Eastern Theatre

Eastern Theatre

One of the immediately visible appeals of any form of theatre is the lure of the sound and the color

Easter theatre seems to have perfected thisLarger than life costumesExpressive masksLife-like puppetsContagious, rhythmic beat

NOH Pronounced “no” Oldest form of Eastern theatre Deeply rooted in religion and ceremony Combination of acting, dance and music, rhythmically entwined in

a strict form that was passed to each generation in rigid training Training starts in childhood Short plots generally deal with myths and legends Stock characters symbolized on-stage by masks Each Noh also has a kyogen (a comic interlude)

○ Like the Greek satyr play

Performance combined gliding movements, chanting and stomping in unison with a flute and drum accompaniment

Strength of performance is the fluid beauty of the combined movement, sound and speech.

Bunraku Form of Japanese theatre Uses intricately hinged wooden puppets Puppets stand four feet tall and have moving

fingers and facial expressions Three puppeteers for each figure Puppeteers are masked in all black but are

visible to the audience Once the story begins they seem to disappear This form originated in Korea but migrated to

Japan in the sixth century AD

Kabuki Most influential of Asian theatre Employs singing, dancing, and acting ka=singing, bu=dancing, ki=acting Originally produced by women Newest of the three Eastern forms was an imitation of Noh and the

Bunraku Plots based on historical tales or stories about everyday life Kabuki actors do not wear masks Characterized by

dramatic face paint Stylized movement Elaborate costumes

Today only men act in the plays They spend most of their lives studying their art, starting as

children and are loyal actors until they die.

Kabuki Stage

Raised wooden platform Because of rhythmic stomping is such a

prevalent part of the style, amplifying wooden sections are often laid on top of the stage

The hanamichi (flower path) is a raised passageway that extends from one corner of the stage through the audience

Kabuki Stage cont. Like Greeks, Kabuki audience will hear narration

and dialog from a chorus of twelve to eighteen members

The chorus members are uniformly dressed and carry a fan

This adds to the beauty of the performance The orchestra sits at the back of the stage

DrumsA fluteStringed instrument (samisen)

They are dressed like the chorus

Kimono

Traditional, floor-length robe with draping sleeves

Worn by both male and female characters

Distinguished by a variance in color, fabric, or accessories

Kabuki performance Stylized wigs are worn to add size and color Unrealistic make up is painted with brightly colored,

sharply contrasting lines meant to show expression The actors do not try to achieve realism. Kabuki is fantasy storytelling Actor‘s movements look more like dancing than acting Props are brought on stage by crew members dressed in

all black Speeches are told with rhythmic musical accompaniment May be told by several actors in unison or speaking in

turn. Very ceremonial theatre

China Peking Opera

Harmonious blend of song, dance, dialog, and acrobatics Subjects of the operas come from fiction, legend, and

history Superb costumes serve to enhance the performance Color is used to indicate rank and temperament Originally acted by men, women were later introduced to

the Chinese stage Unfortunately, after the establishment of the People’s

Republic in 1949, new plays were saturated with military propaganda

Some new playwrights occasionally surface, and when they do, the entire world has reason to celebrate.