Dr Rizvanul HaqueDr Rizvanul Haque

HistoryHistoryOfOf

Urdu LiteratureUrdu Literature& It’s Impact on& It’s Impact on

Indian CultureIndian Culture(Pre-Modern Period)(Pre-Modern Period)

CLASSICAL PERIODCLASSICAL PERIOD

• DETERMINATION OF DETERMINATION OF PERIODPERIOD

• DEFINITION OF THE DEFINITION OF THE PERIODPERIOD

DETERMINATION OF THE DETERMINATION OF THE CLASSICAL PERIODCLASSICAL PERIOD

DEFINITION OF THEDEFINITION OF THE

CLASSICAL PERIODCLASSICAL PERIOD

ARRIVAL OF MUSLIMS IN ARRIVAL OF MUSLIMS IN INDIAINDIA

ARRIVAL AS BUSINESSMANARRIVAL AS BUSINESSMAN

ARRIVAL AS RULERARRIVAL AS RULER

IMPACTS OF MULIMS ON IMPACTS OF MULIMS ON

DIFFERENT FIELDS OF LIFEDIFFERENT FIELDS OF LIFE

• COMPOSIT CULTURECOMPOSIT CULTURE

• FAITH, MYSTICISM AND BHAKTI FAITH, MYSTICISM AND BHAKTI

• MUSICMUSIC

• ARCHITECTURE ARCHITECTURE

• PAINTINGSPAINTINGS

• LANGUAGELANGUAGE

COMPOSIT CULTURECOMPOSIT CULTURE

BEGINNING OF URDU BEGINNING OF URDU

LANGUAGELANGUAGE

URDU SCRIPTURDU SCRIPT

EARLY URDU LITERATUREEARLY URDU LITERATURE

AMIR KHUSROAMIR KHUSRO(1253-1325)(1253-1325)

GORI SOVE SEJ PE MUKH PE DARE KES,

CHAL KHUSRO GHAR AAPNE RAIN BHAI

CHANHU DES

- Amir - Amir

KhusroKhusro

DIFFERENT VIEWS ON THE DIFFERENT VIEWS ON THE DEVELOPMENT OF URDU LANGUAGEDEVELOPMENT OF URDU LANGUAGE

•MOHD HUSAIN AZADMOHD HUSAIN AZAD

•MAHMOOD SHIRANIMAHMOOD SHIRANI

•SYED SUELMAN NADVISYED SUELMAN NADVI

•PROF MASOOD HUSAIN KHANPROF MASOOD HUSAIN KHAN

MOHD HUSAIN AZADMOHD HUSAIN AZAD

MAHMOOD SHIRANIMAHMOOD SHIRANI

SYED SUELMAN NADVISYED SUELMAN NADVI

PROF MASOOD HUSAIN KHANPROF MASOOD HUSAIN KHAN

GENRES OF URDU LITERATUREGENRES OF URDU LITERATURE

• GHAZALGHAZAL

• QASIDAQASIDA

• MASNAVIMASNAVI

• MARSIYAMARSIYA

GHAZALGHAZAL

Dil hi to hai na sang o khisht

dard se bhar na aai kyon

Roenge ham hazar bar

koi hamen rulai kyon

- Ghalib

QASIDAQASIDA

Uth gaya bahman va di kachaministan se amalTegh Arvi ne kiya

sehan-e-chaman mustasil

-Sauda-Sauda

MASNAVIMASNAVI

Dekha to woh gul hava hua haiKuch aur hi gul khila hua hai

- Dayashankar Naseem

MARSIAHMARSIAH

Yoon barchiyan thin char taraf us Janab keYoon barchiyan thin char taraf us Janab keJaise kiran nikalti hain gird aaftab keJaise kiran nikalti hain gird aaftab ke

-Meer Anis

OTHER GENRES OF URDU OTHER GENRES OF URDU LITERATURELITERATURE

- RUBAI- QITA’- SHAHR AASHOB- HAMD- NA’T- DASTAN- TAZKIRA- BIOGRAPHY- LETTER WRITING

DECCAN’S LITERATUREDECCAN’S LITERATURE

• ASHRAF BAYABANIASHRAF BAYABANI

• HASAN SAUQIHASAN SAUQI

• QULI QUTUB SHAHQULI QUTUB SHAH

• MULLA WAJHIMULLA WAJHI

• WALI DECCANIWALI DECCANI

• SIRAJ AURANGABADISIRAJ AURANGABADI

MOHD QULI QUTUB SHAHMOHD QULI QUTUB SHAH1525-16121525-1612

SHERSHER

Piya baj pyala piya jaye naPiya baj pyala piya jaye na

Piya baj yak pal jiya jae naPiya baj yak pal jiya jae na

WALI WALI DECCANIDECCANI

(1668-1707)(1668-1707)

SherSher

Ada o naz soon aata hai voh Ada o naz soon aata hai voh roshan jabin ghar soonroshan jabin ghar soon

Ke jyon mashriq soon nikale Ke jyon mashriq soon nikale Aaftab ahista ahistaAaftab ahista ahista

IMPACTS OF DECCAN’S IMPACTS OF DECCAN’S LITERATURELITERATURE

• INDIAN LAND AND IT’S CULTUREINDIAN LAND AND IT’S CULTURE

• DEVELOPMENT OF COMPOSITE DEVELOPMENT OF COMPOSITE

CULTURECULTURE

• STARTING OF NEW GENRESSTARTING OF NEW GENRES

URDU POETRY IN DELHIURDU POETRY IN DELHI

• KHAN - E - ARZUKHAN - E - ARZU

• ABRUABRU

• FA’IZFA’IZ

• HATIMHATIM

• MAZHER JAN-E-JANANMAZHER JAN-E-JANAN

• TEK CHAND BAHARTEK CHAND BAHAR

• FUGHANFUGHAN

• TABANTABAN

GREAT POETS OF THE ERAGREAT POETS OF THE ERA

• MIRZA MOHD RAFIH SAUDAMIRZA MOHD RAFIH SAUDA

• MEER TAQI MEERMEER TAQI MEER

• KHWAJA MIR DARDKHWAJA MIR DARD

MIRZA MOHD MIRZA MOHD RAFIH RAFIH SAUDASAUDA

(1713-1780)(1713-1780)

Gul phenke hain auron ki tarafGul phenke hain auron ki tarafbalki samar bhibalki samar bhi

Aei khana bar andaz-e-chaman Aei khana bar andaz-e-chaman kuch to idhar bhikuch to idhar bhi

MEER TAQI MEER TAQI MEERMEER

(1722-1810)(1722-1810)

POETRYPOETRY

Dikhai diye yoon ki bekhud kiyaDikhai diye yoon ki bekhud kiya

hamen aap se bhi juda kar chalehamen aap se bhi juda kar chale

Dekh to dil ka jaan se uthata Dekh to dil ka jaan se uthata haihai

Ye dhuan sa kahan se uthata Ye dhuan sa kahan se uthata haihai

Mat sahal hamen jano phirta ha falak Mat sahal hamen jano phirta ha falak barsonbarson

tab khak ke parde se insan nikalte tab khak ke parde se insan nikalte hainhain

KHWAJA MIR KHWAJA MIR DARDDARD(1720-1784)(1720-1784)

PoetryPoetry

Arz-o-saman kahan teri wusat Arz-o-saman kahan teri wusat ko pa sakeko pa sake

Mera hi dil wo hai ke jahan tu Mera hi dil wo hai ke jahan tu sama sakesama sake

wai nakami ke waqt-e-marg ye wai nakami ke waqt-e-marg ye sabit huasabit hua

Khwab tha jo kuch ke dekha jo Khwab tha jo kuch ke dekha jo suna afsana thasuna afsana tha

sair kar duniya ki ghafil sair kar duniya ki ghafil zindgani phir kahan?zindgani phir kahan?

zindagi gar kuch baqi rahizindagi gar kuch baqi rahinav jawani phir kahan?nav jawani phir kahan?

OTHER POETSOTHER POETS

• YAQEEN DEHALVIYAQEEN DEHALVI

• ANAND RAM MUKHLISANAND RAM MUKHLIS

• QAIM CHANDPURIQAIM CHANDPURI

• MEER SOZ MEER SOZ 

• JAFAR ALI HASRATJAFAR ALI HASRAT

DECLINE OF DELHI SCHOOL OF DECLINE OF DELHI SCHOOL OF POETRYPOETRY

DEVELOPMENT OF URDU DEVELOPMENT OF URDU PROSEPROSE

FORT WILLIAM COLLEGEFORT WILLIAM COLLEGE

DELHI COLLEGEDELHI COLLEGE

LUCKNOW TRANSLATION LUCKNOW TRANSLATION BUREAUBUREAU

A DIFFERENT POETA DIFFERENT POET

NAZEER NAZEER AKBARABADIAKBARABADI

(1735-1830)(1735-1830)

Maghroor na ho talwaron par mat Maghroor na ho talwaron par mat phool sahare dhalon kephool sahare dhalon ke

Sab patta tod ke bhagenge, munh Sab patta tod ke bhagenge, munh dekh ajal ke bhalon kedekh ajal ke bhalon ke

Kya dibbe moti heeron ke, kya Kya dibbe moti heeron ke, kya dher khazane malon kedher khazane malon ke

Kya baghache tash tamami ke, Kya baghache tash tamami ke, kya takhte shal doshalon kekya takhte shal doshalon ke

Sab thath pada raha jayega jab Sab thath pada raha jayega jab lad chalega banjaralad chalega banjara

URDU POETRI IN LUCKNOWURDU POETRI IN LUCKNOW

• MEER HASANMEER HASAN

• INSHAINSHA

• MUSHAFIMUSHAFI

• JURR’ATJURR’AT

URDU POETRI IN LUCKNOWURDU POETRI IN LUCKNOW

• ATASHATASH

• NASIKHNASIKH

• DAYA SHANKAR NASEEMDAYA SHANKAR NASEEM

• NAWAB MIRZA SHOUQNAWAB MIRZA SHOUQ

AtashAtashSun to sahi jahan mein hai tera Sun to sahi jahan mein hai tera afsana kyaafsana kyaKahti hai tujh ko khalq-e-khuda Kahti hai tujh ko khalq-e-khuda ghaibana kyaghaibana kya

Hijra mein vasl ka milta hai maza Hijra mein vasl ka milta hai maza aashiq koaashiq ko

Shouq ka martaba jab had se guzar Shouq ka martaba jab had se guzar jata hai.jata hai.

NASIKHNASIKH

Pooch ae nasikh na kuch meri Pooch ae nasikh na kuch meri udasi ka sababudasi ka sabab

Aap main din rat hairan hoon, Aap main din rat hairan hoon, hua hai kya mujhehua hai kya mujhe

MEER HASANMEER HASAN(1727-1786)(1727-1786)

GREAT POETS OF MARSIAHGREAT POETS OF MARSIAH

• ANEESANEES

• DABIRDABIR

Marsiah is based on the following Marsiah is based on the following componentscomponents

   1.1. Chehra (Introduction)Chehra (Introduction)

2.2.   Rukhsat (Parting from family for Rukhsat (Parting from family for battle)battle)

3.3.    Aamad (Entry into battlefield) Aamad (Entry into battlefield)

4.4.  Rajaz (Narrating the greatness of Rajaz (Narrating the greatness of family, self and swords etc.) family, self and swords etc.)

5.5.  Jang (combat) Jang (combat)

6.6.  Shahadat (Martyrdom)Shahadat (Martyrdom)

7.7.  Dua (pray and epilogue) Dua (pray and epilogue)

MEER MEER ANEESANEES

(1801-1874)(1801-1874)

Taair hawa men mast hiran sabza zar menJangal ke sher goonj

rahe the kachhar men

-Meer Anees

MIRZA DABIRMIRZA DABIR(1803-1875)(1803-1875)

Kahiye na mehar subah keseene pe dagh tha

Ummeed-e-ahal-e-bait kaghar be charagh tha

- Mirza Dabir

AMANAT LUCKNOWIAMANAT LUCKNOWI(D. 1858)(D. 1858)

DELHI BEFORE SIEGEDELHI BEFORE SIEGE

SHAIKH IBRAHIM ZAUQSHAIKH IBRAHIM ZAUQ(1789-1854)(1789-1854)

DELHI BEFORE SIEGE DELHI BEFORE SIEGE

• 1803 SHAH ALAM’S 1803 SHAH ALAM’S

ADMINISTRATION WITHIN RED ADMINISTRATION WITHIN RED

FORTFORT

• SHAIKH IBRAHIM ZAUQSHAIKH IBRAHIM ZAUQ

• MOMIN KHAN MOMINMOMIN KHAN MOMIN

• MIRZA GHALIBMIRZA GHALIB

DELHI BEFORE SIEGEDELHI BEFORE SIEGE

• SHEFTASHEFTA

• AZURDAHAZURDAH

• FAZL-E-HAQUE FAZL-E-HAQUE

KHAIRABADIKHAIRABADI

POETRYPOETRY

Ab to ghabra ke ye kahte hainAb to ghabra ke ye kahte hain

ki mar jayengeki mar jayenge

Mar ke bhi chain na paya toMar ke bhi chain na paya to

kidhar jayengekidhar jayenge

BAHADUR SHAH ZAFARBAHADUR SHAH ZAFAR

Na kisi ki ankh ka noor hoon

na kisi ke dil ka qarar hoon

Jo kisi ke kam na aa sake

main woh ek musht-d-ghubar

hoon

MOMIN KHAN MOMINMOMIN KHAN MOMIN(1800-1851)(1800-1851)

POETRYPOETRY

Umar sari to kati ishq-e-butan Umar sari to kati ishq-e-butan mein mominmein momin

Aakhiri waqt mein kya khak Aakhiri waqt mein kya khak musalman honge.musalman honge.

-MOMIN-MOMIN

MIRZA MIRZA ASADULLAH ASADULLAH

KHAN GHALIBKHAN GHALIB(1797- 1869)(1797- 1869)

POETRYPOETRY

Rat din gardish mein hain sat asmanRat din gardish mein hain sat asmanHo rahega kuch na kuch ghabrain Ho rahega kuch na kuch ghabrain kyakya

Hai kahan tamanna ka doosra qadam Hai kahan tamanna ka doosra qadam ya rabya rab

Ham ne dasht-e-imkan ko ek naqsh-Ham ne dasht-e-imkan ko ek naqsh-e-pa payae-pa paya

GhalibGhalib

Dil hi to hai na sang O khisht Dil hi to hai na sang O khisht

dard se bhar na aaye kyondard se bhar na aaye kyon

Royenge ham hazar barRoyenge ham hazar bar

koi hamein rulae kyonkoi hamein rulae kyon

- Ghalib- Ghalib

URDU ON THE CENTRE STAGE URDU ON THE CENTRE STAGE OF INDIAN CULTUREOF INDIAN CULTURE

RECAPRECAP

IMPACT OF URDU LANGUAGE AND IMPACT OF URDU LANGUAGE AND LITERATURE ON INDIAN LITERATURE ON INDIAN

CULTURECULTURE

ShukriShukriaa