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DEFINE PROPAGANDA

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DEFINE PROPAGANDA. What is the propagandistic message of this artwork? How is this message visually communicated. Roman Government and Art Context Review. Appropriation: “Captive Greece made Rome Captive” Pragmatism: Where the greatest good and popular opinion established the standard of art - PowerPoint PPT Presentation
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DEFINE PROPAGANDA What is the propagandistic message of this artwork? How is this message visually communicated
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Page 1: DEFINE PROPAGANDA

DEFINE PROPAGANDA

What is the propagandistic message of this artwork? How is this message visually communicated

Page 2: DEFINE PROPAGANDA

Roman Government and Art Context Review

Appropriation: “Captive Greece made Rome Captive”Pragmatism: Where the greatest good and popular opinion

established the standard of artPropaganda: Power and authority of the Republican and

Imperial rulers / empiresUtilitarianism: engineering, road building, public works to

manage government and EmpireEclecticism: A tolerant and open-minded approach to

differencesEngineering: New technological innovations in building

including arch, vault, dome and concrete

Page 3: DEFINE PROPAGANDA

Four Roman Contributions to Architecture

Building for use – a shift from religious building to engineering for practical/public use, problems and entertainment

Developing the arch and vault – increase in scaleEmphasis in verticality – made possible by use of

concrete, multi-use facilities like the forum market place

Design of significant interiors – Romans treated the play between light and space as significant architectural elements

Page 4: DEFINE PROPAGANDA

THE MANY USES OF THE ARCH

DomeCross VaultArch Barrel Vault

Page 5: DEFINE PROPAGANDA

The PantheonWhat are the facts? (F)Architect: NAPatron: Emperor HadrianTitle: The PantheonDate: 120 CEPeriod/Style: High EmpireSize: MonumentalFindspot: Rome

Page 6: DEFINE PROPAGANDA

There is very little ancient commentary on the Pantheon

No one knows who designed it or why Hadian had the bronze lettering placed on it recognizing Agrippa as the builder of an earlier temple on the site

No one knows what sculptural work actually filled the niches – usually assigned to planetary deities

Pediment sculptures are completely lost and we don’t know what the forecourt looked like or how it affected how people approached the building

We do not know the exact function of the building

Page 7: DEFINE PROPAGANDA

This building is nearly 2,000 years old and has gone through significant changes. What types of changes do you think occurred to the building that have stripped it from its original context?

It became Santa Maria della Rotund in 609 CE. Scultpures of the new faith replaced the old

Page 8: DEFINE PROPAGANDA

The Pantheon: Group Discussion 5 Minutes

Group 1: Discuss questions 1, 2 and 3Group 2: Discuss questions 4 and 5Group 3: Discuss questions 6 and 7

Page 9: DEFINE PROPAGANDA

Who was Hadrian? Chosen successor of Trajan

A fellow Spaniard

Lover or art

Traveled to Greece – his portrait is reminiscent of Pericles – a classical depiction of a mature bearded man

We see his interest of Greek architecture reflected in the Pantheon but also a departure

Page 10: DEFINE PROPAGANDA

What type of floor plan is the Pantheon

CENTRALIZED – based upon the circle

Single, unified and uninterrupted space with niches for sculpture

This type of plan was not new to Romans – it was used for their public baths and Nero’s Golden house

The proprtions of the Pantheon are “harmonic” – echoing Plato’s idea of the harmony of the universe

Niche

Page 11: DEFINE PROPAGANDA

What is the structure or engineering system?

1. A poured concrete rotunda

2. Based upon intersection of a vertical and horizontal circle

3. A drum and dome supported by relieving arches imbedded in thick walls serving as a buttressing system

4. Weight lessened by the coffers and decreasing size of the dome shell as it rises

Page 12: DEFINE PROPAGANDA

THE MANY USES OF THE ARCH

DomeCross VaultArch Barrel Vault

Page 13: DEFINE PROPAGANDA

How did one enter the building?

A colonnaded courtyard would have led the Romans into the portico, from which the ascended steps into the once elevated building

Page 14: DEFINE PROPAGANDA

Describe the interior space

The vast interior space can be imagined as the orb of the earth and the dome as the vault of the heavens

Divided into 3 levels:

1st level is defined by columns and niches – vertical columns fasten us to the ground

2nd level is the drum – it’s solidity upholds the dome of the heavens. Square windows lessen it’s solidity

3rd level the dome and oculus – the coffered pattern, decreasing in size, leads the eye to the oculus which lets in dramatic light. The decreasing size also make the dome feel lighter

The floor is patterned with squares. The overall scheme is a harmonious integration of circles and squares

Page 15: DEFINE PROPAGANDA

How is the interior embellished or decorated?Marble interior. Exterior

rotunda originally covered in marble

Bronze stars would have originally adorned each coffer – likening it to a heavenly sky

The lighting from the oculus, which would have illuminated the the 7 planetary deities like a heavenly searchlight adds a dramatic flare that embellishes interior space

Page 16: DEFINE PROPAGANDA

How does one move around the interior space

CIRCUMBULATION: Circulate the vast interior space – niche to niche

Uninterrupted circular path is a Roman invention

Circular shape and use of natural light from the open oculus Encloses people without imprisoning them

Page 17: DEFINE PROPAGANDA

What is the function of this building? How do the visual qualities convey

this function?RELIGIOUS FUNCTION: The universal sphere (the earth) is connected to the cosmos beyond by a perfect circular oculus Dome is an image of the cosmos for contemplation. IDEAL WORLD ORDER: Organized, unified and harmonious like government

GOVERNMENT FUNCTION: Space for Roman Senate Meeting – symbolic of meeting in harmony. Emporer would have ruled religion and state. It is suggested that the portico would have had a sculpture of Augustus and the interior sculpture would have included a statues of Julius Caesar

Page 18: DEFINE PROPAGANDA

HW QUESTIONSWHY IS THE WORK SIGNIFICANT – HOW

DOES IT SPEAK FOR IT’S TIME / GENERATION?

In what way do the visual qualities of the building reflect the culture’s social, religious and /or political values of the time, or the chief concerns of this time?


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