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EDUCATION Rediscovering the Piano · (A good way to start is by reading Pianist’s own Piano Guide...

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M ore and more adults dream of playing the piano again, rediscovering what had once been a wonderful, fulfilling pastime. ey may be surprised to find that it’s relatively easy to pick up from where they left off a few years (or decades) earlier, and how much information will have been retained. It might return gradually, over a period of months, or it may be still at the forefront of your mind. With careful, consistent practice, you will be playing again in no time, and with a renewed vigour and love for the instrument. If you plan to revisit your piano playing (which indeed you must have done, because you’re reading this magazine!), bear a few ideas in mind. Instrument Access to a piano is a prerequisite! If you don’t already have one, consider acquiring an acoustic piano or digital keyboard. Digital instruments are compact and useful for smaller spaces, but they don’t generally have the same ‘touch’ or depth of key bed needed for more advanced playing. Start by researching the market, and sample your intended purchase first, to ensure that you like it and feel comfortable playing it. (A good way to start is by reading Pianist’s own Piano Guide 2017. Find it on the Pianist website, www.pianistmagazine.com.) Goals Why are you revisiting the piano? ere are an array of reasons, and it may be helpful to reflect on your personal motivation, because this will influence the direction of your playing. ink about setting yourself goals before you begin. ey bring focus to your practice: as each goal is met, your piano playing will gain confidence and you should take a sense of achievement from each stage. Perhaps your ambition is to take that elusive exam (the one you nearly took last time), or even a piano performance or teaching diploma. It may be to play a particular piece, a genre or style of music, or you may want to learn to improvise. e desire to take part in a competition invigorates many returning pianists (there are music festivals across the UK that cater specifically for the adult amateur pianist). For others, taking a piano course could be a decisive catalyst. Adult pianists tend to team up and play together, with duets proving particularly popular. ere are also adult piano clubs, adding a social frisson to the experience. Writing a list of aims and goals could help to clarify your decisions. Previous issues of Pianist have explored both piano clubs (No 79) and more generally the subject of returning to the instrument after a break (No 82): you can acquire back issues at www.pianistmagazine.com. 68Pianist 96 EDUCATION Rediscovering the Piano RETURNING TO THE PIANO Make a commitment to playing. If you are going to get results, you must put in the practice and the conditions must be right. Seek out a good teacher. Many teachers like adult pupils as they are prepared to work hard. You don’t have to have lessons very often, but they give you purpose and a sense of achievement – and a shared enjoyment of the piano with at least one other person. Don’t be afraid to try out two or three piano teachers before you come to a decision. Most teachers offer a trial lesson. Practise regularly and practise intelligently. Remember this evergreen advice: ‘Amateurs practise until they get it right, professionals practise until they can’t get it wrong.’ Buy a piano that you’re happy to play. Research within the limits of your budget, and buy the best you can afford. Keep in touch with the piano world. Follow your favourite artists on Facebook, Twitter, YouTube, blogs, live concerts, and in the pages of Pianist magazine. Don’t worry about the speed of your progress. You will initially make lots of mistakes, even if you were an accomplished player years ago, but many adult learners are surprised how readily the knack of playing returns. 1 2 3 4 5 6 TOP TIPS 6 DIVE IN! ere are lots of beginner pieces inside past issues of Pianist to help you get you into the swing of things again! (Great for sight-reading too, if they are a little too easy.) You can find the full list of scores, from issue No 1 to the present, by going to www.pianistmagazine.com www.pianistmagazine.com £5.25 No 79 A star is born FREE WITH EVERY ISSUE 40PAGES OF SHEET MUSIC 50 + ONLINE LESSONS PLUS TUTORIAL CD 13 Every issue, Pianistbrings you 40 pages of scores to learn and a CD to listen and learn from. If your CD is missing, please call 0113 200 2929 or email [email protected] Daniil TRIFONOV Helping you become a better player WIN TICKETS Improve your dynamics Practise the right way How not to speed up SUPERCHARGE YOUR TECHNIQUE! TO HIS ROYAL FESTIVAL HALL RECITAL! BEHIND BACH’S FAMOUS ‘48’ START YOUR OWN PIANO CLUB Learn ‘Nola’ one of Liberace’s favourite showpieces With expert advice on a prelude & fugue PIECES TO LEARN 13 ALL LEVELS AND ALL STYLES PLAY A SULTRY CUBAN DANCE BY CERVANTES! Exclusive visit to FAZIOLI IN ITALY No 86 Helping you become a better player www.pianistmagazine.com £5.25 40 PAGES OF SHEET MUSIC FREE WITH EVERY ISSUE PLUS TUTORIAL CD & ONLINE LESSONS MASTERCLASS CODE BREAKER What do the letters mean after your teacher’s name? TECHNIQUE Every issue, Pianistbrings you 40 pages of scores to learn and a CD to listen and learn from. If your CD is missing, please call 0113 200 2929 or email [email protected] 11 FOREARM ROTATION Behind the scenes with the legendary MARTHA ARGERICH PLUS: WIN A COPY OF THE FILM ‘ARGERICH’ CPE BACH for the beginner SCHUMANN for the intermediate CHAMINADE for the advanced 3 STEP-BY-STEP LESSONS Practising away from the piano Top tips on HOW TO BEAT NERVES PIECES TO LEARN 11 BEGINNER TO ADVANCED Learn Satie’s dreamy GNOSSIENNE NO 5 image © adobestock/jozefklopacka p68 Return-FINAL.indd 68 11/05/2017 12:41
Transcript
Page 1: EDUCATION Rediscovering the Piano · (A good way to start is by reading Pianist’s own Piano Guide 2017. Find it on the Pianist website, .) ... (Great for sight-reading too, if they

More and more adults dream of playing the piano again, rediscovering what had once been a wonderful, ful� lling pastime. � ey may be surprised to � nd that it’s relatively easy to pick up from where they left o� a few years (or decades) earlier, and how much information will have been retained.

It might return gradually, over a period of months, or it may be still at the forefront of your mind. With careful, consistent practice, you will be playing again in no time, and with a renewed vigour and love for the instrument.

If you plan to revisit your piano playing (which indeed you must have done, because you’re reading this magazine!), bear a few ideas in mind.

InstrumentAccess to a piano is a prerequisite! If you don’t already have one, consider acquiring an acoustic piano or digital keyboard. Digital instruments are compact and useful for smaller spaces, but they don’t generally have the same ‘touch’ or depth of key bed needed for more advanced playing. Start by researching the market, and sample your intended purchase � rst, to ensure that you like it and feel comfortable playing it. (A good way to start is by reading Pianist’s own Piano Guide 2017. Find it on the Pianist website, www.pianistmagazine.com.)

GoalsWhy are you revisiting the piano? � ere are an array of reasons, and it may be helpful to re� ect on your personal motivation, because this will in� uence the direction of your playing. � ink about setting yourself goals before you begin. � ey bring focus to your practice: as each goal is met, your piano playing will gain con� dence and you should take a sense of achievement from each stage. Perhaps your ambition is to take that elusive exam (the one you nearly took last time), or even a piano performance or teaching diploma. It may be to play a particular piece, a genre or style of music, or you may want to learn to improvise.

� e desire to take part in a competition invigorates many returning pianists (there are music festivals across the UK that cater speci� cally for the adult amateur pianist). For others, taking a piano course could be a decisive catalyst. Adult pianists tend to team up and play together, with duets proving particularly popular. � ere are also adult piano clubs, adding a social frisson to the experience. Writing a list of aims and goals could help to clarify your decisions. Previous issues of Pianist have explored both piano clubs (No 79) and more generally the subject of returning to the instrument after a break (No 82): you can acquire back issues at www.pianistmagazine.com.

68• Pianist 96 69• Pianist 96

Many readers return to the piano after a long break. It’s important to think about why you’re doing it, says Melanie Spanswick, and be realistic about your

ambitions and routine

E D U C AT I O N

Rediscovering the Piano

RETURNING TO THE PIANO

Make a commitment to playing. If you are going to get results, you must put in the practice and the conditions must be right.

Seek out a good teacher. Many teachers like adult pupils as they are prepared to work hard. You don’t have to have lessons very often, but they give you purpose and a sense of achievement – and a shared enjoyment of the piano with at least one other person. Don’t be afraid to try out two or three piano teachers before you come to a decision. Most teachers offer a trial lesson.

Practise regularly and practise intelligently. Remember this evergreen advice: ‘Amateurs practise until they get it right, professionals practise until they can’t get it wrong.’

Buy a piano that you’re happy to play. Research within the limits of your budget, and buy the best you can afford.

Keep in touch with the piano world. Follow your favourite artists on Facebook, Twitter, YouTube, blogs, live concerts, and in the pages of Pianist magazine.

Don’t worry about the speed of your progress. You will initially make lots of mistakes, even if you were an accomplished player years ago, but many adult learners are surprised how readily the knack of playing returns.

1

2

3

45

6TOPTIPS

6

DIVE IN!� ere are lots of beginner pieces

inside past issues of Pianist to help you get you into the swing of things again! (Great for sight-reading too, if they are a little too easy.) You can � nd the full list of scores, from issue

No 1 to the present, by going to www.pianistmagazine.com

www.pianistmagazine.com

£5.25

AU

GU

ST-S

EPT

EMB

ER 2

014

No 79

A star is born

FREE WITH EVERY ISSUE40 PAGES OF SHEET MUSIC

50+ ONLINE LESSONS PLUS TUTORIAL CD

LISTEN • LEARN • PLAY

BONUS TRACKDaniil Trifonov plays CHOPINDaniel Ben Pienaar plays BACH SCORES BY MOZART BRAHMS MASSENET MENDELSSOHN ATTWOOD GURLITT ARNDT and more performed by Chenyin Li

PIECES TO LEARN13ALL LEVELS AND ALL STYLES

PLAY A SULTRY CUBAN DANCE BY CERVANTES!

STEP-BY-STEP LESSON ON MENDELSSOHN’SSONG WITHOUT WORDS OP 30 NO 3

3 BEGINNER PIECES WITH BAR-BY-BARTECHNICAL HELP

pianist79_CDcover.indd 2

17/06/2014 10:11

Every issue, Pianist brings you 40 pages of scores to learn and a CD to listen and learn from. If your CD is missing, please call 0113 200 2929 or [email protected]

Daniil TRIFONOV

Helping you become a better player

WIN TICKETS

No 79Helping you become a better player

✓ Improve your dynamics✓ Practise the right way✓ How not to speed up

SUPERCHARGEYOUR TECHNIQUE!

TO HIS ROYAL FESTIVAL HALL RECITAL! BEHIND BACH’S FAMOUS ‘48’

START YOUR OWN PIANO CLUBLearn ‘Nola’one of Liberace’sfavourite showpieces

With expert advice on a prelude & fuguePIECES TO LEARN13

ALL LEVELS AND ALL STYLES

PLAY A SULTRY CUBAN DANCE BY CERVANTES!

Exclusive visit toFAZIOLI IN ITALY

p01_pianist79.indd 1

11/07/2014 10:14

OC

TO

BER

- N

OV

EMB

ER 2

015

No 86No 86Helping you become a better player

www.pianistmagazine.com

£5.25

40 PAGES

OF SHEET MUSIC

FREE W

ITH EVERY ISSUE

PLUS TUTORIAL CD & ONLINE LESSONS

MASTERCLASS

CODE BREAKER What do the letters mean

after your teacher’s name?

TECHNIQUE

Every issue, Pianist brings you 40 pages

of scores to learn and a CD to listen

and learn from. If your CD is missing,

please call 0113 200 2929 or email

[email protected] issue, Pianist brings you

40 pages of scores to learn and

a CD to listen and learn from.

If your CD is missing, please

call 0113 200 2929 or email

[email protected]

Every issue, Pianist brings you Pianist brings you Pianist

40 pages of scores to learn and

a CD to listen and learn from.

If your CD is missing, please

call 0113 200 2929 or email

[email protected]

PIECES TO LEARN11

BEGINNER TO ADVANCED

SCORES BY FIBICH SCHUMANN SCRIABIN KEMBER

WESLEY DIABELLI SATIE and more performed by Chenyin Li

L I S T E N • L E A R N • P L A Y

MARTHA ARGERICH BONUS TRACKS• Chopin Scherzo No 3

• Schumann ‘The Poet Speaks’

• Last movement of Ravel Piano

Concerto in G

Step-by-step lesson on CPE Bach’s

La Caroline

EXPERT GUIDANCE ON CECILE CHAMINADE’S

AUTOMNE

Learn Satie’s dreamy

GNOSSIENNE NO 5

Pianist 86 CD cover.indd 2

20/08/2015 10:04

FOREARM ROTATION

Behind the scenes

with the legendary

MARTHA ARGERICH

PLUS: WIN A COPY OF

THE FILM ‘ARGERICH’

CPE BACH for the beginner

SCHUMANN for the intermediate

CHAMINADE for the advanced

3 STEP-BY-STEP

LESSONS Practising away from the piano

Top tips onHOW TO BEAT

NERVES

PIECES TO LEARN11

BEGINNER TO ADVANCED

Learn Satie’s dreamy

GNOSSIENNE NO 5

p01_pianist86.indd 1

10/09/2015 15:49

imag

e ©

ado

best

ock/

joze

fklo

pack

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p68 Return-FINAL.indd 68 11/05/2017 12:41

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