- 1. Digital Rights Management Metadata Schemes Jorge Espinosa,
Adrienne Smith,Nan Zhang, & Pam Carson
http://www.geekosystem.com/wp-content/uploads/2010/03/digital-rights-management-drm.jpg
2. What is DRM?
- DRM is the systems and services used
- to manage the access and use ofrights-protected digital
resources
Agnew, 2008, p. 1 http://www.phanart.net/blog/?m=20091207 3. How
does it work?
- DRM allow rights-holders toprotecttheir resources by setting
out how the resources may be used and accessed
http://www.gpsinc.com/intellectual-property.html all
throughmetadata! 4. Whats the purpose of DRM metadata?
- Rights workflow languages
http://www.whatsnextblog.com/archives/2006/10/intellectual_property_issues_heatingup_in_social_media_and_virtual_reality.asp
5. Whats in DRM metadata?
- Constraints, requirements and conditions
- Agreement, contract or license
Agnew, 2008, pp. 241-248 If anantelopeis adocument
http://www.sxc.hu/photo/1128646 6. What are the DRMmetadata
schemes?
- CDL copyrightMD, RUCore Rights (Rutgers University),
METSRights, PREMIS Rights, and more
http://itmanagement.earthweb.com/img/2010/04/metadata.jpg 7.
ONIX
- Publishers needed a standard for supplying rich product
information
- DTDcontains over230 data elements :
- 6 for main series records
- Includes data elements forcover images , author photos, audio
files and videos, among others
Created by EDItEUR, the Book IndustryCommunication (UK), the
Book Industry Study Group (US) ONIX, 2010 8.
- Established 1998, driven bymusic publishersand performers
- Mostcomplexsystem of defining DRM metadata
- Created with belief thatmetadata should be created once andused
many
- timesfor different purposes
- Providesmappingsto other schemes
- Generic metadata structure with dictionary for multimediaIP
commerce
- Part 1: commercial and descriptive terms
- Unique indecs identification numbers:iids
indecs created by BBC, RIAA, Content ID Forum (Japan) and
Federation of European Publishers Cordis, 2001 9.
- OMA established 2002; DRM v 1 released September2002
- Aimed to bethe centre of all mobile application standardization
workand to provideinteroperabilityacross
- Consists of anXML documentspecifying permissions and
constraints
- Content distributed withcryptographicprotection: protected
content not usable without the associated rights object on a
device
OMA DRM created by Open Mobile Alliance (mobile/wireless
industry) OMA, 2010 10.
- MPEG established 1988; MPEG-21 DRM launched2002
- Intended to enableall-electroniccreation, trade, delivery
and
- consumption of digital multimedia content
- Makes no distinction between types of users : resource
providers and
- consumers are considered equal in terms of publishing,
delivering and
- Providesframeworkgoverning how users interact with other
users
- where the object of that interaction is a digital item
- Provides both a rights expression language and arights data
dictionary
MPEG-21 created by Moving Pictures Experts Group (ISO/IEC) MPEG,
2010 11. Evaluation:ONIX vs. indecs 12.
- Inexpensive common data exchange format
- Little manual intervention needed
- Highly convertible to MARC-21 format
Evaluation:ONIX
- Inflexible: Single price information field prohibits setting
multiple prices for varying rights
13. Evaluation:indecs
- Manages IP at every step in the digital supply chain
- Unique identifiers (iids)
- Used by other schemes (MPEG-21)
- Extremely generic: may require customization for specific
domains/ applications (i.e., legal judgments in different
jurisdictions)
14.
-
-
-
-
- www.globalbookinfo.com-01734529
Example metadata: ONIX
Product Identifier Date 15. Future Trends
- Consumer unrest - illegal use of digital resources
- Canada: Bill C-32An Act to Amend the Copyright Act
https://secure.ewebspot.com/upload/v_lauriehawn/documents/speakers_chair.jpg
16. Thank you! Merci! ANY QUESTIONS?