KIAT ARCHITECTKertanegara St, No. 28AJakarta Selatan, Indonesia

Yesaya Psl2;2:

PadaHari-harimendatangbukittempat

rumahTuhanmenjulangtinggidanberdiri

tegakdiatasgunung-gunungdanbukit-

bukit. Segalabangsaberduyun-duyunke

sana, danmerekasemuaberkata: Mari kita

naikkeBukit Tuhan, kerumahAllah Israel. Ia

akanmengajarkankepadakitaapasajayang

haruskitalaksanakan. Kita akanmengikuti

jalan-Nya.

DESIGN AND RENOVATION OF THE SOIBADA RELIGIOUS COMPLEX AND PILGRIMAGE DESTINATION, SOIBADA, TIMOR LESTE

BACKGROUND AND HISTORY1. Over one hundred years ago, Soibada was

the most famous village in the whole country of Timor, due to the establishment of a college by a group of Jesuit priests.

2. Geographically, the place was not favorable to allow students to go to the college anymore.

3. Soibada is an historical place in relation to the history of Catholic churches in Timor, the history of Jesuit priests in the world, the culture and education in Timor and spiritual life for the reason that the Sanctuary of Aitara is considered as the national Sanctuary of Timor.

4. What is more, Soibada’s Sanctuary is the biggest Sanctuary in Asia, in comparison with Fatima or Lourdes in Europe. This Sanctuary resides in a country in Asia where the majority of the populations are Catholic. Therefore, when we think of Timor Leste has the potential for tourism; we may consider Soibada and Aitara as tourism destination for pilgrimage tourists.

5. Soibada would still be able to gain another important position for being the national identity with its new name of Aitara-Soibada, a National Asset of Timor Leste

In Timor Leste when we mention about Soibada,

subsequently will emerge an image of a place where

abundance of educated Timorese or those who are the

leaders of the country were once studied, or a place where

Saint Marry dwells in Aitara Tutun. These two names are

closely connected to each other as we refer to the same

place. So, when people forget one, it means they forget

both

CONCEPT..1

1. RESTORATION OF THE OLD SOIBADA.1. Aitara Chapel/Mary Chapel2. Boarding House (Men)3. Boarding House (Women)4. Church5. School6. Sport Facilities7. Clinic/Hospital8. Landscape

2. DESIGNING NEW AREA;1. Amphiteather2. Cross Station3. Accomodation; Hotel/Hostel/Villa4. Parking and Handycraft Outlet5. Manlala Chapel and Sculpture Of Jesus Up To

Heaven6. School/University7. Government Facilities8. Landscape9. Etc

RELIGIOUS COMPLEX AND PILGRIMAGE DESTINATION

1. MASTERPLAN2. DETAIL DESAIN

ENGINEERING (DED)1. Road,2. Drainage,3. Water,4. Telcom/Elctricity,5. Landscaping,6. Stacies,7. Sculpture,8. Building,9. Chapel,10. Etc

MASTERPLAN RELIGIOUS COMPLEX

AND PILGRIMAGE DESTINATION

Themes Of Activity and Function. (Topography, Concepts, Zoning

Plan, Cross Station, AcomodationArea, Amphiteather, Parking Area, Others Support Facilities

Programe, Scheme, Schedule, Amount ($) and

Department

DETAIL ENGINEERING DESIGN

(Road, Drainage, Water Supply, Telcom, Electricity, Cross Station, Sculpture, Building, Chapel, Etc

SHOP DRAWING

BILL OF QUANTITY (PER

ITEM)

BIDDING OF DOCUMENT (PER ITEM)

PRODUCT OF THIS PROJECT/ACTIVITY

SCHEDULE

1 June-1July

•Administration

•Mobilitation

•Consultation

•Collecting Data

2July-2Augst

• Topography Field Survey

• Processing and Analysis Topography

Agst-Sep

• Tim Analysis

• Data Building

• Drawing

• Tim Concept

Sep-Oct

•Draft Concept

•Presentation

•Consultation

Oct-Nov

• Revision

• Draft Masterplan

• Approval Item To DED

Nov-Des

•Presentation and Consultation

•MasterplanApproval

•Draft Detail Engineering Design (Per Item)

Des-Jan

• Detail Engineering Design ( Per Item, As Consultation)

Final Report

Final Report

A1 & A3Report & Album

A4 & A31. BoQ2. Album3. BoD

CONCEPT..2 MASTERPLAN

1. Cross Station And Garden Area;

2. Parking Area, Restroom, Kiosk-kiosk;

3. Accomodation Area;

4. Heritage /Old SoibadaArea;

5. Restaurant And Store Area;

6. Centra Local Handicraft Area;

7. Government Office Area;

8. Education New SoibadaCollege Area;

9. Ampiteather Area;

10. Health Facilities Area;

11. Cemetary Area;

12. Housing Area;

13. Forest For Conservation Area;

CONCEPT..3

1. Placing The Building Of Manlala Chapel with the Amphiteather and Soibada Churh as one line simetris.

2. Placing The Sculpture Of Jesus Crist one line simetric so from top of manlala Hill We Can See Straight an Amphiteatherand Church Of Soibada.

3. Keeping The Chapel Of Aitara (Mary Chapel) as Mary Chapel with a few restoration and add facilities such as;

a) Women Restroom;

b) Men Restroom

c) Garden

d) House Of Timorese

e) Mini Café Fruit Juices & Handycraft Store.

1. Designing For Misa Activity, Dancing, and Concert.

2. Design with capacity up to 5000 people.

3. Detail Concept need to discussion with The MPU (Ministry Of Infrastructure-RDTL).

4. Designing with add facilities ;

a. Restroom,

b. Changeroom for Father and Dancer Tim,

c. Generator and Soundsystem buildiing.

1. MATERIAL ; Will using from in or outside timor leste.

2. LANDSCAPE, will using the same vegetation or other outside Timor Leste suit to the waether of Timor.

MANLALA

CHAPEL

&

SCULPTUR

E JESUS

UP TO

HEAVEN

1. Designing For Up 200 People Accomodating

2. Design with Nice Room, Garden, Restroom, Pathway, Parking Area and Rumah Adat Timor Leste.

Jerussalem, Israel

1. ROW Design for 3 meters

2. 1 Group of Touring, should be not more than 50 peoples

3. Cross Station Interval will be 50 meters. And Designing for 15 Cross Station. It Will Take an 1,2 Km Long Road Cross Station Up to ManlalaHills.

4. Every Cross Station, Designing Typicaly Area 14 meters x 10 meters with a placing New Sculpture, Sitting Area, and a Place for Candle,

GO TO

SENDANGSONO CS

LOURDES CS

MAHAWU CS

1. Designing For Up to 150 People Pray in The Chapel ManlalaHill.

2. Front Door Design wih a Stone and piece by piece a glass many colour and will be shining when it get a light from Sun or Light From Inside Building.

3. Inside Building, behind the podium, will be design New Cross Shining by light and other sources.

1. ROW 3 Meters

2. 7 Station, Design as a Symbol of Jesus Tell His Mission On Earth ;

1. Gua Bethlehem Guadan Kandang;

2. Sungai Jordan Sungai Kecil;

3. Danau Galilea KolamKecil;

4. Perkawinan Kana (MuzizatPertama, Air menjadi Anggur Gazebo/Rumah Adat Timor;

5. Kothbah dibukit Padang Bukitan;

6. Memasuki Gerbang Jerussalem Gapura & Pohon Palem;

7. Taman Getsemani, Ketika Yesus di Tangkap Berbatu dan Pohon Zaitun.

THANK YOU

LESSON AND LEARNED LOURDES, FRANCE

LESSON AND LEARNED

SENDANGSONO, YOGJAKARTA,

INDONESIA LESSON AND LEARNED MAHAWU, SULAWESI UTARA, INDONESIA

1)

2)

3)

LESSON AND LEARNED QUEBEC & SLOVAKIA4)

LESSON & LEARNED FROM LOURDES…..1

MAP OF LOURDES

LESSON & LEARNED FROM LOURDES…..2

OLD LOURDES

LESSON & LEARNED FROM LOURDES. –STAGES--

STAGES

LESSON & LEARNED FROM LOURDES….. STAGES 1

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LESSON & LEARNED FROM LOURDES…..—STAGES 2

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LESSON & LEARNED FROM LOURDES…..—STAGES 3

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LESSON & LEARNED FROM LOURDES…..—STAGES 4

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LESSON & LEARNED FROM LOURDES…..—STAGES 5

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LESSON & LEARNED FROM LOURDES…..—STAGES 6

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LESSON & LEARNED FROM LOURDES…..—STAGES 7

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LESSON & LEARNED FROM LOURDES…..—STAGES 8

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LESSON & LEARNED FROM LOURDES…..—STAGES 9

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LESSON & LEARNED FROM LOURDES…..—STAGES 10

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LESSON & LEARNED FROM LOURDES…..—STAGES 11

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LESSON & LEARNED FROM LOURDES…..—STAGES 12

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LESSON & LEARNED FROM LOURDES…..—STAGES 13

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LESSON & LEARNED FROM LOURDES…..—STAGES 14

STAGES

LESSON & LEARNED FROM LOURDES…..2

1. OLD MAP SENDANGSONO

1. NEW MAP SENDANGSONO

2. SEJARAH SENDANGSONO

1. Sendangsono adalah tempat ziarah Goa Maria yang terletak di Desa Banjaroyo, Kecamatan Kalibawang, Kabupaten Kulon Progo, DI Yogyakarta.

2. Gua Maria Sendangsono dikelola oleh Paroki St. Maria Lourdes di Promasan, barat laut Yogyakarta.

3. Tempat ini ramai dikunjungi peziarah dari seluruh Indonesia pada bulan Mei dan bulan Oktober. Selain berdoa, pada umumnya para peziarah mengambil air dari sumber. Mereka percaya bahwa air tersebut dapat menyembuhkanpenyakit.

4. Catatan terkait memperlihatkan, Sendangsono awalnya merupakan tempatpemberhentian (istirahat sejenak) para pejalan kaki dari Kecamatan BorobudurMagelang ke Kecamatan Boro (Kulon Progo), atau sebaliknya. Tempat itubanyak dikunjungi karena keberadaan sendang (mata air) yang muncul diantara dua pohon sono.

5. Kesejukan dan kenyamanan tempat itu ternyata juga dimanfaatkan untukbertapa oleh sejumlah rohaniawan Buddha dalam rangka mensucikan danmenyepikan diri. Nilai spiritualistik muncul dan menguat seiring dengan adanyakepercayaan yang didasarkan pada suatu legenda bahwa tempat itu jugadihuni Dewi Lantamsari dan putra tunggalnya, Den Baguse Samija.

6. Dari situ bisa dilihat bahwa sebenarnya nilai rohani Sendangsono sudahterbangun sebelum Gereja Katolik berkarya di tempat itu.

7. Keberadaan Sendangsono tak luput dari peran Romo Van Lith SJ, rohaniawanBelanda yang lama tinggal di Pulau Jawa. Hal itu juga menandakan bahwaSendangsono tidak bisa dilepaskan dari lingkaran sejarah Gereja Katolik diPulau Jawa mengingat Romo Van Lith sendiri merupakan salah satu rohaniwanyang menyebarkan ajaran Katolik di Pulau Jawa.

2. SEJARAH SENDANGSONO

1. Relief di Sendangsono yang menggambarkan penduduk desa berpakaian adatJawa sedang dibaptis.

2. Pada 14 Desember 1904 silam Romo Van Lith membaptis 171 warga setempatdengan air dari kedua pohon sono, termasuk Bapak Barnabas sebagaikatekumen pertama. Dua puluh lima tahun kemudian tepatnya 8 Desember1929 Sendangsono dinyatakan resmi menjadi tempat penziarahan oleh RomoJ.B. Prennthaler SJ.

3. Patung Bunda Maria di Sendangsono dipersembahkan oleh Ratu Spanyol yang begitu susahnya diangkat beramai-ramai naik dari bawah Desa Sentolo olehumat Kalibawang.

4. Pada 1945 Pemuda Katolik Indonesia berkesempatan berziarah ke Lourdes, dari sana mereka membawa batu tempat penampakan Bunda Maria untukditanamkan di bawah kaki Bunda Maria Sendangsono sebagai reliqui sehinggaSendangsono disebut Gua Maria Lourdes Sendang Sono.

5. Dibangun secara bertahap sejak tahun 1974, hanya dengan mengandalkansumbangan umat. Budayawan dan rohaniawan, YB Mangunwijaya yang memberi sentuhan arsitektur. Konsep pembangunan kompleks Sendangsonoini bernuansa Jawa, ramah lingkungan. Bahan bangunannya memanfaatkanhasil alam.

6. Tahun 1991, kompleks bangunan Sendangsono mendapat penghargaanarsitektur terbaik dari ikatan arsitek Indonesia, untuk kategori kelompokbangunan khusus.

7. Pada 17 Oktober 2004 dengan diadakan suatu prosesi dan misa ekaristi kudus pada jam 10.00 oleh Mgr. Ign. Surhayo Pr untuk memperingati 100 tahunSendangsono.

3. ENTER TO SENDANGSONO & STASI

3. ENTER TO SENDANGSONO

3. STAGES…1

3. STAGES…2

3. STAGES…3

3. STAGES…4

3. STAGES…5

3. STAGES…6

3. STAGES…7

3. STAGES…8

3. STAGES…9

3. STAGES…10

3. STAGES…11

3. STAGES…12

3. KAPEL, PROSESI, MATERIAL

AREA AND FACILITIES

• AMPHITEATHER

• BOTANICAL GARDEN

• CHAPEL MARIA

• GROTTO OF MARY

• KELONGS GARDEN

• MAHAWU ADVENTURE

• MAHAWU STATION OF CROSS

• REATREAT HOUSE

1. AMPHITEATHER

2. KAPEL BUNDA MARIA/CHAPEL OF MOTHER MARIA

2. GROTTO OF MARY

3. MAHAWU GROTTO

4. STATION OF CROSS ..1 s.d 14

4. STATION OF CROSS ..1

4. STATION OF CROSS ..2

4. STATION OF CROSS ..3

4. STATION OF CROSS ..4

4. STATION OF CROSS ..5

4. STATION OF CROSS ..6

4. STATION OF CROSS ..7

4. STATION OF CROSS ..8

4. STATION OF CROSS ..9

4. STATION OF CROSS ..10

4. STATION OF CROSS ..11

4. STATION OF CROSS ..12

4. STATION OF CROSS ..13

4. STATION OF CROSS ..14

MAHAWU REATRET HOUSE

MAHAWU ADVENTURE

MAHAWU BOTANICAL GARDEN

MAHAWU STATION

MAHAWU KELONGS AND REATRET

STASI

STASI 1

STASI 2

STASI 3

STASI 4

STASI 5

STASI 6

STASI 7

STASI 8

STASI 9

STASI 10

STASI 11

STASI 12

STASI 13

STASI 14