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Design For A Brighter Tomorrow

Date post: 06-Apr-2016
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Typographical Experimentation | 2007
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Typornograhical Bizzo | 2014 Kristian Thompson Inspired by Jan Tischold’s Die Niue Typographie, I applied my knowledge of design theory to graffiti. This graphic strategy, a branding exercise based on easily reproduced recognizable patterns, colour, and expansive cursive letter forms was formulated to provide artists with maximum cut through for minimum time and cost in densely contested visual arenas. Inspired by Jan Tischold’s Die Niue Typographie, I applied my knowledge of design theory to graffiti. This graphic strategy, a branding exercise based on easily reproduced recognizable patterns, colour, and expansive cursive letter forms was formulated to provide artists with maximum cut through for minimum time and cost in densely contested visual arenas. Personal Project | 2007 Design for a Brighter Tomorrow Personal Project | 2007 Design for a Brighter Tomorrow Inspired by Jan Tischold’s Die Niue Typographie, I applied my knowledge of design theory to graffiti. This graphic strategy, a branding exercise based on easily reproduced recognizable patterns, colour, and expansive cursive letter forms was formulated to provide artists with maximum cut through for minimum time and cost in densely contested visual arenas. Inspired by Jan Tischold’s Die Niue Typographie, I applied my knowledge of design theory to graffiti. This graphic strategy, a branding exercise based on easily reproduced recognizable patterns, colour, and expansive cursive letter forms was formulated to provide artists with maximum cut through for minimum time and cost in densely contested visual arenas.
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Page 1: Design For A Brighter Tomorrow

Typornograhical Bizzo | 2014 Kristian Thompson

Inspired by Jan Tischold’s Die Niue

Typographie, I applied my knowledge of

design theory to graffiti. This graphic

strategy, a branding exercise based

on easily reproduced recognizable

patterns, colour, and expansive cursive

letter forms was formulated to provide

artists with maximum cut through for

minimum time and cost in densely

contested visual arenas.

Inspired by Jan Tischold’s Die Niue

Typographie, I applied my knowledge of

design theory to graffiti. This graphic

strategy, a branding exercise based

on easily reproduced recognizable

patterns, colour, and expansive cursive

letter forms was formulated to provide

artists with maximum cut through for

minimum time and cost in densely

contested visual arenas.

Personal Project | 2007

Design for aBrighter TomorrowPersonal Project | 2007

Design for aBrighter Tomorrow

Inspired by Jan Tischold’s Die Niue

Typographie, I applied my knowledge of

design theory to graffiti. This graphic

strategy, a branding exercise based

on easily reproduced recognizable

patterns, colour, and expansive cursive

letter forms was formulated to provide

artists with maximum cut through for

minimum time and cost in densely

contested visual arenas.

Inspired by Jan Tischold’s Die Niue

Typographie, I applied my knowledge of

design theory to graffiti. This graphic

strategy, a branding exercise based

on easily reproduced recognizable

patterns, colour, and expansive cursive

letter forms was formulated to provide

artists with maximum cut through for

minimum time and cost in densely

contested visual arenas.

Page 2: Design For A Brighter Tomorrow

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