ELIZABETHANTCZAKEDITORIAL+DESIGN

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Education3A StudentCandidate for Bachelor of Architectural Studies Co-OpUniversity of WaterlooCambridge, Ontario, CanadaSeptember 2011 - Present

EmploymentSelf-Directed Client WorkHistorical site readaptation designSt John’s, NLOctober 2013-December 2013

Atelier Baraness+CawkerArchitectural AssistantNice, FranceJanuary 2013-April 2013

Mole MagazineEditorJanuary 2012-Ongoing

Acadia ConferenceCopy EditorJune 2013

SkillsStrong writing abilityGraphic designCopy-EditingConfident in Presentation

Volunteer & LeadershipYouth Arts MovementEvent-planner and workshop-organizer.

University of Waterloo Orientation Leader, Interview Guide and Registration Assistant

Technical SkillsAutoCADRhino & V-RayAdobe Photoshop, Illustrator, InDesignMicrosoft Office SuiteHand Drafting and RenderingPhysical ModellingKnowledge of environmental design technologies

InternationalFluent in French and EnglishCanadian CitizenPolish Citizen - E.U. Passport

Awards & DistinctionsUniversity of Waterloo President’s Scholarship of Distinction (95+ entering average)Queen Elizabeth ScholarshipOntario Scholar DistinctionHighest Possible Score (5) in English Language, French Language, Physics, and Biology Advanced Placement Exams

cur r i cu lum v i tæ contact:e.v.antczak@gmail.com1 (226) 218-7427

mo le magaz ine

vs /vs /vs

e rebus and te r ro r

monument

d rawings

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MOLE

Mole Magazine is a student-run publication intended to explore and dissect a selected theme per issue.

We ask international architects and designers to submit their related work, hoping to expose unconsidered connotations and understandings of the theme.

The inaugural issue to the right is a collection of micro-design ideas: Cute Little Things.

http://www.molemagazine.com

Work-in-progess,Issue 1: Cute Little Things

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Mole is an annual publication that intends to become a parasite of the mainstream.

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Mole Launch PartyRiverside Gallery, Cambridge

Exhibition design by Maighdlyn Hadley, Miriam Wierzchowslawksa, and Elizabeth Antczak.

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Mole is an annual publication that intends to become a parasite of the mainstream.

EREBUS & TERRORscr ip twr i t ing coo rd inato r

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Scene IV - The Creation

i) Inspection

The Corpses enter. They lift the veil. Then they lie down onstage in a 3 person by 3 person grid.

[VEIL UP]

[cue mist][Enter Memory Victor]

MV turns on the Machine, this is timed with the projection stopping and the Machine audio track starting.

MV walks slowly over the bodies, peering at them and prodding their limbs. As MV selects certain corpses, their limbs remain raised, signifying their selecton for assembly.

MA: Be happy my dear Victor. There is, I hope, nothing to distress you.

MA: What is it that agitates you, my dear Victor? What is it you fear?

MA: My dear Frankenstein, I did not before remark how ill you appear; so thin and pale; you look as if you had been watching for several nights.

Lightning flashes, MV realizes that it is time to start building his monster. He walks to the machine.

[Exit Corpses in unison with lightning flashes]

ii) Assembly

EREBUS & TERRORscr ip twr i t ing coo rd inato r

RehearsalPhoto by Alice Chen

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A play written, directed and performed by the Waterloo

Architecture 2B Class

To see the final production:http://www.youtube.com/

watch?v=RqXGJiqzag0

“In the darkness of the long arctic winter, a dying stranger arrives with his terrible story.”

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Ticket design by Fysal Amirzada

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VS/VS/VS

[00:04:15]

[EA] So, tell me about the name.

[VS] To be honest, we just kind of chose it. Thought it looked cool.

[EA] Pronounciation?

[VS] Versus. Versus. Versus.

[EA] Against what? Where is this oppostition coming from?

[VS] In the art world, lots of places. The artist versus the artist. Artists vesus society. vs/vs/vs. No font, no size, no logo. [00:04:58]

The VS/VS/VS study was an investigation in forms of non-traditional domestic space.

My team and I expressed the unique living space of this artist’s colllective though essays, interviews, drawings, and, as seen on the next page, collage.

Completed in collaboration with: Maighdlyn Hadley, Jake Read, Clara Syme, and Edward Wang.

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VS/VS/VS interior plan

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Collage documentation of VS/VS/VS interior

“It’s a kind of organic, impulsive design. We tape spaces off. Then we build them.”

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MONUMENT

A charred wooden block consturction, both tectonic and monolithic, gives new interpretation to the sheer cliff walls surrounding it. Built in collaboration with: Maighdlyn Hadley, Thomas Mahon, Clara Syme, Edward Wang, and Miriam Wierzchoslawska.

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modules

jig

final construction

Local lore tells of smoke rising from the limestone, smoke from the devil’s hut.

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DRAWINGS

Project: Facade Density StudyDrawing: Worm’s Eye AxonometricFor: 3A Studio Orthographic Study

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Project: YAWN/LAWNDrawing: SectionFor: 2A Studio Installation

Project: Urban Gathering PlaceDrawing: Various ViewsFor: Park[ing] Day Competition

Project: Cambridge Sport CentreDrawing: Perspective SectionFor: 2B Studio Final Project

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DRAWINGS

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Thank you

Elizabeth Antczak3A StudentCandidate for Bachelor of Architecturethe University of Waterloo

e.v.antczak@gmail.com1 (226) 218-7427Portfolio last updated March 2014