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YOUR MUSIC CAREER STARTS HERE BIMM.CO.UK DIPLOMA STUDENT PACK THE UK & IRELAND’S MOST CONNECTED MUSIC COLLEGE whats inside ..? + ACCEPTANCE PACK + FINANCE INFORMATION + DISABILITY ACCESS
YOUR MUSIC CAREER STARTS HERE BIMM.CO.UK
DIPLOMA STUDENT PACK
THE UK & IRELAND’S MOST CONNECTED
MUSIC COLLEGE
whats inside ..?
+ ACCEPTANCE PACK+ FINANCE INFORMATION+ DISABILITY ACCESS
POPULAR MUSIC PERFORMANCEMUSIC PRODUCTION SONGWRITING
ONE YEAR DIPLOMA
THE UK & EUROPE’S MOST CONNECTED
MUSIC COLLEGE
YOUR MUSIC CAREER STARTS HERE BIMM.CO.UK
WELCOME
BIMM London as many of you will know, previously incorporated Tech Music School, a prestigious and long standing leader in modern music education, founded in 1983. Together, the BIMM organisation and Tech Music School amalgamated their strengths and proudly opened a new site in Fulham in September 2013. As a result we are an innovative, forward thinking, dedicated institute priding ourselves on delivering high quality music education and ensuring professional standards are met by our tutors, staff and students.
You have joined us at a very exciting time! We have spent the summer developing the facilities, growing our team of music industry experts, increasing performance and employment opportunities and expanding the already large musical connectivity we have with the industry. This is to ensure that all of our students get the best experience possible while studying with us.
October 2016 also sees us welcome a brand new course to BIMM London which is our BA (Hons) in Music Journalism. This course is an exciting addition to our music microcosm here at BIMM London. We hope it will encourage new music journalists to not only gain invaluable skills and industry connections through BIMM, but to also work closely with the performance students on building promotional opportunities for their music.
As College Principal, I would like to take this opportunity to again welcome you on board, and urge you to get involved. This can be anything from auditioning for our gigs, to setting up your own, from networking to helping. Try to use us up and your time here as much as you can. Be creatively adventurous, collaborate, make connections, earn the respect of your peers and tutors while also returning it. We hope you will make life-long friendships and develop skills that you will thrive off.
Being able to indulge a passion and develop your talent is one of the greatest gifts of all, so enjoy it. Have fun!
All the best for the coming year, and I look forward to meeting and working with as many of you as possible.
JULIA RUZICKA College Principal – BIMM London
WELCOME! WE ARE THRILLED THAT YOU HAVE CHOSEN BIMM LONDON AS YOUR PLACE FOR PROFESSIONAL MUSICAL DEVELOPMENT AND STUDIES. THE WHOLE TEAM HERE ARE VERY MUCH LOOKING FORWARD TO MEETING YOU AND ARE EXCITED TO BE A PART OF YOUR WONDERFUL CAREER IN MUSIC.
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04 INTRODUCTION05 INDUCTION AND ENROLMENT06 COURSE INFORMATION07 DIPLOMA IN POPULAR MUSIC PERFORMANCE08 DIPLOMA IN POPULAR MUSIC PERFORMANCE BASS09 DIPLOMA IN POPULAR MUSIC PERFORMANCE DRUMS10 DIPLOMA IN POPULAR MUSIC PERFORMANCE GUITAR12 DIPLOMA IN POPULAR MUSIC PERFORMANCE VOCALS14 DIPLOMA IN MUSIC PRODUCTION15 DIPLOMA IN SONGWRITING17 STUDENT SUPPORT
CONTENTS
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INTRODUCTIONOn the One Year Diploma you will be working towardstwo qualifications:
BIMM LONDON DIPLOMA CERTIFICATEThe BIMM London Diploma is a Certificate of excellence in your instrument and will be based on the results of your week 10 exams. This is a demanding qualification & will require a high level of commitment to the course.
THE EDEXCEL AWARD CERTIFICATEThe Edexcel award is a recognised Level 3 qualificationwithin the national qualifications framework which, ifsuccessfully obtained will gain you access onto the3 year BMus or BA courses run at BIMM London(subject to grades and a progression interview ifrequired), as well as higher education courses at otherinstitutions. Without this part of the qualification youwill not be eligible to apply for the degree unless youhave 160 points over two or more completed ‘A’ Levels(A2), or their equivalent (please ask the office for further details).
USEFUL CONTACTS
Please feel free to contact any of us before the day for any questions you may have.
ADMISSIONS: application and pre-enrolment questions [email protected] SUPPORT: housing and enrolment day questions [email protected] HUMPHREYS: freshers events/tickets [email protected]: tuition fees/student finance questions [email protected]
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INDUCTION AND ENROLMENTAT THE INDUCTION DAY YOU WILL BE ISSUED WITH YOUR TIMETABLE FOR THE TERM. TIMETABLES ARE NOT AVAILABLE BEFORE THIS DATE.
In order to prepare you for studying at the School you will need to attend an induction session arranged for you in the last 2 weeks of September. You should aim to be ready to attend the College from 19th September. Here you will meet key members of staff, be given important information about the School and your course (including timetables and access to College systems), and have the opportunity to look around our premises. It is essential that you attend this session so please be aware that you will need to be flexible with your plans to get the best experience. Exact dates and times will be confirmed via email by mid-August so please keep us updated if your contact details change. There will also be a full programme of Freshers events during this time.
TERM DATES
ENROLMENT AND INDUCTION FORTNIGHT: 19th September 2016-30th September 2016
TERM 1: 3rd October 2016-9th December 2016TERM 2: 9th January 2017-17th March 2017TERM 3: 10th April 2017-16th June 2017
RE-SIT WEEK: 14th-18th August 2017
PRE-ENROLMENT FOR YOUR COURSEAll students are required to confirm their details with us by completing a pre-enrolment form which we will send to you electronically. All instructions and communication will be by email so it is important you keep us informed of any email address changes and check them frequently for updates! We will contact you in the summer with instructions on how you can successfully pre-enrol.In preparation for the pre-enrolment process and to be ready for your enrolment day at BIMM London please gather and take important note of the following items:
Be ready to confirm tuition fee payment either through the Student Loans Company or alternative means.
You have to provide BIMM with proof of ID. This will be in the form of colour scans of passport/driving license/citizen card. One of these will be required for successful enrolment. Please get your ID scanned and ready.
Have a passport style photo ready to scan and email across that will be used for your student ID card.
Make sure you have your academic qualifications available to you! Ready to scan and provide at enrolment.
And again, once you receive your pre-enrolment form by email, please make sure to fill it out and return to the instructed address to ensure a smooth and complete enrolment at BIMM London.
COURSE INFORMATION
One Year Diploma
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POPULAR MUSIC PERFORMANCECOURSE LEADER KELLY LETHBRIDGE
Welcome to The Popular Music Performance course here at BIMM London. You are entering one of the most creative and exciting performance courses in London where you will be taught by some of the most respected musicians. Our amazing faculty of tutors here will provide you with no less than a fantastic tool kit that any working musician/artist will need.
Here at BIMM London, you will be provided with the opportunity to be whoever you want to be – whether that is a recording artist or session player.
During this course you will be able to study everything a working and developing musician will need. Our incredible performance and rehearsal rooms here use the world’s best leading industry standard equipment for you to use.
You will have the opportunity to make industry connections and collaborate with other musicians within the college, attend some of the most exciting master classes & events and enjoy London’s buzz.
This will be a great journey for you with many prospects. Get ready to get connected and get involved in some of the amazing opportunities we have in store for you.
Diploma in
YOU ARE ENTERING ONE OF THE MOST CREATIVE AND EXCITING PERFORMANCE COURSES IN LONDON WHERE YOU WILL BE TAUGHT BY SOME OF THE MOST RESPECTED MUSICIANS.
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POPULAR MUSIC PERFORMANCE BASS HEAD OF BASS ANDREW MCKINNEY
Being a bass player at BIMM means you are instantly plugged into a huge range of exciting opportunities – for learning, creating, performing and recording both on the course and in the professional music industry.
With the demand for versatile professional bass players across the music industry today, there are so many opportunities available. To highlight this fact some of our recent graduates are playing with Jessie J, One Direction and Mark Owen from Take That. Artists worked with this year also include Dido and Jamelia.
The course will provide you with high quality tuition to ensure that you are at the top of your game and able to excel in all the areas the industry demands. Technique, theory, reading, styles, performance, rhythm section, composing, arranging, music technology and music industry are all covered in depth by experienced industry professionals, enabling you to make the most of your career as an in-demand pro bass player.
Diploma in
ESSENTIAL EQUIPMENT
Bass and lead
Tuner
Metronome / Metronome App (Pro Metronome)
Headphones & 1/4 jack input
Manuscript paper and stationery
Spare strings
Ear plugs
RECOMMENDED READING Slutsky, A ‘Dr Licks’ (1996) Standing in the Shadowsof Motown: The Life and Music of Legendary BassistJames Jamerson. Hal Leonard. Wyatt, C & Schroeder, K (1998) A Comprehensive Source for All Musicians. Hal Leonard.
Willis, G (1997) Fingerboard Harmony For Bass. (1998) Ultimate Eartraining for Guitar and Bass. Hal Leonard.
Clayton, S (2005) Ultimate Slap Bass. Bassline Publishing.
Hrehovcsik, W (1998) Music Reading for Bass –The Complete Guide. Hal Leonard.
Tindall, T (1995) What Duck Done. Bass is Bodacious.
ABRSM (2011) Double Bass SpecimenSight-Reading Tests Grades 1-5 & Double Bass SpecimenSight-Reading Tests Grades 6-8. OUP. Friedland, E (2004) Bass Grooves: Develop YourGroove & Play Like the Pros in Any Style. Backbeat Books. Goldsby, J (2002) The Jazz Bass Book: Techniqueand Tradition. Backbeat Books. Please note that this is a recommended reading list and therefore not essential.
RECOMMENDED EQUIPMENT
Sibelius (Avid)
Logic Pro X (Apple)
Transcribe (Seventh String Software)
All students are strongly advised to wear ear protection when in class, practising or performing. Student discount is available from our endorsees Read Audio.
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HEAD OF DRUMS ERIK STAMS
For aspiring drummers there is no better place in Europe to study than BIMM London. Centrally located, the opportunities afforded to our students are second to none.
The tutors are all experienced, working musicians themselves with a broad base of skill, talent and knowledge. The courses are designed to help you find your own unique musical voice and give each musician the skills and knowledge necessary to succeed in the music business. Technique, theory, reading, styles, performance, rhythm section, composing, arranging, music technology and music industry are all covered in depth by our experienced industry professionals. Celebrating its 30th anniversary this year with a brand new building in Fulham Broadway, there really is no other serious choice.
ESSENTIAL EQUIPMENT
Sticks and brushes
Practice pad
Headphones & 1/4 jack input
Stationery and manuscript paper
Metronome / Metronome App (Pro Metronome)
Ear plugs
RECOMMENDED READING
Stone, G.L. (22 May 2009) Stick Control. Alfred Publishing. Bellson, Louis (Mar 2000) The Modern Reading Textin 4/4. Alfred Publishing.
Reed, Ted (1997) Syncopation. Alfred Publishing. Wyatt, C & Schroeder, K (1998) A Comprehensive Source for All Musicians. Hal Leonard.
Chaffee, G (Mar 2000) Time Functioning Patterns. Alfred Publishing.
Riley, John (27 Jun 2005) The Art of Bop Drumming. Alfred Publishing.
Greb, Benny (2012) The Language of Drumming. Hal Leonard. Zoro, (31 Dec 1998) The Commandments of RnBDrumming. Warner Bros. Chester, G. (1998) New Breed. Hal Leonard
Malabe, F. (Mar 1997) Afro-Cuban Rhythms forDrumset. Warner Brothers.
DuDuka de Fonseca/ Riley, J (Oct 1993) Brazilian Rhythms for Drumset. Alfred Publishing.
Rich, B/ Adler, H (28 Feb 2006) Buddy Rich’sModern Interpretation of Snare Drum Rudiments. Amsco Music; Revised edition.
Please note that this is a recommended reading list and therefore not essential.
POPULAR MUSIC PERFORMANCE DRUMS
Diploma in
RECOMMENDED EQUIPMENT
Sibelius (Avid)
Logic Pro X (Apple)
Transcribe (Seventh String Software)
All students are strongly advised to wear ear protection when in class, practising or performing. Student discount is available from our endorsees Read Audio.
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HEAD OF GUITAR JOHN WHEATCROFT
Hi, I’m John Wheatcroft, Academic Head for guitar. All of our courses here at BIMM are custom designed to provide you with the skills you need to succeed as a contemporary guitarist.
You’ll learn the technical and conceptual skills to allow you to fully develop as a unique artist and by teaching you how to study, practice and apply these skills you’ll become truly self sufficient. Most guitarists go round in circles, practising and therefore playing the same old things. You attempt to break out of this pattern by buying a new guitar DVD, surfing the internet or learning some licks from a magazine. The problem is that as this information is rarely covered in any depth with no means of progression or conceptual understanding, when you pick up the guitar in a playing situation nothing comes out. You’re back to square one again!
To make real improvement requires focus, depth of understanding and real attention to detail. This needs to be in all areas, such as:
Technique Left hand, right hand and coordination exercises and concepts, looking at posture, efficiency of motion and tone production
Rhythm How this crucially effects everything we play Fretboard skills A systematic approach to allow you to know where you are and where you are going at all times
Styles Understanding the building blocks used to create classic and contemporary styles, allowing you to perform, create and improvise with authority and authenticity
Musicality This include skills such as interpreting tunes, improvisation skills, interplay with the band and creating effective guitar parts
General Musicianship Crucial skills such as Reading, Transcribing, Composing and Arranging, Developing you ear with Aural training and a solid grasp of theory
Music Technology and Studio Practical experience and technical understanding allowing you to create and record your own music and to function as a guitarist in the recording studio
ESSENTIAL EQUIPMENT
Guitar and lead
Tuner
Metronome/Metronome app (Pro Metronome)
Headphones & 1/4 jack input
Stationery and manuscript paper
Spare strings
Ear plugs
Capo
Slide
Various plectrums
POPULAR MUSIC PERFORMANCE GUITAR
Diploma in
RECOMMENDED EQUIPMENT
Sibelius (Avid)
Logic Pro X (Apple)
Transcribe (Seventh String Software)
All students are strongly advised to wear ear protection when in class, practising or performing. Student discount is available from our endorsees Read Audio.
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RECOMMENDED READING
Buckingham, B. (1998) Rhythm Guitar: The Complete Guide. USA: Musician’s Institute
Leavitt, W. (1999) A Modern Method for Guitar Volumes 1-3. Boston: Berklee Press Publications
Goodrick, M. (1986) The Advancing Guitarist. USA: Hal Leonard
Green, B. (1987) The Inner Game of Music. London: Pan Publications Greene, T. (1971) Chord Chemistry. USA: Alfred Publishing Company
Govan, G. (2002) Creative Guitar: Cutting Edge Techniques – Volume 1 & 2. London: Sanctuary
Oakes, D. (1998) Music Reading for Guitar. USA: Musician’s Institute Satriani, J (1996) Guitar Secrets. USA: Cherry Lane Publishing
Szymczak, M. (1986) Berklee Contemporary Guitar Rhythms. Boston: Berklee Press Publications Wheatcroft, J. (2008) Improvising Blues Guitar. London: Schott.
Wyatt, C & Schroeder, K (1998) A Comprehensive Source for All Musicians. Hal Leonard.
Here at BIMM London we break each topic down into its conceptual and technical elements and present a progressive practise strategy allowing you to obtain these skills with a complete understanding and total mastery. You can have the confidence that your skills are now based on understanding a topic in depth, allowing you to perform with greater conviction and authority whilst taking satisfaction with the fact that you are now going in the right direction.
REMEMBER THE OLD EXPRESSION ‘IT’S EASY IF YOU KNOW HOW’. WELL AT BIMM WE’LL SHOW YOU HOW!
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HEAD OF VOCALS LISA LAUDAT Congratulations and welcome to London, to BIMM London and to the vocal department. Nowhere compares to the progressive and eclectic hub that is London; the heart of the music industry.
HERE IS WHERE YOU CAN BE WHOEVER YOU WANT TO BE WITHOUT BEING JUDGED FOR IT – A REAL GIFT FOR THE CREATIVE SOUL – AND WHERE INSPIRATION LIES AROUND EVERY CORNER. In addition, when you come to BIMM London you automatically become a member of an exclusive global family with roots in Spain, Sweden, Italy, Germany, Korea, Japan, France, Malta, Russia, Poland, Australia, Denmark, South Africa, Finland, Colombia… you will make friends and connections that you will keep for a lifetime.
You are probably here because you have a passion for singing and want to make it your career. All the tutors in the BIMM vocal faculty feel exactly the same way. We are all working musicians, performers and writers, and we want to share our experience, knowledge and deep love of the craft of singing with you.
We won’t pretend it’s going to be easy – you will need to work hard to realise the potential both you and we know you possess – but it will be worth it when you acquire the skill and confidence you need to get ahead of the competition and make music your life-path.
Thank you for joining us. Enjoy!
ESSENTIAL EQUIPMENT
Microphone and lead
Manuscript book and stationery
Keyboard
Ear plugs
Headphones & 1/4 jack input
Access to computer and internet
Recording device (Although not compulsory, it would also be beneficial to have a smartphone or iPad)
POPULAR MUSIC PERFORMANCE VOCALS
Diploma in
RECOMMENDED EQUIPMENT
Sibelius (Avid)
Logic Pro X (Apple)
Transcribe (Seventh String Software)
All students are strongly advised to wear ear protection when in class, practising or performing. Student discount is available from our endorsees Read Audio.
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RECOMMENDED READING
VOCAL TECHNIQUE
Baxter, M. (1990) The Rock-n-Roll Singer’s Survival Manual Hal Leonard
Bunch Dayme, M. (2009) Dynamics of the Singing VoiceFifth Edition New York: SpringerWien
Chapman, J. L. (2012) Singing and Teaching Singing –A Holistic Approach to Classical Voice Abingdon: Plural
Publishing Inc.
Harrison, P. T. (2006) The Human Nature of the Singing Voice: Exploring a Holistic Basis for Sound Teaching and Learning Edinburgh: Dunedin Academic Press
Love, R. (1999) Set Your Voice Free Little, Brown and Company
McKinney, J. C. (1994) The Diagnosis and Correction of Vocal Faults Illinois: Waveland Press
Peckham, A (2006) Vocal Workouts for the Contemporary Singer Boston: Berklee Press
Sadolin, C. (2000) Complete Vocal Technique Copenhagen: Shout Publishing
Soto-Morettini, D (2006) Popular Singing: A Practical Guide to: Pop, Jazz, Blues, Rock, Country and GospelLondon: A & C Black
Vennard, W. (1968) Singing – the Mechanism and the Technic Carl Fischer
Zangger Borch, D (2005) Ultimate Vocal VoyageNotfabriken Music Publishing
PERFORMANCE AND PRACTICE
Bourne, E. J (2005) The Anxiety and Phobia Workbook4th Ed Oakland: New Harbinger Publications Inc.
Coyle, D. (2009) The Talent Code London: Random House
Csikszentmihalyi, M. (1992, 2002) Flow London: Rider
Csikszentmihalyi, M. (1996) Creativity: Flow and thePsychology of Discovery and InventionNew York: Harper Collins
Emmons, S. and Thomas, A. (1998) Power Performance for Singers Oxford University Press
Green, L. (2002) How Popular Musicians Learn: A Way Ahead for Music Education Aldershot: Ashgate
Green, B. & Gallwey, W. T. (1986) The Inner Game of Music New York: Doubleday & Co
Wyatt, C & Schroeder, K (1998) A Comprehensive Source for All Musicians. Hal Leonard.
Please note that this is a recommended reading list and therefore not essential.
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MUSIC PRODUCTION COURSE LEADER RAY TOVEY
Congratulations and welcome to music production at BIMM. London is one of the greatest cities in the world and the hub for the creative industries in the UK and beyond.
DURING YOUR TIME AT THE BIMM LONDON YOU WILL BE TAUGHT BY SOME OF THE UK’S LEADING SPECIALISTS, ATTEND A NUMBER OF MASTER CLASSES FROM INDUSTRY EXPERTS AND PRODUCE A PORTFOLIO OF CREATIVE WORK using industry standard software such as Pro Tools, Logic Pro and Ableton Live. You will be given the opportunity to work with some of the finest up and coming performers, songwriters, creative musicians and music business students around. Be sure to experience as much as possible during your time here, take advantage of our excellent facilities; including our impressive studios and tech suites. This is the perfect opportunity for you to make connections, collaborate, learn and create in one of the most exciting and vibrant creative cities in the world. Get creative!
ESSENTIAL EQUIPMENT
Manuscript book & notepad
Headphones & 1/4 jack input
Earplugs
Access to computer
External hard drive
RECOMMENDED READING
TEXTSOwsinski, B. (2009) The Recording Engineer’s Handbook. New York: Music Sales Limited.
Massey, H. (2000) Behind the Glass. San Francisco:
Backbeat Books.
Koryat, K. (2008) Guerilla Home Recording: How to Get Great Sound from Any Studio. New York: Hal Leonard.
Simone Corelli, 2013. Pro Tools in One Hour (coffee break included). 1 Edition. CreateSpace Independent Publishing Platform.
JOURNALS/MAGAZINESMusicTech. Sound On Sound. SOS
FutureMusic. Future Publishing Ltd
WEBSITESSound On Sound www.soundonsound.comGearslutz forums www.gearslutz.com/boardTape Op Message Board www.messageboard.tapeop.comAbleton website www.ableton.comAvid Pro Audio Community www.duc.avid.com
Diploma in
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SONGWRITING COURSE LEADER PHIL BAXTER
THE SONGWRITING DEGREE AT BIMM LONDON IS DESIGNED TO GIVE YOU THE SUPPORT YOU NEED TO DEVELOP YOUR VOICE AS A SONGWRITER. WHETHER YOU WANT TO BECOME AN ARTIST/SONGWRITER OR WRITE FOR OTHERS, WE WILL GIVE YOU THE SKILLS TO ESTABLISH A LASTING CAREER IN THE CONTEMPORARY MUSIC INDUSTRY.
The high quality recording studio complex and industry standard programming and recording technology within the building is free for you to use throughout your course. Taking you from the fundamentals of ‘traditional’ song construction to composing for film, the course provides a challenging yet vital and exciting set of experiences, geared towards shaping you into an adaptable employable writer as well as a developed artistic voice. Our small but passionate faculty, all of whom have had years of commercial and artistic writing and performance experience, aim for a culture of open, positive encouragement. Using both organic classroom environments and extracurricular showcasing opportunities, you will be encouraged to regularly show your work. Teamed with your specialist classes you will also explore the ever-evolving music industry, looking at practical career frameworks and commercial opportunities afforded to you as a writer.
ESSENTIAL EQUIPMENT
Recording device
Manuscript paper
Metronome
Headphones with 1/4" jack adaptor
Diploma in
RECOMMENDED EQUIPMENT
External Hard Drive
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RECOMMENDED READING
VOCAL TECHNIQUEZollo, P. (2003) Songwriters on Songwriting. New York: Da Capo
Pattison, P (1991) Essential Guide to Lyric Form andStructure: Tools and Techniques for Writing BetterLyrics. New York: Hal Leonard Corporation
Rooksby, R (2006) Lyrics: Writing Better Wordsfor Your Songs.Pattison, P (1992) Songwriting: Essential Guideto Rhyming. New York: Hal Leonard Corporation
Shipton, A (2013) Nilsson: The Life of a SingerSongwriter. Oxford University Press
Levitin, D (2008) The World in Six Songs:How the Musical Brain Created Human Nature.Perricone, P. (2000) Melody in Songwriting.USA: Berklee Press Publications
Leonard Cohen (2006) Book of Longing. Penguin
JOURNALS/MAGAZINESMusic Week (Main UK Industry Magazine) M Magazine (PRS’ Magazine)Mojo MagazineNMEQ MagazineThe Guardian Guide (Saturdays)
WEBSITES/BLOGSPRS www.prsformusic.comPPL www.ppluk.comBASCA basca.org.ukSONGLINES www.songlines.co.ukAUDIOBOOM (MUSIC SECTION)audioboom.comOPEN MICS IN LONDON www.richardgregory.org.uk/music/openmic/london-circuit.htmThe Quietus www.thequietus.comDrowned in Sound www.drownedinsound.comFact www.factmag.comPitchfork www.pitchfork.comThe Line of Best Fit www.thelineofbestfit.comThe 405 www.thefourohfive.comThe Guardian Music www.theguardian.com/musicClashmusic www.clashmusic.com
TWITTER@thebpi@ppluk@CMU@songlinesmag@basca_uk@theivors@musicweeknews@m_magazineprs
@prsformusic@prsfoundation@uk_music@aim_uk@recordoftheday@officialcharts@guardianmusic
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STUDENT SUPPORT
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PASTORAL SUPPORTThe Student Support team holds individual one-on-one sessions with students to discuss any issue they may be struggling with. These sessions can include any topic, ranging from personal issues, attendance & assessment related queries, booking in for one of the services or any special considerations we may need to take into account for your course and/or exams. We actively encourage students to book appointments and to come and meet us at any point during their studies for extra support.
STUDENT SUPPORT SERVICESWe are committed to helping students fulfil their potential during their time at BIMM London and place emphasis on supporting the development of our students both academically and personally. With this in mind, the Student Support Team are available at every step of the student journey to offer confidential support and guidance on issues such as stress, alcohol and drugs, disability and learning support, family/relationship problems, mental health and anxiety issues as well as on-going academic and practical learning support and advice. We also offer a wide range of additional support services that are designed to meet students’ academic and welfare needs and enrich the BIMM London experience.
ACADEMIC TUTORIALSStudents are encouraged to book regular individual tutorials to work on technique, master their academic writing and discuss their skills development. Tutorials give students a unique opportunity to be individually guided by the most experienced industry professionals in the country.
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BIMM London is committed to a policy of equal opportunities for students and provides confidential advice and support to students with disabilities and specific learning difficulties. We have an in-house study skills specialist available for individual support.
If students indicate on their application and/or pre-enrolment form that they require further support, then a member of the Student Support Team will contact them before the start of the academic year for an individual consultation.
We work with students with a wide range ofdisabilities, including but by no means restricted to:
dyspraxia, ADHD)
bi-polar disorder)
cancer, multiple sclerosis)
epilepsy)
hearing impairment)
paralysis, arthritis).
Our Music Health specialist holds free one-on-one sessions to deal with musical related injuries and the prevention of injuries, such as repetitive strain injury, hand and arm pains, neck & back pains, tension & headaches, posture, voice & hearing problems, nutrition as well as general fitness.
DISABILITY AND LEARNING SUPPORT
MUSIC HEALTH
PERFORMANCE PSYCHOLOGYOur Performance Psychology specialist runs a number of workshops and one-on-one sessions throughout the academic year which are free and open to all students. Performance Psychology tackles anything ranging from stage fright and anxiety to managing stress and procrastination as well as performance preparation and lyric learning techniques. This subject will enable students to perform at their very best on stage and in the business world. 1:1, small group vocal confidence classes and masterclasses are available throughout the year
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ENGLISH AS A FOREIGN LANGUAGE – WORKSHOPSThe workshops are designed for non-English speaking students of all abilities and will focus on all areas of language learning - conversation, pronunciation, intonation, grammar, listening and reading, whilst also proving support with essay planning and structure. In addition, the workshops will build confidence and help students to feel comfortable using slang and informal English.
COUNSELLINGThe BIMM London Counselling service is available via a free and confidential provision which offers the opportunity to explore a wide range of emotional and psychological issues. The BIMM London Counsellor is hugely experienced and abides by the British Association for Counselling Code of Ethics. We also provide our students with helpful links to external counselling support, as the demand for in-house counselling is extremely high at peak times.
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2016/17DIPLOMA STUDENTS
THE UK & IRELAND’S MOST CONNECTED
MUSIC COLLEGE
YOUR MUSIC CAREER STARTS HERE BIMM.CO.UK
FINANCEINFORMATION PACK
YOUR ROUTE INTO THE MUSIC INDUSTRY
DEALING WITH YOUR FINANCES WHILE YOU’RE STUDYING CAN BE A DAUNTING TASK, ESPECIALLY IF YOU’RE DOING IT FOR THE FIRST TIME. ”
FINDING OUT ALL THE INFORMATION YOU NEED TO KNOW ABOUT THE FUNDING AVAILABLE TO YOU, AND RESEARCHING THE COSTS YOU NEED TO TAKE INTO ACCOUNT CAN BE CONFUSING.
SO WE’VE PUT TOGETHER THIS SMALL PACK OF INFORMATION IN ORDER TO MAKE THINGS EASIER FOR YOU. “
Paying your course fees
Loans and finance
Making the most of your money while studying
Tips for making the most of your money
Cost guidelines
Useful information and advice
Educational / charitable trusts and foundations
Refunds
Contact the Finance Team
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PAYING YOUR COURSE FEES
THE DEADLINE FOR PAYMENT OF YOUR COURSE FEE BALANCE IS 31ST AUGUST 2016 FOR THE ACADEMIC YEAR 2016/17 – WE’LL SEND YOU A REMINDER CLOSER TO THE TIME”
BIMM LONDON IS A PRIVATE VOCATIONAL TRAINING PROVIDER.DIFFERENT LEVELS OF FUNDING CAN BE ACCESSED FOR STUDENTS DEPENDING ON THEIR COURSE, AGE AND INDIVIDUAL LEARNING REQUIREMENTS.
HOW MUCH ARE MY COURSE FEES?
UK & EU students under 18 who meet the academic requirements: Funded (free)
All other UK & EU students: £5,950
Non-EU students: £11,450
YOU CAN PAY YOUR COURSE FEES IN THE FOLLOWING WAY: Online through a secure link: www.bimm.co.uk/pay Bank transfer Telephone by credit or debit card
You will need your Student ID for the payment reference.
Further details are provided in the Methods of Payment information sheet, alternatively please contact the Finance department for more details on 0844 2 646 666.
All applications are subject to BIMM Terms and Conditions – click here to view.
PLEASE NOTE THAT THE NON-PAYMENT OF FEES CAN RESULT IN THE STUDENT BEING REFUSED AT ENROLMENT, THE WITHHOLDING OF QUALIFICATION CERTIFICATES, THE WITHHOLDING OF REFERENCES, THE REFUSAL OF ACCESS TO RESOURCES, THE PREVENTION OF PROGRESSING INTO FURTHER YEARS OF STUDY AND, IF NECESSARY, FORMAL DEBT COLLECTION PROCEDURES.
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LOANS & FINANCE
You can apply for a 24+ Advanced Learning Loan to help with the tuition costs of a college or training course if you’re 24 or older. The course must have started on or after 1st August 2013 and be an eligible Level 3 or 4 course (e.g. A-Levels). Loans have to be paid back. Repayments don’t start until April 2016 and you won’t have to pay anything back until you earn more than £21,000 a year. The loan doesn’t depend on your income and there are no credit checks. For more information please visit: www.gov.uk/advanced-learning-loans/overview. For free and impartial money advice, please visit the Money Advice Service: www.moneyadviceservice.org.uk
24+ ADVANCED LEARNING LOANS
MAKING THE MOST OF YOUR MONEY
It’s not much fun, but if you take a detailed look at your income and likely expenditure, you should be able to get a realistic picture of your finances and avoid running out of money during the year!
It’s a good idea to start looking at your budget for the year well in advance of starting your first term. First have a look at what income you may have coming in:
Once you have a budget, it’s important that you try to keep to it and monitor what you’re spending your money on. If you overspend one month, you’ll have to cut down on spending the next month!
WE KNOW THAT MONEY CAN BE A WORRY FOR YOU AS A STUDENT. IT ISN’T EASY TRYING TO FIND THE CASH TO PAY FOR COURSE FEES AND LIVING EXPENSES WHILE STUDYING, BUT IT CAN BE MORE MANAGEABLE IF YOU PLAN REALISTICALLY. EVEN IF YOU’RE LIVING AT HOME AND YOUR PARENTS ARE PAYING FOR YOUR COURSE FEES, YOU’LL PROBABLY STILL NEED TO FIND MONEY FOR OTHER LIVING EXPENSES.
BUDGETING
Savings
Earnings from workBenefits Possible grants, bursaries, etc
Then have a realistic look at what you might be spending your money on:
Course Fees Telephone FoodToiletries Utility BillsTravel
TV LicenceAccommodation
Equipment for your course InsuranceClothing Going Out Childcare
Laundry
The next step is to work out a monthly budget using the information you’ve gathered. Don’t worry if you’re not good with numbers, ask family or friends for help, or make an appointment with Student Services once term has started.
THERE ARE MANY WEBSITES THAT HAVE INTERACTIVE TOOLS TO HELP YOU BUDGET – YOU MAY FIND THE FOLLOWING WEBSITES HELPFUL:Money from parents
www.moneyadviceservice.org.uk/en/tools/
budget-plannerwww.studentcalculator.org.uk/
www.ucas.com/how-it-all-works/student-finance/
managing-money/figuring-out-budget
TIPS FOR MAKING THE MOST OF YOUR MONEY
TRY TO AVOID USING CREDIT CARDS AND STORE CARDS IF POSSIBLE. IT’S EASY TO GET INTO DEBT QUICKLY WITHOUT REALISING IT AND THE REPAYMENTS CAN BE DIFFICULT TO MEET”
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Read and keep your bank statements – don’t ignore them!
If you’re renting accommodation, make sure you fill in a form at reception to get a letter stating that you’re a student at BIMM, as full-time students are exempt from paying Council Tax.
Work part-time while you study. This can provide you with useful extra money throughout the year – just make sure you don’t take on so many hours that it interferes with your study.
Take on temporary work during the holidays to earn extra money.
Shop around and get the best deals for services such as gas, electricity and your phone. Most companies will offer discounts if you set up a direct debit to pay your bills. Always check estimated bills against the meter. If you’re sharing a property, make sure everybody pays their share and always let the utility companies know if you’re moving.
Make sure you buy a TV licence if you have a TV – you could end up with hefty fine if you don’t.
Get Contents Insurance and insure any instruments you may have. This is common sense but something many students forget.
Walk or cycle around town to save money on travel.
Investigate funding from charitable and educational trusts and foundations. Some offer small grants to students depending on their circumstances. See our ‘Useful information and advice’ section on page 9 for some useful links.
Rehearsal space in London can range from £7 to £13 per hour. BIMM students can book certain FREE rehearsal slots in-house. Please ask Reception for more information once you have enrolled.
It’s likely that you’ll already have all the equipment you need for your course in terms of your chosen instrument. However, remember to factor the cost of replacement strings, leads, picks, etc. into your budget. Guitar and bass players are reminded that they’ll need a soft case for their instrument while at BIMM for health and safety reasons.
If you have your own computer, don’t forget to factor in the cost of internet access and any other running costs.
REHEARSAL SPACE
COURSE EQUIPMENT
Expenditure
AccommodationElectricityGasWaterTelephoneFoodTravelInsuranceClothingGoing OutTV Licence
Monthly Cost
£700 - £900 £10 - £65£10 - £65£10 - £30£25 - £80£100 - £260£20 - £100£22 - £65£40 - £60£80 - £220£12
Weekly Cost
£175 - £225 £3 - £17£3 - £17£3 - £8£6 - £20£25 - £65£5 - £25£5 - £15£10 - £15£20 - £50£3
The examples below are approximate and intended as a guide only. Costs of living can vary greatly from one student to the next depending on personal circumstances and choice. Please also remember that this list is not exhaustive – try to put thought into your own specific requirements and what these may cost.
COST GUIDELINES
USEFUL INFORMATION AND ADVICE
Brightside have loads of useful advice on funding and budgeting:
BRIGHTSIDE
News on where to get the best student freebies.
National and local discounts as well as special offers for students.
A site that encourages the recycling of all sorts of things by giving them away for free.
Cut the cost of your travel by a third if you’re a full-time student.
STUDENT DISCOUNTS AND OTHER STUDENT INFORMATION
There’s a big book that lists grant-making foundations called ‘The Educational Grants Directory’ which you can find in most libraries. Students could also call the Educational Grants Advisory Service for help on 0207 249 6636.
INFORMATION ON EDUCATION / CHARITABLE TRUSTS AND FOUNDATIONS
Association of Charitable FoundationsACF
All deposit payments are non-refundable. If you’re
unable to join us at BIMM for any reason before
the year starts, please contact the Finance Team to
discuss a refund of the portion of any course fees
you might have already settled. A full copy of our
refund policy is available upon request.
REFUNDS
www.brightknowledge.org/knowledge-bank/money/
www.studentfreestuff.com/
www.savethestudent.org/student-discounts
www.uk.freecycle.org
www.16-25railcard.co.uk
www.family-action.org.uk
www.acf.org.uk
DISABILITY ACCESS STATEMENT
BERLIN
Disabled Access: Unfortunately, BIMM Berlin is currently not wheelchair accessible. Students who require wheelchair access are advised to apply to another BIMM college
LONDON
Disabled Access: All teaching buildings at BIMM London are wheelchair accessible
BRIGHTON
Disabled Access: At BIMM Brighton the majority of teaching buildings are wheelchair accessible. However, our BIMM East building is currently not wheelchair accessible, this mainly affects Music Production courses. If you require wheelchair access every effort will be made to arrange different rooms that are accessible.
DUBLIN
Disabled Access: All teaching buildings at BIMM Dublin are wheelchair accessible, however, there are some class rooms that cannot be accessed. If you require wheelchair access every effort will be made to arrange different rooms that are accessible.
MANCHESTER
Disabled Access: All teaching buildings at BIMM Manchester are wheelchair accessible
BRISTOL
Disabled Access: All teaching buildings at BIMM Bristol are Wheelchair accessible, however some class rooms are not accessible, students who wish to study either Professional Musicianship (Drums) or Music Production are advised to apply to a different BIMM college if they require wheelchair access.
YOUR MUSIC CAREER STARTS HERE
BIMM London
Barclay House, Effie Rd, Fulham, London SW6 1EN
(UK) 0208 749 3131(INT) +44 208 749 3131
BRITISH & IRISH MODERN MUSIC INSTITUTE BIMM.CO.UK
WE’RE HERE TO HELP YOU THROUGHOUT YOUR TIME AT BIMM LONDON
We are committed to helping you throughout your studies with us at BIMM London and offer a wide range of support services designed to meet your academic and welfare needs, don’t hesitate to speak to us whenever required: T: 0208 749 3131 E: [email protected]
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