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Elena & Michel Gran

Date post: 25-Mar-2016
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Elena and Michel Gran present a unique feature in contemporary trompe-l'oeil painting - they work together on the same canvas. Symbiosis is so perfect that once a painting is completed, they cannot say for sure who painted what part. They have become recognised for their distinctive interpretation of trompe l’oeil, rich in metaphor, vision and imagination combined with a profound understanding of historical reference.
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ELENA & MICHEL GRAN

ALBEMARLE

Russian born Elena and Michel Gran are the most eminent practitioners of trompe l’oeil painting at work today, celebrated for their astounding technical skills, and the sleight of hand with which they marshal their deliberately deceptive compositions. The Grans present a unique feature in contemporary trompe-l’oeil painting in that they work together on the same canvas in such a symbiotic way that it is impossible to tell where the work of one ends, and the other begins. Throughout their combined illustrious careers they have become recognised for their distinctive interpretation of trompe l’oeil, rich in metaphor, vision and imagination combined with a profound understanding of historical reference. Their works belong to numerous important public and private collections worldwide perhaps most notably the Louvre Museum which purchased a work entitled ‘Red and Black’ for the French National Museum of Cards.

They have themselves become collectors but of nostalgia - furniture, old books, scientific and geometric instruments and objets d’art, in particular of unusual shapes, which because of their intrinsic historical character become the basis of their paintings. Progressively, the representation of the inanimate and depiction of the object, is a dominant theme in their work, creating something more than their ability to convey the objects as substantially present through redefining the relationship between verbal and visual art through the titles appended to the works. These titles provide the clues to the way the works undermine habitual responses regarding words and objects and remind us of the way we are inclined to confuse signs for the things signified. In “reality,” nothing is as it “really” seems.

‘What these paintings tell us is that trompe l’oeil has now entered a wholly different sphere. It is no longer concerned with a simplistic desire to astonish, or to show off bravura technical skills, in the manner of a gifted violinist throwing off a difficult Paganini Caprice. The Grans use it for its metaphysical dimension. Seemingly precise, the images, on closer examination, are full of ambiguities. They are ambiguous, not about the appearance of things, but about the crisscrossing meanings that can be elicited from certain combinations of objects. In a certain sense, this characteristic strikes me as profoundly Russian, despite the Grans long residence outside that country. The Russian art and literature of the 19th century, one of the most concentrated creative outbursts to have occurred in any country, took place in a context of stringent tsarist censorship, but also of an intense concern for social issues and the whole political situation of that time. Russian painters and writers learned to symbolize rather than say. The Grans are the inheritors of that tradition. The more you look, the more there is to discover.’

Edward Lucie-Smith - Author, Art Historian and Critic

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1 Roue de la Fortune oil on canvas 146 x 114 cm (57 x 45 in)

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2 Oil Well oil on canvas 80 x 80 cm (31 x 31 in)

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3 Ten of Diamonds oil on canvas 55 x 46 cm (22 x 18 in)

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4 Light oil on canvas 81 x 65 cm (32 x 26 in)

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5 Tree of Cards oil on canvas 116 x 89 cm (46 x 35 in)

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6 Happy Number oil on canvas 65 x 100 cm (26 x 39 in)

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7 Yes oil on canvas 65 x 81 cm (26 x 32 in)

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8 Gravitation oil on canvas 92 x 65 cm (36 x 26 in)

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9 Rain oil on canvas 100 x 81 cm (39 x 32 in)

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10 Family Use oil on canvas 50 x 40 cm (20 x 16 in)

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Elena was born in St. Petersburg in 1942 into a family of painters and architects and trained at the Academy of Theatre, Music and Cinematography St Petersburg within the Faculty of Arts. Michel was born in Moscow 1941, the son of a theatrical artist, and trained at the same Academy as Elena where they met and in 1964 subsequently married.

Selected Solo Exhibitions 2007 Albemarle Gallery London2005 Albemarle Gallery London2004 Hollis Taggart Gallery, Chicago, USA Hollis Taggart Gallery, New York, USA2002 Albemarle Gallery, London, England Residensea Gallery, Cannes, France St. Petersburg, Russia2000 Albemarle Gallery, London, England1999 Albemarle Gallery, London, England1998 Albemarle Gallery, London, England1996/97 Galerie Michelle Boulet, Paris, France1996 Galerie of Tourettes-sur-Loup, Nice, France1993/95 Galerie Michelle Boulet, Paris, France1991 Galerie of Tourettes-sur-Loup, Nice, France1990 Guest of Honour at the Music and Painting Festival, Florence, Italy1989 Germering Community Arts Centre, Germany Kunstgalerie of Herrsching, Germany1988 Maison des Sciences de l’Homme, Paris, France1987 Galerie Diessen am Ammersee, Munich, Germany Galerie Cauvin, Billom, France Selected Group Exhibitions

2011 Summer Collective, Albemarle Gallery, London, England Spring Collective, Albemarle Gallery, London, England2010 Charity Event, Albemarle Gallery, London, England Russian Art Fair, Park Lane Hotel, London2009 Spring Collective, Albemarle Gallery, London, England2008 Winter Show, Albemarle Gallery, London, England2006 “10th Anniversary Show”, Albemarle Gallery, London, England2005 “What is Realism?”, Albemarle Gallery, London, England2003 “Summer Show 2003”, Albemarle Gallery, London, England2001 “Still Life and Trompe l’Oeil Show,” Albemarle Gallery, London, England1997 “Still Life Show”, Albemarle Gallery, London, England1996 “Trompe l’Oeil”, Exhibition at the Manege de Reims, France Salon of Angers, France1995 “Trompe-l’Oeil and Reality” Exhibition, Paris, France Prix International d’Art Contemporain of Monte-Carlo at Monaco Museum1994 Salon of Montmorency - Awarded the City of Montmorency 1st Grand Prix, France1993 “Contemporary Trompe l’Oeil”, Galerie Michelle Boulet, Paris, France “Trompe l’Oeil” Exhibition at the Grand Palais, Paris, France Guest of Honour at the Saran Castle, Loiret, France1992 Salon of Montmorency, France 11th Salon of Angers, France “Beyond Reality...”, Galerie Saint-Hubert, Lyon, France “Trompe-l’Oeil and Anamorphosis” Exhibition at the Manege de Reims, France “France-Japon” Tour of Japan1991 Arras Museum, France “Trompe-l’Oeil” Exhibition Galerie Michelle Boulot, Paris, France

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ALBEMARLE


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