruction Architecture

PHILOSOPHY

HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

INTRODUCTION PHILOSOPHY

To "deconstruct" at all -program, form or structure- is to demonstrate one's view that there are no absolutes in architecture, that attempts, such as Heidegger's (in philosophy) or Le Corbusier’s, Wright’s and others (in architecture) to find such absolutes are doomed to failure.

Church of the year 2000, Rome by Eisenman.(Deconstruction itself rejects the existence

of God)

Page 21: Deconstruction Architecture

Clarity in Structuralist predecessors is to write simply, directly, clearly and unambiguously, Derrida is part of the Post-Structurlist movement

that strongly reacted against the clarity.

PHILOSOPHY

HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

INTRODUCTION PHILOSOPHY

2. Clarity

Page 22: Deconstruction Architecture

PHILOSOPHY

HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

INTRODUCTION PHILOSOPHY

Ambiguous

Page 23: Deconstruction Architecture

Diffuseincoherent Ambiguous

Struggle to Understand

Give up

Accept as it is

“It is my evident desire to insinuate my thoughts into your brain, and thus ‘colonize’ your mind! That is why they write deliberately in such an unclear, diffuse, incoherent and ambiguous way that will get you so angry that, in your struggle to understand, you will be forced into having your own thoughts.” -Broadbent-.

Deconstructivist architecture is ambiguous as a Deconstructivist text, whereas clarity is what we see when analyzing Modern architecture, simplicity in its structure, coherence in its programme.

PHILOSOPHY

HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

INTRODUCTION PHILOSOPHY

Page 24: Deconstruction Architecture

PHILOSOPHY

HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

INTRODUCTION PHILOSOPHY

Robert Venturi, an exponent of Post-Modernism, had demonstrated a parallel kind of thinking in architecture when in "Complexity and Contradiction" (1966) he attacked "Modernist transparency". Outside of a building should not be molded

according to its inside logic

Page 25: Deconstruction Architecture

Logocentrism: analyzing the structure of our language -in believe that language is what allows us to think- to unveil the structure of our thoughts and thus arrive at those "ultimate truths".

PHILOSOPHY

HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

INTRODUCTION PHILOSOPHY

3. Logocentrism

Page 26: Deconstruction Architecture

Derrida despises Logocentrism and even rejects any relationship between a word and its meaning. That is why he uses words in any way he pleases, and makes it so difficult for us to understand him.

He wants words (and presumably buildings) to literally have no single meaning.

PHILOSOPHY

HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

INTRODUCTION PHILOSOPHY

Word / Building

Single Meaning

Page 27: Deconstruction Architecture

He sees Deconstruction as our attempt to recover from the Tower of Babel! “The builders of the Tower sought political domination by imposing on the world their universal language and their universal architecture, exactly as Modern Architecture.

PHILOSOPHY

HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

INTRODUCTION PHILOSOPHY

Tower of Babel

Page 28: Deconstruction Architecture

PHILOSOPHY

HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

INTRODUCTION PHILOSOPHY

According to Derrida, our aim should not have been to find another "only absolute" view but to seek a diversity of views.” This is a view clearly contrary to that of Modernism.

Some architects took literally the notion of no single meaning and tried to create buildings with no meaning at all, organized according to pure geometric rules that

would convey no meaning.

Page 29: Deconstruction Architecture

Meaning: “Syntagmatic / Associative” ,“Signifier / Signified” Saussure, like many others before him, tended to think in pairs, or "binary oppositions".

PHILOSOPHY

HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

INTRODUCTION PHILOSOPHY

4. Meaning

Page 30: Deconstruction Architecture

The denial of meaning from Derrida was taken by Deconstructivist architects and translated as an architecture of pure "syntax" without any "semantic" meaning.

PHILOSOPHY

HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

INTRODUCTION PHILOSOPHY

Eisenman's aim when designing most of his early buildings was this, he used extremely pure, geometric "syntaxes" with no semantic references of the kind we loosely call "meaning".

Semantic architecture

Page 31: Deconstruction Architecture

Peter Eisenman says: "People have been concerned with relating themselves to their physical environment as a source of security. I believe that if the physical environment makes them anxious they might turn inward and the true source of security is internal. The physical environment can never provide that, it can provide physical comfort, shelter, but it can never provide psychological shelter."

PHILOSOPHY

HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

INTRODUCTION PHILOSOPHY

5. Feelings

Page 32: Deconstruction Architecture

When it comes to Eisenman buildings, he creates a really disturbing spacing completely dislocated and every time you don't know where you are, or at what level you are, you never know.

PHILOSOPHY

HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

INTRODUCTION PHILOSOPHY

For Heinrich Klotz, Deconstruction is "an indication of how we perceive our lives today and a good part of it is the uncertainty we feel".

Eisenman is concerned in causing an uncertainty in people

Page 33: Deconstruction Architecture

DESIGN CHARACTERISTICS

INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES

Page 34: Deconstruction Architecture

Deconstruction Style

Layering Angular Organic (Curvilinear) Chaos

DESIGN CHARACTERISTICS - Classification

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Page 35: Deconstruction Architecture

DESIGN CHARACTERISTICS - Common

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

No physically pure basic volume. Fragmented Mass. New Material (Metals, Glass, Concrete). Complicated Structure, and thus advanced structural systems. Relatively high Void percentage. Open Plan. Distinguishing from Context.

Page 36: Deconstruction Architecture

DESIGN CHARACTERISTICS - Layering

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Page 37: Deconstruction Architecture

DESIGN CHARACTERISTICS - Layering

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Definition: essentially based on fragmenting pure basic Volumes into vertical & horizontal Planes which create different layers.

Basic Shape

Page 38: Deconstruction Architecture

DESIGN CHARACTERISTICS - Layering

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Notable Architects:

Richard Meier

Nationality: American.

Born: 1934.

Qualifications: BCS of Architecture

degree from Cornell University.

Page 39: Deconstruction Architecture

DESIGN CHARACTERISTICS - Layering

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Lines: Straight parallel lines & Arch.

1

2

3

4

5

The Getty C

enter - California, U

SA

Richard

Meie

r

Page 40: Deconstruction Architecture

DESIGN CHARACTERISTICS - Layering

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

1

2

3

4

5 Corners: Right Angle.

The Getty C

enter - California, U

SA

Richard

Meie

r

Page 41: Deconstruction Architecture

DESIGN CHARACTERISTICS - Layering

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

1

2

3

4

5 Appearance of Original Basic Volumes: Still visually.

The Getty C

enter - California, U

SA

Richard

Meie

r

Page 42: Deconstruction Architecture

DESIGN CHARACTERISTICS - Layering

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

1

2

3

4

5Articulation: through relation between layers & Masses.

The Getty C

enter - California, U

SA

Richard

Meie

r

Page 43: Deconstruction Architecture

DESIGN CHARACTERISTICS - Layering

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

1

2

3

4

5Openings: by Subtraction & Addition.

The Getty C

enter - California, U

SA

Richard

Meie

r

Page 44: Deconstruction Architecture

DESIGN CHARACTERISTICS - Layering

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Burda Museum

, Baden-Baden, Germ

any

Richard

Meie

r

Page 45: Deconstruction Architecture

DESIGN CHARACTERISTICS - Layering

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

International Center for Possibility

Thinking - California, USA

Richard

Meie

r

Page 46: Deconstruction Architecture

DESIGN CHARACTERISTICS - Layering

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

House III - Connecticut, U

SA

Peter

Eise

nman

Page 47: Deconstruction Architecture

DESIGN CHARACTERISTICS - Layering

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Rosenthal C

enter for

Contem

porary Art - O

hio, USA

Richard

Meie

r

Page 48: Deconstruction Architecture

DESIGN CHARACTERISTICS - Layering

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Church of 2000 - Rom

e, Italy

Richard

Meie

r

Page 49: Deconstruction Architecture

DESIGN CHARACTERISTICS - Angular

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Page 50: Deconstruction Architecture

DESIGN CHARACTERISTICS - Angular

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Definition: essentially consists of complicated composition of hybrid volumes with Acute angles.

Basic Shape

Page 51: Deconstruction Architecture

DESIGN CHARACTERISTICS - Angular

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Notable Architects:

Daniel Libeskind

Nationality: American.

Born: 1946.

Qualifications: BCS of Architecture

degree from University of Essex.

Page 52: Deconstruction Architecture

DESIGN CHARACTERISTICS - Angular

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Lines: Almost Straight Non-parallel lines.

1

2

3

4

5

Daniel

Libe

skind

DEN

VER

AR

T MU

SEUM

-

Colorado, USA

Page 53: Deconstruction Architecture

DESIGN CHARACTERISTICS - Angular

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

1

2

3

4

5 Corners: Acute angles.

Daniel

Libe

skind

DEN

VER

AR

T MU

SEUM

-

Colorado, USA

Page 54: Deconstruction Architecture

DESIGN CHARACTERISTICS - Angular

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

1

2

3

4

5Appearance of Original Basic Volumes: Disappear.

Daniel

Libe

skind

DEN

VER

AR

T MU

SEUM

-

Colorado, USA

Page 55: Deconstruction Architecture

DESIGN CHARACTERISTICS - Angular

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

1

2

3

4

5Articulation: through relation between Masses.

Daniel

Libe

skind

DEN

VER

AR

T MU

SEUM

-

Colorado, USA

Page 56: Deconstruction Architecture

DESIGN CHARACTERISTICS - Angular

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

1

2

3

4

5Openings: Mainly by Subtraction .

Daniel

Libe

skind

DEN

VER

AR

T MU

SEUM

-

Colorado, USA

Page 57: Deconstruction Architecture

DESIGN CHARACTERISTICS - Angular

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS Dan

iel L

ibesk

ind

PALA

ZZO D

ELL’EDILIZIA O

F

ALESSA

ND

RIA

, Alessandria, Italy

Page 58: Deconstruction Architecture

DESIGN CHARACTERISTICS - Angular

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS Dan

iel L

ibesk

ind

RO

YAL O

NTA

RIO

MU

SEUM

Toronto, Canada

Page 59: Deconstruction Architecture

DESIGN CHARACTERISTICS - Angular

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS Dan

iel L

ibesk

ind

The Villa - Libeskind Signature

Series

Page 60: Deconstruction Architecture

DESIGN CHARACTERISTICS - Angular

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

OMA

CC

TV H

eadquarters- Beijing,

China

Page 61: Deconstruction Architecture

DESIGN CHARACTERISTICS - Angular

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Terry

Farr

ell

The Deep A

quarium- H

ull, UK

Page 62: Deconstruction Architecture

DESIGN CHARACTERISTICS - Organic

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Page 63: Deconstruction Architecture

DESIGN CHARACTERISTICS - Organic

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Definition: essentially consists of complicated sculptured volumes with curvy lines.

Basic Shape

Page 64: Deconstruction Architecture

DESIGN CHARACTERISTICS - Organic

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Notable Architects:

Dame Zaha Mohammad Hadid

Nationality: Iraqi-British.

Born: 1950.

Qualifications: BCS of Architecture degrees

from Architectural Association in London.

Page 65: Deconstruction Architecture

DESIGN CHARACTERISTICS - Organic

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Lines: Curvy lines.

1

2

3

4

5

Zaha

Had

id

Heydar A

liyev Center- Baku,

Azerbaijan

Page 66: Deconstruction Architecture

DESIGN CHARACTERISTICS - Organic

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

1

2

3

4

5Corners: Almost No Corners but curves.

Zaha

Had

id

Heydar A

liyev Center- Baku,

Azerbaijan

Page 67: Deconstruction Architecture

DESIGN CHARACTERISTICS - Organic

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

1

2

3

4

5Appearance of Original Basic Volumes: Disappear.

Page 68: Deconstruction Architecture

DESIGN CHARACTERISTICS - Organic

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

1

2

3

4

5Articulation: sculpturing.

Zaha

Had

id

Heydar A

liyev Center- Baku,

Azerbaijan

Page 69: Deconstruction Architecture

DESIGN CHARACTERISTICS - Organic

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

1

2

3

4

5Openings: Mainly by Subtraction.

Zaha

Had

id

Heydar A

liyev Center- Baku,

Azerbaijan

Page 70: Deconstruction Architecture

DESIGN CHARACTERISTICS - Organic

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Ron A

rad

Archite

cts

Design M

useum H

olon- Holon,

Israel

Page 71: Deconstruction Architecture

DESIGN CHARACTERISTICS - Organic

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Mix-use Building - Belgrade, Serbia

Zaha

Had

id

Page 72: Deconstruction Architecture

DESIGN CHARACTERISTICS - Organic

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Interfaith Chapel Proposal -

Florida, USA

Bro

oks +

Sca

rpa

Archite

cts

Page 73: Deconstruction Architecture

DESIGN CHARACTERISTICS - Organic

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Dalian Planning M

useum - D

alian,

China

10 D

esign

Page 74: Deconstruction Architecture

DESIGN CHARACTERISTICS - Organic

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Galaxy Soho - Beijing, China

Zaha

Had

id

Page 75: Deconstruction Architecture

DESIGN CHARACTERISTICS - Chaos

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Page 76: Deconstruction Architecture

DESIGN CHARACTERISTICS - Chaos

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Definition: essentially consists of complicated composition of hybrid volumes with wide variety of lines & angles.

Basic Shape

Page 77: Deconstruction Architecture

DESIGN CHARACTERISTICS - Chaos

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Notable Architects:

Frank Gehry

Nationality: Canadian-American.

Born: 1929.

Qualifications: BCS of Architecture degrees

from University of Southern California.

Page 78: Deconstruction Architecture

DESIGN CHARACTERISTICS - Chaos

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Lines: Both Straight & Curvy lines.

1

2

3

4

5

Fran

k Geh

ry

Guggenheim

Museum

- bilbao,

Spain

Page 79: Deconstruction Architecture

DESIGN CHARACTERISTICS - Chaos

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

1

2

3

4

5Corners: Both Right &Acute angles & curves.

Fran

k Geh

ry

Guggenheim

Museum

- bilbao,

Spain

Page 80: Deconstruction Architecture

DESIGN CHARACTERISTICS - Chaos

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

1

2

3

4

5

Fran

k Geh

ry

Guggenheim

Museum

- bilbao,

Spain

Appearance of Original Basic Volumes: Disappear.

Page 81: Deconstruction Architecture

DESIGN CHARACTERISTICS - Chaos

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

1

2

3

4

5 Articulation: through relation between Masses.

Fran

k Geh

ry

Guggenheim

Museum

- bilbao,

Spain

Page 82: Deconstruction Architecture

DESIGN CHARACTERISTICS - Chaos

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

1

2

3

4

5Openings: by Subtraction & Addition.

Fran

k Geh

ry

Guggenheim

Museum

- bilbao,

Spain

Page 83: Deconstruction Architecture

DESIGN CHARACTERISTICS - Chaos

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS Fr

ank G

ehry

Vitra D

esign Museum

and Factory-

Weil am

Rhein, Germ

any

Page 84: Deconstruction Architecture

DESIGN CHARACTERISTICS - Chaos

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS Fr

ank G

ehry

The Lou Ruvo Brain Institute-

Nevada, U

SA

Page 85: Deconstruction Architecture

DESIGN CHARACTERISTICS - Chaos

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS Fr

ank G

ehry

Walt D

isney Concert H

all- Los

Angeles, U

SA

Page 86: Deconstruction Architecture

DESIGN CHARACTERISTICS - Chaos

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Vlad

o Milu

nić &

Fran

k Geh

ry

Walt D

isney Concert H

all- Prague,

Czech

Page 87: Deconstruction Architecture

DESIGN CHARACTERISTICS - Chaos

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

The Hotel M

arques de Riscal-

Elciego, Spain

Fran

k Geh

ry

Page 88: Deconstruction Architecture

DESIGN CHARACTERISTICS - Layering

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Other Notable Architects:

1. Peter Eisenman

Nationality: American.

Born: 1932.

Qualifications: Ph.D. of Architecture degrees

from the University of Cambridge.

Page 89: Deconstruction Architecture

DESIGN CHARACTERISTICS

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Other Notable Architects:

2. Bernard Tschumi

Nationality: American.

Born: 1944.

Qualifications: BCS of Architecture degrees

from ETH in Zurich.

Page 90: Deconstruction Architecture

DESIGN CHARACTERISTICS

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Other Notable Architects:

3. Wolf D. Prix (Coop Himmelblau)

Nationality: Austrian.

Born: 1942.

Qualifications: Ph.D. of Architecture degrees from

Southern California Institute of Architecture.

Page 91: Deconstruction Architecture

DESIGN CHARACTERISTICS

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Other Notable Architects:

4. Helmut Swiczinsky (Coop Himmelblau)

Nationality: Polish.

Born: 1944.

Qualifications: BCS of Architecture degrees from

Architectural Association in London.

Page 92: Deconstruction Architecture

DESIGN CHARACTERISTICS - Angular

PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES

INTRODUCTIONCHARACTERISTICS

Notable Architects:

5. Rem Koolhaas

Nationality: Dutch.

Born: 1944.

Qualifications: BCS of Architecture degrees

from Architectural Association in London.

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Certainly arrowheads directed to School of Architecture deconstruction is ready, and the most important principle of causality or function architecture, it is possible to find a column in the dining room unnecessarily, or find a weapon of iron and glass cutter roof of the building without a cause functional convincing except for the art form outside.

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As well as the abandonment of the cultural heritage of civilization, it approaches disassembly abandon motifs and architectural elements and replace it with other elements sharp and vehicle and shocking to the eye.

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Geometric movement calling for the demolition of all the bases Engineering Alakulaidsah.

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Calls for the dismantling of facilities to the parts.

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Difficult to understand for the general public.

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work needs to be seen by reading about it.

Wall house

Theo Van Doesberg

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You need to understand a catalog of ideas.

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Building cracker and asymmetry and non-consistency.

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Done by:Husam AlMuzainyAlaa AlbdourAli AthamnehAbdullah OdatAhmad Sdoudi

ARCHITECTURE

Deconstruction


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