Digital Booklet - Beautiful: The Carole King Musical

8/9/2019 Digital Booklet - Beautiful: The Carole King Musical

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ORIGINAL BROADWAY CAST RECORDING


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Paul Blake Sony/ATV Music Publishing

Jeffrey A. Sine Richard Smith Mike Bosner

Harriet N. Leve/Elaine Krauss Terry Schnuck Orin Wolf Patty Baker/Good Productions Roger FaxonLarry Magid Kit Seidel Larry Toppall Fakston Productions/Mary Solomon

William Court Cohen John Gore BarLor Productions Matthew C. Blank Tim HogueJoel Hyatt Marianne Mills Michael Moritz, Jr. StylesFour Productions Brunish & Trinchero

AND

Jeremiah J. Harris

PRESENT

BOOK BY

Douglas McGrathWORDS AND MUSIC BY

Gerry Gofn& Carole King Barry Mann& Cynthia WeilMUSIC BY ARRANGEMENT WITH

Sony/ATV Music Publishing

STARRING

Jessie Mueller Jake Epstein Anika Larsen Jarrod Spector

Jeb Brown Liz Larsen

Ashley Blanchet E. Clay ton Cornelious Josh Davis Alysha Deslorieux Kevin Duda

James Harkness Carly Hughes Sara King Rebecca LaChance Douglas Lyons

Chris Peluso Gabrielle Reid Rashidra Scott Sara Sheperd Melvin Tunstall Alan Wiggins

SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN

Derek McLane Alejo Vietti Peter Kaczorowski Brian Ronan

CASTING BY WIG & HAIR DESIGN MAKE-UP DESIGN

Stephen Kopel, CSA Charles G. LaPointe Joe Dulude II

ORCHESTRATIONS, VOCAL AND MUSIC ARRANGEMENTS MUSIC SUPERVISION AND ADDITIONAL MUSIC ARRANGEMENTS

Steve Sidwell Jason Howland

PRODUCTION STAGE MANAGER PRODUCTION MANAGEMENT MUSIC COORDINATOR

Peter Hanson Juniper Street Productions, Inc. John Miller

EXECUTIVE PRODUCERS PRESS REPRESENTATIVE GENERAL MANAGER

Sherry Kondor O&M Co. The Charlotte Wilcox CompanyChristine Russell

CHOREOGRAPHED BY

Josh PrinceDIRECTED BY

Marc Bruni


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T R A c K S

OVERTURE

SO FAR AWAY

Carole King1650 BROADWAY MEDLEY Ensemble

IT MIGHT AS WELL RAIN UNTIL SEPTEMBERCarole King

SOME KIND OF WONDERFULCarole King, Gerry Goffin, The Drifters

HAPPY DAYS ARE HERE AGAIN

Cynthia WeilTAKE GOOD CARE OF MY BABY Gerry Goffin, Carole King

WILL YOU LOVE ME TOMORROWCarole King

HE 'S SURE THE BOY I LOVECynthia Weil, Barry Mann

WILL YOU LOVE ME TOMORROW

The ShirellesUP ON THE ROOFThe Drifters

ON BROADWAY The Drifters

THE LOCOMOTIONLittle Eva, Ensemble

YOU ' VE LOST THAT LOVIN ' FEELINGBarry Mann, The Righteous BrothersONE FINE DAY Janelle, Backup Singers, Carole King

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T H I S

W E E K

TITLE / Artist A c t

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CHAINSCarole King, Ensemble

WALKING IN THE RAINBarry Mann, Cynthia Weil

PLEASANT VALLEY SUNDAY Marilyn Wald, Gerry Goffin, Ensemble

WE GOTTA GET OUT OF THIS PLACEBarry Mann

UPTOWNUptown Singer, Bitter End Trio

IT 'S TOO LATECarole King, Bitter End Trio YOU ' VE GOT A FRIENDCarole King, Barry Mann, Cynthia Weil, Don Kirshner

( YOU MAKE ME FEEL LIKE ) A NATURAL WOMANCarole King, Ensemble

BEAUTIFULCarole King, Ensemble

I FEEL THE EARTH MOVECarole King, Company

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A c t

2 T H I S

W E E K

TITLE / Artist

U .S . # 1 HIT

U .S . TOP TEN HIT


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C A ST J E SSI E M U E LLE R C ar ole K ingJ AK E E P ST E I N Ger r y Gof f inAN I K A LARSE N C y nt hia W eilJ ARROD SP E C T OR Bar r y M annJ E B BROW N Don K ir s hner LI Z LARSE N Genie K ing

E ns emble ASH LE Y BLAN C H E T , E . C LAY T ON C ORN E LI OU S, J OSH DAV I S, ALY SH A DE SLORI E U X , K E V I N DU DA, J AM E S H ARK N E SS, C ARLY H U GH E S, SARA K I N G, RE BE C C A LAC H AN C E , DOU GLAS LY ON S,

C H RI S P E LU SO, GABRI E LLE RE I D, RASH I DRA SC OT T , SARA SH E P E RD, M E LV I N T U N ST ALL, ALAN W I GGI N S

C ARLY H U GH E S LucilleE . C LAY T ON C ORN E LI OU S, J AM E S H ARK N E SS, DOU GLAS LY ON S, ALAN W I GGI N S T he Dr if t er s ASH LE Y BLAN C H E T , ALY SH A DE SLORI E U X ,

C ARLY H U GH E S, RASH I DRA SC OT T T he Shir elles RASH I DRA SC OT T J anelle W ood s ASH LE Y BLAN C H E T Lit t le E v aJ OSH DAV I S, K E V I N DU DA T he Right eous Br ot her s ASH LE Y BLAN C H E T , ALY SH A DE SLORI E U X ,

C ARLY H U GH E S One F ine Day Back up Singer s SARA K I N G M ar ily n W ald ALY SH A DE SLORI E U X U pt ow n Singer E . C LAY T ON C ORN E LI OU S, J OSH DAV I S, DOU GLAS LY ON S Bit t er E nd T r io


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6 J e s s

i e M u e

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A From the Playwrightby Douglas McGrath

When Paul Blake, the producer of Beautiful , asked me if I wanted to write a Broadway musical about Carole King, her ex-husbandand lyricist, Gerry Goffin, and their fellow songwriters, Barry Mann and Cynthia Weil, there was something I had to know beforeI could commit.

Are they all alive? I asked.

Good news, Paul said. They are.

Actually, that sounded like bad

news. I had once worked on ascreenplay about a real personwhose vanity was so advancedthat he would not let me portrayhim as anything less than thrillinglyperfect. But audiences arentinterested in characters withoutflawseven Achilles had thattendon trouble.

Paul kept after me, constantlytelling me things that mightentice me. He reminded me thatthe songwriters had had theiroffices at 1650 Broadway, oneof the two buildings people meanwhen they refer to the legendaryBrill Building sound. (The Brill

Building was down the streetat 1619 Broadway.) Thesebuildings had once been theprovince of the classicAmerican songwriters of the Tin Pan Alley age and then in the 50s becamethe place where kids came to create rock and roll. Maybe there was somethingin that clash, the old being ousted by the new? Carole and Barry and Cynthia were comingto New York to interview book writers. Paul said, Come meet them. Theyre a lot of fun.

So I went and he was right, they were a lot of fun. I was so at ease, I told them my idea, and I could feel as I told it that it was right:a musical about kids chasing out the old guard so they could create the new sound of rock and roll. Caroles face lit up. I knew Ihad nailed it. She leaned forward to share her reaction.

Ba r r y Ma nn, Cy nthia W e il, Ger r y Gof n, Ca r ole K ing


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That, she said, is completely wrong!

What? I said, almost losing my balance even though I was seated.

We idolized Gershwin and Porter and Kern and Berlin, she explained.We studied their music

Cynthia piped in, I wanted to be Cole Porter.

How surprising. As teenagers they changed the sound of popular musicbut they were traditionalists at heartrock and rollers but classicists, too.Before the meeting, I had known only one thing about these songwriters:that they were talented. But now I saw that they were something not alltalented people are: they were interesting.

I said I would write the show, if they would have me.

And I knew what kind of show I wanted to write: not a fictional creation likeMamma Mia which used an original story with the ABBA catalogue, but the truestory of these incredible people and how some of the greatest songs of thelast century were created.

To do this, I interviewed the songwriters, separately, for many hours over many days. I asked them about everything in theirlivesfrom birth onbecause at the beginning I had no idea what the show should be. If you see the show, it seems inevitablenow that it starts with Carole on her way into Manhattan to sell her first song and that it ends at Carnegie Hall with her celebratedconcert as a solo artist, but when you are looking at four lives and some 70 years worth of memories, to get to the inevitable, you

have to weed out a lot of the evitable.

After the interviews, I stared at my giant notebook,packed with hundreds of pages of their stories. Onefeeling hovered above everything: a feeling offriendship. These people had been friends for morethan 50 years. Its one thing to be friends with oldschool chums but they were not school chumstheymet as competitors in 1650 Broadway, vying for DonKirshners attention, racing each other up and downthe Billboard chart, fighting for the best artists to singtheir songs. And it was not a casual competitionthey once took a vacation together just to make surethe other couple wasnt writing more than they were.It was often fierce.

Carole King, Gerr y Go f n

Don Kirshner, Carole King, Gerry Gofn


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SynopsisACT ONE

At Carnegie Hall in 1971,Carole sings SO FAR AWAY.Then we go to Brooklyn where16 year-old Carole tells hermother, Genie, she is goinginto Manhattan to try and sella song to Donnie Kirshner. Inthe long tradition of mothers,Genie is opposed to her

daughters wish and inthe equally long tradition ofteenagers not caring about their mothersopposition, Carole goes anyway.

At 1650 Broadway, she hears the 1650 BROADWAY MEDLEY. She then singsher new song IT MIGHT AS WELL RAIN UNTIL SEPTEMBER. Donnie says hewill take it and hopes she has others.

At Queens College, Carole meets a handsomeyoung lyricist named Gerry Goffin. They agree tocollaborate, musically and romantically, which inboth cases turns out to be a fertile arrangement.When they go to Donnies to play their new song,Carole confesses to Gerry that she is pregnant.Gerry asks her to marry him. It gives her an extradepth of feeling when she sings their new song forDonnie, SOME KIND OF WONDERFUL which theDrifters then record.

They get an office at 1650. While there, Carolemeets a new lyricist Cynthia Weil ( HAPPY DAYSARE HERE AGAIN) who is looking for a composerto work with. Gerry and Carole sing their new songTAKE GOOD CARE OF MY BABY, during whichBarry Mann, the composer with the office nextdoor, enters. Barry meets Cynthia and they decideto collaborate. As they begin to work, sparks fly.

J e s s i e M u e l l e r

Carole Ki ng

Ca role King / Cour te s y o f Son y Mus ic Archive s


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Donnie tells them he needs a song for the Shirelles. The couples compete for the job. In Donnies office the next morning, Caroleand Gerry present WILL YOU LOVE ME TOMORROW. Cynthia and Barry perform HES SURE THE BOY I LOVE. Donnie picks Caroleand Gerrys song for the Shirelles and it goes to Number One.

And so, on either side of the same wall, a competition is born. The two teams turn out an amazing parade of songs: UP ON THEROOF, ON BROADWAY, THE LOCOMOTION and YOUVE LOST THAT LOVIN FEELING.

Gerry and Carole are at the taping of a TV special where their new song ONE FINE DAY is being performed by the dazzling JanelleWoods. During a break, Gerry confesses to Carole that he is restless in their marriage. He wants to sleep with Janelle, and hedoesnt want to lie about it. Carole is stunned. As the song begins again, she takes it over and sings it herself.

ACT TWOCarole is in a recording studio doing a demo of CHAINS. Gerry is off with Janelle but tells her he will meet her later. Nick, aguitarist, asks Carole to come sing at the Bitter End sometime but she declinesshes a songwriter, not a singer.

The thing with Gerry is getting her down so she goes and talks to Cynthia who is also having trouble with Barrythey split up.Carole decides to tell Gerry he has to end the affair with Janelle. As she leaves Barry comes in. He and Cynthia make up and playtheir new song, WALKING IN THE RAIN.

Gerry shows up but he is not making sense. He eventually has a breakdown. At the hospital, he tells Carole he will end the affairwith Janelle and that he wants to come home. She suggests they make a new start and move to the suburbs. With that, we hearPLEASANT VALLEY SUNDAY.

J a rrod S pe ctor, Anika La rs en

Cynthia Weil, Barry Mann


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C ynthia We il, Ba rry Ma nn, Ca role King

C a r o

l e K

i n g

Barry, Cynthia and Donnie come to see the new house. Barry plays their new song, WE GOTTA GET OUT OF THIS PLACE.Depressed that he and Carole cant do as well, Gerry leaves in a funk for the city. While he is gone, it comes out that Barry andCynthia have seen him with another woman, a singer named Marilyn Wald. Carole goes to Marilyns apartment and Gerry is there.Its the final straw. She ends their marriage.

At the Bitter End, where Barry and Cynthia hear their song UPTOWN, Carole explains she went to LA for a vacation and has startedwriting on her own. Nick, the guitarist from the studio who asked her to sing with his group is playing there and urges her to sing.She sings her new song, ITS TOO LATE.

She decides to move to L.A. At 1650, she says goodbye to Donnie and Barry and Cynthia and plays them a parting present, YOUVEGOT A FRIEND.

In LA, she records her album, Tapestry . The sessiongoes well until the last song which she is afraid tosing. Its a song she wrote with Gerry and she is afraidof the feelings it may stir up. Her producer, Lou Adler,persuades her. She sings (YOU MAKE ME FEEL LIKE)A NATURAL WOMAN.

The album is a smash. Carole is at Carnegie Hall for aconcert. Before the show starts, there is a knock

at her dressing room door. Its Gerry. He has brought her a good luckpresent but has something even more valuable: an apology for all theways he hurt her. With a full heart he wishes her well.

Carole comes onto the stage of Carnegie Hall alone. She sits at the piano.Then with all the joy inside her, she sings BEAUTIFUL.

And thats the end, except at the end of the curtain call, when the castand audience sing I FEEL THE EARTH MOVE.

Carole King / Courtesy of the Ode Sounds & Visuals Archive 1971,2014 Photographer: Jim McCrary


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So Far Away by Carole King.Colgems-EMI Music Inc. (ASCAP)

CaroleSO FAR AWAYDOESNT ANYBODY STAY IN ONE PLACE ANYMORE?IT WOULD BE SO FINE TO SEE YOUR FACE AT

MY DOORIT DOESNT HELP TO KNOW THAT YOURE JUST

TIME AWAY

LONG AGO I REACHED FOR YOU AND THERE

YOU STOODHOLDING YOU AGAIN COULD ONLY DO ME GOODHOW I WISH I COULDBUT YOURE SO FAR AWAY

ONE MORE SONG ABOUT MOVIN ALONG THEHIGHWAY

I CANT SAY MUCH OF ANYTHING THATS NEWBUT IF I COULD ONLY WORK THIS LIFE OUT

MY WAYID RATHER SPEND IT BEIN CLOSE TO YOUBUT YOURE SO FAR AWAY

Splish Splash by Bobby Darin and Jean Murray.EMI Unart Catalog Inc. (BMI), Trio Music Co.

Inc. (BMI) and Alley Music Corp. (BMI).

Love Potion #9 by Jerry Leiber and Mike Stoller. Sony/ATV Tunes LLC (ASCAP).

Poison Ivy by Jerry Leiber and Mike Stoller.Sony/ATV Tunes LLC (ASCAP).

Yakkety Yak by Jerry Leiber and Mike Stoller.Sony/ATV Tunes LLC (ASCAP).

There Goes My Baby by Jerry Leiber, MikeStoller, Ben King, George Treadwell and

Lover Patterson. Sony/ATV Songs LLC (BMI).Stupid Cupid by Neil Sedaka and Howard

Green eld. Screen Gems-EMI Music Inc.(BMI) and EMI Longitude Music (BMI).

Why Do Fools Fall In Love by Morris Levyand Frankie Lymon. EMI Longitude Music(BMI) and EMI Full Keel Music (ASCAP).

I Go Ape by Neil Sedaka and HowardGreen eld. Screen Gems-EMI Music Inc.

(BMI) and Universal/BMG (BMI).EnsembleOH OH OH OH OHOH OH OH OH OH OH OHOH OH OH OH OH OH OHOH OH OH OH OH OH

Voice 1SPLISH SPLASH I WAS TAKING A BATHLONG ABOUT A SATURDAY NIGHT

RUB DUB JUST RELAXING IN THE TUBTHINKIN EVRY THING WAS ALRIGHT

Voice 2 EnsembleWELL I TOOK MY TROUBLES BAH OO! DOWN TO MADAME RUE BAH OO!YOU KNOW THAT GYPSY WITH

THE GOLD CAPPED TOOTHSHES GOT A PAD DOWN ON BA-BAH THIRTY-FOURTH AND VINE BA-BAHSELLIN LITTLE BOTTLES OF... BA-BAH

Voice 3 Voice 2POISON IVY, POISON IVY

LOVE POTION #9LATE AT NIGHT WHILE YOURE

SLEEPINPOISON IVY COMES A CREEPIN

AROUND

Two MenTAKE OUT THE PAPERS AND THE TRASH

EnsembleOOH... SHOO-BE-DO-WOP BABY, SHOO-BE-DO-WOP

DOWN THE LINETHERE GOES MY BABY, MOVIN ONDOWN THE LINE

OR YOU DONT GET NO SPENDING CASHOOH... SHOO-BE-DO-WOP, WONDER WHERE SHOOP!

WONDER WHERE, WONDER WHERE

STUPID CUPID STOP PICKIN ON ME YAKITY YAK

BYE BYE LOVE THE BEATLL MAKE YOU JUMPY AND BOOZELL

MAKE YOU LUMPY YOU MIXED ME UP FOR GOOD SHE SAID! DA-DA DA-DA SHE SAID!

SHE SAID IM GONNA MIX IT UP RIGHT HERE IN THE SINK YAKITY YAK, YAKITY YAK!

BYE BYE HAPPINESS THAT RHYTHMS GONNA FOOL YA, THAT

SLOW BACK BEAT TO COOL YA HEY NOW GO PLAY ROBIN HOOD WITH

SOMEBODY ELSESDA-DADA-DA I HELD MY NOSE, ICLOSED MY EYES

THERE GOES MY BABY DA-DA DA-DADA-DA I HELD MY NOSE, I

CLOSED MY EYES

I TOOK A DRINK! WHOA!

WHY DO BIRDS SING SO GAY AND LOVERSAWAIT THE BREAK OF DAY

IVY, POISON IVY LATE AT NIGHT WHILEYOURE SLEEPING

STUPID CUPID YOURE A REAL MEANGUY, ID LIKE TO CLIP YOUR WINGS SOYOU CANT FLY

LOVE POTION #9, LOVE POTION #9 I BROKE HER HEART SPLISHING AND A SPLASHING,

WE WAS A REELING WITH THEFEELING

TAKE OUT THE PAPERS ANDTHE TRASH

I GO APE EVRY TIME I SEE YOU SMILE! IM A

DING DONG GORILLAAND ILL

WHY DO THEY FALL IN LOVE BA-DA BA-DA

POISON IVY COMES A CREEPIN AROUND BA-DA BA-DA IM IN LOVE AND ITS A CRYING SHAME AND

I KNOW THAT YOURE THE ONE TO BLAME...

1. OVERTURE

2. SO FAR AWAY

3. 1650 BROADWAYMEDLEY


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LOVE POTION #9 LOVE POTION #9 BA-DA BA-DA AND MAKE HER CRY BA-DA BA-DA ROLLING AND A STROLLING SPLISH SPLASH IF YOU DONT SCRUB THAT KITCHEN

FLOOR YOU AINT GONNA ROCK-N-ROLL CARRY YOU CAVE MAN STYLE IM

GONNA BUMP YOU ON THE HEAD AND...

BAH DO! BAH DO! BAH DO! WHOA (3x)BAH DO! LOVE POTION #9 WHOA THERE GOES MY BABY MOVIN ON DOWN THE LINE I STEPPED OUT THE TUB, AND PUT MY FEET ON THE FLOOR, I PUT A TOWEL AROUND ME

NO MORE! BAH DO! BAH DO! WHOABAH DO! IM A DING DONG GORILLAAND ILL CARRY YOU CAVE MAN...

WHY DO FOOLS FALL IN LOVE BYE-BYE! POISON IVY BYE-BYE! STUPID CUPID STOP PICKIN ON ME

AH...BYE-BYE!LOVE POTION #9 AH...BYE-BYE!THERE GOES MY BABY AH...BYE-BYE!

SPLISH SPLASH I JUMP BACK IN THEBATH AH...BYE-BYE!

YAKITY YAK AH...BYE-BYE! GONNA LOVE YOU ALL THE

WHILE! AH...BYE-BYE!

YAKITY YAK!

LucilleDONT CALL BACK!

It Might As Well Rain Until September byGerry Gof n and Carole King.

Screen Gems-EMI Music Inc. (BMI).

CaroleWHAT SHOULD I WRITE?

WHAT CAN I SAY?HOW CAN I TELL YOU HOW MUCH I MISS YOU?THE WEATHER HERE HAS BEEN AS NICE AS IT

CAN BEALTHOUGH IT DOESNT REALLY MATTER MUCH

TO MEFOR ALL THE FUN ILL HAVE WHILE YOURE SO

FAR AWAYIT MIGHT AS WELL RAIN UNTIL SEPTEMBER

Ooh, backup girls would come in there andharmonize--

(DONNIE shows no emotion)

MY FRIENDS LOOK FORWARD TO THEIR PICNICS ON THE BEACHYES EVERYBODY LOVES THE SUMMERTIME!BUT YOU KNOW, DARLING, WHILE YOUR ARMS

ARE OUT OF REACHTHE SUMMER ISNT ANY FRIEND OF MINEIT DOESNT MATTER WHETHER SKIES ARE GRAY

OR BLUE--

There should be strings here like raindrops falling--

ITS RAINING IN MY HEART CAUSE I CANT BEWITH YOU--

Bloop, bloop, bloop, bloop, every other note--

IM ONLY LIVING FOR THE DAY YOURE HOMETO STAY

SO IT MIGHT AS WELL RAIN UNTIL SEPTEMBER!

Bloop, Bloop, Bloop, Bloop, Bloop, Bloop, Bloop,Bloop...Bloop.

4. IT MIGHT AS WELRAIN UNTIL SEPTEM

R e

b e c c a

L a

C h a n c e

, J e b B r o w n

, J e s s i e

M u e

l l e r


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J e s s

i e M u e

l l e r ,

J a k e E p s t e

i n

Some Kind of Wonderful by Gerry Gof n and Carole King.


CaroleALL YOU HAVE TO DO IS TOUCH MY HANDTO SHOW ME YOU UNDERSTANDAND SOMETHING HAPPENS TO METHATS SOME KIND OF WONDERFULANY TIME MY LITTLE WORLD IS BLUEI JUST HAVE TO LOOK AT YOU--

AND EVERYTHING SEEMS TO BE SOME KIND OFWONDERFUL.

GerryI KNOW I CANT EXPRESS THIS FEELING OF

TENDERNESSTHERES SO MUCH I WANT TO SAY

CaroleBUT THE RIGHT WORDS JUST DONT COME MY WAY--

BothI JUST KNOW WHEN IM IN YOUR EMBRACETHIS WORLD IS A HAPPY PLACEAND SOMETHING HAPPENS TO ME--THATS SOME KIND OF WONDERFUL

DonnieNow thats a song! You guys can finally get youroffice here because you know who Im gonna givethat to? The Drifters!

The DriftersWONDERFULWONDERFULWONDERFUL

Lead Drifter Three DriftersALL YOU HAVE TO DO IS TOUCH MY HAND ...WONDERFULTO SHOW ME THAT YOU UNDERSTAND

...WONDERFULAND SOMETHING HAPPENS TO ME

...WONDERFULTHATS SOME KIND OF WONDERFUL

...WONDERFUL

ANY TIME MY LITTLE WORLD IS BLUE WONDERFUL...WONDERFUL

I JUST HAVE TO LOOK AT YOU-- WONDERFUL...WONDERFUL

AND EVERYTHING SEEMS TO BE WONDERFUL...WONDERFUL

SOME KIND OF WONDERFUL ...WONDERFUL

I KNOW I CANT EXPRESS I KNOW I CANT EXPRESS

THIS FEELING OF TENDERNESS WONDERFUL...TENDERNESS

THERES SO MUCH I WANT TO SAY WONDERFUL...WANT TO SAY

BUT THE WORDS DONT COME MY WAYAHH...COME MY WAY

I JUST KNOW WHEN IM IN YOUR EMBRACEAHH...YOUR EMBRACE

THIS WORLD IS A HAPPY PLACE...HAPPY PLACEAND SOMETHING HAPPENS TO ME--

WONDERFUL...SO WONDERFUL

THATS SOME KIND OF WONDERFUL! WONDERFUL

WONDERFUL WONDERFULWONDERFUL WONDERFULTHATS SOME KIND OF WONDERFUL!

THATS SOME KIND OF WONDERFUL!

Happy Days Are Here Again by MiltonAger and Jack Yellen. EMI Robbins Catalog

Inc. (ASCAP). Special lyrics by DouglasMcGrath and Cynthia Weil.

CynthiaID LIKE TO SAY A THING OR TWO ABOUT THIS SONG I SING FOR YOUTHESE ARE NOT THE WORDS YOU THOUGHT YOU

KNEW

5. SOME KIND OFWONDERFUL

6. HAPPY DAYS AREHERE AGAIN


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Lead Shirelle Three ShirellesSHA-LA LUP SHUP, SHA-LA LUP SHUPTONIGHT YOURE MINE COMPLETELYYOU GIVE YOUR LOVE SO SWEETLYTONIGHT THE LIGHT OF LOVE IS IN

YOUR EYESBUT WILL YOU LOVE ME TOMORROW?

BUT WILL YOU LOVE ME TOMORROW?

IS THIS A LASTING TREASURESHA-LA LUP SHUP, SHA-LA LUP SHUPSHA-LA LUP SHUP, SHA-LA LUP SHUP

OR JUST A MOMENTS PLEASURE?SHA-LA LUP SHUP, SHA-LA LUP SHUPSHA-LA LUP SHUP, SHA-LA LUP SHUP

CAN I BELIEVE THE MAGIC OF ...I BELIEVE

YOUR SIGH ...MAGIC OF YOUR SIGHWILL YOU STILL LOVE ME TOMORROW

...STILL LOVE ME TOMORROW

TONIGHT WITH WORDS UNSPOKEN...WORDS UNSPOKEN

YOU SAY THAT IM THE ONLY ONE YOU SAY...

YOU SAY THAT IM THE ONLY ONEBUT WILL MY HEART BE BROKEN...WILL MY HEART BE BROKEN

WHEN THE NIGHT...WHEN THE NIGHT

MEETS THE MORNING SUN?MEETS THE MORNING...

MEETS THE MORNING SUN?

ID LIKE TO KNOW THAT YOUR LOVESHA-LA LUP SHUP, SHA-LA LUP SHUPSHA-LA LUP SHUP, SHA-LA LUP SHUP

IS LOVE I CAN BE SURE OFSHA-LA LUP SHUP, SHA-LA LUP SHUPSHA-LA LUP SHUP, SHA-LA LUP SHUP

SO TELL ME NOW SO TELL ME NOWAND I WONT ASK AGAIN

AND I WONT ASK AGAINWILL YOU STILL LOVE ME TOMORROW?

...LOVE ME TOMORROW?

WILL YOU STILL LOVE ME TOMORROW?...LOVE ME TOMORROW?

Up on the Roof by Gerry Gof n and CaroleKing. Screen Gems-EMI Music Inc. (BMI).

GerryWHEN THIS OLD WORLD STARTS GETTING ME

DOWNAND PEOPLE ARE JUST TOO MUCH FOR ME TO

FACEILL CLIMB WAY UP TO THE TOP OF THE STAIRSAND ALL MY CARES JUST DRIFT RIGHT INTO SPACEON THE ROOF, ITS PEACEFUL AS CAN BEAND THERE THE WORLD BELOW CANT BOTHER ME

Lead Drifter Three Drifters

LET ME TELL YOU NOW--WHEN I COME HOME FEELIN OOH TIRED AND BEATI GO UP WHERE THE AIR IS FRESH OOH AND SWEET

...UP ON THE ROOF

I GET AWAY FROM THE HUSTLINGCROWDS OOH

AND ALL THAT RAT-RACE NOISEDOWN IN THE STREET OOH

...UP ON THE ROOF

AT NIGHT THE STARS PUT ON AHH A SHOW FOR FREE AHHAND DARLIN YOU CAN SHARE IT AHH ALL WITH ME AHH

I KEEP A-TELLIN YOURIGHT SMACK DAB IN THE MIDDLE OOH OF TOWNIVE FOUND A PARADISE THATS OOH

TROUBLE PROOF

...UP ON THE ROOFSO IF THIS WORLD STARTS OOH GETTING YOU DOWNTHERES ROOM ENOUGH FOR TWO OOHUP ON THE ROOF

...UP ON THE ROOFUP ON THE ROOF

...UP ON THE ROOFEVERYTHING IS ALL RIGHT

...UP ON THE ROOFWHOA...

...UP ON THE ROOFUP ON THE ROOF

...UP ON THE ROOF

11. UP ON THE ROO

(Le f t ) As h le y B lanc he t, Ras h idra

Sco t t,

A l ys ha Des lor ieu x, Car l y Hug he

s

(Be lo w ) J a ke Eps te in, J ess ie Mue

l ler

10. WILL YOU LOVEME TOMORROW


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18 Jarrod Spec tor, Anika Larsen

On Broadway by Barry Mann, CynthiaWeil, Jerry Leiber and Mike Stoller. Screen

Gems-EMI Music Inc. (BMI).

Drifter #1 Drifter #2THEY SAY THE NEON LIGHTS ARE

BRIGHT ON BROADWAY...ON BROADWAY

Drifter #2 Drifter #3THEY SAY THERES ALWAYS MAGIC IN THE AIR

...ON BROADWAY

Drifter #3BUT WHEN YOURE WALKIN DOWN THE STREET

Drifter #4AND YOU AINT HAD ENOUGH TO EAT

Drifter #1THE GLITTER RUBS RIGHT OFF

AND YOURE NOWHERE All

ON BROADWAY

Drifter #1 OthersTHEY SAY THE WOMEN TREAT YOU FINE ON BROADWAY

THEY SAY WOMEN TREAT YAON BROADWAY

BUT LOOKIN AT THEM JUST GIVESME THE BLUES

LOOKIN AT THEM WALKINON BROADWAY

Drifter #2CAUSE HOW YA GONNA MAKE AH OOH OOH SOME TIME AH OOH OOHWHEN ALL YOU GOT IS ONE WHOA OH THIN DIME WHOA OHAND ONE THIN DIME WONT

EVEN SHINE YOUR SHOESON BROADWAY ON BROADWAY

ON BROADWAY

Drifter #4THEY SAY THAT I WONT LAST THEY SAY TOO LONG ON BROADWAY NO WAY

THEY SAY THAT I WONTLAST TOO LONGON BROADWAY

ILL CATCH A GREYHOUND BUS NO WAY FOR HOME, THEY SAY UH UH

THEY CANT CHASE MEAWAY! NO WAY!

BUT THEYRE DEAD WRONG,I KNOW THEY ARE

THEYRE DEAD WRONGI KNOW THEY ARE

CAUSE I CAN PLAY THIS HERE GUITARCAUSE I CAN PLAY THIS HERE GUITAR

MY GUITAR MY GUITAR

THEY SAY THAT I WONT LAST TOO LONG

AllON BROADWAYTHEY SAY THAT I WONT LAST TOO LONG OH!I WONT QUIT TILL IM A STARNO, I WONT QUIT TILL IM A STARI WONT QUIT TILL IM A STARON BROADWAY!

The Locomotion by Gerry Gof nand Carole King.


Little Eva EnsembleEVERYBODYS DOING A BRAND

NEW DANCE NOWCOME ON, BABY, DO THE LOCOMOTION

I KNOW YOULL GET TO LIKE ITIF YOU GIVE IT A CHANCE NOW!

COME ON, BABY, DO THE LOCOMOTIONMY LITTLE BABY SISTER OOH WAH OOH CAN DO IT WITH EASEITS EASIER THAN LEARNING OOH WAH OOH

YOUR ABCSSO COME ON, COME ON, DOCOME ON, COME ON, DO

THE LOCOMOTION WITH MECOME ON,

YOU GOTTA SWING YOUR HIPS NOWOOH

12. ON BROADWAY 13. THE LOCOMOTIO


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COME ON, BABY JUMP UP, JUMP BACKJUMP UP JUMP ON BACK

WELL, I THINK YOUVE WELL, I THINK YOUVE GOT THE KNACK GOT THE KNACK

NOW THAT YOU CAN DO IT,LETS MAKE A CHAIN NOW

COME ON BABY, DO THE LOCOMOTIONA CHUG-A CHUG-A MOTIONLIKE A RAILROAD TRAIN NOW

COME ON, BABY, DO THE LOCOMOTION

DO IT NICE AND EASY, NOW, NICE AND EASYDONT LOSE CONTROL DONT LOSE CONTROLA LITTLE BIT OF RHYTHM BIT OF RHYTHMAND A LOT OF SOUL LOT OF SOUL

AllSO COME ON, COME ON, DO THE LOCOMOTION

WITH ME

Little Eva

Everybody ready? Lets catch that train!Choo, choo, choo, chooWhoa

AllMOVE AROUND THE FLOOR IN A LOCO-MOTION

Little Eva EnsembleCOME ON, BABY, DO THE LOCOMOTION

DO IT HOLDING HANDS IF YOU GET THE NOTIONCOME ON, BABY, COME ON, COME ON,

BABY, COME ON

THERES NEVER BEEN A DANCETHATS SO EASY TO DO

EASY TO DO, COME ON!IT EVEN MAKES YOU HAPPYWHEN YOURE FEELING BLUE FEELING BLUE!

SO COME ON, COME ON, DOCOME ON, COME ON, DO

THE LOCOMOTION WITH MECOME ON, BABY

DO THE LOCOMOTIONSWING YOUR HIPS NOWCOME ON, BABY COME ON, BABY DO

DO THE LOCOMOTION

COME ON, COME ON, COME ON,DO THE LOCOMOTION DO THE LOCOMOTION WITH ME! WITH ME!

Youve Lost That Lovin Feeling by BarryMann, Cynthia Weil and Phil Spector. ScreenGems-EMI Music Inc. (BMI), EMI BlackwoodMusic Inc. obo Mother Bertha Music (BMI).

BarryYOU NEVER CLOSE YOUR EYES ANYMORE WHEN I KISS YOUR LIPS

D o u g l a s L y o n s , E

. C l a y t o n C o r n e l i o u s , J a m e s H a r k n e s s

, A r b e n d e r J . R o b i n s o n

14. YOUVE LOST THLOVIN FEELING


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16. CHAINS

ONE FINE DAY, WELL MEET ONCE MOREAND THEN YOULL WANT THE LOVE YOU THREW

AWAY BEFOREONE FINE DAY, YOURE GONNA WANT ME FOR

YOUR GIRLYOURE GONNA WANT ME FOR YOUR GIRLYOURE GONNA WANT ME FOR YOUR GIRL

Chains by Gerry Gof n and Carole King. Screen Gems-EMI Music Inc. (BMI).

Carole & Two Backup SingersCHAINSMY BABYS GOT ME LOCKED UP IN CHAINSAND THEY AINT THE KIND THAT YOU CAN SEEWHOA, THESE CHAINS OF LOVE GOT A HOLD

ON ME, YEAH

CHAINS, WELL I CANT BREAK AWAY FROMTHESE CHAINS

I CANT RUN AROUND CAUSE IM NOT FREEWHOA, THESE CHAINS OF LOVE WONT LET ME BE, YEAH

CaroleNOW BELIEVE ME WHEN I TELL YOUI THINK YOURE FINE

Backup SingersI THINK YOURE FINE

ID LIKE TO LOVE YOU, AHHBUT DARLIN IM IMPRISONED ...DARLIN BY THESE CHAINS ...BY THESE CHAINSMY BABYS GOT ME MY BABYS GOT MELOCKED UP IN CHAINS LOCKED UP IN CHAINSAND THEY AINT THE KIND

AND THEY AINT THE KINDTHAT YOU CAN SEE THAT YOU CAN SEEWHOA, THESE CHAINS OF LOVE

WHOA, THESE CHAINS OF LOVEGOT A HOLD ON ME, YEAH

GOT A HOLD ON ME, YEAHWHOA, THESE CHAINS OF LOVE--

WHOA, THESE CHAINS OF LOVE--GOT A HOLD ON ME ...ME

(A b o v e ) Ca r l y H u g h e

s , A l y s ha

D e s l o r i e u x, Ra s h i d ra S

c o t t,

A s h l e y B la n c h e t / ( R i g h t ) J a k

e

E p s t e i n, J e s s i e M u e l l

e r


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THEY SERENADE THE WEEKEND SQUIREWHO JUST CAME OUT TO MOW THE LAWN

Marilyn EnsembleANOTHER PLEASANT VALLEY SUNDAY

AH...SUN VALLEY SUNCHARCOAL BURNING EVERYWHERE

CHARCOAL BURNING EVERYWHEREROWS OF HOUSES THAT ARE ALL THE SAME...ALL THE SAME

AND NO ONE SEEMS TO CARE...

GerrySEE MRS. GRAY SHES PROUD TODAYBECAUSE HER ROSES ARE IN BLOOM

...BLOOMAND MR. GREEN HES SO SERENE,HES GOT A T.V. IN EVERY ROOM

...ROOMANOTHER PLEASANT VALLEY SUNDAY

ANOTHER PLEASANT VALLEY SUNDAYHERE IN STATUS SYMBOL LAND

HERE IN STATUS SYMBOL LANDMOTHERS COMPLAIN ABOUT

HOW HARD LIFE ISOOOH...HOW HARD LIFE IS

AND THE KIDS JUST DONTUNDERSTAND...

BUP BUP BA BAH BA DOP BOPBA BA BA BAH

CREATURE COMFORT GOALSBUP BUP BA BAH BA DOP BOP

THEY ONLY NUMB MY SOUL BA BA BA BAHAND MAKE IT HARD FOR ME TO SEE

BUP BUP BA BAH BA DOP BOPBA BA BA BA BA

MY THOUGHTS ALL SEEM TO STRAYBUP BUP BA BAH BA DOP BOP

TO PLACES FAR AWAY BUP BUP BA BAH

I NEED A CHANGE OF SCENERY...BUP BUP BA BAHANOTHER PLEASANT VALLEY SUNDAY

HERE IN STATUS SYMBOL LANDHERE IN STATUS SYMBOL LAND

We Gotta Get Out of This Place by BarryMann and Cynthia Weil. Screen Gems-EMI

Music Inc. (BMI).

BarryIN THIS DIRTY OLD PART OF THE CITYWHERE THE SUN REFUSE TO SHINEPEOPLE TELL ME THERE AINT NO USE IN TRYIN

MY LITTLE GIRL YOURE SO YOUNG AND PRETTYAND ONE THING I KNOW IS TRUE

YOURE GONNA DIE BEFORE YOUR TIME IS DUE--

I CANT TAKE IT NO MOREWHAT ARE WE WAITIN FOR?

WE GOTTA GET OUT OF THIS PLACEIF ITS THE LAST THING WE EVER DOWE GOTTA GET OUT OF THIS PLACEGIRL THERES A BETTER LIFE FOR ME AND YOU

YOU SEE MY DADDY IN BED A DYINYOU SEE HIS HAIR, BABY TURNIN GRAYHES BEEN WORKIN AND SLAVIN HIS LIFE AWAY

(EVERY DAY)HES BEEN WORKIN YEAH!HES BEEN WORKIN YEAHHES BEEN WORKIN WORKIN WORKIN

WE GOTTA GET OUT OF THIS PLACEIF ITS THE LAST THING WE EVER DOWE GOTTA GET OUT OF THIS PLACE

Anik a Lar sen, J ak e Eps t e in, Ja r r od Spe ct or

19. WE GOTTA GET OUTOF THIS PLACE


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GIRL THERES A BETTER LIFE FOR ME AND YOUGIRL THERES A BETTER LIFE FOR ME AND YOU

Uptown by Barry Mann and Cynthia Weil Screen Gems-EMI Music Inc. (BMI).

SingerHE GETS UP EACH MORNING AND HE GOES

DOWNTOWNWHERE EVERYONES HIS BOSS AND HES LOST

IN AN ANGRY LANDHES A LITTLE MAN

Singer Backup SingersBUT THEN HE COMES UPTOWN UPTOWNEACH EVENIN TO MY TENEMENTUPTOWN WHERE FOLKS DONT HAVE UPTOWNTO PAY MUCH RENTAND WHEN HES THERE WITH ME OOHHE CAN SEE THAT HES EVERYTHING

HE CAN SEE EVERYTHINGTHEN HES TALL, HE DONT CRAWL,

HES A KING

DOWN-TOWN, HES JUST ONE OF A MIL-LION GUYSHE DONT GET NO BREAKS AND HE TAKES ALL

THEY GOT TO GIVECAUSE HES GOTTA LIVEBUT THEN HE COMES UP-TOWN WHERE HE

CAN HOLD HIS HEAD UP HIGH, UPTOWNUPTOWN HE KNOWS THAT ILL BE STAND-IN BY

UPTOWNAND WHEN I TAKE HIS HAND, THERES NO MAN

WHO CAN PUT HIM DOWN OOHTHE WORLD IS SWEETITS AT HIS FEETWHEN HES UP TOWNTHE WORLD IS SWEET AHHITS AT HIS FEETWHEN HES UP TOWN

Its Too Late by Carole King and Toni Stern.Colgems-EMI Music Inc. (ASCAP).

Carole

STAYED IN BED ALL MORNIN JUST TO PASSTHE TIMETHERES SOMETHING WRONG HERE THERE CAN

BE NO DENYINONE OF US IS CHANGIN OR MAYBE WE JUST

STOPPED TRYIN

AND ITS TOO LATE BABY, NOW ITS TOO LATETHOUGH WE REALLY DID TRY TO MAKE ITSOMETHING INSIDE HAS DIED AND I CANT HIDEAND I JUST CANT FAKE IT OH, NO NOIT USED TO BE SO EASY LIVIN HERE WITH YOUYOU WERE LIGHT AND BREEZY AND I KNEW JUST

WHAT TO DONOW, YOU LOOK SO UNHAPPY AND I FEEL

LIKE A FOOL

AND ITS TOO LATE BABY, NOW ITS TOO LATETHOUGH WE REALLY DID TRY TO MAKE ITSOMETHING INSIDE HAS DIED AND I CANT HIDEAND I JUST CANT FAKE ITITS TOO LATE BABY

THERE WILL BE GOOD TIMES AGAIN FOR MEAND YOU

BUT WE JUST CANT STAY TOGETHER,

DONT YOU FEEL IT, TOOSTILL IM GLAD FOR WHAT WE HAD AND

HOW I ONCE LOVED YOU

BUT ITS TOO LATE, BABY, NOW ITS TOO LATETHOUGH WE REALLY DID TRY TO MAKE ITSOMETHING INSIDE HAS DIED AND I CANT HIDEAND I JUST CANT FAKE IT

ITS TOO LATE BABYITS TOO LATE NOW DARLINGITS TOO LATE BABYITS TOO LATE

Youve Got a Friend by Carole King.Colgems-EMI Music Inc. (ASCAP).

CaroleWHEN YOURE DOWN AND TROUBLEDAND YOU NEED SOME LOVING CARE

Je ss ie Muelle r

20. UPTOWN

21. ITS TOO LATE

22. YOUVE GOT A FR


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AND NOTHING, OH, NOTHING IS GOING RIGHTCLOSE YOUR EYES AND THINK OF MEAND SOON I WILL BE THERETO BRIGHTEN UP EVEN YOUR DARKEST NIGHT

YOU JUST CALL OUT MY NAMEAND YOU KNOW WHERE EVER I AMILL COME RUNNING TO SEE YOU AGAIN

Carole & BarryWINTER, SPRING, SUMMER OR FALL,ALL YOU HAVE TO DO IS CALL

CaroleAND ILL BE THERE, YES I WILLYOUVE GOT A FRIEND

Cynthia & Barry

NOW AINT IT GOOD TO KNOW THAT YOUVE GOT A FRIENDWHEN PEOPLE CAN BE SO COLD

Carole, Cynthia & BarryTHEYLL HURT YOU

DonnieYES, AND DESERT YOU

AllTHEYLL TAKE YOUR SOUL IF YOU LET THEM

CaroleOH, BUT DONT YOU LET THEM

AllYOU JUST CALL OUT MY NAMEAND YOU KNOW WHEREVER I AMILL COME RUNNIN, RUNNIN, YEAH, YEAH,

TO SEE YOU AGAIN

WINTER, SPRING, SUMMER OR FALLALL YOU HAVE TO DO IS CALLAND ILL BE THERE, YES ILL BE THERE

CaroleYOUVE GOT A FRIEND

(You Make Me Feel Like a) Natural Womanby Gerry Gof n, Carole King and Gerald

Wexler. Screen Gems-EMI Music Inc. (BMI).

Carole Three Backup Singers

LOOKIN OUT ON THE MORNIN RAINI USED TO FEEL UNINSPIRED AH-OOHAND WHEN I KNEW ID HAVE TO FACE

ANOTHER DAY AH-OOHLORD, IT MADE ME FEEL SO TIRED AH-OOHBEFORE THE DAY I MET YOU, LIFE WAS SO UNKINDBUT YOUR LOVE WAS THE KEY TO MY PEACE

OF MIND

Carole & Three Backup Singers

CAUSE YOU MAKE ME FEELYOU MAKE ME FEELYOU MAKE ME FEEL LIKE A NATURAL WOMAN

WHEN MY SOUL WAS IN THE LOST-AND-FOUNDYOU CAME ALONG TO CLAIM ITI DIDNT KNOW JUST WHAT WAS WRONG WITH METILL YOUR KISS HELPED ME NAME IT

NOW IM NO LONGER DOUBTFUL OF WHAT IMLIVING FOR

CAUSE IF I MAKE YOU HAPPY I DONT NEEDTO DO MORE

YOU MAKE ME FEELYOU MAKE ME FEELYOU MAKE ME FEEL LIKEA NATURAL WOMAN

Carole Three Backup SingersOH, BABY, WHAT YOUVE DONE TO ME

...DONE TO MEYOU MAKE ME FEEL SO GOOD INSIDE

...GOOD INSIDEAND I JUST WANNA BE CLOSE TO YOU

...WANNA BEYOU MAKE ME FEEL SO ALIVE

J e b Br own, Anik a La r s e n, J a r r od S pe ctor , J e s s ie Mue lle r

23. (YOU MAKE ME FEELLIKE) A NATURAL WOMAN


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Carole & Three Backup SingersYOU MAKE ME FEELYOU MAKE ME FEELYOU MAKE ME FEEL LIKE A NATURAL WOMAN

CaroleA NATURAL WOMAN

Beautiful by Carole King.Colgems-EMI Music Inc. (ASCAP).

CaroleYOUVE GOT TO GET UP EVERY MORNINGWITH A SMILE ON YOUR FACE

AND SHOW THE WORLD ALL THE LOVE IN YOUR HEARTTHEN PEOPLE GONNA TREAT YOU BETTERYOURE GONNA FIND, YES, YOU WILLTHAT YOURE BEAUTIFUL AS YOU FEEL

WAITING AT THE STATION WITH A WORKDAYWIND A-BLOWING

I GOT NOTHING TO DO BUT WATCH THE PASSERS-BY GROWINGAND THEY DONT SEE IT SHOWING, WHY DO I?

Carole EnsembleYOUVE GOT TO GET UP EVERY OOH OOH MORNINGWITH A SMILE ON YOUR FACE OOH OOHAND SHOW THE WORLD ALL THE

LOVE IN YOUR HEARTSHOW ALL THE LOVE

THEN PEOPLE GONNA TREAT YOU BETTEROOH OOH

YOURE GONNA FIND, YES, YOU WILLTHAT YOURE BEAUTIFUL AS YOU FEEL

YOURE SO BEAUTIFULOOH MMMMM

I HAVE OFTEN ASKED MYSELFTHE REASON FOR THE SADNESS

IN A WORLD WHERE TEARS AREJUST A LULLABYE OOH OOH OOH

IF THERES ANY ANSWER, MAYBELOVE CAN END THE MADNESSMAYBE NOT, OH, BUT WE CAN ONLY TRY

OH!

YOUVE GOT TO GET UP EVERYMORNING AH OOH

WITH A SMILE ON YOUR FACEAND SHOW THE WORLD

THE LOVE IN YOUR HEARTSHOW ALL THE LOVE

THEN PEOPLE GONNA TREAT YOU BETTER

YOURE GONNA FIND, YES, YOU WILLAH OOH

THAT YOURE BEAUTIFULSO BEAUTIFUL

YOURE BEAUTIFULSO BEAUTIFUL

SO BEAUTIFULSO BEAUTIFUL

AS YOU FEELYOURE BEAUTIFULAHH AHH AHH AHH

I Feel The Earth Move by Carole King Colgems-EMI Music, Inc. (ASCAP).

CaroleI FEEL THE EARTH MOVE UNDER MY FEETI FEEL THE SKY TUMBLING DOWNI FEEL MY HEART START TO TREMBLINGWHENEVER YOURE AROUND

OOH, BABY, WHEN I SEE YOUR FACEMELLOW AS THE MONTH OF MAY

OH, DARLING, I CANT STAND ITWHEN YOU LOOK AT ME THAT WAY

Carole & CompanyI FEEL THE EARTH MOVE UNDER MY FEETI FEEL THE SKY TUMBLING DOWN, TUMBLING DOWNI FEEL MY HEART START TO TREMBLINGWHENEVER YOURE AROUND

CaroleOH, DARLING, WHEN YOURE NEAR ME

AND YOU TENDERLY CALL MY NAMEI KNOW THAT MY EMOTIONSARE SOMETHING I JUST CANT TAME

Carole & CompanyI FEEL THE EARTH MOVE UNDER MY FEETI FEEL THE SKY TUMBLING DOWNI FEEL THE EARTH MOVE UNDER MY FEETI FEEL THE SKY TUMBLING DOWNA TUMBLING DOWNA TUMBLING DOWN

A TUMBLING DOWNCOME TUMBLING DOWN!

25. I FEEL THEEARTH MOVE

J e s s

i e M u e

l l e r

24. BEAUTIFUL


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GHOSTLIGHTRECORDS.COM

/GHOSTLIGHTRECORDS

@SHKBOOM

Produced for Records by JASON HOWLAND, STEVE SIDWELL and BILLY JAY STEINExecutive Producer: KURT DEUTSCH Recorded by JOEL MOSSEdited and Mixed by BILLY JAY STEIN and JASON HOWLANDMastered by RYAN SMITH at Sterling Sound, NYCAssociate Album Producers: STEVE NORMAN and GREG BRUNSWICKOrchestrations, Vocal and Music Arrangements: STEVE SIDWELLMusic Supervision, Additional Vocal and Music Arrangements: JASON HOWLANDSynthesizer and Computer Programming: HIRO IIDAMusic Coordinator: JOHN MILLERMusic Preparation by JOANN KANE MUSIC; RUSSELL BARTMUS, LibrarianProduction Stage Manager: PETER HANSONBeautiful Publicity: O&M Co.Package Design: STEPHANIE LAYTONCover Artwork: SERINO/COYNECover Photo and Production Photos: JOAN MARCUSHistorical Photos provided by CYNTHIA WEIL and BARRY MANN,THE CAROLE KING FAMILY ARCHIVES, ELISSA KLINE, THE ODESOUNDS & VISUALS ARCHIVE and THE SONY MUSIC ARCHIVES Recorded February 16-17 and 20, 2014 at MSR Studios, NYCPro Tools Engineer: DAN FYFEAssistant Engineer: TIM KNOWLTON Mixed at Strange Cranium Studios, NYC

Special ThanksMartin Bandier, Mark Bennett, Mike Bosner, Kurt Deutsch,Dan Fortune, Connie Kirch, Sherry Kondor, Jane Read Martin,Katie Riegel, Christine Russell, Laurie Soriano

And Gerry Goffin, Carole King, Barry Mann, Cynthia Weil

Car ole K ing


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2014 Beautiful on Broadway LLC, under exclusive license to Ghostlight Records. Ghostlight logo is a trademark of Sh-K-BoomRecords, Inc. 630 Ninth Avenue, #407, New York, NY 10036. Distributed by Razor & Tie Direct, LLC. Unauthorized duplication is a

violation of applicable laws. All Rights Reserved.

G h o s t l i g h t R e c o r d s

Jessie Mueller (by Nathan Johnson)Carole King / Courtesy of the Ode Sounds & VisualsArchive 1971, 2014 Photographer: Jim McCrary

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Digital Booklet - Beautiful: The Carole King Musical

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