MICHAEL MCQUILLAN

DESIGN PORTFOLIODESIGN PORTFOLIODESIGN PORTFOLIODESIGN PORTFOLIODESIGN PORTFOLIODESIGN PORTFOLIODESIGN PORTFOLIODESIGN PORTFOLIODESIGN PORTFOLIODESIGN PORTFOLIODESIGN PORTFOLIODESIGN PORTFOLIO

DESIGN PORTFOLIODESIGN PORTFOLIO

DESIGN PORTFOLIO

DESIGN PORTFOLIODESIGN PORTFOLIODESIGN PORTFOLIODESIGN PORTFOLIO

LEED AP

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RESUMERESUMERESUMERESUMERESUMERESUMERESUMERESUMERESUMERESUMERESUMERESUMERESUMERESUMERESUME

RESUMERESUMERESUMERESUMERESUMERESUME

RESUMERESUME

Education

University of Colorado – DenverMaster of Architecture - July 2008

Coursework included architectural design, building materials and systems, historic preservation, green building, pre-design, professional practice, site planning, structures, and history of construction • GPA: 3.85 • Historic Preservation Certificate – May 2008 • LEED accreditation – May 2008

University of Massachusetts – AmherstBachelor of Arts - Studio Art - May 2003

Coursework included art history, graphic design, typography, sculpture, photography, color theory, composition, and drawing • GPA: 3.88 • Dean’s List/Cum Laude

Software Skills

Significant experience in Autodesk AutoCAD, SketchUp 6, Adobe Photoshop, Illustrator and InDesign CS3, and Microsoft Word, Excel & PowerPoint. Proficient in Adobe Acrobat and ImageReady.

Relevant Strengths

• Well-versed in the Secretary of the Interior’s Standards for the Treatment of Historic Properties • Experienced with both national and state preservation guidelines and organizations • Superior physical modeling ability with a variety of materials; takes pride in high level of craftsmanship and paramount attention to detail • Reliable, efficient, and flexible in all aspects of individual or group assignments • Able to apply a practical yet creative outlook to assigned projects • Demonstrates exceptional organizational and time management skills

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MICHAEL McQUILLAN, LEED AP - RESUME

Work Experience

Margo Jones ArchitectsGreenfield, Massachusetts - 11/08 – 08/10Intern Architect/Preservation Planner • Completed construction and permit drawings for various institutional, commercial, and residential projects, including redline revisions • Involved in pre-design, schematic design, design development and construction document phases • Measured, photographically documented, and completed drawing sets of existing conditions for multiple structures, including historic properties • Led compilation of state ad federal historic rehabilitation tax credit applications for nine buildings over six rounds of submissions, resulting in over twelve million dollars worth of tax credits • Participated in design reviews to determine the impact of proposed projects on buildings and the Greenfield Main St. Historic District • Managed cross-functional relationships throughout tax credit application process; liaison among owners, architects, planners & developers • Researched and analyzed the history and construction of multiple buildings, extracting both historical and architectural significance • Completed Massachusetts Preservation Projects Fund and Greenfield Facade Improvement grant applications Colorado Center for Community DevelopmentDenver, Colorado - 04/08 – 07/08Student Intern • Managed projects from conceptual level through design development for the town of Alma, CO • Projects included new wayfinding signage and energy analysis/potential renewable energy strategies • Conducted client meetings and received and analyzed feedback from town council and residents • Analyzed current energy usage for all town-owned buildings and compiled report for Town of Alma showing potential renewable energy strategies and energy cost savings • Estimated construction costs for completed designs and worked with providers to deliver proposals

Activities and Interests • Member of the National Trust for Historic Preservation • Interested in historical construction methods, historic preservation, and adaptive reuse • Enjoys hiking and camping in state and national parks • New England/Boston sports, reading Pulitzer Prize winners, and brewing

CONTACT

MICHAEL M QUILLAN118 JACKSON AVENUEW. GROVE, PENNSYLVANIA 19390(617) 448 - 5737mmcquillan13@gmail.com

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REFERENCESMargo Jones, AIAPrincipal ArchitectMargo Jones Architects, Inc. Greenfield, MassachusettsOffice phone: 413-773-5551mj@margojones.com

Douglas Kelleher Senior Preservation ConsultantEpsilon Associates, Inc.Maynard, MassachusettsOffice phone: 978-461-6259dkelleher@epsilonassociates

Judith BergquistAssociate Director Denver Colorado Center for Community DevelopmentDenver, ColoradoOffice phone: 303-556-6658Judith.Bergquist@cudenver.edu

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UPPER

STORY

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TABLE OF CONTENTS

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DITIO

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10 14 18 22 26 30

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UPPER STORY REDEVELOPMENTUPPER STORY REDEVELOPMENTUPPER STORY REDEVELOPMENTUPPER STORY REDEVELOPMENTUPPER STORY REDEVELOPMENTUPPER STORY REDEVELOPMENTUPPER STORY REDEVELOPMENTUPPER STORY REDEVELOPMENTUPPER STORY REDEVELOPMENTUPPER STORY REDEVELOPMENTUPPER STORY REDEVELOPMENTUPPER STORY REDEVELOPMENTUPPER STORY REDEVELOPMENTUPPER STORY REDEVELOPMENTUPPER STORY REDEVELOPMENT

UPPER STORY REDEVELOPMENTUPPER STORY REDEVELOPMENTUPPER STORY REDEVELOPMENTUPPER STORY REDEVELOPMENTUPPER STORY REDEVELOPMENTUPPER STORY REDEVELOPMENT

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DECEMBER 2008- AUGUST 2010MARGO JONES ARCHITECTS

PROJECT LOCATION: MAIN STREET HISTORIC DISTRICTGREENFIELD, MASSACHUSETTS

In an unprecedented effort of downtown revitalization, six business owners of nine historic buildings, all within the National Register listed Greenfield Main Street Historic District, banded together to obtain funding, including New Market, state and federal historic rehabilitation tax credits. Margo Jones Architects, consulting with Epsilon Associates, wrote all MHC and NPS tax credit applications and follow-up correspondence with both agencies. MJA was also architect for two projects.

These nine buildings have suffered from decades of neglect. The influx of state and federal tax credits will provide the oppor-tunity for new residential and commercial uses, an economic boost which is long overdue.

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1 2 3

4 5 6

1 Garden Theater Block Current: Cinema Proposed: Performance/Arts Complex2 Allen Block Current: Unused Proposed: Commercial/Residential3 Franklin Savings Bank Current: Gallery/Performance Proposed: Gallery/Performance

Total Massachusetts Historic Rehabilita-tion Tax Credits Awarded:

Total Historic Preservation Certification Tax Credits Awarded:

~$5,000,000

~$5,500,000

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3

4

56

7

8

9

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MARGO JONES ARCHITCTS UPPER STORY REDEVELOP-MENT

PROJECT LOCATION:Wendover Air Force BaseWendover, UT

PARTNER:Christina Haas

PROJECT OVERVIEW:Comprehensive Studio was an intensive, ten week summer semester course in which teams of two were asked to design a mu-seum and restoration facility that would be capable of holding two B-29 bombers, the Enola Gay and the Bockscar. Design challenges included coping with housing the sheer size of the planes, a flat, desolate site adjacent to the salt flats, as well as the incredibly somber subject matter.

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4 First National Bank & Trust Current: Unused Proposed: Cinema5 Franklin A. Pond Block Current: Unused Proposed: Commercial/Residential

6 Siano Block Current: Office Proposed: Commercial/Office/Res.7 Abercrombie Building Current: Unused Proposed: Commercial/Residential

8 George A. Arms Block Current: Unused Proposed: Commercial/Office/Studio9 Wilson’s Department Store Current: Department Store Proposed: Department Store/Office

South Elevation - ExistingProposed Elevator Penthouse Hallway - Elevation

South Elevation - ProposedProposed New Stair - Section

Proposed Elevator Penthouse Hallway - Plan

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THE ROUNDHOUSETHE ROUNDHOUSETHE ROUNDHOUSETHE ROUNDHOUSETHE ROUNDHOUSETHE ROUNDHOUSETHE ROUNDHOUSETHE ROUNDHOUSETHE ROUNDHOUSETHE ROUNDHOUSETHE ROUNDHOUSETHE ROUNDHOUSETHE ROUNDHOUSETHE ROUNDHOUSETHE ROUNDHOUSE

THE ROUNDHOUSETHE ROUNDHOUSE

THE ROUNDHOUSETHE ROUNDHOUSETHE ROUNDHOUSETHE ROUNDHOUSE

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SPRING 2009MARGO JONES ARCHITECTS

PROJECT LOCATION: 83 WISDON WAYGREENFIELD, MASSACHUSETTS

The Roundhouse, a Shaker style round barn built in 1899, sits at the entrance of the Franklin County Fairgrounds. It is a wood framed building with a conical, wood-shingled roof that rises to a round cupola. Over time, significant deteriora-tion had taken its toll on the building, resulting in a historic resource in great need of rehabilitation.

Under the direction of the Franklin County Agricultural Society, Margo Jones Architects was hired to document current building conditions and oversee the reha-bilitation. With the help of multiple Mas-sachusetts state grants, the structure was reinforced, and a new wood shingle roof, various portions of siding, new windows, and a new flagpole were installed.

Wall Section

N/S Section I

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Before RepaintingReroofing

Building Section - Existing

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THE ROUNDHOUSE

After - from gate After - from East After - from South

MARGO JONES ARCHITECTS

East Elevation - Proposed Work

West Elevation - Proposed Work

Proposed Work on Cupola

Proposed Replacement Windows

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ENOLA GAY MUSEUMENOLA GAY MUSEUMENOLA GAY MUSEUMENOLA GAY MUSEUMENOLA GAY MUSEUMENOLA GAY MUSEUMENOLA GAY MUSEUMENOLA GAY MUSEUMENOLA GAY MUSEUMENOLA GAY MUSEUMENOLA GAY MUSEUMENOLA GAY MUSEUMENOLA GAY MUSEUMENOLA GAY MUSEUMENOLA GAY MUSEUM

ENOLA GAY MUSEUMENOLA GAY MUSEUMENOLA GAY MUSEUMENOLA GAY MUSEUMENOLA GAY MUSEUMENOLA GAY MUSEUM

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PROJECT LOCATION:Wendover Air Force BaseWendover, UT

PARTNER:Christina Haas

PROJECT OVERVIEW:Comprehensive Studio was an intensive, ten week summer semester course in which teams of two were asked to design a mu-seum and restoration facility that would be capable of holding two B-29 bombers, the Enola Gay and the Bockscar. Design challenges included coping with housing the sheer size of the planes, a flat, desolate site adjacent to the salt flats, as well as the incredibly somber subject matter.

SUMMER 2007COMPREHENSIVE STUDIO

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TRESPA CEILING PANEL

SARNAFIL INSULATED ROOF PANEL

ALUMINUM PANEL FRAME

SPACE FRAME TRUSS

CORROSION RESISTANT FASTENERS

1 1/2" PREMOLDED JOINT

BASE PLATE

ANCHOR BOLT

FLOOR SLAB

ALUMINUM BASE MULLION

CONCRETE KEY

CONCRETE FOOTING

REINFORCING

SILICON PANEL SEAM

3' X 6' GLASS FIN PANEL

CONCRETE GRADE BEAM

STEEL PANEL CLIPS

FASCIA COVER

ALUMINUM TRUSS PLATE

ALUMINUM BAR

FASCIA COVER

ALUMINUM BAR

ALUMINUM PURLIN

Wall Section

E/W Section II

E/W Section I

N/S Section II

N/S Section I

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ENOLA GAY MUSEUM

Lower Floor Plan

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ELITCH THEATER ADDITIONELITCH THEATER ADDITIONELITCH THEATER ADDITIONELITCH THEATER ADDITIONELITCH THEATER ADDITIONELITCH THEATER ADDITIONELITCH THEATER ADDITIONELITCH THEATER ADDITIONELITCH THEATER ADDITIONELITCH THEATER ADDITIONELITCH THEATER ADDITIONELITCH THEATER ADDITIONELITCH THEATER ADDITIONELITCH THEATER ADDITIONELITCH THEATER ADDITION

ELITCH THEATER ADDITIONELITCH THEATER ADDITIONELITCH THEATER ADDITIONELITCH THEATER ADDITIONELITCH THEATER ADDITIONELITCH THEATER ADDITION

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PROJECT LOCATION:West 38th Ave. and Tennyson St.Denver, CO

PROJECT OVERVIEW:In this Advanced Studio, we used an actual, ongoing project in Denver to explore the nature of historic preservation, adaptive re-use and interventions of an important historic building.

The client, the Center for American The-ater, asked the class to design alterations to the historic Elitch Theater so that it would meet the requirements of a modern facility while maintaining its integrity as an historic structure that played a significant role in the development of theater not only in Denver, but the entire country. We were also asked to add a school to the existing theater.

FALL 2007ADVANCED STUDIO

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Sub-Floor Plan

Ground Floor Plan

Existing Theater

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ELITCH THEATER ADDITION

Site and Building Section

East ElevationNorth Elevation

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CINEMA ARCHIVECINEMA ARCHIVECINEMA ARCHIVECINEMA ARCHIVECINEMA ARCHIVECINEMA ARCHIVECINEMA ARCHIVECINEMA ARCHIVE

CINEMA ARCHIVECINEMA ARCHIVE

CINEMA ARCHIVECINEMA ARCHIVECINEMA ARCHIVECINEMA ARCHIVECINEMA ARCHIVE

CINEMA ARCHIVECINEMA ARCHIVECINEMA ARCHIVECINEMA ARCHIVECINEMA ARCHIVECINEMA ARCHIVE

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PROJECT LOCATION:14th and Larimer Sts.Denver, CO

PROJECT OVERVIEW:In Studio IV, we were asked to design a cinema/archive. The cinema was to be the point of departure as well as the vehicle for the exploration of the link between build-ing types and the cultural institutions they serve, i.e. the link between form, function, and ideology.

How cultural values, beliefs, ideas and ide-als are formed and given architectonic form and what specific role buildings do or can play within the wider cultural context were some of the many issues explored in this studio class.

SPRING 2007STUDIO IV

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Cinema Floor Plan

Initial Gesture Sketch

Site Studies

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CINEMA ARCHIVE

East ElevationSite Studies

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CLYFFORD STILL MUSEUMCLYFFORD STILL MUSEUMCLYFFORD STILL MUSEUMCLYFFORD STILL MUSEUMCLYFFORD STILL MUSEUMCLYFFORD STILL MUSEUMCLYFFORD STILL MUSEUMCLYFFORD STILL MUSEUMCLYFFORD STILL MUSEUMCLYFFORD STILL MUSEUMCLYFFORD STILL MUSEUMCLYFFORD STILL MUSEUMCLYFFORD STILL MUSEUMCLYFFORD STILL MUSEUMCLYFFORD STILL MUSEUM

CLYFFORD STILL MUSEUMCLYFFORD STILL MUSEUMCLYFFORD STILL MUSEUMCLYFFORD STILL MUSEUMCLYFFORD STILL MUSEUMCLYFFORD STILL MUSEUM

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PROJECT LOCATION:13th and Bannock Sts. Denver, CO

PROJECT OVERVIEW:In Studio III, we were asked to design a single-artist museum to house the entire works of the Abstract Expressionist painter Clyfford Still.

Sited just west of Daniel Libeskind’s Ham-ilton Wing of the Denver Art Museum, part of the challenge was to design a build-ing which would sit directly adjacent to an iconic building. This project also had a very specific program specified by the estate of Clyfford Still, including an educational cen-ter, a library, archives, storage, a conserva-tion laboratory and a variety of public areas.

FALL 2006STUDIO III

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Second Floor PlanSite/First Floor Plan

Physical lighting model

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CLYFFORD STILL MUSEUM

Wall SectionThird Floor Plan

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B&W PHOTOGRAPHYB&W PHOTOGRAPHYB&W PHOTOGRAPHYB&W PHOTOGRAPHYB&W PHOTOGRAPHYB&W PHOTOGRAPHYB&W PHOTOGRAPHYB&W PHOTOGRAPHYB&W PHOTOGRAPHYB&W PHOTOGRAPHYB&W PHOTOGRAPHYB&W PHOTOGRAPHYB&W PHOTOGRAPHYB&W PHOTOGRAPHYB&W PHOTOGRAPHY

B&W PHOTOGRAPHYB&W PHOTOGRAPHYB&W PHOTOGRAPHYB&W PHOTOGRAPHYB&W PHOTOGRAPHYB&W PHOTOGRAPHY

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B & W PHOTOGRAPHY

Photography has been a hobby of mine since I took a few classes during high school. Learning on a 35 mm film camera, as well as spending time in the darkroom developing film and printing photographs, really gave me an appreciation for the art of photography. I have since moved into the world of digital photography, but the basic principles remain the same.

Photography is all about capturing light and space while framing a subject in a pleasing composition. Movement, scale, foreground/background and depth are also important aspects of any photographer’s work. In my opinion, photography and architecture share many of the same overarching ideas, and the study of one can certainly pertain to the other, both directly and indirectly. Obtaining an understanding of light and shadow, for example, will help both the photographer and the architect excel in their medium.