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Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

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Design Approaches Ibsen’s A DOLL HOUSE
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Page 1: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Design Approaches

Ibsen’s A DOLL HOUSE

Page 2: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

A Russian Production, 1902

Page 3: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Claire Bloom as Nora

Page 4: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Jan Maxwell (Kristine) and Janet McTeer on Broadway, 1997

Page 5: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Jane Fonda as Nora, 1979

Page 6: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Julie Harris as NoraHume Cronyn as Krogstad

Page 7: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Gillian Anderson as Noraat Donmar Warehouse, 2009

Page 8: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Opening Scene

Page 9: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Toby Stephens as Torvald

Page 10: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Catherine McCormack and Finbar Lynch at Theatre Royal, Bath - 2010

Page 11: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Mabou Mines DOLLHOUSE, Lee BreuerMaude Mitchell as Nora

Page 12: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Guthrie Theatre update

Page 13: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Pacific Theatre, Vancouver - 2007

Page 14: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Torvald during final scene

Page 15: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

ACT, San Francisco, 2004

Page 16: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Nora and Torvald

Page 17: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

The set

Page 18: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Costume Design by Edith Leavis Bookstein

Page 19: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Valerie Rios, UNM Rodey Theatre

Page 20: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Groundplan

Page 21: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

New Harmony Theatre, IndianaRobert Broadfoot, Designer

Page 22: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Groundplan

Page 23: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Julliard School, 2006

Page 24: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Another sceneDesigned by BEOWULF BORITT

Page 25: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Robert Gardiner, DesignerUniversity of British Columbia

Page 26: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

A room furnished comfortably and tastefully, but not extravagantly. At the back, a door to the right leads to the entrance-hall, another to the left leads to Helmer’s study. Between the doors stands a piano. In the middle of the left-hand wall is a door, and beyond it a window. Near the window are a round table, arm-chairs and a small sofa. In the right-hand wall, at the farther end, another door; and on the same side, nearer the foot lights, a stove, two easy chairs and a rocking-chair; between the stove and the door, a small table. Engravings on the walls; a cabinet with china and other small objects; a small book-case with well-bound books. The floors are carpeted, and a fire burns in the stove. --from an Australian Blog

Page 27: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Scenes of Oslo

Page 28: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Maps

Page 29: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Aerial view

Page 30: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Tourist shots

Page 31: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Bergen, Norway

Page 32: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Port of Oslo

Page 33: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Norwegian Homes

Page 34: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

More research

Page 35: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Winter in Oslo

Page 36: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Residential street, Oslo

Page 37: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

1890 home, Oslo

Page 38: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Norwegian Folk Museum

Page 39: Design Approaches Ibsen’s A DOLL HOUSE. A Russian Production, 1902.

Homes in Oslo


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