CREATED BY JUAN M. GARCIA
EDTC 6343 Competency 004
MODERN EDITING METHOD WHICH INVOLVES BEING ABLE
TO ACCESS ANY FRAME IN A DIGITAL VIDEO CLIP WITH THE
SAME EASE AS ANY OTHER
Non-Linear Editing
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PROCESS OF SELECTING, ARRANGING AND MODIFYING THE
IMAGES AND SOUND RECORDED ON VIDEOTAPE. CUTTING OF THE
NEGATIVES MADE IT A DESTRUCTIVE PROCESS
Linear video editing
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AN ELECTRICAL SIGNAL THAT CONTINUOUSLY
VARIES IN STRENGTH AS RELATED TO SOME FORM OF
INPUT
Analog
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A MEANS OF RECORDING AUDIO OR VIDEO WHEREBY THE
RECORDED SIGNAL IS A PHYSICAL REPRESENTATION OF
THE WAVEFORM OF THE ORIGINAL SIGNAL
Analog Recording
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A REFERENCE TO A SYSTEM WHEREBY A CONTINUOUSLY
VARIABLE ANALOG SIGNAL IS REDUCED AND ENCODED INTO DISCRETE BINARY BITS THAT ESTABLISH A MATHEMATICAL
MODEL OF AN ORIGINAL SIGNAL OR OTHER INFORMATION
Digital
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A METHOD OF RECORDING IN WHICH SAMPLES OF THE ORIGINAL ANALOG SIGNAL ARE ENCODED ON TAPE OR DISK AS A BINARY INFORMATION
FOR STORAGE OR PROCESSING. THE SIGNAL CAN THEN BE COPIED
REPEATEDLY WITH NO
DEGRADATION.
Digital Recording
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VISUAL MAKE-UP OF A VIDEO PICTURE, INCLUDING SUCH
VARIABLES AS BALANCE, FRAMING, FIELD OF VIEW AND TEXTURE ALL
AESTHETIC CONSIDERATIONS. COMBINED QUALITIES FORM AN
IMAGE THAT’S PLEASING TO VIEW.
Composition
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HORIZONTAL CAMERA PIVOT, RIGHT TO LEFT OR
LEFT TO RIGHT, FROM A STATIONARY POSITION
Pan
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VERTICAL CAMCORDER ROTATION(UP AND DOWN)
FROM A SINGLE AXIS, AS ON A TRIPOD
Tilt
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AN OPTICAL EFFECT IN WHICH THE IMAGE RAPIDLY GROWS
LARGER OR SMALLER AS THOUGH THE CAMERA IS
MOVING CLOSER OR AWAY FROM ITS SUBJECT
Zoom
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ANY DEVICE PLACED ON A LENS OR LIGHT SOURCE
THAT ALTERS THE QUALITY OF THE PASSING LIGHT
Filter
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A LIGHT WHICH IS GENERALLY MOUNTED BEHIND A SUBJECT
TO LIGHT THE SUBJECT’S HAIR AND SHOULDERS
WITHOUT ILLUMINATING A SUBJECT’S FRONT.
Backlight
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THE MAIN LIGHT ON A SUBJECT
Key Light
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MAY BE USED TO REDUCE THE CONTRAST OF A SCENE AND
PROVIDE SOME ILLUMINATION FOR THE AREAS OF THE IMAGE
THAT ARE IN SHADOW
Fill Light
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THE PROPORTION OF PICTURE WIDTH TO HEIGHT
Aspect Ratio
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EVERYTHING HAPPENS ON A 2 DIMENSIONAL PLATFORM.
PICTURES ARE FLAT, WITHOUT DEPTH AND
OFFER ONLY ONE PERSPECTIVE
2D animation
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EVERYTHING HAPPENS ON A 3 DIMENSIONAL PLATFORM.
PICTURES HAVE DEPTH AND OFFER MULTIPLE PERSPECTIVES JUST LIKE
IN REAL LIFE AND HAVE SOFT SUBTLE SHADOWS CASTED ON THE
OBJECTS AND CHARACTERS WITHIN.
3D animation
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COMPRESSED FILE HAS LESS DATA IN IT THAN THE
ORIGINAL FILE
Lossy Compression
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COMPRESSION WHERE NONE OF THE INFORMATION
IS LOST
Lossless compression
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STANDARD FOR THE COMPRESSION OF MOVING
PICTURES AND AUDIO
MPEG-1
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STANDARD ON WHICH DIGITAL TELEVISION SET
TOP BOXES AND DVD COMPRESSION IS BASED
MPEG-2
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STANDARD FOR MULTIMEDIA AND WEB
COMPRESSION
MPEG-4
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AN OMNIDIRECTIONAL (OR NONDIRECTIONAL)
MICROPHONE'S RESPONSE IS GENERALLY CONSIDERED TO BE
A PERFECT SPHERE IN THREE DIMENSIONS
Omnidirectional
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A UNIDIRECTIONAL MICROPHONE IS SENSITIVE TO SOUNDS FROM ONLY ONE
DIRECTION
Unidirectional
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“SHOTGUN” MICROPHONES ARE THE MOST HIGHLY
DIRECTIONAL
Shotgun
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A LAVALIER MICROPHONE IS MADE FOR HANDS-FREE
OPERATION
Lavalier
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The End
REVIEWEND