Design on Textile

The Design on Textile (DOT™) program turns Resolve™

fabric surfaces into canvasses for your imagination.

The DOT Collection is composed of 10 series of compelling original images that can be digitallyprinted on Resolve boundary screens, rollingscreens, flags, and canopies. Herman Miller commissioned the images from several highlyrespected artists/designers who all used digitaltools to create a diverse gallery of styles, colors,and patterns.

You can select images from one series or combineimages from different series to express the uniquecharacter and culture of a workplace and its people.

As never before, you can intertwine art, color, lighting, and other visual content with a furnitureproduct. No other furniture system gives you suchfreedom in workplace design. No other gives you the tools to spark such stimulating visual experiences.

So take a look, and just imagine what you can do.

A new dimension in workplace design.Design on Textile

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RollingScreen

FlagBoundaryScreen

Canopy

The Design on Textile Collection

Every image in the Design on Textile Collection complements the spirit and purpose of the Resolvesystem, and each is compatible with Herman Miller’scolor, material, and finish program.

The fabric, inks, and hardware that make up DOTproducts are 100 percent recyclable and environ-mentally safe.

The Collection images on the following pages illustrate how the designs appear when applied on the largest screen size. Cropping is necessary for smaller screen sizes, as indicated by the cropmarks accompanying each image.

When viewed in a work environment, the color of DOT digitally printed images may vary from imagecolors represented in print or electronic media. All images are printed on a white fabric speciallydesigned for the DOT program.

9GJG 9GJH 9JJA

9GJJ 9GJK 9GJM 9KJA

9GJA 9GJB 9GJF

9GJC 9GJD 9GJE 9HJA

9JJ1

9JJ29KJ1 9KJ2 9HJ1 9HJ2

9GJ1 9GJ2 9GJ3 9JJ3

9GJ4 9GJ5 9GJ6 9GJ7

Trips to the desert regions of the Southwestern UnitedStates led to the design of the Dunes Series. Overlayingvarious colors gives the soothing effect of sun and shadows on sand and wind-swept dunes.

Dunes Series by Jhane Barnes

The Mosaic Series is a modern interpretation of classic stained-glass windows. The underlying colorsform a texture that brings the entire pattern togetherand suggests a view through a kaleidoscope.

Mosaic Series by Jhane Barnes

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Waffle Series by Eric Ludlum

The Waffle Series gives the sense of extreme magnificationand heightened scale. This perspective represents the transient nature of boundaries—a theme echoed throughoutthe Resolve system.

Orange Series by Eric Ludlum

The Orange Series is made up of flowing solid colors that modulate rather than dominate. This works well with thetranslucency of the medium and complements the metallicsheen of Resolve’s structure.

9HEA 9HEB 9KEA 9JEA

9GEA 9GEB 9GEC

9HE1 9HE2 9KE1 9KE2

9GE1 9GE2 9GE3 9JE1

9JEB

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Peering Series by Joyce Mast

The bold graphics of the Peering Series form a strongrelationship between the foreground’s white space andthe background’s image, creating the illusion of peeringthrough the screen. This perception occurs when viewingeither side of the screen.

Hatch Series by Joyce Mast

Complementing Herman Miller’s color program, the HatchSeries images create a sense of motion across one screenand on to the next.

9GMA 9GMB 9HMA 9HMB 9GM3 9KM1 9HM1

9JMA 9JMB

9GMC 9GMD 9GME 9GMF

9GMG 9GMH 9GMJ 9GMK

9KMA 9KMB 9GM1 9GM2

9JM1

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Ocean Series by Bonny Lhotka

Ocean Series images capture the splash of surf, a continually renewing force that is at once restful andenergizing. The effect of waves breaking disperses theimage’s energy throughout the work space.

Reflections Series by Karin Schminke

Like reflections off water, the Reflections Series is dynamic yet tranquil. Simultaneously, you seebeyond the surface reflections to the elementsbeneath, and beyond the Resolve screen to the workenvironment. Fragments of waves, trees, and sunlightadd natural dimensions to the view.

Waterlines Series by Dorothy Simpson Krause

The window images in the Waterlines Series serve as a metaphor for looking in and out of Resolve. Andlike the view through Resolve translucent screens, theWaterlines images are layered with reflections andshadows, producing a shimmering effect—like the rippling surface of a lake.

9GDJ 9GDK

9GDM 9GDP 9KDB 9HDA

9GDA 9GDB 9GDC 9GDD 9GDE

9GDG 9GDH 9KDA 9HDB

9GDF 9JDA

9JDB

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Designer Series The Designer Series is a sampler of images from several designers, offering options from naturephotos to people to abstract graphics. The spectrumof styles and techniques demonstrates some of whatcan be achieved with digital imaging.

9GHV 9GHW 9GHX 9GHZ 9GHA 9GHB 9GHC 9GHU

9GHH 9GHJ 9GHK 9GHM 9GHD 9GHE 9GHF 9GHG

9GHR 9GHS 9GHT

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Designer Series continued

9KH1 9KH2 9KH3 9KH4

9HH3 9HH2 9HH1 9JH3

9JH2 9JH1

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9GH1 9GH2 9GH3 9JH4

9JH5

The Digital Atelier

Dorothy Simpson Krause, Bonny Lhotka, and Karin Schminkecombine art and design backgrounds with extensive knowl-edge of digital tools to make the Digital Atelier acutting-edge art and design studio. Each designer has astate-of-the-art facility that integrates digital imagingand traditional studio and media techniques.

Dorothy Simpson Krause

When Dorothy Simpson Krause begins to work on an image, she looks at her collection of fragments, objects,and photographs. Then she selects several that she thinksmay have more power if they are somehow put together. “I enlarge on the fragmented meanings they suggest bycombining, layering, manipulating, and merging them into provocative statements or questions,” she says.

Dorothy lives near Boston and is an Emeritus Professor of Computer Graphics at the Massachusetts College of Art.She frequently speaks at conferences and symposia and is a consultant for manufacturers of products used by fine artists.

Karin Schminke

“In my work,” says Seattle-based artist Karin Schminke, “I endeavor to bring the viewer into close contact withnature. I want my audience to experience the intimacy ofthe forms and textures I have photographed or drawn,and to experience my fascination with detail, complexity,and repetition.”

Her current work integrates traditional media such asacrylic paint and graphite with digital media. Karin’s art is exhibited frequently in regional, national, andinternational exhibitions and has been widely published.She has taught computer art and design classes at anumber of colleges and universities.

Bonny Lhotka

Bonny Lhotka, of Boulder, Colorado, says she takes designand print technology to the point where she moves intothe unknown. She describes her style as “complexityresolved by synthesis.” As one art critic put it, “Addingthe computer to her mediums is a fitting solution toLhotka’s desire to be of her time, reflecting the edge ofideas where art meets science, science meets philosophy,and ultimately, the work meets the viewer who adds to it a personal interpretation.”

A professional artist since 1972, Bonny has over 100paintings in corporate collections. Her work is showninternationally and appears in numerous books and articles about experimental media.

The Designers

Eric Ludlum

Born in Portland, Oregon, Eric Ludlum grew up inSingapore and the Pacific Northwest, graduated fromSanta Clara University, and pursued design studies inVienna and the Pratt Institute in New York City.

Today, his influence is as international as his experience,thanks to the World Wide Web. In 1995, he cofoundedCore77.com, an information resource for designersaround the world. That same year in New York City, heopened Core 77 design studios.

Eric has designed for a number of major companies, wonmany awards, and been published in several magazinesand newspapers, such as USA Today, I.D., The New YorkTimes, and Internet.

Joyce Mast

A life-long resident of West Michigan, Joyce Mast is a consultant and independent graphic designer who has done extensive work with Herman Miller for severalyears. She has been involved with the Design on Textileprogram from the beginning.

Joyce also specializes in three-dimensional displaygraphics for trade shows, events, and permanent show-rooms. She has been honored for her work with threesuccessive IIDA NeoCon awards from 1998 to 2000,including a pair of Showroom Grand awards for HermanMiller’s space in Chicago’s Merchandise Mart.

Jhane Barnes

Jhane’s unique designs originate from her adventurousspirit and willingness to explore change. “When I’mdesigning,” she says, “I’m extracting things withoutreally knowing exactly where they come from. It’s like an out-of-body experience.”

Her approach has been extraordinarily successful. JhaneBarnes, Inc., in New York City is one of the leadingnames in designer-label men’s wear. She is also anaward-winning designer of textiles, furniture, andcarpet. Her latest venture in the contract furnitureindustry is the creative design alliance of Jhane BarnesTextiles and Herman Miller.

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Idea Gallery Here’s a taste of how Design on Textile images canbe combined and arranged to create distinctivevisual statements using Resolve screens. Images can be from the same or different series. There’s no end to the possibilities.

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Peering Series 9GM1, 9GM2 Waterlines Series 9GDG, 9GDH Designer Series 9GHE, 9GHX

Designer Series 9GHW, 9GHH Dunes Series 9GJH, 9GJK Mosaic Series 9GJ7 Designer Series 9GHG

Orange Series 9GE3, 9GE2Waffle Series 9GEA, 9GEB Waterlines Series 9GDH Ocean Series 9GDB

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Reflections Series 9GDJ, 9GDK

Dunes Series 9GJA, 9GJB, 9GJF, 9GJC, 9GJD, 9GJE

Hatch Series 9GME, 9GMD Designer Series 9GHJ

Designer Series 9GH2, 9GH3

Designer Series 9GHE

Energize your workplace

Test your plan—Order a small quantity of the DOT products you select to experience the impact. Experimentwith different ideas, too, because the flexibility ofResolve lets you easily change your plan.

Place your order—Specify the product number, size,image options, and quantities for each DOT product and generate your order through your Herman Miller representative.

Stay energized—When you’re ready to refresh the look of your workplace, simply reconfigure the images ororder new designs. It’s an easy and cost-effective way to maintain a stimulating environment that achieves your goals.

By following these simple steps, DOT images will createthe environment that works best for you:

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Select DOT images

Choose the DOT images that will help you reach

your goals.

Map out a plan

Consider your total space plan and identify where DOT images are best applied.

Set your goals

Define the visual impact you want to

create in your work-place and the purpose

of the DOT images(image, identity,wayfinding, etc.).

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