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Dmdh may 2015 - workshop 1

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What are the digital humanities, and why should I care? Paige Morgan Sherman Centre for Digital Scholarship May 7, 2015
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Page 1: Dmdh   may 2015 - workshop 1

What are the digital humanities, and why should I care?

Paige MorganSherman Centre for Digital Scholarship

May 7, 2015

Page 2: Dmdh   may 2015 - workshop 1

Goals: what I can do

• Provide necessary background via these workshops and Sherman Centre website, events, and staff.

• Allow you to begin charting your own course, and figure out what kind of engagement you want with digital humanities.

• Make digital humanities a safer, less intimidating, and more welcoming space for experimenting.

• Start building a digital humanities cohort at McMaster.

Page 3: Dmdh   may 2015 - workshop 1

Limits: what I can’t do

CAN BECOME A DIGITAL HUMANIST

Page 4: Dmdh   may 2015 - workshop 1

But don’t worry...

Page 5: Dmdh   may 2015 - workshop 1

The point of this workshop is not to

convert you to digital humanities.

Page 6: Dmdh   may 2015 - workshop 1

There is no single way of being a

digital humanist.

Page 7: Dmdh   may 2015 - workshop 1

Defining DH• By the start of the “first DH project”

(1946, approximately: date of Roberto Busa’s plan for the Codex Thomisticus, a digital concordance of the works of Aquinas)

• By its stability, or lack thereof, its self-consciously mutable and multimodal nature

• According to its friction with traditional a.k.a. “analog” humanities

Page 8: Dmdh   may 2015 - workshop 1

Defining DH• “the use of digital evidence, [and/or]

methods of inquiry, [and/or] research, [and/or] publication and[/or] preservation to achieve scholarly and research goals.” (Scholarly Communication Institute, University of Virginia)

• “research that uses information technology as a central part of its methodology, for creating and/or processing data.” (University of Oxford)

Page 9: Dmdh   may 2015 - workshop 1

What others say

“A term of tactical convenience.”

--Matthew Kirschenbaum, U of Maryland

“I think digital humanities is an unfortunate neologism, largely because

the humanities itself is a problematic term.”

--Trevor Owens, Library of Congress

“I don’t. I’m sick of trying to define it. When forced to, I’ll make the referent the people instead of the ideas or methods -- Digital Humanities is the thing practiced by

people who self-identify as Digital Humanists. It’s helpful to have a name for the field chiefly for

institutional authority. Though granted I think it does involve coding/making/building/doing things with

computers, things related to, you know, the humanities.”

--Amanda French, Center for History and New MediaAll quotes from Debates in the Digital Humanities, edited by Matthew K. Gold, U of Minnesota Press, 2012

http://dhdebates.gc.cuny.edu/debates/text/40

Page 10: Dmdh   may 2015 - workshop 1

DH goals and methodologies depend on the specific subject

matter, and the availability of

primary/secondary source materials and

tools.

Page 11: Dmdh   may 2015 - workshop 1

Alternatives to the “What is DH?” question• How does this

project/essay/argument engage with current and previous scholarship in my discipline?

• What sort of critical thinking and interpretive work is involved in this project?

• How does this project fit into the existing environment of projects and resources?

Page 12: Dmdh   may 2015 - workshop 1

Why values?• While the tools, projects, and

methods are diverse, values tend to be more holistic

• Understanding the values that drive digital scholarship allows you to participate in conversations whether or not you yourself identify as a digital scholar

Page 13: Dmdh   may 2015 - workshop 1

Values behind DH• adaptive

• sustainable/resource-aware

• multimodal

• interdisciplinary

• auto-didactic

• collaborative

• ad hoc

• process & product-driven

• accessible

• public & transparent

• project-oriented

• social

(not all of these values must be present simultaneously)

Page 14: Dmdh   may 2015 - workshop 1
Page 15: Dmdh   may 2015 - workshop 1

Most DH projects are, in essence,

sources, processed and presented.*

• “Sources, processed and presented” is the framework used by Miriam Posner in “How Did They Make That? The

Video,” http://miriamposner.com/blog/how-did-they-make-that-the-video/

Page 16: Dmdh   may 2015 - workshop 1

They’re also designed with a

specific audience (or audiences) in

mind.

Page 17: Dmdh   may 2015 - workshop 1

Websites for EvaluationOld Bailey Online

http://www.oldbaileyonline.org

Letters of 1916http://dh.tcd.ie/letters1916/

A Co-Citation Network for Philosophyhttp://tinyurl.com/philDH

Coptic Scriptoriumhttp://copticscriptorium.org

Geography of the Posthttp://cameronblevins.org/gotp/

Radical Scatters Archivehttp://radicalscatters.unl.edu

Mr. Seel’s Gardenhttp://www.mrseelsgarden.org/

Page 18: Dmdh   may 2015 - workshop 1

Website Evaluation QuestionsWhat do you see as the project’s critical goals

and/or priorities? (What sources, how processed and presented?)

What sort of usage (and audience) is being posited?

What aspects work especially well? What aspects (if any) aren’t working well?

Which DH values do you see influencing this project?

Page 19: Dmdh   may 2015 - workshop 1

What is DH?(a humbler definition)

Thinking about the available materials; how digital tools will allow you to process them and present them to audiences in ways that weren’t previously possible (or at least, weren’t easy) – and acting on your thoughts.

Page 20: Dmdh   may 2015 - workshop 1

Why should you care?

• DH creates opportunities for scholarship in new forms, presented to new audiences.

• DH knowledge can allow you to understand and assess new scholarly primary and secondary sources.

• Even if you’re not planning to build digital tools, your scholarly expertise is relevant to digital humanities research.

Page 21: Dmdh   may 2015 - workshop 1

The big question:

What do you want to do with digital

scholarship?

Page 22: Dmdh   may 2015 - workshop 1

Flash Project Development

Brainstorm a DH project with your team!(Students at Cabrini College brainstorm a DH project on porn. Image c/o Adeline Koh.)

Page 23: Dmdh   may 2015 - workshop 1

Will it focus on one distinct topic? Or on bringing multiple topics together?

What artefacts will it contain, or collect?

How will users interact and/or contribute?

What forms (modes) will it take?

Flash Project Brainstorming

What perspectives do you want it to explore?

Page 24: Dmdh   may 2015 - workshop 1

How the Sherman Centre fits in• We can help you think through the steps of a

project, and how it fits into your research

• We can help you understand the choices you’re making, and what you need to learn

• The Demystifying Digital Scholarship workshops introduce you to social media use, data wrangling, and project management

• Our monthly Colloquiums let you hear about what other people are working on (or speak yourself)

• Our graduate fellowships provide access to the Sherman research community and staff

Page 25: Dmdh   may 2015 - workshop 1

Resources for further training and collaboration

• Sherman Centre for Digital Scholarship: http://scds.ca

• HASTAC: http://www.hastac.org

• DHNow: http://digitalhumanitiesnow.org

• TransformDH: http://transformdh.org

• Profhacker: http://chronicle.com/blogs/profhacker/

• How Did They Make That? http://miriamposner.com/blog/how-did-they-make-that-the-video/

• Digital Humanities on Twitter -- no account needed https://twitter.com/paigecmorgan/digital-humanities and https://twitter.com/GrandjeanMartin/lists/digital-humanities

• Digital Research Tools (DiRT) http://dirtdirectory.org

• DHCommons http://www.dhcommons.org

• DH @ Guelph: https://www.uoguelph.ca/arts/digital-humanities-guelph

• DHSI: http://www.dhsi.org

• TEI Seminars at Brown University: http://www.wwp.northeastern.edu/outreach/seminars/

Page 26: Dmdh   may 2015 - workshop 1

Thank you!

Want to chat more about DH? Email me ([email protected])

or make an appointment (

http://paigecmorgan.youcanbook.me)


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