Designed by Anton Burmistrov

f i r s t p r i n t e d p o r t f o l i o b y A n t o n

b u r m i s t r o v2 0 1 1s

cA

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this portfolio is designed And printed for interviews And exhibition purpose only, not for sAle or distribution.

230

13.75 cm

antonburmistrov.comDesigned by Anton Burmistrov 01

printed

offline

3478

492

A d

esig

ner

is n

ot ju

st

a pe

rson

who

mov

es a

mou

se; h

e liv

es in

his

prof

essi

on, c

reat

ing

orde

r ou

t of c

haos

.

He

owns

inte

llige

nce

and

crea

tes

moo

d. G

ood

desi

gner

doe

s it

wit

h

his

wor

k; b

ad d

esig

ner

need

s a

good

lash

whi

p.

online

First printed portfolio 02

* Vomit are the ideas that

were created while the

brain-storming. Vomit

ideas either were rejected

or re-designed.

Bran

ding

& id

enti

ty

Adv

erti

sing

App

licat

ion

desi

gn

Prin

t med

ia

Pack

agin

g

Mot

ion

grap

hics

& a

nim

atio

n

Logo

type

Vom

it *

print

application branding

advertising

logo

vomit

motion

packaging

01

antonburmistrov.com03

02

Designed by Anton Burmistrov

Adobe Design Achievement Awards ‘10Print Communication Semi finalist

Branding & identityChestnut brand 0401/33

03

Ch

es

tn

ut

br

an

dB

ran

din

g &

id

enti

ty

anto

nbu

rmis

trov

.com

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estn

ut.

htm

l19

Oct

‘09

Un

iver

sity

pro

ject


My

first

bra

ndin

g at

tem

pt

was

to c

reat

e a

bran

d fo

r

mys

elf.

Aft

er g

athe

ring

info

rmat

ion

from

sur

veys

com

plet

ed b

y pe

ople

who

know

me

and

info

rmat

ion

on h

ow p

eopl

e pe

rcei

ve

me

I con

clud

ed th

at m

y

‘shap

e’ w

ould

be

that

of a

cact

us. H

owev

er, t

he ‘c

actu

s

man

’ alr

eady

exi

sts

as th

e

mai

n id

enti

ty fo

r th

e O

asis

Dri

nks

Com

pany

I ne

eded

to fi

nd a

noth

er p

rick

ly

obje

ct; t

here

fore

I ch

ose

the

ches

tnut

iden

tity

. Th

e

surv

eys

also

pro

ved

that

from

the

outs

ide

I was

inte

rest

ing

and

gree

n, th

e

colo

r of

cal

m, b

ut u

pon

cont

act I

was

repl

ant.

For

this

che

stnu

t pro

ject

I ha

d

to c

reat

e a

narr

ativ

e, w

ho

was

the

ches

tnut

and

wha

t

was

it m

ade

for?

I th

en

crea

ted

the

Bran

d Bo

ok

for

the

proj

ect a

nd it

was

,

in e

ssen

ce, t

he m

anua

l for

the

ches

tnut

iden

tity

, the

rule

s an

d ho

w to

app

ly th

e

bran

ding

, the

idea

l met

hod

to c

onsu

me

the

ches

tnut

s

and

whi

ch w

ere

the

best

win

es to

dri

nk w

hile

eat

ing

the

ches

tnut

that

wou

ld

chan

ce a

nd c

ompl

imen

t the

iden

tity

as

a m

eal.

.com/antonburmistrov/docs/chestnut

04


01

Branding & identityChestnut brand 0601/33

05

06

10

07

11

antonburmistrov.com07Designed by Anton Burmistrov

08

12

09

13

Brandiang & identityChestnut brand 0801/33


for

14


Branding & identityDurex Moi brand 1002/33

for

15

du

re

x m

oi

br

an

dB

ran

din

g &

id

enti

ty

anto

nbu

rmis

trov

.com

/du

rex_

moi

.htm

l08

Jan

‘10

Un

iver

sity

pro

ject

For

this

pro

ject

we

wer

e re

quir

ed to

chos

e an

exi

stin

g br

and,

in th

is c

ase

Dur

ex, a

nd c

reat

e a

bran

d ex

tens

ion

for

it. Th

e ex

tens

ion

was

a ra

nge

of

hygi

enic

cle

ansi

ng w

ipes

, int

ende

d

for

the

inti

mat

e ar

eas

for

use

befo

re a

nd a

fter

sex

. This

pro

ject

cons

iste

d of

a g

roup

of 5

peo

ple:

an a

ccou

nt e

xecu

tive

, a p

lann

er, a

traffi

c m

anag

er, a

cop

yrig

hter

, and

a

desi

gner

. My

task

wit

hin

this

gro

up

was

to v

isua

lize

the

conc

ept.

Add

itio

nal m

embe

rs: A

ccou

nt

exec

utiv

e: P

ierr

e Be

rthu

el, P

lann

er:

Mar

yam

Fer

eydo

onfo

ur, T

raffi

c

man

ager

: Jer

ome

Rei

d, C

opyr

ight

er:

Sere

ena

O’G

orm

an.

Mod

els:

Jer

ome

Rei

d, D

imit

ra P

apas

tath

i

02


for

16


®

Branding & identityDurex Moi brand 1202/33

for

17

®


B l a c ka p p l e

18

21

24

27

30

33

19

22

25

28

31

34

20

23

26

29

32

35


Logotype1403 — 13/33

18

21

24

27

30

33

19

22

25

28

31

34

20

23

26

29

32

35

03 —

13Crystal Studios.Logotype for photography studio / 17 Jul ‘08

Afera Veka.Typographic sign for Fraud of The Century event / 10 Sep ‘09

Tabori Transfer.Logotype for the money transfer company based in Kazakhstan / 20 Jul ‘08

Renee Parris.Logotype for the fashion company / 01 Oct ‘10

Subday.Logotype for the smartphone application for Subway stores / 01 Dec ‘10

Mic Supreme.Identification sign for London baced MC / 22 Apr ‘11

Elvit.Brand, logotype and stationary for Elvit Lifestyle Management company / 03 Oct ‘08

Motivation Idea Center.Logotype for the sales advice bureau / 28 Feb ‘11

Elizabeth Street Studio.Logotype for the photography studio and freelance photographer / 15 Sep ‘08

Love Your Tiles.Logotype for the self-employed tile-paver / 02 Nov ‘10

Clean Wish.Logotype for the housekeeping company / 25 Nov ‘08

Black Apple.Logotype for the New York magazine / 25 Nov ‘08

Durex Moi.Sign for hygienical wipes Durex

Moi / 08 Jan ‘10

Hair Plus.Logotype for Russian Beauty Salon based in London / 22 May ‘08

Trust Capital.Logotype for company of accountants / 15 Nov ‘08

Set It Free.Logotype for the London Fetish Weekend compaign / 23 Apr ‘10

Valentin Deliveries.Logotype and advertising for Russian delivery firm / 05 Jul ‘08

Chestnut Brand.Logotype, brand identity, advertising, stationary and full package of gifts for prickly company / 19 Oct ‘09


for

38


Motion graphicsAssassin’s Creed II title sequence 1614/33

.com / 12315410

search / naturetonyx assassin

39 — 44

for

In th

is ta

sk I

was

requ

ired

to a

dapt

a c

hoic

e of

boo

k,

mov

ie, o

r ga

me

and

crea

te

a ti

tle

sequ

ence

for

it,

taki

ng in

to c

onsi

dera

tion

the

subj

ect’s

bra

nd

iden

tity

and

val

ues.

My

choi

ce w

as th

e vi

deog

ame

Ass

assi

n’s

Cree

d II

whi

ch

I nev

er p

revi

ousl

y pl

ayed

but h

ad a

lrea

dy b

een

influ

ence

d by

the

first

par

t

of th

e ga

me.

tit

le

se

qu

en

Ce

fo

r

as

sa

ss

in’s

Cr

ee

d i

iM

otio

n g

rap

hic

s

anto

nbu

rmis

trov

.com

/ac2

.htm

l20

Mar

‘10

Un

iver

sity

pro

ject

14


for at

46

45


AdvertisingBack to school compaign 1815/33

for at

47

av

iva

ba

Ck

to

sC

ho

ol

Co

mpa

ign

Ad

ver

tisi

ng

anto

nbu

rmis

trov

.com

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va.h

tml

14 A

pr ‘1

1D

&A

D C

om

pet

itio

n


for at

48


AdvertisingBack to school compaign 2017/33

for at

The

brie

f was

to ra

ise

awar

enes

s of

the

issu

e of

hom

eles

s ch

ildre

n an

d pr

omot

e

a ca

mpa

ign

lead

by

Aviv

a th

at

wor

ks o

n ta

king

500

,000

child

ren

from

aro

und

the

wor

ld

off o

f the

str

eets

. I d

esig

ned

a se

t of t

empo

rary

tran

sfer

s

that

wou

ld b

e in

tegr

ated

wit

h

the

pack

agin

g of

che

win

g gu

m

and

lolli

pops

that

be

give

n

away

for

free

to c

hild

ren.

The

child

ren

wou

ld th

en a

pply

thes

e te

mpo

rary

‘tat

toos

’ and

whe

n se

en b

y th

eir

pare

nts,

the

conc

ept w

ould

bec

ome

clea

r. Th

e id

ea w

as to

init

iate

an e

mot

ive

and

visu

ally

inte

nse

resp

onse

in th

e ta

rget

audi

ence

.

49

50

15


for

51


Adobe Design Achievement Awards ‘10Motion Graphics Semifinalist

Motion graphicsChannel 4 ident 2216/33

.com / 12092710

search / ch4 heart attack

for

52 — 61

In th

is p

roje

ct I

was

requ

ired

to c

reat

e an

d

desi

gn a

new

iden

tity

for

Cha

nnel

4 b

ased

on

the

type

of p

rogr

ams

that

wer

e br

oadc

ast.

In

my

case

, my

inde

nt w

as

to a

dver

tise

med

ical

docu

men

tari

es a

nd

med

ical

dra

ma

seri

es.

Voic

e: M

aria

Kos

tom

ahha

Ch

an

ne

l 4

id

en

tit

yM

otio

n g

rap

hic

s

anto

nbu

rmis

trov

.com

/ch

4.h

tml

15 F

eb ‘1

0U

niv

ersi

ty p

roje

ct

16


for


Application designSubway application 2417/33

.com / 17362578

search / naturetonyx subway

for

62

su

bw

ay

sm

ar

tp

ho

ne

a

pp

liC

at

ion

Ap

pli

cati

on

anto

nbu

rmis

trov

.com

/su

bday

_app

.htm

l01

Dec

‘10

Un

iver

sity

pro

ject


63 — 152

for

“Des

ign

a Sm

artp

hone

app

licat

ion

that

mar

kete

d &

pro

mot

ed th

e

Subw

ay fa

st-f

ood

chai

n.”

Voic

e: P

ierr

e Be

rthu

el


17

Application designSubway application 2617/33

for

153


b l A c k A p p l e

154


Print mediaBlack Apple book 2818/33

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155

bl

aC

k a

pp

le

bo

ok

Pri

nt

med

ia

blac

kapp

le.a

nto

nbu

rmis

trov

.com

22 A

pr ‘1

1U

niv

ersi

ty p

roje

ct


“To

visi

t New

Yor

k an

d pr

oduc

e

a ty

pogr

aphi

cal r

epre

sent

atio

n

of th

e th

ings

you

saw

.”

My

final

pro

duct

was

a p

hoto

-

typo

grap

hica

l inf

orm

ativ

e. It

s

aim

was

to a

ppea

l to

peop

le

wit

h a

part

icul

ar in

tern

et in

phot

ogra

phy

and

in N

YC a

nd

had

a ce

rtai

n ro

ugh

urba

n

atm

osph

ere.

Blac

k A

pple

is a

mag

azin

e ab

out

wha

t I sa

w a

nd w

hat I

lear

ned.

It m

ay so

und

stup

id a

nd p

erha

ps

usel

ess t

o so

me,

but

hop

eful

ly it

will

giv

e yo

u an

othe

r per

spec

tive

to se

e th

e ci

ty fr

om, a

s opp

osed

to

runn

ing

arou

nd, n

ose

buri

ed in

a

tour

ist’s

gui

de in

sear

ch o

f nea

rby

attr

acti

ons.

Edito

r-co

rrec

tor:

Aly

ah B

akhe

it.

156


18

30 Print mediaBlack Apple book18/33

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156

32 Print mediaBlack Apple book18/33

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160

165

168

163

158

161

166

169

159

162

167

164


for

168


19

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for

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ap

pa

Ck

ag

ing

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r b

od

y s

ho

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anto

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.com

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173

172

170

174

171

175


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ill

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This

pro

ject

was

my

unsu

cces

sful

sub

mis

sion

for

the

D&

AD

Illu

stra

tion

Aw

ard.

The

task

was

to c

reat

e an

d

illus

trat

ive

resp

onse

insp

ired

by a

trac

k of

an

arti

st o

f my

choo

sing

. Th

e co

ncep

t was

to

inte

grat

e th

e ill

ustr

atio

n in

to

the

digi

tal m

edia

as

an a

udio

visu

aliz

atio

n to

acc

ompa

ny

the

mus

ic o

nce

play

ed in

your

med

ia p

laye

r of

cho

ice.

Unf

ortu

nate

ly, t

his

prov

ed to

be a

poo

r fin

al o

utco

me

and

thus

faile

d as

a p

roje

ct.

177


20

Print mediaDiesel illustration 3820/33

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To c

reat

e th

e ve

ry b

est

desi

gner

, the

Uni

vers

ity

of

Gre

enw

ich

hand

pick

s st

uden

ts

of e

xcep

tion

al q

ualit

y fr

om a

ll

over

the

wor

ld. Th

is y

ear,

our

brill

iant

gra

duat

es c

ome

from

Fran

ce, G

reec

e, J

apan

, Rus

sia,

Ital

y, C

hile

, Slo

vaki

a, A

fric

a an

d

the

UK

. Our

des

igne

rs re

quir

e

sun

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arm

gen

tle

clim

ate

as w

ell a

s an

env

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men

t tha

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spir

atio

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evel

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idea

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am h

as b

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ully

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out a

ny a

rtifi

cial

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ynth

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gro

wth

stim

ulan

ts.

Abs

olut

ely

noth

ing

is a

dded

, no

flavo

urin

gs, s

ugar

or p

rese

rvat

ives

. The

desi

gner

s are

now

read

y to

mov

e on

to th

e

final

insp

ecti

on.


178

21

AdvertisingFinal show poster 4021/33

Her

e at

the

Uni

vers

ity

of

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enw

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we

are

pass

iona

te

abou

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ing

the

very

bes

t

and

we

have

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a ra

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elic

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igne

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team

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pres

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selv

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fina

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l24

May

‘11

Fre

eran

ge D

egre

e S

how


PO

INT

ER

the

BY

AN

TO

N B

UR

MIS

TR

OV

The n

ew ty

pe o

f inf

orm

atio

n sig

ns

in th

e urb

an en

viro

nmen

t.

1

1

.....

The

Poi

nte

r is

a p

ersp

ecti

ve, a

poi

nt

of v

iew

. It

hel

ps t

o di

rect

as

wel

l as

ente

rtai

n p

eopl

e w

ithi

n a

par

ticu

lar

envi

ron

men

t. T

he P

oin

ter

is t

he c

once

pt t

hat

was

bor

n o

ut

of t

his

perc

epti

on. T

he m

ain

obj

ecti

ve w

as t

o ex

plor

e th

e po

ssib

ilit

ies

of i

ntr

odu

cin

g n

ew t

ypes

of

info

rmat

ion

sig

ns

into

the

urb

an e

nvi

ron

men

t.

The

qu

esti

on w

as w

ould

it

wor

k? I

f so

, the

n

how

wou

ld i

t w

ork.

Or

if i

t pr

oved

it

cou

ldn

’t w

ork,

the

n w

hy n

ot. T

he i

nit

ial c

once

pt w

as t

o ge

ner

ate

sign

s u

sin

g th

e sp

ace

in-b

etw

een

sta

tic

obje

cts,

su

ch a

s bu

ildi

ngs

, sta

tues

, or

othe

r ob

ject

s fo

un

d ty

pica

lly o

n t

he s

tree

t.

The

Poi

nte

r w

ould

add

col

our

to t

he s

tree

ts a

nd

beco

me

an a

ctiv

e fo

rm o

f en

tert

ain

men

t fo

r pe

ople

. For

dri

vers

, it

wou

ld p

rovi

de d

irec

tion

si

gns.

For

ped

estr

ian

s, i

t w

ould

act

as

a gu

ide.

T

hrou

ghou

t th

e re

sear

ch a

nd

expe

rim

enta

l pr

oces

s, I

cam

e to

rea

lise

tha

t th

is c

once

pt

was

bey

ond

my

pow

er t

o fu

lly i

llust

rate

an

d ef

fect

uat

e in

the

en

viro

nm

ent,

the

refo

re m

y ve

ntu

re i

nhe

ren

tly

fail

ed. I

n i

t’s f

ailu

re t

o pr

odu

ce w

hat

I in

ten

ded

to s

how

, the

pro

ject

lo

st i

ts m

ean

ing

and

purp

ose.

The

fol

low

ing

diag

ram

s de

mon

stra

te m

y w

ork

proc

ess

and

all

the

fact

ors

that

pre

ven

ted

me

from

fin

alis

ing

my

init

ial c

once

pt.

180


Print mediaFinal major project 4222/33

Later I’ve begin to create the visuals of logotype for Pointer playing with circle shapes adding shadows and textures. The concept was to keep them in

3d because the was supposed to be integrated in to the enviroment.

181

fin

al

ma

jor

pr

oje

Ct

p

oin

te

r s

ign

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t m

edia

anto

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ll s

tart

ed

wit

h c

off

ee.

envi

ron

men

t

finan

cial

dis

tric

t

airp

ort

mac

don

ald’

s

shop

pin

g

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ks

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stop

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ths

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l hou

rs

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ks

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ays


182


At

the

begi

nn

ing

I ch

osen

cof

fee

subj

ect.

Whe

re I

kin

d of

sh

ould

res

earc

h po

ssib

le b

ran

ds a

nd

thei

r ap

proa

ch w

ith

adve

rtis

ing

to p

eopl

e. W

ith

this

res

earc

h I

hope

d cr

eate

op

posi

te c

ampa

ign

tha

t w

ill m

ake

peop

le s

top

spen

din

g m

oney

on

cof

fee

and

stop

dri

nki

ng

it a

t al

l. B

ut

shor

tly

few

w

eeks

late

r I

fou

nd

it b

orin

g an

d ri

dicu

lou

s.

Thi

s di

agra

m s

how

s th

e w

ork

proc

ess

and

the

fact

ors

that

wou

ld n

ot le

t m

e fin

ish

the

job.

91

pers

on

road

sig

ns

food

back

pai

n

coff

ee

arth

ralg

ia

sun

barr

el


An

d m

ad

e m

e n

erv

ou

s.(s

hark

mad

e w

ith

ner

ves)

18+

2

16m

g Ta

r / 0

.5m

g N

icot

ine

/ 7m

g C

arbo

n M

onoo

xide

~20

}1

pack

of

20pc

s.

2pac

ks o

f 10

pcs.

+

+

10

82

12

34

It t

ook

appr

oxim

atel

y of

3 h

ours

to

illu

stra

te t

he s

hark

. An

d it

is

con

sist

of

4 di

ffer

ent

ner

ve la

yers

.

For

the

who

le p

roje

ct I

was

sm

okin

g 1

tim

e in

a

day,

tha

t w

as m

y da

ily

insp

irat

ion

al a

nd

calm

ing

dow

n d

ose.

So

I it

com

es u

p to

tot

al o

f 18

cig

aret

tes

per

who

le p

roje

ct, w

hich

is

not

so

bad

actu

ally

.

alco

hol

smok

e

lun

gs

brai

n

slee

p

life

-thr

eate

nin

g

35,6

33,3

t °c

Stra

ight

aft

er c

offe

e I

swit

ched

to

sign

atu

re d

esig

n. T

he

proj

ect

whi

ch m

ade

me

ner

vou

s an

d ex

hau

sted

. Its

als

o

was

pre

tty

com

plic

ated

an

d ha

rd, k

ind

of p

layi

ng

on m

y

ner

ves,

bu

t I

like

d it

.

Wit

hin

the

who

le p

roje

ct I

cam

e w

ith

the

con

cept

to

inte

grat

e si

gns

into

the

en

viro

nm

ent

usi

ng

3d s

culp

ture

s

and

soft

war

e. A

nd

to e

mbo

dy t

his

con

cept

I h

ave

chos

en

som

e ic

ons,

pos

itio

ns

and

nar

rati

ve.


183


}m

arlb

oro

ligh

t

l&m

toba

cco

visu

als

rese

arch

loca

tion

tr

avel

expe

rrim

enta

tion

ssp

ecia

l eff

ects

foot

age

phot

ogra

phy

All

proj

ect

was

con

sist

ing

of la

rge

amou

nt

of r

esea

rch,

tra

veli

ng,

thin

kin

g an

d vi

sual

izat

ion

s.

36,2

36.6

on m

y so

fa

whe

re I

hav

e a

chan

ce

brot

her’

s

on t

he fl

oor

For

the

who

le p

roje

ct I

sle

pt i

n d

iffe

ren

t pl

aces

,

wha

t ba

sica

lly d

id n

ot b

othe

red

me

mu

ch b

ut

it

did

redu

ced

my

prod

uct

ivit

y an

d in

tere

st.

The

re w

ere

seve

ral a

ttem

pts

of m

odel

ing

som

e of

the

hou

ses

and

buil

d ou

t th

e

form

s an

d sp

aces

. Bu

t th

is

is w

hat

I co

uld

do

so f

ar.

1

2

tin

gle

grip

fla

tus


Dra

nk

all

th

e j

uic

e.

snot

harm

onal

flu

idse

rou

s co

nte

nts

bon

e m

arro

wcoff

ee

uri

ne

latt

e

whi

te c

offe

e

blac

k co

ffee

tear

ssa

liva

bloo

d

sem

en

swea

t

extr

acel

lula

r flu

id

(mar

tin

i gl

ass

is m

ade

wit

h al

l my

body

ju

ices

)

uri

ne

sali

va

bloo

d

coff

ee

tear

s


184


vod

ka

bea

r

red

win

eja

ck d

an

iel’s

cock

tail

s

In t

he r

eal l

ife

Poi

nte

r w

ould

nev

er b

e co

nst

ruct

ed b

ecau

se o

f it

s n

eeds

an

d fin

anci

al s

pen

din

g. A

lso

no

one

wou

ld b

uil

d th

e bu

ildi

ng

just

for

it,

tha

t is

why

P

oin

ter

wil

l rem

ain

as

a co

nce

pt.

swea

t

harm

onal

flu

id

sem

en

bon

e m

arro

w

sero

us

con

ten

ts

snot

extr

acel

lula

r flu

id

87%

57%

Gra

de

wa

nte

dG

rad

ed

eser

ved

1 28

loos

ing

my

hair

(da

ily)

Ma

de m

e b

ald

.(h

eel s

hoes

mad

e w

ith

hair

)

1 2 3

eyebrows eyelashes gray hair pubes neighbor hairhand hair stubble back hairhead hair

nei

ghbo

r

pube

s

han

d

head

head

(gr

ay)

shou

lder

eyel

ashe

s

eyeb

row

s

stu

bble

Du

e to

an

exp

erim

ent,

I d

isco

vere

d th

at w

hen

Ear

th’s

rota

tion

aro

un

d th

e su

n s

hado

w c

han

ges

its

shap

e, a

nd

just

at

that

mom

ent

I be

gan

losi

ng

my

hair

.


Jae

Pryc

e is

a L

ondo

n-ba

sed

mus

ic p

rodu

cer

and

MC

who

com

mis

sion

ed a

n al

bum

cov

er

that

wou

ld a

ccur

atel

y re

flect

his

expe

rien

ces.

The

conc

ept

was

to s

how

his

exp

erie

nces

wri

tten

on

his

face

.


185

23

187

Print mediaJae Pryce album cover 5023/33

01 186

jae

pr

yC

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um

Co

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_pry

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l17

Jan

‘11

Cli

ent

pro

ject


for

AdvertisingDesign Against Fur 5224/33

The

task

was

to il

lust

rate

a

fur

fact

ory

and

expo

se th

e

crue

ltie

s be

hind

fur

farm

ing

in

a ca

mpa

ign

to ra

ise

awar

enes

s

for

the

caus

e.

Fur f

acto

ries

subj

ect a

nim

als t

o

a lif

e ti

me

of su

fferi

ng a

nd d

eath

.

Ove

r 75

mill

ion

fact

ory

farm

ed

anim

als i

nclu

ding

racc

oon

dog,

fox,

min

k, fi

tch

and

chin

chill

a di

e ev

ery

year

for t

heir

fur,

mer

ely

to sa

tisf

y

the

whi

ms o

f fas

hion

. Ani

mal

s

spen

d th

eir e

ntir

e liv

es in

smal

l,

filth

y ca

ges,

mad

ly p

acin

g ba

ck a

nd

fort

h ou

t of s

tres

s and

bor

edom

.

188

for

de

sig

n a

ga

ins

tf

ur

po

st

er

Ad

ver

tisi

ng

anto

nbu

rmis

trov

.com

/daf

.htm

l14

Dec

‘10

Des

ign

Aga

inst

Fu

r C

op

met

itio

n

24


189

AdvertisingLondon Fetish Weekend 5425/33

190

lo

nd

on

fe

tis

hw

ee

ke

nd

Co

mpa

ign

Ad

ver

tisi

ng

anto

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rmis

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/lon

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ish

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ct


191


Advertising5625/33

192

‘Exp

lore

you

rsel

f’ w

as

tagl

ine

for

this

fest

ival

. Wit

h

exhi

biti

onis

t and

sau

cy

unde

rton

es in

line

wit

h th

e

fest

ival

’s to

ne o

f voi

ce, t

he

conc

ept w

as to

free

you

rsel

f

and

indu

lge

in y

our

naug

hty

feti

shes

. Alo

ng w

ith

trad

itio

nal

adve

rtis

ing,

it w

as a

lso

desi

gned

to b

e an

am

bien

t adv

erti

sem

ent.

25

London Fetish Weekend


193

194


Print mediaMic Supreme covers 5826/33

Mic

Sup

rem

e is

an

MC

from

Sout

h Lo

ndon

who

raps

abo

ut

his

life

and

boas

ts o

f his

atte

ntio

n fr

om w

omen

and

his

abun

danc

e of

cha

rm a

nd s

wee

t

thin

gs. A

n ar

tist

was

requ

ired

to il

lust

rate

the

stor

y of

his

pers

onal

wor

ld.

Hot

Tin

g m

ix ta

pe is

so

hot t

hat

even

the

fire

exti

ngui

sher

mel

ts.

26

al

bu

m C

ov

er

sf

or

miC

su

pr

em

eP

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t m

edia

anto

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rmis

trov

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prem

e_h

ot_t

ing.

htm

l12

Ju

l ‘10

Cli

ent

pro

ject

195


.com / 23037313

This

pro

ject

ed w

as s

epar

ated

into

3 c

o-jo

inin

g br

iefs

span

ning

ove

r a

peri

od o

f 4

mon

ths.

The

first

bri

ef w

as

to w

ork

wit

hin

a gr

oup

of

3 an

d to

indi

vidu

ally

cre

ate

a ch

arac

ter

and

a na

rrat

ive,

whi

ch in

tota

l pro

vide

d us

wit

h

thre

e se

para

te s

tory

lines

. For

all o

f the

thre

e ch

arac

ters

, we

had

to c

reat

e on

e sc

enar

io a

nd

capt

ure

the

stor

y in

a 2

0 se

cond

stop

mot

ion

anim

atio

n. Th

e

end

resu

lt w

as a

sho

rt v

ideo

abou

t the

issu

e of

bul

lyin

g

in s

choo

ls a

nd h

ow e

very

one

can

be a

vic

tim

of b

ully

ing.

26


196

197

198

.com / 12305057

search / minute of inattention

Motion graphics & animationMinute of inattention 6026 — 28/33

In th

e se

cond

par

t of t

he b

rief

,

we

had

the

chan

ce to

add

col

or

to o

ur in

itia

l bla

ck a

nd w

hite

stop

mot

ion

anim

atio

n, a

dd

spec

ial e

ffec

ts a

nd s

ound

s

usin

g di

gita

l sof

twar

e. Th

e

resu

ltin

g vi

deo

was

a 5

5 se

cond

film

that

was

nom

inat

ed fo

r

the

sem

i-fin

al A

DD

A a

war

ds in

the

anim

atio

n ca

tego

ry.

28

199

200

201

min

ut

e o

f i

na

tt

en

tio

nM

otio

n g

rap

hic

s &

an

ima

tion

anto

nbu

rmis

trov

.com

/min

ute

_of_

inat

ten

tion

.htm

l30

Nov

‘09

Un

iver

sity

pro

ject

Adobe DesignAchievement Awards ‘10

Animation Semifinalist


202

Print mediaMinute of inattention 6229/33

.com/antonburmistrov/docs/comicbook

203

205

207

209

211

204

206

208

210

min

ut

e o

f i

na

tt

en

tio

nC

om

iC b

oo

kP

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t m

edia

anto

nbu

rmis

trov

.com

/com

ic_b

ook.

htm

l10

Dec

‘09

Un

iver

sity

pro

ject

The

thir

d pa

rt o

f the

pro

ject

was

to a

mal

gam

ate

the

prev

ious

two

part

s in

to a

com

ic b

ook.

Thro

ugh-

out t

his

proc

edur

e,

I sol

idifi

ed m

y kn

owle

dge

of

Phot

osho

p as

I w

as re

quir

ed

to re

desi

gn a

ll el

emen

ts o

f the

char

acte

rs a

nd e

nvir

onm

ent.

29

Gua

rdia

n

The

New

Yor

k Ti

mes

Spec

tato

r N

ew S

tate

sman

The

Tim

es

The

Tim

es L

itera

ry S

uppl

emen

tSu

nday

Tel

egra

ph


for


212

Print mediaPenguin book cover 6430/33

for

213

on

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f s

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k C

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er

fo

r p

en

gu

in b

oo

ks

Pri

nt

med

ia

anto

nbu

rmis

trov

.com

/hu

ndr

ed_y

ears

.htm

l30

Mar

‘11

Pen

guin

Book C

om

pet

itio

n

The

task

was

to il

lust

rate

the

rich

ness

of t

he a

utho

r’s w

ords

via

visu

aliz

ing

the

stor

y us

ing

the

root

s

of a

gro

win

g tr

ee a

s a

met

apho

r

to re

pres

enti

ng th

e fa

mili

es o

f

the

stor

y, a

nd th

e de

velo

pmen

t of

the

gene

rati

ons.

Tow

ard

the

end,

the

tree

wit

hers

and

the

bran

ches

take

the

form

of t

he c

hild

whi

ch

conc

lude

s th

e fa

mily

’s le

gacy

. The

dyin

g ro

ots

take

the

form

of d

eath

in th

eir

inte

rtw

ined

sta

te.

30


Elvi

t Con

cier

ge is

a lu

xury

life

styl

e

man

agem

ent s

ervi

ce th

at re

quir

ed a

sol

id

corp

orat

e lo

go c

ompl

ete

wit

h pe

rson

aliz

ed

styl

e, a

bra

nd b

ook

and

cust

omiz

ed

stat

iona

ry. I

pro

duce

d a

seri

es o

f pos

ters

and

a w

ebsi

te, c

onsi

sten

t wit

h th

eir

bran

d.

31


214

Print media, branding & identityElvit Concierge brand 6631/33

ide

nt

ity

fo

r e

lvit

lif

es

ty

le

ma

na

ge

me

nt

Pri

nt

med

ia

anto

nbu

rmis

trov

.com

/elv

it_l

ifes

tyle

_man

agem

ent.

htm

l12

Apr

‘11

Pen

guin

Book C

om

pet

itio

n

215


221220

218 219

216

217


Branding & identityElvit Concierge brand 6831/33

222

225

225

223

226

226

224

224

227


228

229


Logotype + vomit7032 — 33/33

32 —

33

228

229

Green Piss.Imagine that Green Peace is destroying the world rather than saving it. How would their logo appear? / 02 May ‘09

WTF.A simple play on words changed this logo by representing something completely different and controversial to the brand values / 31 Dec ‘09

Designer is not just a person who shifts mouse but he lives in his profession, making the order from the

chaos. He owns intelligence and creates mood.

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