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144–146 New Bond Street, London W1S 2PF +44 (0)20 7100 714429 New Bond Street, London W1S 2RL +44 (0)20 7499 4508Harrods, 2nd Floor, London SW1X 7XL +44 (0)20 7581 7980
[email protected] www.halcyongallery.com
DREAMS BY PEDRO PARICIO PRESS PORTFOLIO
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Press CuttingsPedro Paricio, Dreamswww.candidmagazine.comOctober 2016
Press CuttingsPedro Paricio, DreamsDe GaleriasOctober 2016
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Pedro ParicioNo sé si Halcyon Gallery, a la que le unen ya cinco años de exclusiva, hace lo que debe para internacionalizar la obra del pintor español, más allá de exponerlo periódicamente con éxito. Lo que sí sé, y es evidente, es que Pedro Paricio (Tenerife, 1982) realiza un trabajo excelente, con fluidez, cromática y formal, y cada año reafirma la particularidad de su obra. Si había temor a que dependiera de otros lenguajes ya hechos, algo que nunca me preocupó, su constante cambio lo solventa con solercia. Acaba de inaugurar Dreams, un magnífico conjunto de piezas que, al margen de interpretaciones, tienen una plasticidad extraordinaria. Eso es lo que cuenta en pintura, no sus interpretaciones, sino su impacto visual, su valentía para el color, su peculiaridad en la figuración, que aúna expresionismo, pop y paricismo. Ha madurado, ha depurado algunos rasgos, mejorando sus resultados. El artista, Realpolitik, La tierra prometida, Lobos de mar son obras que consagran su estima y su calidad. Poderoso con el icono e impecable en la técnica. Halcyon Gallery · 144-146 New Bond Street. Londres www.halcyongallery.com · A partir de 10.000 euros
Waltercio CaldasElvira González inaugura nuevo espacio, en Madrid, con un ámbito diseñado por Marcos Corrales. Hay que estar locos o muy comprometidos con el arte actual para abrir al público una superficie como esta y con una individual de Waltercio Caldas, en las turbulencias de un raquítico mercado. El pulcro y sereno continente acoge un contenido exquisito, para iniciados. El montaje y diseño del local se complementan con evidente buen gusto, suave, casi todo blanco, dibujos insinuados, con esculturas de varillas, no es una exposición de minimal art, sino un intento de congraciar presencia/ausencia, de borrar límites, de sugerir el espacio y dar volumen al aire. Waltercio Caldas (Rio de Janeiro, 1946) fue alumno de Ivan Serpa y se inició en el Museo de Arte Moderna de Río, pero no es Oiticica, ni Cireles, ni Clark. Ha expuesto en los santuarios del arte actual y tiene obra en el MoMa. Llega a tal síntesis formal y cromática, que sin una leve iniciación es difícil percibir su obra. El arte plástico es visual, entra por los ojos a la emoción, conturbando los sentidos y sin ese acto automático, ya no es lo
mismo. ¡Enhorabuena a Elvira González y éxito!. Galería Elvira González · Hermanos Álvarez Quintero 1 · 28004 Madrid www.galeriaelviragonzalez.com · De 11.000 a 22.000 euros
Claudi CasanovasFelicitaciones al ceramista y a Joan Gaspar por esta exposición importante de cerámica. Aún existe algo extraño con el sustantivo cerámica, excepto si la asociamos a Picasso, Miró, Artigas o Cumella. Como un tabú, que nos obliga a dar rodeos para evitar decir ceramista. La materia importa, pero más quien la manipula y cómo. Es preciso diferenciar entre artesano y artista. Claudi Casanovas (Barcelona, 1956) ha demostrado tener grandes conocimientos del oficio, sino no podría desplegar sus técnicas, pero también imaginación creadora, lo que hace que la materia trascienda. Si en muestras anteriores era orgánico, informalista, gestual; ahora, en Últimos trabajos, muestra unas cabezas en gres, que indican que algo ha cambiado. Y grandes grabados, que amplían su campo expresivo. Es un escultor -porque se expresa en volúmenes tridimensionales, bajo la observancia del concepto escultórico (orientación del espacio, fijación del tiempo, movimiento, volumen humanizado, etc)- con influjo internacional y un creador plástico de pensamiento, avalado por su obra, que está en más colecciones internacionales que españolas. Un conspicuo y admirado ceramista. Galeria Joan Gaspar · Plaza Dr. Letamendi 1 08007 Barcelona · www.galeriajoangaspar.com · De 1.300 a 75.000 euros
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In five years of exclusivity with Halcyon gallery, the Spanish painter has been successfully exhibited periodically. However, what is evident is that Pedro Paricio (Tenerife, 1982) does an excellent job of painting fluid, chromatic and formal works and that every year reaffirms the uniqueness of his oeuvre. If there was any fear that the artist would depend on other pictorial languages and different realities, Pedro’s industriously solves these departures with the consistency of his painting. The newly opened Dreams, a magnificent series of work, regardless of interpretation, is a display of extraordinary plasticity. What matters in painting, if not its interpretations, its visual impact, its brightness of colour, its particularities in figuration which combines expressionism, pop, paricismo. The artist has matured, has refined certain traits and bettered his results. The Artist, Realpolitik, Promised Land, and Sea Dogs are works which stand as tribute to Paricio’s esteem and quality. He is powerful with icons and impeccable in technique.
Pedro Paricio, DreamsDe Galerias [continued]October 2016
Press CuttingsPedro Paricio, Dreamswww.ntn24.comSeptember 2016
Press CuttingsPedro Paricio, Dreamswww.justaplatform.comSeptember 2016
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Pedro Paricio - Painter
PEDRO PARICIO is a Canary Islands born artist whose latest exhibition ‘Dreams’ is currently showing at the Halcyon gallery.
Paricio has been named the “freshest thing in the emerging Spanish contemporary art scene in thirty years,” by Juan Manual Bonet, Director of the Cervantes Institute in Paris. He also featured in Francesca Gavin’s 100 New Artists (2011), representing an innovative generation that is forming the aesthetics of the coming decade.
In some of your work in your latest exhibition, Dreams, you have masked individuals, what’s the significance?
Art is also a mirror where every viewer should find his own questions. Masks are just a piece of the puzzle, but a piece with an important role and tradition in all human societies around the world.
Your work involves tapping into a ‘collective subconscious’, what are the main ways that this is ultimately shaped?
I tap into the ‘collective subconscious’ by using my own subconscious. How? By letting my intuition drive me many times. I am part of the human collective so many of my subconscious issues have a relation with other human subconscious. This is why every person is drawn to a different painting in the exhibition and it is here that our subconscious could be linking together.
Who were your major influences as an artist growing up?
Joseph Beuys was an electric shock. He made me feel the real importance of art for humans.
Do you still use a hat and tie as part of your artistic persona?
No. Last year I had a nightmare about the hat and, after wearing it every day / all day long for around 9 years, the following morning after this dream the hat was gone forever. On the other hand, the tie had been quite literally burned a long time before this happened when I was working in the Shaman series. There was a painting and a video about that both called “My Law”.
You have spoken about being influenced by the Canary Islands in your work, tell us one of your favourite spots and why?
My favourite spots are those far away and not near large tourist areas – where the natural beaches and quiet forest/mountain corners lie.
Pedro Paricio, Dreamswww.justaplatform.com [continued]September 2016
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Your work also delves into self-reflection do you think we are getting more or less self-reflective than we were in the past?
There are people who are getting more self-reflective and that is why we have so many thoughts/collectives/projects like “permaculture” or “bio-ethics” trying to make the world a better place right now but also for future generations.
But at the same time the global mass of people tend to be driven by the use of technology as an entertainment tool – to be fed by a way of life based on “fast”, “now” and “easy”, which is not a self-reflective attitude at all. I call it the “cream theory” – many people are eating and eating and eating cream because it is sweet, fast, soft, well presented and easy but they never arrive to the sponge/centre of the cake where you can find the real taste of the cake – the real long term knowledge, which is one of the tools to achieve true happiness.
I am a painter because I would like to say to people, “Stop! Sit down, take your time, just spend silent hours looking at one painting because only then you are going to be driven from that painting to your own questions and then to the collective human concerns.”
What is the role of an artist today?
I am a painter not an artist. If you were asking me what is my role – bearing in mind that I can only speak for me and not other painters and in doing so I cannot tell other painters what they should be doing – I try to free people from the socially-acquired wall structures in their mind.
Pedro Paricio, Dreamswww.justaplatform.com [continued]September 2016
Press CuttingsPedro Paricio, Dreamswww.londonartfile.comSeptember 2016
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The Art of Dreams: Interview with Spanish Painter Pedro Paricio
Spanish painter Pedro Paricio’s new exhibition has opened at London’s Halcyon Gallery. The show presents a fresh body of work, exploring the painter’s ruminations on self-reflection, the subconscious and the transcendental possibilities of art. Our correspondent in London Lissandra Hemilton asks the painter our Ten Questions about his life & work
PEDRO Paricio has shifted his focus to the subconscious and the dream world for his new show and takes the viewer on a vividly hued yet unsettling journey. His latest work examines how our subconscious effects our lives and whether art can be transformational. “Dreams are not only what we inhabit when we sleep,” he says. “They are also fantasies, desires and fears, both what we are hopeful for and what we are oblivious to. Though dreams are subconscious, they are also a reflection of consciousness.” He believes an art work is “not only of today, but simultaneously of yesterday and tomorrow,” allowing the viewer to travel back and forth into history .
“When I am not painting with my body, I am painting with my mind.”
Paricio’s new paintings depict surreal scenes, strange apparitions, dream-like states in the form of kaleidoscopic shapes, bright acrylics contrast with dark backgrounds as the artist explores the human subconscious through his painting. He weaves narratives through his figurative work, using experimental colours and a playful approach to the traditional method of painting. The painter still features himself in compositions, yet now without his signature costume including his black hat, blazer, tie and white button down. Rather like the German artist Joseph Beuys, Paricio’s hat and tie were a disguise, a part of his artistic persona. Leaving his costume behind represents his own self-reflection and the changes and expansion of his life and work: “When I change, my art changes,” he says.
“I feel most heartened...in a lonely mountain, in a quiet museum and in a silent old sanctuary.”
The artist originally comes from Tenerife in the Canary Islands and he says as a child, he already liked to draw. But by the time he reached high school he was studying science. He only began to think about becoming an artist a few months before going to college. “To be honest, the thing that attracted me was the freedom that society gives to the artist,” he says today. “I chose art because I wanted a different life.” Looking back now, he thinks that the series of events that led him to work as an artist was a way of discovering his destiny. Paricio first enrolled at the Faculty of Fine Arts of the University of La Laguna in Tenerife before moving on to a course in Salamanca and completing his training with a degree in Fine Arts at the University of Barcelona in 2006.
“Art offers us metaphysics and consciousness and all that the fast-paced culture in our hyper-technological world cannot offer.”
Five years later, when he was 28 years old, Paricio became the youngest artist to sign with Halcyon Gallery in London. Juan Manual Bonet, director of the Cervantes institute in Paris, and former director of the Reina Sofia in Madrid, described him as the “freshest thing in the emerging contemporary art world in thirty years.” Paricio held his first major show, Master Painters, at Halcyon Gallery in 2011 and the following year exhibited The Theatre of Painting, his solo museum exhibition, at the Institute of Culture and Arts of Seville, Spain. He has since gone on to have a further two acclaimed exhibitions at the gallery and has been included in Francesca Gavin’s book 100 New Artists, representing the next generation of emerging artists. Today, Paricio divides his time between Tenerife and London. Exhibitions in Europe and the United States have given him an international reputation and his paintings are held in public and private collections around the world.
Pedro Paricio, Dreamswww.designartmagazine.com [continued]September 2016
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1. Where did you grow up and does this place still influence your artwork?
I have lived in twenty different homes in eleven different cities, from Vilaflor (the highest village of Tenerife) to the world capital of London. I am not able to choose one place because all of them have played an important role in my development.
2. Why did you choose painting as your artistic métier?
When I was a student, painting was eclipsed by the so-called alternative media practices. My family say I always want to row against the tide but I think I am just trying to look in the direction nobody has looked at yet.
3. How has your work changed and developed since you first began painting?
I am my work and my work is me. I am a painter, so will not be able to give an answer to this in words, I think my paintings speak for me, the answer is in my work.
4. What aspect of painting gives you the most happiness?
Painting is my whole life so everything that has to do with that gives me happiness. While I do other things such as reading, cooking or walking, I always think about it through painting, and as though I am painting. When I am not painting with my body I am painting with my mind.
5. What do you find the most difficult part of creating your paintings?
I always find it difficult to start a painting after I have had a break. I hardly ever stop for more than two days, but when I am forced to do so, I feel like an athlete who has been injured, and need a few contests to go back to the track and give his best performance.
6. Can you describe the experience, person or training that has had the greatest impact on your artistic career?
My parents, my wife and my son. My parents taught me to trust myself, to work as hard as I can regardless of the outcome, to do the right thing with no expectations to get a reward for it. My wife ~ because her love enlightens my shadows and my son because he reminds me every day we must take care of this planet for the sake of future generations.
7. Describe what your studio is like and whether you have a set schedule of working every day? Or is the process more fluid?
My studio in an old Canarian house, a cave of dreams, a metaphor of myself... My normal schedule is to wake up every day at 7am, cook breakfast for my family and drive my son to school. I am already at the studio by 9am and will normally stay there until around 8pm in the evening. My time there is fluid because most of the time I will be painting, but I also read, write, draw, experiment and play the guitar. No particular order, usually just following my impulses.
During the year, I always enjoy spending weekends with my family, but when a new exhibition is approaching, my hours at the studio can be longer, up to 14 hours a day, seven days a week. This is usually a tough time for all of us. But I can’t complain because my family fully supports me. I am truly a fortunate man pursuing his dream.
Pedro Paricio, Dreamswww.designartmagazine.com [continued]September 2016
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8. Do you find your creative process is more rational or instinctive?
Both. I make many rational choices before and along the creative process but often when I am in front of the canvas, with the brushes and colours, I let my intuition take over. Our subconscious and body cells have learnt things that could not be rationalised.
9. Is there a particular place in the world you find inspiring?
I find inspiration constantly and everywhere. I can come across the best idea in the most unexpected corner. If you were asking me where I feel most heartened, I would say in a lonely mountain, in a quiet museum and in a silent old sanctuary.
10. How would you describe working as a contemporary artist in Europe today? In our digital age, what do painting and drawing give us as art forms?
I consider myself a painter and not a contemporary artist. Art offers us metaphysics and consciousness and all that the fast-paced culture in our hyper-technological world cannot offer us.
Pedro Paricio’s new exhibition Dreams is open until the 25th of September 2016 at the Halcyon Gallery, 144-146 New Bond Street, London: Monday-Saturday 10am-6pm and Sunday 11am-4pm: http://www.halcyongallery.com/exhibitions/pedro-paricio-dreams
Pedro Paricio, Dreamswww.designartmagazine.com [continued]September 2016
Press CuttingsPedro Paricio, Dreamswww.craveonline.co.ukSeptember 2016
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Artist Pedro Paricio’s “Dreams” Take Us to the Deepest Reaches of ImaginationHalcyon Gallery, London presents “Pedro Paricio, Dreams,” a sumptuous collection of new work that reveal a world hidden from view.We all dream, whether we are awake or asleep. Sometimes, without consciousness we simply slip away into another state, into a world of fantasy, desire, and fear. It is a world of imagination, where the only limits are that which we impose upon ourselves. But sometimes we cannot impose limits, so powerful is the drive to dream in our selves. And sometimes we abandon our dreams, but our dreams never abandon us; they simply lurk in the deepest recesses of our being, ready to reveal them selves when they can no longer hide.
Spanish artist Pedro Paricio understands this and he calls to them, allowing them to inhabit his waking life and be drawn from a palette of paint. Over the past two years, they drew him out, transforming his canvases into evocative scenes layered with meaning and depth. His new series of work began to manifest itself as Paricio’s work began to transform from the inner reaches of his Shaman series to something even more metaphorical.
Halcyon Gallery, London, presents Pedro Paricio, Dreams on view now through September 25, 2016, on this, the artist’s fifth anniversary with the gallery. The youngest artist to sign with Halcyon at just 28 years old, Paricio’s career has skyrocketed into the stratosphere. Yet he remains the gracious, humble, philosophical man he has always been, ensconced in his studio for 12-14 hours a day at work.
Born in Tenerife in the Canary Islands, Paricio has dedicated his life to art, using the medium of painting as a means to engage with the meaning of life. Paricio observes, “We ask ourselves the grand questions: Who are we? What are we doing here?”
Paricio’s paintings poses questions that go beyond the surface of things, making us stop, look, and listen to the voice in our heart that calls without words—just like our draeams. This series of work is a continuation of all that has come before, yet at the same time it extends beyond, into a familiar yet foreign terrain. Paricio reveals,
“I don’t want to be an artists with one idea. I make my life difficult. [Laughs]. I always try to push myself out of routine.”
This urge to go beyond the known, to expand outside his comfort zone, allows Paricio to explore new realms and bring his discoveries to light through the creation of art. He observes, “You cannot choose to be a painter, just like you cannot choose to fall in love.” Just like you cannot choose your dreams; they choose you.
Living and working in the Canary Islands, Paricio has a blessed life, one that allows him to be at one with the elements of nature, family, and art. This triumvirate of influences sets his soul aflame, drawing him back to the easel day after day after day.
For Paricio, the artist occupies a magical space, one that allows them to live eternally in their work. He notes, “Artists are like a black hole; you can travel through time. I was looking at an exhibition of Egyptian art and I saw mummies of animals. There was a personal doing that 5,000 years ago and I can connect with that person today. Even though they lived in a different age and a different country, we are humans. There are basic feelings we share: dreams of peace, power, happiness, and hatred.”
Paricio explains that it is dreams that shape our destiny. “What is happening in Syria is not new. It is the same history. People have to leave to follow a dream. They have to escape from a nightmare in order to be free.”
Pedro Paricio, Dreamswww.craveonline.co.uk [continued]September 2016
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It is these dreams and nightmares that Paricio manifests in acrylic on linen for our contemplation. His painting, The Artist (2016) is at first a candy-striped image of beauty. But then something happens and it reveals itself. The artist has the power of cause and effect. When the artist takes control, we are lead by instinct to respond to the cues they are providing.
Paricio reveals, “I am not a journalist or a politician. I’m a painter trying to find things that can work forever.” He observes that in great works of art, “They put soul energy. There is no drive for money when you really do art. I try to find things that can work forever. I believe in energy.”
Pedro Paricio, Dreamswww.craveonline.co.uk [continued]September 2016
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Press CuttingsPedro Paricio, DreamsMayfair TimesSeptember 2016
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Kaleidoscopic wonderAt first glance, contemporary Spanish artist Pedro Paricio is a master of collage or perhaps champion in screen-printing. But on closer inspection, his geometric patchworks reveal thick layers of paint and barely a brushstroke to be seen. An exhibition of new work at Halcyon Gallery delves into the collective subconscious and the inextricable relationship between art and identity – and on no small scale, as Paricio’s paintings are often a metre tall or wide. Reflect, but do so at a distance.
Pedro Paricio, Dreams6-25 September, halcyongallery.com
Press CuttingsPedro Paricio, DreamsCANARIAS7September 2016
Press CuttingsPedro Paricio, DreamsNew Exhibitions GuideSeptember 2016
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Pedro, at what point did you decide art was the career for you?It is not something that you can decide, like falling in love or like lightning falling from the sky. When? There are many moments when I fall in love with painting in the same way as I fall in love with my wife again and again every day. You cannot remember consciously many of these small moments but you keep and care for the feelings in your heart. For me it is not a career but a life-road. I need to paint as much as I need to breathe. You have an interesting philosophy about dreams. Can you elaborate on this for us?Dreams are not only what we inhabit when we sleep, They are also desires and fears, fantasies and nightmares - all the emotions, sensations and images that we carry in our daily life, in our consciousness and in our subconscious. Was there a single point of inspiration behind this show, or did it evolve?It is like a walk in the wild – like walking through a forest and digging deep with your senses but at some point you look around to discover that you are already in a meadow, so you start to explore this new area too, asking yourself how did you arrive there, what that place means to you and what you want to do there. I never stop walking as I never stop painting and I am always pushing myself out of my comfort zone, always looking for new worlds. My transition from one series to another is like this metaphor. I look at a painting which I have just finished and I feel that I am moving in a new direction, so I push strongly for this new horizon with self-reflection
- developing new techniques, forms and narratives and exploring new books, cultures, lives and knowledge. This is why some pieces could be a part of the last series or a new one because the transition is a natural and fluid one. Each series is like an independent book but at the same time they are all part of one large encyclopaedia.
Tell us about your relationship with Halcyon GalleryThe new exhibition Dreams is not only my fourth with Halcyon Gallery, it also marks the fifth anniversary since I became their youngest signing at 28 years of age. We have worked together for five great years - a very good relationship based on hard work, respect and confidence. They strongly support me and I in turn always work with all my energy, vision and enthusiasm. You’ve had some high praise throughout your career. Which moment has meant the most to you?There is not just one moment that means the most, because every step carries you to the next. I could not say that a great white shark is more important than a clownfish because together they both make up the ocean.
What do you want people to gain from your show?Art is a question and not an answer so I hope that the Dreams exhibition asks many questions to people visiting the show. Why do we need questions? Because seeking our own answers to these questions is how we understand the world and ourselves. Do you have a favourite piece in the show?All of the pieces are part of one book and I love every chapter because they all play a role in the puzzle. The interesting part is that you could never fully complete the puzzle because it is changing all the time. I see the artworks as a three-way conversation, that play a part alongside myself and the viewer. The artworks physically remain (mostly) the same but the viewer, the circumstances, myself and what I am working on are in perpetual motion so is the relation between all of us too. What is your next project?Painting, live and love which is all the same for me.
Press CuttingsPedro Paricio, DreamsAntiques and the Arts WeeklySeptember 2016
Press CuttingsPedro Paricio, Dreamswww.artdaily.comSeptember 2016
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Pedro Paricio, Dreamswww.wsimag.com [continued]August 2016
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Translation:
The Spanish artist Pedro Paricio not only creates works of art but also dreams. In his surreal scenes, kaleidoscopic forms and bright acrylics, he devotes himself to self-reflection and the collective subconscious. He takes the viewer on a colour even reflective journey through his new exhibition Dreams in London’s Halcyon Gallery.
Pedro Paricio, Dreamswww.galerienundmuseen.com [continued]August 2016
Press CuttingsPedro Paricio, Dreamswww.bricplus.co.ukAugust 2016
Press CuttingsPedro Paricio, DreamsSavoy MagazineAugust 2016
Press CuttingsPedro Paricio, DreamsSavoy MagazineAugust 2016
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Mayfair Times
“It’s very important for me to be pushed out of my comfort area, you know? Because when something starts to feel easy, or I think that I am being repetitive, I need to break it, I need to find new difficult goals,” artist Pedro Paricio tells me from his studio in Tenerife.
Don’t let his idyllic location fool you; Paricio is a hard-working artist, painting alone, with no assistants, five days a week, 9am to 8pm.
“When I go every day to the studio I am happy, it’s my work. When I’m not painting, I start to feel nervous and angry. For me, it’s like breath,” he says in his staccato Spanish tones.
Named the “freshest thing in the emerging contemporary art world in 30 years,” by Juan Manuel Bonet, director of the Cervantes Institute in Paris and former director of the Reina Sofia in Madrid, next month, the Spanish artist will present Dreams, a brand new body of work, at Halcyon Gallery on New Bond Street. The vibrant oils present motifs of war, the migrant crisis, artists, criminals, but are deliberately left open to interpretation, presenting broad themes with no specifics.
“It could be talking about people that are coming or people that are going,” he says of his work The Promised Land. “I always try not to make closed statement. I love art that is forever. You can look at the Goya painting Fusilamiento del 3 de Mayo. It was the French troops killing Spanish people in Madrid, but it could be now. For me, it’s very important that the spectator has to ask themselves. I am interested in developing in their imagination; that is one of the things that a human being has different from the animal – the capacity of imagining.”
Each painting explores the collective subconscious, self-reflection and the transcendental nature of art. Weaving art historical narratives throughout his figurative work and appropriating themes and configurations of old and modern masters, surreal scenes, strange apparitions and dream-like states play out with kaleidoscope forms and Pop aesthetics contrasted against a dark background, as the human subconscious is manifested through the art.
Paricio works in series, mixing images he has seen with ideas, dreams and pictures in his mind.
“I never have a totally clear image in my mind, it’s more like smoke. I think that we are very, very influenced by what we see. Look what happened yesterday [in Nice]. We have the far right, the far left; it’s a very, very sad moment. What I try to do is create open reflection in my work, because I think that art needs to be a question, not an answer.”
Paricio is now based on the sunny Spanish island, but was previously in Notting Hill.
“We were very close to Portobello [Market]. I am married to a Portobello Road, you know? Every morning on the walk to the studio I stopped there. I’d say, ‘No, no, I’m not going to by anything, just a little look’, but then I always buy something!” he laughs.
He and his wife left after having a son, now two, who I hear in the background.
“We take him everywhere. He has probably been to more museums in his two years than many people do in their whole life!”
Pedro Paricio, DreamsMayfair Times [continued]August 2016
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