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8/7/2019 Elizabethtown: A Musical Western
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ELIZABETHTOWN
___________________________
A MUSICAL WESTERN
Music By: Jason Spraggins
Book & Lyrics By: Andy Brown
(from an idea conceived by Jason Spraggins)
2011
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CAST OF CHARACTERS
FATHER CHARLES AUSTIN - 37 years old.
PHOEBE WOODWARD/CAROLINE SHAW - 27 years old.
SHERIFF COLONEL JOSEPH BAILEY - 62 years old.
DEPUTY SHERIFF JOHNNY MARTIN - 24 years old.
PATRICK O' QUINN - 35 years old.
CAMILLE O' QUINN - 31 years old.
SARAH O' QUINN - 19 years old.
THEODORE "TEDDY" M cCAIN - 40 years old.
MARSHALL RED MILLER/BAXTER SHAW - 34 years old.
TIM E: Summer of 1880 in Elizabethtown, Dakota Territory .
SETTINGS: The Inferno
Caroline's Room at the Dove's Nest
St. Anima Sola Catholic Church
Sheriff's Office
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MUSICAL NUMBERS
ACT ONE
1. UNDER THE SURFACE - PATRICK, COMPANY
2. PAY THE PIPER - TEDDY
3. IN THE ATTIC - CAMILLE, SARAH
4. DESERT OF GOD - CHARLES
5. PANNIN' FOR JUSTICE - RED, JOSEPH, JOHNNY
6. IN SEARCH OF A NEW LIFE - PHOEBE, PATRICK, CAMILLE, SARAH
7. BLOOD MONEY/SEARCH OF A NEW LIFE - PHOEBE
8. GHOST TOWN HOE-DOWN - COMPANY
9. SIN IN SENATOBIA - RED
10. WHY FEAR THE FORBIDDEN - PHOEBE, CHARLES
11. MARSHALL LAW - COMPANY
iii.
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ACT TWO
12. DON'T - CAROLINE, CHARLES
13. SCRATCH MY BACK - RED, CAMILLE
14. A POUND OF FLESH - COMPANY
15. HELL ON EARTH - CHARLES, CAROLINE
16. DEAL WITH THE DEVIL - TEDDY
17. MY LOVE, DEPARTED - PATRICK, CHARLES
18. IN SEARCH OF A NEW LIFE (REPRISE) - COMPANY
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ELIZABETHTOWN
ACT ONE
OVERTURE
SCENE ONE
As the Overture comes to an end lights rise on
PATRICK O QUINN, 35 year-old owner of
the local tavern, The Inferno. At rise,
PATRICK is standing behind the bar polishing a
beer mug. PATRICK is an Irish immigrant with
a lovely brogue.
PATRICK
Once upon a time there was a man named Frank Barlow. Now Mr. Barlow was a
wealthy oil tycoon from Texas, and as well all know, the only thing a wealthy man really
wants is more wealth. So when news of the Black Hills Gold Rush reached Mr. Barlow
he bought land in the Dakota Territory just south of Deadwood and Homestake and
founded Elizabethtown in 1878. It was named for his wife Elizabeth who arrived just in
time to witness her husbands most spectacular failure. You see, there was very little
mineable gold to be found in Elizabethtown, but Franks greed was insatiable and only to
be trumped by his pride. Against the urging of all learned mining authorities, Mr. Barlowand his two youngest sons, William and Clayton, attempted to mine deep into the earth
in hopes that they would find a high-yielding vein of gold ore. Sadly they perished in a
cave-in. Crippled with grief, Mrs. Barlow returned to Texas with her eldest son, Frank,
Jr., and left Elizabethtown under the care of her late husbands right-hand man, one Mr.
Theodore McCain.
And that brings us up to the present. Its summer time here in Elizabethtown in the year
1880. And the town that was founded with such lofty hope and expectation has become
little more than a ghost town, a stopover between Deadwood and the rest of the world, a
haven for sinners trapped in Purgatory. Not exactly the happily ever after you read
about in fairy tales, eh?
Oh, I almost forgot to introduce myself. The names Patrick O Quinn. I own this place,
you see. The Inferno and The Doves Nest are the last tavern and hotel in operation in
Elizabethtown. I won them fair and square in a game of chance. Well, I won them.
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PATRICK (CONT)
I cant attest to the fairness of it. (MUSIC CUE) After all, nothing and no one are what
they seem in this town. Take a closer look and youll discover...
UNDER THE SURFACE
PATRICK
LOOKS ARE DECEIVING.
THAT MUCH IS TRUE.
SO KEEP YOUR EYES TRAINED ON THE PRIZE.
ITS NOT WHAT THEY SAY
BUT THAT WHICH THEY DO
THATS MADE THEM THEMSELVES DESPISE.
EVERY BLEST DAY
THE WORLD TAKES A SPIN.
A SUCKER IS BORN WITH EACH TURN.
THE GUILTY COME HERE
TO SIDE-STEP THEIR SINS.
REPRIEVE TIL THE DAY THAT THEY BURN.
UNDER THE SURFACE
VILLAINS AND SAINTSKNOW HOW TO CHARM WITH A SMILE.
UNDER THE SURFACE
ACTIONS WILL TAINT
THE SOUL AND FILL IT WITH BILE.
STAY FOR THE NIGHT.
WELL ROLL OUT THE MAT
WHEN YOU PASS THROUGH.
UNDER THE SURFACE
WERE NOT WHAT WE SEEM.
WE MIGHT BE THE END OF YOU.
Men and women spill out onto the stage as
PATRICK continues.
PATRICK
A sorry looking lot if ever there was one. Well dont just stand there. Give us a song!
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MEN
SOME OF US CAME HERE
TO WIPE CLEAN THE SLATE.
A FRESH START, THE DREAM OF ALL FOOLS.TAKE IT FROM US, IF
YOURE HERE, ITS TOO LATE!
NOBODY PLAYS BY THE RULES.
WOMEN MEN
PEACE IS ILLUSION. EVERY BLEST DAY
YOU WONT FIND IT HERE. THE WORLD TAKES A SPIN
BUT PLEASURE AND DRINK BOTH AND A SUCKER IS BORN WITH
ABOUND. EACH TURN.
IF YOU HAVE THE MONEY, GUILTY COME HERE
WE HAVE THE TIM E. TO SIDE-STEP THEIR SINS.
YOULL LOSE BOTH WHILE WERE REPRIEVE TIL THE DAY THAT
AROUND. THEY BURN.
PATRICK/MEN/WOMEN
UNDER THE SURFACE
VILLAINS AND SAINTSKNOW HOW TO CHARM WITH A SMILE.
UNDER THE SURFACE
ACTIONS WILL TAINT
THE SOUL AND FILL IT WITH BILE.
STAY FOR THE NIGHT.
WELL ROLL OUT THE MAT
WHEN YOU PASS THROUGH.
UNDER THE SURFACE
WERE NOT WHAT WE SEEM.
WE MIGHT BE THE END OF YOU.
Company disperses as PATRICK, SARAH,
JOHNNY, and CAMILLE linger for the scene.
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JOHNNY is repairing a bar stool as SARAH cleans
the tables, stealing affectionate glances at JOHNNY
from time to time.
PATRICKCamille, my pigeon, give me some good news. Any lodgers?
CAMILLE
We have had nary a lodger in a fortnight, lover. A stagecoach is due any day now.
Perhaps well snag a tenant. And a customer.
PATRICK
Aye. The Attic is bound to be getting a mite dusty.
CAMILLEAnd sister Sarah is bound to be getting a mite rusty .
SARAH flinches.
PATRICK
Easy, Pidge. A delicate flower she is. Arent you, sister?
SARAH huffs in defiance.
CAMILLELook at her all high and mighty. Hoping to impress your boyfriend? Well, beau or not,
you are the only girl I have left.
SARAH grunts and returns to her cleaning.
PATRICK
Johnny, my roof still wants patching.
JOHNNY
I know, sir. Sheriff Baileys been workin me to the bone at the jailhouse.
PATRICK
Easy, friend. Youll do it tomorrow. And I been telling you since you started working
for me you neednt call me sir. Patrick will do just fine.
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JOHNNY
Yes, sir. Patrick. Its just that I owe so much to Sheriff Bailey. My daddy served under
him durin the War. Colonel Baileys looked after me. Made me his deputy .
PATRICKYes. Yes. Its a beautiful story. The thing of legends. Id tell it to my children if I had
any. Camille locked my stones in a jar ages ago. Right, Pidge?
CAMILLE
Your words.
PATRICK
Tend the counter, love. Im off to see Teddy about another extension.
CAMILLE
You would have better chances convincing pigs to fly out your anus.
PATRICK starts to exit as TEDDY enters.
THEODORE TEDDY McCAIN is the 40 year-
old custodian of Elizabethtown. TEDDY is dressed
impeccably and lords his status over the remaining
residents and business owners.
PATRICKTeddy, I was just on my way to the bank to see you.
TEDDY
I reckon I just saved you a few steps then. Howdy everyone. Deputy .
ALL
Hello/Howdy.
PATRICK
Can I get you a whiskey? On the house.
TEDDY
Much obliged.
PATRICK
Camille, a whiskey for Teddy.
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CAMILLE crosses behind bar to pour whiskey.
TEDDY
Make it a double.
CAMILLE hands TEDDY drink.
CAMILLE
There you go, Mr. McCain.
TEDDY
Thank you, sugar. Patty , lets get down to business.
PATRICK
Of course. That is what I was coming to see you about. Times are rough, Teddy. We
need another week.
TEDDY
Say no more.
PATRICK
Do you mean it?
TEDDYTarnation. Of course I do. I sometimes forget that you arent from around here. Maybe
in Ireland you can pay your debts in potatoes and promises, but youre in the Land of
Opp ortunity now, Patty. And in America we pay for goods and services with money.
PATRICK
Elizabethtown, shes drying up. Shes done for.
TEDDY
And I am gonna wring every last dime out of her I can before that time comes. Starting
with you. Pay up.
CAMILLE
Mr. McCain, all we are asking is another week. We havent had a decent lodger in a
month of Sundays.
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TEDDY (CONT)
PAY THE PIPER.
OPPORTUNITY COULDNT BE RIPER.
PATRICK
Teddy, I cant give you what I dont have.
TEDDY
I think youll find Im a reasonable man. Maybe an alternate arrangement can be made.
Just this once.
PATRICK
Certainly. Whatever you want.
TEDDY
Good. I want her. Sarah.
SARAH flinches. JOHNNY bristles. PATRICK
and CAMILLE share knowing looks.
TEDDY
I WANNA PURE-BRED,
CORN-FED, NEVER IN HERLIFE WED HUSSY UP ON MY BED.
I WANNA DROP TROW,
PLOW HER BOW, SQUEAL
JUST LIKE A STUCK SOW TIL THE COWS
COME HOME ALL FED.
MY DRINK AINT GONNA POUR ITSELF.
ANOTHER SHOT AND THEN THE CHASE!
ILL TAKE YOU ON THE WILDEST RIDEYOUVE HAD IN YOUR TINY SPACE.
PAY THE PIPER,
IF YOU KNOW WHATS GOOD FOR YOU.
PAY THE PIPER.
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TEDDY (CONT)
ITS THE AMERICAN THING TO DO.
YOU MADE YOUR BEDWHEN YOU HITCHED YOUR
STAR TO THE LAND THAT
BLEEDS BOTH GOLD AND GREEN.
PAY THE PIPER.
PAY THE PIPER.
PAY THE PIPER.
OPPORTUNITY COULDNT BE RIPER.
CAMILLE
Sarah, be a good girl now and show Mr. McCain up to the Attic.
SARAH
Yes, sister.
SARAH, much defeated, starts to lead TEDDY out.
JOHNNY
Now just a minute, Camille. Sarah is already spoken for tonight.
CAMILLE
Is she now?
JOHNNY
Thats right.
TEDDY
And who is the lucky man, Deputy?
JOHNNY
I am. So I guess youll have to clear out, Mr. McCain.
SARAH is dumbfounded, all smiles.
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TEDDY
Patty , I dont know what youre playin at here, but dont think this gets y ou off the
hook.
PATRICKI dont know anything about it, I swear.
JOHNNY
Teddy, should I pay you or Camille?
TEDDY
Watch yourself, Deputy . I dont wanna have to confer with the Sheriff on this matter.
CAMILLE
He didnt mean anything by it, Mr. McCain. (To Johnny) Ill take your money, pet.
TEDDY
Horseshit. Thats what this is. Dont you take a red cent from him, Camille. Were
gonna sett le this like men.
TEDDY closes in on JOHNNY.
JOHNNY
Im not gonna fight you, Teddy.
TEDDY
(laughs)
Tarnation! I aint gonna fight you. Im gonna drink you for that fine piece of tail.
JOHNNY
Im not drinking anythingwith you. Not for Sarah.
TEDDY
Listen to me, boy. Youre gonna drink, or Ill have your hick-ass out on the next stage
back to Illinois. This is my town. You play by my rules. Patty, pour us some whiskey.
Times a wastin.
PATRICK brings the bottle of whiskey and fills
two shot glasses, one for TEDDY and one for
JOHNNY.
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JOHNNY
I dont think this is a good idea.
TEDDY
Dont worry your pretty little head, Deputy. This here will stay between the two of us.Keep us full, Patty.
PATRICK
Youre the boss.
TEDDY
And dont you forget it. Now drink, boy.
JOHNNY
(smiles)Yes, sir. (MUSIC CUE)
A variation on PAY THE PIPER plays as
JOHNNY and TEDDY begin their drinking contest.
PATRICK keeps the shot glasses filled as
JOHNNY and PATRICK match each other, shot
for shot. SARAH watches with great interest. She
wants JOHNNY to win. After about ten or twelve
shots, TEDDYmotions PATRICK to stop.
TEDDY
Goddamn, boy! You tryin to hustle me?
JOHNNY
Had enough, Teddy?
TEDDY
Hell no! (Slurring and staggering from the bar) Ill tell you when Ive had enough. I can
keep goin til the sun comes up!
TEDDY staggers between CAMILLE and SARAH
and makes his way back to JOHNNY.
JOHNNY
You know what I think?
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TEDDY
No. (Icy) What do you think, boy?
JOHNNY
I think you should take my money and be on your way.
TEDDY
Patty ! Pour us another!
PATRICK refills their shot glasses. It is a miracle
that TEDDY is still standing.
TEDDY
Im gonna learn you some respect.
TEDDY hold out his shot glass, aims for his mouth,
misses, and the whiskey goes over his shoulder.
TEDDY passes out face first onto the floor.
PATRICK hurries to his side.
PATRICK
I hate it when he calls me Patty. Hes out, Pidge.
CAMILLE
Drag him into the parlor. Let him sleep it off.
PATRICK
I dont fancy having to deal with him when he wakes.
CAMILLE
Nonsense. Hes nothingmore than a lapdog.
PATRICK
Youre wrongthere, Pidge. The man is a viper. And we best step lively so as not to get
bit. Now where in heavens name did you ever learn to drink like that, Johnny?
JOHNNY
My daddy was making moonshine as long as I could remember. Me and my friends used
to steal swigs from the jug.
PATRICK
I reckon you taught Teddy a lesson he wont soon forget.
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JOHNNY
Hell be too embarrassed not to. I think Im gonna call it a day. Sheriff Bailey is taking
me out to Lakota Territory tomorrow after church. Heres the money, Camille. You can
give it to Teddy when he comes to.
CAMILLE
Not so fast, pet. Where do you think youre going?
JOHNNY
Out to the ranch. Its a two mile walk, and the whiskey isnt gonna help me any.
CAMILLE
Would you get a load of that one, lover? He pays for an evening of romance but wont
put his willy where his mouth is.
PATRICK
Aye. Seems like an awful waste of a mans wages.
CAMILLE
Sarah. Come over here.
JOHNNY
Heck, Camille, that aint necessary.
CAMILLE
But it is. Dont you think Sarah is a pretty thing to behold?
JOHNNY
Sure I do. But I didnt pay up to take advantage of her. I just couldnt see my way to
lettin Teddy get his hands all over her. Sarahs my friend.
PATRICK
I think Im going to cry.
CAMILLE
Hes a romantic, that one. Lucky you have a friend like Johnny around, arent you,
sister?
SARAH
Yes. I am.
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SARAH finds it difficult to maintain eye contact
with JOHNNY.
JOHNNY
Theres no need to be embarrassed, Sarah. As long as Im here, you can count on me tolook out for you.
SARAH
I can take care of myself.
CAMILLE
Can you now? Id like to see that. Its settled then. Dont make a fuss, Johnny. Sister
Sarahs taking you up to the Attic and giving you a night youll never forget. Patrick, my
love, take Teddy out of here. Hes ruining the mood.
PATRICK exits with TEDDY in tow.
JOHNNY
Naw, I should go.
CAMILLE
Nonsense. (MUSIC CUE) You dont mind if Johnny stays the night, do you, Sarah?
SARAHI supp ose not. (To Johnny) If you want to.
JOHNNY
Sarah...
CAMILLE
Then we are all in agreement. He stays!
IN THE ATTIC
CAMILLE
EVRY MAN NOW AND THEN COMES HERE WITH NEEDS
THAT SHOULD BE GRATIFIED.
ITS ONLY NATRAL. THEYRE NOT DIRTY DEEDS.
YOU SHOULD BE SATISFIED.
SHELL BE YOUR HARBOR, A MEASURE OF PEACE
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CAMILLE (CONT)
FOR THE NIGHT IF YOU WILL STAY.
TAKE HER, DEVOUR HER, YOU RAVAGING BEAST.
THEN YOU WILL BE ON YOUR WAY.
IN THE ATTIC
YOU ARE A KING.
IN THE ATTIC YOULL FIND
THAT THERE IS NARY A STRING.
UP THE STAIRWAY,
THROUGH THE COBWEBS,
AND YOUR PASSIONS WILL TAKE WING!
YOU PAID THE BOATMAN.
WHY NOT TAKE THE RIDE?
UNLOCK HER CHASSIS
AND SEE WHATS INSIDE!
IN THE ATTIC
PLEASURES ARE WAITING FOR YOU.
IN THE ATTIC YOU ARE A KING
WHO CAN SECRETLY DO ALL YOU ARE WANTING TODO.
CAMILLE nudges SARAH. PATRICK returns.
SARAH
Dont you like me, Johnny?
JOHNNY
Its not that, Sarah. Its just that...aw, hell.
PATRICK
(to CAMILLE)
Theres a girl. I think hes coming around.
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CAMILLE
Works every time, lover. And now a litt le seduction.
LET YOUR EYES LINGER ON HER M ILKY FLESH.
SHE HUNGERS FOR YOUR TOUCH.DONT KEEP HER WAITING. SHES CAUGHT IN
LOVES MESH.
THE PRICE WAS NOT THAT MUCH.
SHE WILL SUBMIT TO YOUR EVERY WHIM,
ON HER BACK OR BENDED KNEE!
TIME IS A WASTING. WE WOULDNT WANT THAT!
STILL CONFUSED? TAKE IT FROM ME...
IN THE ATTIC
YOU ARE A KING.
IN THE ATTIC YOULL FIND
THAT THERE IS NARY A STRING.
UP THE STAIRWAY,
THROUGH THE COBWEBS,
AND YOUR PASSIONS WILL TAKE WING?
YOU PAID THE BOATMAN.
WHY NOT TAKE THE RIDE?UNLOCK HER CHASSIS
AND SEE WHATS INSIDE!
IN THE ATTIC
PLEASURES ARE WAITING FOR YOU.
IN THE ATTIC YOU ARE A KING
WHO CAN SECRETLY DO ALL YOU ARE WANTING TO DO.
SARAH
Johnny?
JOHNNY
Sarah, I...
SARAH
Dont.
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SARAH
REACH FOR MY HAND. I WONT LET YOU FALL.
USE ME. ABUSE ME AGAINST THE WALL.
ILL BE A LADY, ALL SWEET AND DEMURE.OR ILL BE A VIXEN IF YOU WOULD PREFER.
SARAH kisses JOHNNY. As the music swells,
they continue kissing to the amusement of
PATRICK and CAMILLE.
SARAH
IN THE ATTIC
PLEASURES ARE WAITING FOR YOU.
IN THE ATTIC YOU ARE A KING
WHO CAN SECRETLY DO ALL YOU ARE WANTING TO
DO.
SARAH leads JOHNNY away.
PATRICK
Now then. Thats settled. But we would have been wiser to let Teddy have her for the
night. The money Johnny gave isnt near enough.
CAMILLE
You said it yourself. Teddy is a viper. Rest assured the opportunity will present itself
again.
PATRICK
We best be getting ready for the regulars. Teddy isnt going anywhere. We can worry
about him tomorrow.
PATRICK goes behind the bar and CAMILLEstarts to tidy as PHOEBE WOODWARD enters.
PHOEBE, a 27 year-old woman, wears a beautiful
dress that is tasteful but ostentatious for
Elizabethtown. PHOEBE is fair and beautiful but
not to be trifled with and has a distinct drawl.
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CAMILLE
God save the Queen...what do we have here?
PHOEBE
Pardon me?
CAMILLE
Sorry, love. We dont often have the pleasure of such finery. Your dress. Its lovely.
PHOEBE
Thank you. I was told I might be able to find lodgings here.
CAMILLE
That you can.
PHOEBE
Good. It has been a tiresome day. All I want to do is crawl into bed.
CAMILLE
Will your husband be bringing in your luggage?
PHOEBE
I will. My husband is dead.
CAMILLE
Begging your forgiveness, madam. I just saw your ring and...
PHOEBE
No apologies are necessary. I havent seen fit to take it off yet. Seemed wise to leave it
on while I was traveling.
CAMILLE
Yes. Of course, madam. Ill go ahead and show you to your room. You can fill out the
registry in the morning after youve rested.
PHOEBE
If its not a problem, I would like to pay up through the end of the month. (PATRICK
almost drops a bottle of whiskey, hearing this.) Just until I can find something more
permanent.
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CAMILLE
That wont be a problem at all. Now, if you will follow me, Ill show you the way.
PATRICK
Good night, madam.
PHOEBE
Good night. And no need for pleasantries. You and the missus can call me Phoebe.
PATRICK
Whatever you prefer.
CAMILLE and PHOEBE exit and PATRICK pours
himself a shot of whiskey to celebrate and crosses
himself as the lights dim. Transition music plays asthe scene shift.
BLACKOUT.
SCENE TWO
It is the following morning, Sunday at St. Anima
Sola Catholic Church. A very small number of
people fill the pews as FATHER CHARLESAUSTIN brings the service to an end.
CHARLES is 37 years old, a solid man of inner
and physical strength, though he has as yet used
litt le of the latter in his dealings with his parish.
CHARLES stands behind a modest pulpit as the
scene begins. A southerner by origin,
CHARLES has a present drawl.
CHARLES
In the name of the Father, and of the Son, and of the Holy Ghost, Amen. Go now in
peace, my friends.
Members of the congregation disperse and
CHARLES shakes hands as they pass his pulpit on
their way out.
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Two people linger behind, TEDDY and the towns
sheriff, COLONEL JOSEPH BAILEY. JOSEPH is
a 62 year-old man, and a celebrated veteran of the
Civil War. As the last of the congregation filters
out, the two men approach CHARLES. TEDDY
has looked better.
TEDDY
That was a mighty fine homily, Charles.
CHARLES
How would you know, Teddy? You were sawing logs for three quarters of it. Sheriff.
JOSEPH
Father. You got a moment?
CHARLES
I reckon so. I was just going to make my way over to the Inferno for Sunday supp er and
a bourbon. Whats on your mind?
TEDDY
Tarnation, you know damn well whats on the Sheriffs mind. Youve been out to Lakota
Territory again.
CHARLESI dont see how thats any of your business, Teddy.
JOSEPH
Hes the town custodian, Father. And just this once, hes right. You have no business
rubbin elbows with the Lakota. Theyre savages.
CHARLES
I appreciate your concern, but I answer to a higher authority. And the Lakota are not
savages. They want peace.
TEDDY
They want their land back.
CHARLES
Frank Barlow took it from them.
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JOSEPH
I have one of their people in my lock-up, Father. He was drunk, and he caused a ruckus
at the Inferno. He couldve killed someone.
CHARLESBut he didnt. Way I hear it, he was provoked.
JOSEPH
Charles. I just need to know when I take my deputy and the prisoner out to Lakota
Territory that we arent in for a scrape.
CHARLES
You have my word. We have an opportunity here. Teddy, why shouldnt we invite the
Lakota to live among us? We could help each other.
TEDDY
Frank Barlow had a dream for this town. And I will sooner see Elizabethtown razed to
the ground before I let a bunch of heathens set up their wigwams.
CHARLES
I have been working on building relations with them for two years now. I am not about
to watch a self-righteous figurehead destroy that.
TEDDY
Watch your tone, Charles. You may be a man of the cloth, but I aint afraid to take you
out and...
JOSEPH
Teddy! This isnt gettin us anywhere. Charles, I know you want peace. The whole
damn nation wants peace. But it takes time.
CHARLES
No! We are out of time. (MUSIC CUE) Joseph, I know you care about the people,
about the community . Teddy doesnt. Hes got his hand in the honey pot so when itgoes belly-up, hell be living high on the hogback in Texas as the Barlow lap dog.
THE DESERT OF GOD
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CHARLES
BLESSD ARE THE POOR IN SPIRIT,
FOR YOU CANNOT BLEED THEM DRY.
AND BLESSD ARE THEY WHO M OURN.YOUR GREED TWISTS THEIR LIVES AWRY.
BLESS THOSE WHO HUNGER FOR RIGHTEOUSNESS.
FROM GODS GRACE YOUD HAVE THEM STRAY.
AND BLESSD ARE THE MEEK AND KIND AT HEART,
PUPPETS THAT YOU GLIBLY PLAY.
IN THE DESERT OF GOD
NO ONES SAFE FROM THE STING
OF THE SCORPION OUT FOR THE KILL.
IN THE DESERT OF GOD
THERES NO REFUGE IN SIGHT,
JUST A HAVEN FOR VICE, DREAD, AND SWILL.
I TRY TO GIVE THEM A GLIMMER OF HOPE,
AND YOU SWINDLE THEM ALL TWO BY TWO.
IN THE DESERT OF GOD
WE ALL CHASE THE MIRAGE
THAT I HELPED BUILD WITH YOU.
TEDDY
I dont have to take this from you! I think you should have a little respect for the man
who keeps a roof over your head.
CHARLES
I thank God for all my blessings, Teddy. Not you. And I will no longer be a mouthpiece
for the Barlows.
TEDDYIf you are so damned hell-bent on defendin your friends, why dont you join their tribe?
God knows I could find a replacement before your pulpit started collectin dust.
CHARLES
I took a vow to look out for the spiritual welfare of the people in this parish. I wont
leave them. Not while youre around.
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TEDDY
Im not gonna warn you again!
JOSEPH
Teddy. Charles. Keep a civil tongue.
TEDDY
Listen close, Father. The two of us is gonna have a reckonin and soon. These walls
wont protect you from that.
TEDDY exits.
JOSEPH
I have to go. Ill keep an eye on Teddy. You can be sure of that.
CHARLES
Thank you, Sheriff. But I can handle men like Teddy. Ive done it before.
JOSEPH exits. CHARLES rails on.
CHARLES
BLESS THOSE WHO OFFER MERCY.
I REGRET WHEN I DID NOT.AND BLESS THOSE WHO LIVE IN PEACE.
I FELT HIS BLOOD SLICK AND HOT.
BLESSD ARE THE ONES WHO FOLLOW YOUR
TEACHINGS,
SERVING TO BOTH FOE AND FRIEND.
AND BLESSD ARE THE ONES WHO SUFFER FOR
YOUR SAKE.
THEY WILL KNOW LIFE WITHOUT END.
IN THE DESERT OF GODNO ONES SAFE FROM THE STING
OF THE SCORPION OUT FOR THE KILL.
IN THE DESERT OF GOD
THERES NO REFUGE IN SIGHT,
JUST A HAVEN FOR VICE, DREAD, AND SWILL.
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CHARLES (CONT)
I TRY TO GIVE THEM A GLIMMER OF HOPE,
AND YOU SWINDLE THEM ALL TWO BY TWO.
IN THE DESERT OF GODWE ALL CHASE THE MIRAGE
THAT I HELPED BUILD WITH YOU.
I THOUGHT I COULD ESCAPE IT.
MY TIME IN PURGATORY.
I THOUGHT BY COMING OUT HERE
MY PAST I COULD DESTROY.
SCRAPE OUT A MEEK EXISTENCE,
INSTEAD IM SLIDING BACKWARDS,
AND SINKING IN QUICKSAND!
IN THE DESERT OF GOD
NO ONES SAFE FROM THE STING
OF THE SCORPION OUT FOR THE KILL.
IN THE DESERT OF GOD
THERES NO REFUGE IN SIGHT,
JUST A HAVEN FOR VICE, DREAD, AND SWILL.
IN THE DESERT OF GODWE ALL CHASE THE MIRAGE
THAT I HELPED BUILD WITH YOU.
As CHARLES finishes the song, he kneels at the
altar to pray and is unaware when PHOEBE enters
the church. Her first line breaks him from his
prayers.
PHOEBE
Father Austin?
CHARLES
Yes?
CHARLES is struck by PHOEBES beauty. Rises
to meet her.
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PHOEBE
Father, my name is Phoebe Woodward. I arrived late last night on the stagecoach. I
wanted to come by and introduce myself and apologize for missing services this morning.
CHARLESI had no idea we had any new arrivals. Patrick and Camille usually give me fair warning.
PHOEBE
They werent expecting me.
CHARLES
Oh? What brings you out to these parts?
PHOEBE
I was recently widowed and well...
CHARLES
My condolences, M rs. Woodward.
PHOEBE
Phoebe. I insist.
CHARLES
Very well. Welcome to Elizabethtown. I look forward to having you in the parish.
PHOEBE
Thank you, Father. But that is not the only reason I came here. I understand you are
without a teacher.
CHARLES
Yes, I am. Sister Mary Francis passed on just last month, and Ive been making do the
best I can. But I am no teacher.
PHOEBEThen this is your lucky day. Back in Mississipp i I taught a mess of students. All ages.
CHARLES
Well, I would be happ y to have the help. Come back by tomorrow morning and meet the
children. Well see how you do.
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PHOEBE
Thank you. I should be on my way.
CHARLES
Where are you staying?
PHOEBE
At the Doves Nest. Just until I can find something more permanent.
CHARLES
I was just about to make my way to the Inferno for Sunday supper. Let me escort you
back.
PHOEBE
Its not necessary, but I welcome the company, Father.
CHARLES
Its settled then. After you, Phoebe.
Lights fade and transition music plays as the
jailhouse is brought into position. Eight days have
passed since the previous scene. It is Monday
afternoon, and JOSEPH is hanging a new map of the
Dakota Territory on the wall as JOHNNY enters.
JOSEPH
Afternoon, Johnny. Nice of you to show up.
JOHNNY
Im awful sorry, Colonel. Patrick had me doin more patch work on the Doves Nest and
Inferno. Lost track of time.
JOSEPH
I understand. A mans got to make his way in the world. Just dont let it happ en again.
JOHNNY
Yes, sir.
JOSEPH
And stop callin me Colonel. I havent been military since the war.
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JOHNNY
Ill do my best. Its hard, though. The way you looked after me and my mama. Youre a
genuine war hero.
JOSEPHIm not a war hero! Your daddy was a good man. Good soldier. I owed it to him, thats
all.
JOHNNY
I dont mean to get y ou riled up, sir.
JOSEPH
It isnt you, boy. Ive just got an itch that needs scratchin.
JOHNNYLots of folks is testy since Camilles girls up and left on her.
JOSEPH
Its not that kinda itch. Its just that we owe the people who live here something. Peace.
Order. The opportunity to have the kinda life they never could back East. No. Ive been
thinkin a lot about our visit to the Lakota last week.
JOHNNY
They seemed awful hospitable, given the circumstances.
JOSEPH
I know it. Im thinkin maybe Father Austin was onto somethin. M aybe it is time to...
MARSHALL RED MILLER enters. He is decked
out in a black longcoat, vest, dingy pants, a sturdy
button-down shirt, boots, and dark wide-brimmed
hat. RED is around 34 years old, has a handlebar
moustache, needs a shave, and has a swagger of self-
importance. RED addresses JOSEPH.
RED
You the Sheriff round these parts?
JOSEPH
I am. The names Bailey. Sheriff Joseph Bailey.
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JOHNNY
He was a Union Colonel in the War.
JOSEPH
Thatll do, Johnny.
RED
Pleased to meet you, Colonel. No hard feelins. My people fought for the South.
JOSEPH
Water under the bridge. Im just a Sheriff now. This heres my deputy , Johnny Martin.
RED
Pleasure.
JOSEPH
Now. Who the hell are you.
RED
(laughs)
I like you, Sheriff. You got gumption. (Shows badge) Im United States Marshall Red
Miller. But most folks what get to know me just call me Red.
JOSEPHWhat brings y ou to Elizabethtown? On your way to Deadwood? Thats mostly the
kinda traffic we get these days.
RED
I wish that was the case. Im huntin myself a fugitive.
JOSEPH
Fugitive, eh? We havent gotten anything on the wire about any fugitives. I like to stay
informed, keep things orderly in my town. Your fugitive. Whats his name.
RED
It aint no man. Im lookin for a woman.
JOHNNY
What trouble could a woman get herself into thatd stir up the dander on a U.S. Marshall?
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RED
You ever hear of the Mississippi Black Widow?
JOHNNY
No, sir.
RED
Youre lucky. I been chasin her goin on six months now.
JOSEPH
Well, I reckon well do what we can to help you, Marshall. We dont want any t rouble
here.
RED
Im afraid trouble may already be here. (MUSIC CUE) The woman Im lookin for aint
like you or me. She dont believe in the law, in the right of a man to make his own
fortune. Shes a predator. And shell take down anyone what gets in her way to get
what she wants. Weve got a tough job ahead of us. But if you follow my lead, I think
youll see itll all work out in the end.
PANNIN FOR JUSTICE
RED
ACROSS THE PLAINS OF KANSAS
FROM NORTH PLATTE TO CHIMNEY ROCK
I FORGED AHEAD UNDAUNTED
WITH JUST A RIFLE AND TOMAHAWK.
THE COYOTES YIPPED AT MY HEELS.
I COULD NOT STOP TO FIGHT.
I TRACKED HER TO DAKOTA.
THE WIDOW RIDES BEST AT NIGHT.
AND NOW IM PANNIN FOR JUSTICE,
DIGGIN FOR THE INNOCENT,
SIFTIN THROUGH THE RUBBISH FOR A MURDEROUS SHREW!
IM PANNIN FOR JUSTICE,
MININ FOR A M ALCONTENT,
DUSTIN OFF THE SHACKLES SHE WILL WEAR WHEN IM THROUGH.
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RED (CONT)
SHELL WEAVE HER WEB IF GIVEN HALF THE
CHANCE.
SHE KNOWS MANS WEAKNESS LIVES WITHIN HISPANTS.
DONT FIND YOURSELF IN HER HYPNOTIC TRANCE...
PANNIN FOR JUSTICE!
JOHNNY
And you think shes here?
RED
I dont know, Deputy. But it looks like a place she would stop. Small. Out of the way.
There any money in this town?
JOSEPH
We got a bank, if thats what youre askin.
RED
She aint no bank robber. The Mississippi Black Widow attracts a certain type of
gentleman. The kind what shows his affection with his pocketbook.
JOSEPH
Nothin illegal about that.
RED
You aint heard the rest.
SHE WED A MAN IN FAULKNER,
ANOTHER ONE IN TUPELO.
A THIRD SHE TOOK IN STARKVILLE
THEN CUT ACROSS TO MERIGOLD.
I FOUND THE GRAVES OF EACH MAN.
SHE DROPPED EM IN AND TOOK THEIR CASH.
THE WIDOWS HANDS ARE DRENCHED IN BLOOD
AND CLINGIN TO HER STASH.
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RED (CONT)
AND SO IM PANNIN FOR JUSTICE,
DIGGIN FOR THE INNOCENT,
SIFTIN THROUGH THE RUBBISH FOR AMURDEROUS SHREW!
IM PANNIN FOR JUSTICE,
MININ FOR A M ALCONTENT,
DUSTIN OFF THE SHACKLES SHE WILL WEAR WHEN
IM THROUGH.
SHELL WEAVE HER WEB IF GIVEN HALF THE
CHANCE.
SHE KNOWS MANS WEAKNESS LIVES WITHIN HIS
PANTS.
DONT FIND YOURSELF IN HER HYPNOTIC TRANCE...
PANNIN FOR JUSTICE.
RED
I have to find her. Shes killed before. Shell kill again. You can count on it.
JOSEPH
If this woman is in Elizabethtown, well find her. Right, Johnny?
JOHNNY
Yes, sir.
I CAME HERE TO REPAY MY FATHERS DEBT!
JOSEPH
WE WILL BAND AGAINST THIS COMMON THREAT!
RED
SHE WILL CURSE THE DAY SHE TRIED TO RUN FROM ME!
ALL
THE ROAD FOR HER ENDS HERE, WE GUARANTEE!
PANNIN FOR JUSTICE!
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Lights fade and transition music plays as the
Inferno is brought in. SARAH is cleaning tables as
the scene begins. PHOEBE is seated wearing an
attractive but less ostentatious dress. PATRICK is
behind the bar and CAMILLE is on a stool near him
having a drink.
SARAH
The children arent proving too difficult for you, are they, M iss Phoebe?
PHOEBE
Not at all. I know how to handle a child. I was married to one.
SARAH
Do you miss him?
PHOEBE
Oh. I supp ose I do now. It gets mighty lonesome havin no one to depend on but
yourself.
PATRICK
Hear that, Pidge? Youd be lost without me.
CAMILLEGive me the chance to find out. Its all I ask.
PHOEBE
Camille! (Laughs) I reckon at the end of the day, all you remember are the good times.
Time has a way of washin away the unpleasant memories. At least thats what Im
countin on.
CAMILLE
I take it then you had a fair enough number of the unpleasant memories then.
PHOEBE
No more than anyone else.
SARAH
I would miss the nights.
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CAMILLE
Hear that, lover? (Mocks) I would miss the nights. It looks as if Sister Sarah has gone
and given her heart away.
SARAHI have not!
PATRICK
Careful now. A girl who wears her heart on her sleeve is likely to lose it.
PHOEBE
Sarah, you didnt tell me you were sweet on someone. Whats his name?
CAMILLE
His name is Johnny Martin. Hes the Sheriffs Deputy, and he works as a handyman forus. Quite the gallant knight, he is. He rescued Sarah from a night of debauchery with a
nasty knave and tried to flee from his reward. We practically had to force her on him.
PHOEBE
Camille, be nice. Tell me about him, Sarah.
SARAH
Oh, Miss Phoebe, he is so handsome. And strong. When he took me, I mean. Listen to
me. I must sound like a fool. The words arent coming out right.
PHOEBE
It sounds just right to me.
SARAH
Was Mr. Woodward like that? Kind?
PHOEBE
Kind isnt exactly he word I would use to describe Hubert.
SARAHOh.
PHOEBE
It doesnt matter. I have always felt that a woman should be able to take care of herself.
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CAMILLE
Truer words were never spoke. Listen to Phoebe, Sarah. You have to be your own
woman. I wouldnt say this to your brother, but I am more than capable of tendingmy
own affairs.
PATRICK
Why do I bother sticking around then?
CAMILLE
I am too much of a lady to mention the reasons in front of our lodger.
PHOEBE
Dont listen to them, Sarah. I think its sweet. And you never know. Johnny may feel
the same way and just doesnt know how to show it.
SARAH
I wish that were true. Do you think you will ever marry again?
PHOEBE
Oh, Sarah, honey. (MUSIC CUE) The beauty of starting over is that your life is a blank
slate. All you have are choices, choices that can lead you to a grand adventure. Look at
you and Camille and Patrick. You made your way over here all the way from Ireland.
Anything is possible. Will I marry again? Who knows? All I know for sure is this...
IN SEARCH OF A NEW LIFE
PHOEBE
IF YOU COWER IN THE SHADOWS
YOU WILL NEVER LEAVE THE DARK.
IF YOU PUSH YOUR DREAMS ASIDE
THEN YOU WASTE CREATIONS SPARK.
ITS NOT EASY. YOU WILL STUMBLE.BUT YOULL LEARN EACH TIME YOU FAIL.
THERE ARE THINGS ON EARTH WORTH FIGHTING FOR.
DO NOT STOP TIL YOU PREVAIL!
IN SEARCH OF A NEW LIFE,
IN SEARCH OF A JOY YOU CANT MISS.
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PHOEBE (CONT)
DONT SETTLE FOR ANYTHING SHORT
OF THE GOAL THAT WILL LEAD TO BLISS.
LOOK PAST THE HORIZON.LOOK PAST THE DEFEATS THAT YOUVE KNOWN,
AND MARCH TWARDS THE LIGHT AT THE END
OF THE PATH. YOU ARE NOT ALONE.
WHEN PEOPLE DEMEAN YOU,
JUST KEEP YOUR HEAD HIGH.
SHAKE OFF ALL FOREBODING
AND REACH TO THE SKY!
IN SEARCH OF A NEW LIFE.
CAMILLE
Lover, I think we need to cut that one off. Shes had too much of the happ y juice.
PHOEBE
Isnt there anythingyou take seriously?
PATRICK
Yes. Money.
AT THE BOTTOM OF THE BARREL
THE ONLY PLACE TO GO IS UP.
DOESNT MATTER WHO YOURE SERVING,
LONG AS YOU CONTROL THE CUP.
CAMILLE
LEAVE THE BODIES IN THE ALLEY.
LET THE VULTURES PICK THEM DRY.
WHEN YOU SELL YOUR SOUL, THERES NOTHING LEFT.BETTER BE THE LAST TO DIE.
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PATRICK/CAMILLE
IN SEARCH OF A NEW LIFE,
IN SEARCH OF A FOOL WE CAN CON,
AS LONG AS THEIR COFFERS ARE BRIMM INGWITH GOLD, WE WILL GET ALONG.
YOU ONLY GET ONE CHANCE.
YOU ONLY CAN REAP WHAT YOU SEW.
BUT WHO SAYS YOU CANT REAP THE FRUITS
OF THE PEOPLE YOU DO NOT KNOW?
KEEP THEM IN A STUPOR.
FULFILL THEIR DESIRES.
THEN CALL IN THE SHERIFF
TO PUT OUT THE FIRES!
IN SEARCH OF A NEW LIFE.
SARAH
I dont believe it.
CAMILLE
Whats that?
SARAH
I dont believe the world is all bad. It cant be. Not when there are honest and decent
people like Johnny in it.
I WONT BE DISHEARTENED
WHEN FORTUNE IS GRIM.
ILL CLING TO MY FUTURE,
A FUTURE WITH HIM!
SARAH/PHOEBE PATRICK/CAMILLE
IN SEARCH OF A NEW LIFE, WHAT A JOKE!
IN SEARCH OF A JOY YOU CANT MISS.
DONT SETTLE FOR ANYTHING SHORT THESE TWO ARE A HOOT,
OF THE GOAL THAT WILL LEAD TO BLISS. WE SHOULD KEEP THEM
AROUND. HOLY HELL, IM
PISSED!
LOOK PAST THE HORIZON. NOTHINGS THERE!
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SARAH/PHOEBE PATRICK/CAMILLE
LOOK PAST THE DEFEATS THAT YOUVE
KNOWN,
AND MARCH TWARDS THE LIGHT AT THE BUT SAY WHAT YOU WILL
END OF THE PATH. YOU ARE NOT ALONE. SHE HAS PAID ALL OUR
BILLS. SHES OUR BLARNEY
STONE!
ALL
WHEN PEOPLE DEMEAN YOU,
JUST KEEP YOUR HEAD HIGH.
SHAKE OFF ALL FOREBODING
AND REACH TO THE SKY!
WELL MAKE OUR OWN FORTUNE.
WELL MAKE IT OR DIE!
IN SEARCH OF A NEW LIFE!
When the song ends, CHARLES enters the Inferno.
SARAH goes back to work, and CAMILLE brings a
glass of gin to PHOEBE and exits.
PATRICKGood evening, Father. The usual?
CHARLES
Thank you, Patrick.
PATRICK pours CHARLES a glass of bourbon.
CHARLES crosses to PHOEBE.
PHOEBE
I spent eight hours with a bunch of ornery children. Whats your excuse?
CHARLES
It makes me a little less homesick. Mind if I join you?
PHOEBE
Please do. But I may have to give confession. I thought about murderin the Thompson
twins today.
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CHARLES
Already? I reckon that makes you one of us.
CHARLES takes a long pull on his bourbon.
PHOEBE
Patrick, you heard Charles. I have been accepted into the fold. Get our spiritual leader
another bourbon.
PATRICK
Aye.
CHARLES
Thank you, but no thanks. One is enough for me.
PHOEBE
I wont take no for an answer. Patrick?
PATRICK brings CHARLES another glass of
bourbon. PHOEBE tries to pay him, but
CHARLES covers her hand and gives PATRICK
money.
CHARLESThank you, Patrick.
PHOEBE withdraws her hand and take a sip of her
gin. SARAH watches the two as she cleans.
PHOEBE
So youre a Kentucky boy?
CHARLES
No. Tennessee. Nashville. But my daddy was a big bourbon drinker. You?
PHOEBE
Savannah, Georgia. My daddy was a fisherman. Thats how I met Baxter.
CHARLES
Your husband.
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PHOEBE
Yes. He worked the docks with my daddy.
SARAH
I thought you said your husbands name was Hubert.
PHOEBE
It was. Hubert Baxter Woodward. Most of his friends called him Baxter, but I liked the
sound of Hubert.
PATRICK
You best be minding your own business, Sarah. Go and tidy the Att ic.
PHOEBE
Shes no trouble, Patrick.
PATRICK
Still and all, she has work to do. Go to it.
SARAH
Yes, brother.
SARAH exits.
PHOEBE
What made you leave Nashville?
CHARLES
A priest is expected to go where the Lord leads him. This is where I was led. This is
where I was needed.
PHOEBE
It must be nice. To have such clarity.
CHARLES
Yes. Clarity. (Downs bourbon) Well, if youll excuse me, I should call it a day.
PHOEBE
You just got here. Its early.
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CHARLES
I have a long day ahead of me. So do you.
PHOEBE
I suddenly feel as if Im being scolded. Are you scolding me, Charles?
CHARLES
Do you need to be scolded?
PHOEBE
If I do, I will be sure to let you know.
CHARLES
Good night, Phoebe. Patrick.
PATRICK
Father.
PHOEBE squirms a bit as CHARLES exits.
PHOEBE finishes her gin and take the glass to
PATRICK at the bar.
PHOEBE
It was a simple question.
PATRICK
Havent you noticed, love? Nobody around here talks about their lives before
Elizabethtown.
PHOEBE
Oh.
PATRICK
One more?
PHOEBE
No, thank you. Ill turn in. Good night, Patrick.
PATRICK
Good night, Phoebe.
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PHOEBE exits. PATRICK cleans her glass and
whistles a tune as transition music begins to play.
BLACKOUT.
SCENE THREE
The next day at St. Anima Sola Catholic Church.
CHARLES is practicing his homily as JOSEPH
enters with RED.
CHARLES
That is why in times of weakness it is to the Lord we should turn. Come unto me, all
ye that labor and are heavy laden, and I will give you rest. This passage from Matthew11:28 tells us...
JOSEPH
Father, sorry to interrupt.
CHARLES
Not at all, Sheriff. I was just going over my homily for Sunday. What can I do for you?
JOSEPH
Id like to introduce you to U.S. Marshall Red Miller. Red, this is our priest, FatherCharles Austin.
CHARLES and RED shake hands.
RED
Father.
CHARLES
Marshall.
JOSEPH
Red just rolled into town yesterday. Hes bunkingwith Johnny and me out at my ranch.
I thought it would be a good idea if he spoke with you.
CHARLES
What brings a U.S. Marshall out to these parts?
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RED
It aint a social call, you can be sure of that.
CHARLES
I figured that was the case. Can I get you something to drink? Ive got Communion winein the back.
RED
No, thank you, Father. I reckon you should save it for those what need it.
CHARLES
So youre not a religious man.
RED
You could say that.
CHARLES
Then I reckon Sheriff Bailey didnt bringyou over here for spiritual guidance.
RED
Im lookin for a fugitive.
CHARLES
We dont get many fugitives in Elizabethtown. Unless you count Teddy. Im sure hes
broken a few laws in his day.
JOSEPH
Charles, I dont think now is the time for levity.
RED
Sheriff, why dont you mosey on back to the jailhouse? Me and the reverend are doin
fine here.
JOSEPH
So long as you dont need me for anything.
CHARLES
I think the Marshall will see hes in good hands. Get on back, Joseph. Make sure
Johnny hasnt burned the place down.
JOSEPH
Hmm. Wouldnt want that to happen. Again.
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JOSEPH exits.
CHARLES
I believe you were going to tell me about your fugitive.
RED
Right. The womans name is Caroline Shaw. Back East shes known as the Mississipp i
Black Widow.
CHARLES
Black Widow. Sounds romantic. How did she get that name?
RED
They call her Black Widow on account shes poisonous to the men in her life. She has a
nasty habit of leavin dead husbands in her wake.
CHARLES
You say her name is Caroline Shaw.
RED
Yep.
CHARLES
I wish I could help you, Marshall. We dont have anyone in Elizabethtown answering tothe name of Caroline Shaw.
RED
Well, I reckon she wouldnt be travelin under her real name now. Probably got an
assumed name or somethin.
CHARLES
Is that so?
REDYeah. I reckon it is.
CHARLES
What she look like, this Caroline Shaw. You ever meet her?
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RED
Ive only seen her in pictures. Shes a beauty. Dark hair, fair skin, petite, little thing.
Youd think she was a doll if she wasnt so damn deadly.
CHARLESYou know, my daddy was a law man. Back in Tennessee. I probably saw more criminals
before I was ten than most people do in their whole lives.
RED
Your point?
CHARLES
I know a criminal when I see one. And aside from Teddy, this towns clean.
REDI see. Sheriff Bailey tells me a younglady arrived on the stagecoach last week.
CHARLES
Yes. Shes taken over the teachers post . But her name isnt Caroline Shaw. Its Phoebe
Woodward. And shes no criminal.
RED
I reckon Im in a better position to make that determination. Where is she?
CHARLES
She isnt here. School let out for the day.
RED
Tell me where I can find Miss Woodward, and Ill be on my way.
CHARLES
I could do that. Theres just one problem.
RED
Whats that, Preacher man?
CHARLES
I dont trust you.
RED
Come again?
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CHARLES
I said I dont trust y ou. And I consider myself a decent judge of character.
RED
You aint gotta trust me. You just gotta tell me what I need to know. Or do you wannaspend the night at the jailhouse?
CHARLES
I think we both know that isnt going to happen.
RED
You sure about that?
CHARLES
Yeah. Pretty sure. Ive been around long enough to know when someones pissin in the
wind.
RED
Im startin to lose my patience. Dont test me.
CHARLES
You talk awful big, Marshall. But I get the feeling thats all it is. Talk.
REDYou have no idea what Im capable of.
CHARLES
No. I guess I dont, and Im not interested in findin out. I think were finished here.
RED
Im the law, Preacher man. Give me one good reason I dont haul you away in shackles.
CHARLES
Hmm. (Smiles) I can give you more than one. But I tell you what. Theres a hoe-downat the Inferno Friday night. I have no doubt Miss Woodward will be in attendance. Cool
your heels at Sheriff Baileys ranch. Avail yourself to his hospitality. You can question
her on Friday.
RED
Alright. Well play it your way. For now. But if Miss Woodward up and vanishes
afore Friday, Ill be takin it up with you.
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CHARLES
I would expect nothin less.
RED exits. CHARLES waits until RED is away to
show his t rue concern.
CHARLES
Dammit, Phoebe.
Lights fade as PHOEBEs room at the Doves Nest
is brought in. It is late in the evening. There is a
bed, a desk, a table and chair with a gas lamp, and a
door unit. PHOEBE is grading papers as the scene
begins.
PHOEBE
Oh, Billy. What am I gonna do with you? I guess you just dont have a head for figures.
PHOEBE sets aside the paper and starts grading
another when there is a knock at the door.
PHOEBE crosses to answer it. CHARLES stands
in the doorway.
PHOEBECharles! What brings you by here this time of night?
CHARLES
Evening, Phoebe. I came for a bourbon. Thought I might see you downstairs. Camille
told me you went up early.
PHOEBE
Papers to grade.
CHARLESI would offer to help, but Id only make more work for you.
PHOEBE
Where are my manners? Come in.
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CHARLES
Thank you, but I wont be here that long. I just wanted to make sure things are workin
out for you. At the school.
PHOEBEOh, yes. Just fine.
CHARLES
Good. Im glad. The children are quite taken with you.
PHOEBE
Thank you. Its nice to know.
CHARLES
So there isnt anything you need?
PHOEBE
No.
CHARLES
You would tell me, wouldnt you?
PHOEBE
Of course. Is somethin on your mind, Charles?
CHARLES
Sheriff Bailey stopped by the church today.
PHOEBE
I dont believe Ive had the pleasure of his acquaintance.
CHARLES
You should meet him. Hes a good man.
PHOEBEYoull have to introduce us at the hoe-down on Friday.
CHARLES
Then youre still plannin on coming?
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PHOEBE
Well, of course. Unless you see fit to relieve me of my duties as teacher. Then Ill be off
huntin for a new job. Are you sure you dont want to come in?
CHARLESNo. Ill get to it. Phoebe, the Sheriff wasnt alone today. A U.S. Marshall was with
him. A man named Red Miller. Hes hunting a fugitive named Caroline Shaw. He called
her the Mississippi Black Widow.
PHOEBE
I dont see what this has to do with me.
CHARLES
Red heard there was a new teacher in town. Wanted to meet her. I told him hed have to
wait til Friday, and I gave him my word that youd still be here.
PHOEBE
You neednt do me any favors, Charles. Ill be happy to meet this Marshall. Put any
suspicions you might have to rest.
CHARLES
It isnt you I have suspicions about. Its Red. I think hes dangerous.
PHOEBE
And what do you think about me?
PHOEBE moves closer to CHARLES. There is
litt le distance between them.
CHARLES
I havent decided yet. But I know that a man with a badge isnt to be trifled with. Just
be careful.
PHOEBE adjusts the lapels on CHARLESs jacket.
Her hands linger against his chest on his coat lapels.
PHOEBE
Good night, Charles.
CHARLES
Good night, Phoebe.
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CHARLES closes his hands over PHOEBEs and
lets the silence linger between them before her
removes her hands, backs away, and leaves.
PHOEBE closes the door and goes to her bed. She
pulls her suitcase out from underneath the bed andlugs it on top of the mattress.
PHOEBE
Oh, Charles. (MUSIC CUE)
PHOEBE opens the suitcase as music begins to
play. She props the top section of the suitcase
against the headboard of the bed and fidgets with a
false back in the suitcase. As she pulls it away,
paper money of all denominations falls out.
PHOEBE gathers a small pile and holds it against
her chest.
BLOOD MONEY/IN SEARCH OF A NEW LIFE
(REPRISE)
PHOEBE
HOW DO I TELL HIM?HOW DO I TELL HIM?
WHAT I AM FEELING
WHEN I AM REELING
OUT OF SORTS
AND OUT OF OPTIONS.
I AM LOST.
I AM LOST.
HE SEES INSIDE ME.
HE SEES BEYOND ALLTHE WITTY WORDS
ITS SO ABSURD
THAT NOW I
SEEK HIS FAVOR.
AT WHAT COST?
AT WHAT COST?
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PHOEBE (CONT)
I COULD RUN AWAY
BUT I FINALLY HAVE A REASON
TO ATTACK THE DAYAND REJOICE IN ALL SEASONS.
BLOOD MONEY!
I SHOULD TAKE THIS PILE AND BURN IT.
BUT IN TRUTH IT IS NOT MINE TO THROW AWAY.
ITS NOT FUNNY
WHAT I DID TO THOSE WHO DIED
BUT THATS A DEBT THAT I WILL PAY ON
JUDGMENT DAY.
HE WARMS ME
HE NEEDS ME,
THOUGH HE MAY NOT EVEN KNOW
BUT WHEN HE FEELS ME,
I BLEED...
BLOOD MONEY!
YOUVE UNDONE ME!
BLOOD MONEY!
PHOEBE comes to a revelation. She stuffs the
money back into the suitcase and restores the false
panel.
PHOEBE
NOW I AM HUNTED.
NOW I AM HUNTED.
BY A LAWMAN,RAVING MADMAN.
IS IT WHO I
THINK IT IS?
I MUST BE STRONG,
MUST BE STRONG.
HELL STOP AT NOTHING.
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PHOEBE (CONT)
HELL STOP AT NOTHING.
TIL THERES SORROW,
NO TOMORROWAND NO CHANCE TO
BEG FORGIVENESS
FOR MY WRONGS,
FOR MY WRONGS.
THERES NO TURNING BACK
FROM MY PASSION OR MY YEARNING.
BUT IF I REMAIN
WILL MY FORTUNE END UP TURNING?
BLOOD MONEY!
I SHOULD TAKE THIS PILE AND BURN IT.
BUT IN TRUTH IT IS NOT MINE TO THROW AWAY.
ITS NOT FUNNY
WHAT I DID TO THOSE WHO DIED
BUT THATS A DEBT THAT I WILL PAY ON
JUDGMENT DAY.
HE WARMS MEHE NEEDS ME,
THOUGH HE MAY NOT EVEN KNOW
BUT WHEN HE FEELS ME,
I BLEED...
BLOOD MONEY!
YOUVE UNDONE ME!
BLOOD MONEY!
(spoken)
Ill give it to Charles. To the church. All of it.
IN SEARCH OF A NEW LIFE,
IN SEARCH OF A JOY YOU CANT MISS.
DONT SETTLE FOR ANYTHING SHORT
OF THE GOAL THAT WILL LEAD TO BLISS.
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PHOEBE (CONT)
LOOK PAST THE HORIZON.
LOOK PAST THE DEFEATS THAT YOUVE KNOWN.
AND MARCH TWARDS THE LIGHT AT THE ENDOF THE PATH. YOU ARE NOT ALONE.
WHEN PEOPLE DEMEAN YOU,
JUST KEEP YOUR HEAD HIGH.
SHAKE OFF ALL FOREBODING
AND REACH TO THE SKY!
IN SEARCH OF A NEW LIFE.
Transition music plays as scene shifts.
BLACKOUT.
SCENE FOUR
Music plays as the lights rise on a party already
in progress. PATRICK, CAMILLE, JOHNNY,
SARAH, PHOEBE and CHARLES are square
dancing.
THE GHOST TOWN HOE DOWN
ALL
WELCOME TO THE GHOST TOWN HOE DOWN.
NO ONES HERE, SO THE WHISKEY IS FREE.
JUST ANOTHER GHOST TOWN HOE DOWN.
TOSS IT BACK TIL YOU CANNOT SEE.
TAKE HOLD YOUR GIRL AND SPIN HER SIDEWAYS
AND PULL HER BACK AGAIN.
IF SHES GOT SPUNK, SHELL TURN THE TABLES,
TAKE THE LEAD, AND STRONG-ARM THE MEN!
WELCOME TO THE GHOST TOWN HOE DOWN.
STEAL A KISS WHILE THE GETTIN IS GOOD.
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ALL (CONT)
WHEN THE SUN COMES UP IN THIS GHOST TOWN,
SAY A LITTLE PRAYR.
SEE THE FATHER THERE.DO YOUR PENANCE CAUSE YOU PROBABLY
SHOULD.
Dance break. At the end there is a repeat of the
song.
ALL
WELCOME TO THE GHOST TOWN HOE DOWN.
NO ONES HERE, SO THE WHISKEY IS FREE.
JUST ANOTHER GHOST TOWN HOE DOWN.
TOSS IT BACK TIL YOU CANNOT SEE.
TAKE HOLD YOUR GIRL AND SPIN HER SIDEWAYS
AND PULL HER BACK AGAIN.
IF SHES GOT SPUNK, SHELL TURN THE TABLES,
TAKE THE LEAD, AND STRONG-ARM THE MEN!
WELCOME TO THE GHOST TOWN HOE DOWN.STEAL A KISS WHILE THE GETTIN IS GOOD.
WHEN THE SUN COMES UP IN THIS GHOST TOWN,
SAY A LITTLE PRAYR.
SEE THE FATHER THERE.
DO YOUR PENANCE CAUSE YOU PROBABLY
SHOULD.
PATRICK
Drinks all around!
PATRICK crosses behind the bar. Starts filling
glasses. CAMILLE helps distribute drinks.
JOHNNY and SARAH are seated near each other
with CHARLES and PHOEBE. JOHNNY cant
take his eyes off PHOEBE.
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PHOEBE
Why Sarah, you are an absolute vision. Dont you think so, Johnny?
JOHNNY
(not taking eyes off PHOEBE)Beautiful.
SARAH
Thank you.
CHARLES
Where is the Sheriff? He doesnt miss an opportunity to make a fool of himself on the
dance floor.
JOHNNYHes off with the Marshall and Teddy. I reckon theyll be by.
CHARLES
I reckon they will.
SARAH
Its awfully stuffy in here. Would you like to get some air, Johnny?
JOHNNY
Naw. Im good. Help yourself. Skys full of stars tonight.
SARAH
I never was any good at following the stars.
JOHNNY
Its easy if you know what to look for.
PHOEBE
You should show her then.
JOHNNY
Gosh. I reckon I could. You wanna join us, Miss Phoebe?
PHOEBE
And leave Charles alone with all this bourbon? I couldnt possibly.
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CHARLES
I think I can resist the temptation. (PHOEBE kicks him under the table) Oh, youre
right! I cant handle myself around the drink. The two of you best go on your own.
Phoebe will keep me in line.
SARAH
Come on, Johnny. Itll be fun.
JOHNNY
Well, alright. Well be right back.
PHOEBE
Yall take your time now. A night like this one is too pretty not to be appreciated.
JOHNNY and SARAH exit.
CHARLES
You work fast.
PHOEBE
Somebody has to.
CAMILLE
You arent wrong there. Sarah needs all the help she can get.
PATRICK
Go easy on her, Pidge. Shes givingit her all.
CAMILLE
I daresay I wasnt that timid when I was wooingyou.
PATRICK
Aye. You never had any trouble usingyour mouth, thats for sure.
CAMILLE
You never complained before, lover.
PATRICK brings CHARLES another bourbon.
PHOEBE
Have you always been a priest, Charles?
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CHARLES
No. But I have been a priest long enough that the days I wasnt are a distant memory.
PHOEBE
It must be refreshing not to be subject to the same longings the rest of us mortals are.
CHARLES
Im still human.
PHOEBE
Are you?
CHARLES
Im human enough to know that Sarahs wearing one of your dresses tonight. And if that
doesnt garner Johnnys attention, I dont know what will.
PHOEBE
How do you know its mine?
CHARLES
Because I can smell you all over her.
PHOEBE is caught off guard.
PHOEBE
Speaking of smell, I should run upstairs and freshen up.
CHARLES
Dont be long.
PHOEBE
Patrick, dont let that man have another drink. Hes liable to disgrace himself.
PATRICKYes, maam.
PHOEBE exits.
CAMILLE
Well, as I live and breath, Father Austin was flirting with the lonely widow.
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CHARLES
I dont know what youre talking about, Camille.
PATRICK
Dont kid a kidder, Father. Theres heat in this room, and it isnt coming from the dancefloor.
JOSEPH, RED, and TEDDY enter. CAMILLE
exits.
TEDDY
If this aint the most pitiful sight I ever laid eyes on. I thought you was havin a party
tonight, Patty!
PATRICK
We are, Teddy. Just taking a breather.
TEDDY
And your sister is takin liberties out on the street in plain view. With your deputy,
Sheriff.
JOSEPH
I reckon he isnt hurtin anyone.
TEDDY
Listen, Patty. If your sister is gonna be throwin it around, have her do it in the Attic.
And with payin customers.
JOSEPH
Cool off, Teddy. Have a drink or somethin. Red, what can I get you?
RED
Nothin just yet. I believe the Preacher man and me have some business to take care of.
CHARLES
Evening, Marshall.
RED
I aint ever knowed a preacher what drinks whiskey and keeps company with loose
people.
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CHARLES
And Ive never known a lawman to speak like he has the education of a yokel.
RED
You makin fun of me?
CHARLES
You make it pretty easy, Marshall.
TEDDY
You are speakin to a United States Marshall and a guest in our town, Charles. Watch
your manners.
CHARLES
I reckon you and the Marshall are like two peas in a pod. Your mother doesnt have any
sons unaccounted for, does she?
TEDDY
Thats it! Outside!
RED
Get in line. Where is she, Preacher man? You said shed be here!
PHOEBE enters, spies RED and is visibly affected.She pulls herself together as JOSEPH grabs a glass
and breaks it on the table to kill the ruckus.
JOSEPH
I have had just about enough of this nonsense! Youre all acting like a bunch of boys
measuring peckers in the school yard.
RED
I got business here, Sheriff.
JOSEPH
And youre welcome to conduct it. But dont forget youre still in my town.
RED
Right.
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CHARLES
Marshall, I am a man of my word. I told you Mrs. Woodward would be here. Shes
here.
REDThen I reckon we aint got no more problems tonight. Where is she?
PHOEBE
Im right here.
PHOEBE enters the room and joins the men.
TEDDY
What do we have here? Charles, when I heard you hired a new school teacher, I never
imagined she would be so feminine.
CHARLES
Phoebe, Id like to introduce you to Marshall Red Miller. This here is our Sheriff, Joseph
Bailey. And youve already heard from the town custodian and letch, Teddy McCain.
TEDDY
Youre walkin on thin ice, Charles.
CHARLES
Its the only kind. Gentlemen, I give you Mrs. Phoebe Woodward.
JOSEPH/TEDDY/RED
Maam.
PHOEBE
Pleasure. Now, Marshall, I understand you have some questions for me.
RED
Thats right.
PHOEBE
Well, I am ready whenever you are.
RED
I sure would hate to interrupt the festivities. Perhaps we should head on over to the
Sheriffs.
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PHOEBE
I would be more comfortable if we stayed here.
JOSEPH
By all means. Red, you can ask your questions just as easy here as there.
TEDDY
Of course. Yall grab a seat, and Ill bring over some refreshments. Whatre you drinkin,
sugar?
RED
I appreciate your hospitality , but this is an investigation, not a cotillion.
CAMILLE enters, crosses to JOSEPH.
CAMILLE
Sheriff Bailey, Im glad youre here. I have a message for you on the wire.
JOSEPH
Thank you, Camille.
CAMILLE joins PATRICK behind the bar.
JOSEPH reads the message.
CHARLESEverything alright, Joseph?
JOSEPH
Right as rain, Charles. Just a message I was expecting from the Sheriff in Deadwood. If
youll excuse me, I need to take care of some things back at the jailhouse. Red, you know
where to find me.
RED
I got it under control here.
JOSEPH exits.
TEDDY
How about that drink, Miss Phoebe?
PHOEBE
No, thank you. Marshall, shall we get started?
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RED
Naw. I reckon not.
CHARLES
Pardon me?
RED
Stay out of it, Preacher man.
PHOEBE
I can handle this, Charles. Dont you have some questions for me, Marshall?
RED
I thought I did. But I dont. Get me a drink, Teddy. It aint her.
TEDDY
Sure thing, Marshall. This calls for a celebration! Patty, a round of drinks for everyone!
PATRICK and CAMILLE start preparing drinks.
SARAH and JOHNNY enter from the street.
SARAH is lovelorn and JOHNNY is eager to get
back to PHOEBE.
TEDDYMiss Phoebe, you sure do make a grown man wish he was back in school. I bet you
could teach me a thing or two.
PHOEBE
Like manners? How were the stars, Sarah?
SARAH
So lovely you could get lost in them.
JOHNNYBut not half as lovely as you, Miss Phoebe.
PHOEBE
Youre too kind.
PATRICK and CAMILLE bringdrinks for
everyone.
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CHARLES
When are you shoving off, M arshall?
RED
Come again?
CHARLES
You said Phoebe isnt the woman youre looking for. Seems to me your business here is
concluded. When will you be leaving Elizabethtown?
RED
I aint rightly decided.
TEDDY
You stay as long as you like, Marshall. And if the accommodations at Sheriff Baileys
arent to your likin, come on out to my place.
RED
Thank you. I reckon I might take you up on that.
TEDDY
Its settled then. Alright, everybody! Drink up! Were havin a party !
TEDDY throws his drink back, and the rest followsuit, some halfheartedly.
JOHNNY
Oh, I almost forgot. The Sheriff asked to see you back at the jailhouse, Marshall.
RED
You dont say.
JOHNNY
Yeah. It must be pretty important. He didnt stop to chew the fat or nothin.
RED
Then I reckon I oughta go see the Sheriff. Thanks for the drink, Teddy.
TEDDY
Dont mention it.
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RED
Save some whiskey for me. Im gettin thirsty.
RED exits. PHOEBE shudders. CHARLES
notices.
CHARLES
That was a whole lot of nothing. Dont you agree, Phoebe?
PHOEBE
What? Oh, yes. A bunch of nonsense.
JOHNNY
Would you like to dance, Miss Phoebe?
PHOEBE
Theres no music.
JOHNNY
We could make our own.
TEDDY
The woman aint interested in dancin with you, boy. Leave her alone.
PHOEBE
Mr. McCain, I am more than capable of answering for myself.
TEDDY
Yes, maam.
CHARLES
The night is drawing on. Perhaps you should turn in.
PHOEBEPerhaps youre right. Good night.
PHOEBE exits.
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TEDDY
Tarnation! This is turnin into a regular, damn sausage party. (Notices SARAH) Well,
lookie there. Come over here, sweetheart. Let Uncle Teddy buy you somethin warm to
drink.
SARAH awkwardly sits in TEDDYs lap, try ing to
make JOHNNY jealous.
SARAH
Ill have what y oure drinking.
TEDDY
Patty , get this girl a whiskey!
SARAHWe could take our drinks up to the Attic if you like.
TEDDY
Oh, I would like that a lot. Uncle Teddy has been goin through a dry spell. Looks like
the drought is over.
CAMILLE hands SARAH her drink.
SARAH
Lets go.
TEDDY
Bottoms up, sugar.
SARAH gulps down her whiskey. Winces.
JOHNNY
Sarah, whatre you doin? Youre drunk!
SARAH
Its none of your business what I do or who I keep company with. Come on, Teddy.
SARAH rises and takes TEDDYs hand. He
follows behind.
TEDDY
See you around, boys!
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SARAH and TEDDY exit.
JOHNNY
Father, why didnt you say somethin? She dont know what kinda man Teddy is!
CHARLES
Ive lived long enough to know when to stay out of other peoples love triangles. If you
care so much about Sarah, do something about it.
CHARLES rises, leaves some money on the bar,
and exits towards the Doves Nest.
Music plays as the scene shift to the Sheriffs
Office at the jailhouse. JOSEPH is seated at is desk
as RED enters.
RED
You wanted to see me?
JOSEPH
Have a seat, Marshall.
RED sits down across from JOSEPH.
RED
Im sittin.
JOSEPH
I just got a wire from the Marshalls office in Kansas City .
RED
You dont say.
JOSEPHOne of the reasons I moved out to Elizabethtown was because I liked the idea of being
isolated from the world. Sometimes the wire is the only way we keep pace with the rest
of the country.
RED
You are pretty far off the beaten path.
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JOSEPH
That we are. And as such, when you get newcomers in your town, you have to go with
your gut sometimes to decide whether the people you welcome are worth a damn or not.
REDI reckon you would have to.
JOSEPH
Like the day I introduced you to Father Austin, and he told me I should make sure
Johnny hadnt burned down the jailhouse. I should probably tell you Johnny has never
burned down the jailhouse.
RED
No?
JOSEPH
No. That was just Charless way of telling me to look into your past. And I did.
RED starts to fidget with his holster. JOSEPH
pulls his gun on RED. RED smiles, rises and holds
his hands a short distance from his holster.
RED
Whatre you doin, Sheriff?
JOSEPH
I got in touch with the Marshalls office in Kansas City. Asked them about the
Mississipp i Black Widow. I asked them about you. Funny thing. They didnt have the
slightest notion who the Mississipp i Black Widow was. But they sure knew about Red
Miller.
RED
I think you better put that gun down, Sheriff. Youre liable to hurt yourself.
JOSEPH
It seems that Marshall Red Miller was murdered just outside Kansas City . No
witnesses. But the body was a mess. Someone did a number on the Marshall. So you
probably know the question Im about to ask you.
RED
I reckon I do. But afore you ask it, I got a question of my own.
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JOSEPH
Im listening.
RED
You ever have dreams about the Senatobia Massacre?
JOSEPH, in shock, lowers his gun and RED wrests
the gun from him.
JOSEPH
How do you know about Senatobia?
RED
Im a Mississipp i boy, Colonel! Any southerner whats worth a damn has heard about
it. How the gallant Colonel Bailey marched into litt le ole, Senatobia with his mighty
army and butchered the whole damn town! I tip my hat to you.
JOSEPH
Thats not how it happened!
RED
Thats the beauty of oral history. It doesnt matter what happ ened. It just matters what
gets passed on.
JOSEPH
Are you going to kill me?
RED
Kill you? Why, hell no! Im gonna use you.
JOSEPH
No. (MUSIC CUE)
REDTheres a little lady in that hotel that has somethin I want. Youre gonna help me get it,
or I will knock you off that lofty pedestal this town has seen fit to place you on.
YOU PUT THE SIN IN SENATOBIA
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RED
HOW DO YOU SLEEP AT NIGHT?
ID DRINK TO STOP THE FRIGHT!
DO YOU REPLAY THE DAYYOU MURDERED ALL THOSE CHILDREN?
JOSEPH
It was an accident!
RED
IF I WAS JUST LIKE YOU,
THIS IS WHAT I WOULD DO:
ID KILL THEIR PARENTS, TOO.OH WAIT, YOU BEAT M E TO IT.
JOSEPH
It all happened so fast.
RED
YOURE A PIECE OF WORK.
I WOULD LIKE TO SHAKE YOUR HAND
AND MAKE YOU WORK FOR MECAUSE I THINK YOU UNDERSTAND...
YOU PUT THE SIN IN SENATOBIA.
YOU PUT THE MASS IN MASSACRE.
YOU PUT THE DEATH TOLL UP NEAR EIGHTY
WHEN YOUR SOLDIERS SHOT MRS. HUNZEKER.
NO NEED TO BE MODEST.
JUST GO AHEAD AND TAKE YOUR BOW CAUSE
YOU PUT THE SIN IN SENATOBIA.
JUST CROSS ME ONCE AND I WILL TELL EVERYONE
HOW!
JOSEPH
You know that isnt true. You know my men were lookingfor runaway soldiers. A shot
was fired, and things got out of hand. I tried to stop it!
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RED
Yeah. But it sounds better my way.
DID YOU THINK COMIN HERE
WOULD MAKE IT DISAPPEAR?YOU LIKE TO PLAY THE SAINT
BUT THEIR BLOOD HANGS ON YOU.
JOSEPH
Who are you?
RED
ILL TELL IF YOU AGREE
TO LIVE AND DIE FOR ME.JUST HELP ME FIND MY STASH
AND THEN I WILL BE GOIN.
JOSEPH
Wait. This is about Phoebe? Shes the Widow?
RED
THERES NO WIDOW
CAUSE HER HUSBAND ISNT DEAD.DONT BE SO SURPRISED.
LOOK AT ALL THE LIES YOUVE SPREAD.
YOU PUT THE SIN IN SENATOBIA.
YOU PUT THE MASS IN MASSACRE.
YOU PUT THE DEATH TOLL UP NEAR EIGHTY
WHEN YOUR SOLDIERS SHOT MRS. HUNZEKER.
NO NEED TO BE MODEST.
JUST GO AHEAD AND TAKE YOUR BOW CAUSE
YOU PUT THE SIN IN SENATOBIA.
JUST CROSS ME ONCE AND I WILL TELL EVERYONE
HOW!
JOSEPH and RED circle each other.
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JOSEPH
I wont help you. Ill stop you.
RED
I was afraid youd say that. Have it your way.
RED pulls a long knife from his belt.
JOSEPH
I reckon you aim to use that on me.
RED
I reckon I do. People will be more apt to believe you was murdered by the Lakota if its
done with a blade.
JOSEPH
You know I wont go down without a fight.
RED
Im countin on it, old man.
JOSEPH grabs a chair and uses it to advance on
RED. JOSEPH manages to knock the gun out of
REDs hand. JOSEPH hits RED with the chair andsends RED reeling. JOSEPH dives for his gun
behind the desk. RED regains footing and goes after
JOSEPH with the knife. RED makes several stabs
at JOSEPH with guttural grunts and groans. RED
stands with the bloodied blade and looks down at
JOSEPH.
RED
This is gonna hurt me more than it does you, Colonel.
RED starts a very precise cut on himself as the
lights fade and the scene transitions.
Transition music plays as PHOEBEs room is
brought into position. PHOEBE is sprawled on her
bed as the lights rise. There is a knock on the door.
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PHOEBE rises, primps, and goes to answer it. It is
CHARLES. He pushes in past her.
PHOEBE
Charles, what are you doinghere?
CHARLES
You know why Im here.
PHOEBE
It is late. I am tired. All I want to do is go to bed. Cant we talk about this in the
morning?
CHARLES
If I thought you were going to be here in the morning, I would go right now.
PHOEBE
Whatre you talking about?
CHARLES
Who is he, Phoebe?
PHOEBE
Who?
CHARLES
I will not play games with you. You have to know by now that I am your friend, and
that I will not let anyone or anything hurt you. But you have to tell me the truth. How
do you know Red? Who is he?
PHOEBE
You better sit down.
CHARLES
I dont want to sit down.
PHOEBE
Sit down.
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CHARLES sits. PHOEBE goes to her bed and
pulls the suitcase out from under it and puts it on
the mattress. She opens it and pulls out a bottle of
bourbon and a couple of glasses. She pours a glass
and walks over to CHARLES.
CHARLES
Im not thirsty.
PHOEBE
I dont want to drink alone. Indulge me.
CHARLES accepts the glass. PHOEBE goes back
to suitcase and pours herself a drink.
CHARLES
Do you always travel with bourbon?
PHOEBE
I travel with a lot of baggage.
CHARLES
Phoebe.
PHOEBE takes a pull on her drink.
PHOEBE
Red is not who he claims to be.
CHARLES
I know. Who is he?
PHOEBE
His name is Baxter Shaw. Hes my husband.
CHARLES
I dont understand. You said your husbands name was Hubert Baxter Woodward.
PHOEBE
I know I did. I had to.
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CHARLES
Shaw. Shaw. Red was looking for Caroline Shaw. Called her the Mississippi Black
Widow. If Red is really Baxter Shaw, then who are you?
PHOEBEIm Caroline Shaw.
CHARLES finishes his bourbon, rises and crosses
to the door.
PHOEBE
Charles, where are you going?
CHARLES
I have to warn Joseph.
PHOEBE
Please. Dont leave. You have to let me explain.
CHARLES
I know people, Phoebe. I should have seen this. I should have known you were lying.
PHOEBE
It wasnt all a lie.
CHARLES
You murdered four men!
PHOEBE
No! I didnt! It was all Baxter! It was always Baxter. Please, Charles, dont leave.
CHARLES
How could I not see it? I didnt want to. Got distracted. And you. Youre a beautiful
woman. Too beautiful. Were the other men fooled as easily?
PHOEBE
Im not that woman, Charles. You have to believe that. He would have killed me. I was
a child when I married Baxter. He worked with my daddy on the docks in Savannah.
Thats how we met. I thought Daddy was a bad man. So when I met Baxter, and he was
so charming, and rugged, and strong...I thought he would get me out of that life, away
from my father. I didnt know he was worse! He took me off to Mississipp i, and I saw
him for what he really was. A con man.
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PHOEBE (CONT)
But I didnt know to what lengths he would go to get what he wanted until he made me
part of the con. He said he would kill me if I didnt go along with it. I was afraid. So I
did. I wooed the men. He took their money and their lives. I knew eventually he would
kill me, and I ran away with the money, so he wouldnt be able to profit from his crimes.
CHARLES
What did you do with the money?
PHOEBE
I still have it. I was going to give it to you, to the Church.
CHARLES
How could I possibly take that money, knowing what I know?
CHARLES starts to leave. PHOEBE grabs his arm.
PHOEBE
Please dont.
CHARLES
I cant stay.
PHOEBEI know what I have done is wrong. Stay. Hear my confession.
CHARLES
This is not a Church. Caroline.
PHOEBE
Then dont absolve me. But at least stop lyingto yourself long enough to admit youre
running away, too.
CHARLESWhat?
PHOEBE
Youre running from this. Us. I know you have the same feelings for me that I have for
you!
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CHARLES
Youre wrong.
PHOEBE
You say you know people. (MUSIC CUE) But you dont let people know you. Let meknow you.
WHY FEAR THE FORBIDDEN?
PHOEBE
ALL THAT I ASK IS FORGIVENESS.
ALL THAT I ASK IS A CHANCE AT LIFE.
ALL THAT I ASK IS TO KNOW YOU.
LAY WITH M E NOW AND END BOTH OUR STRIFE.
CHARLES
WHO IS THIS STRANGER BEFORE ME?
IS SHE A FRIEND OR A DEADLY FOE?
IF I REACH OUT AND EMBRACE HER
WILL WE TO HEAVEN OR HELL BOTH GO?
PHOEBE
WHY FEAR THE FORBIDDEN?
WHY NOT TRUST WHAT YOU FEEL INSIDE?
LOOK INTO MY EYES.
THERE IS NOTHING LEFT TO HIDE.
I DO LOVE YOU.
WHY FEAR THE FORBIDDEN?
DAMN ALL THE WRONGS. WE BOTH KNOW ITS
RIGHT.
LOSE YOURSELF IN ME
AND GIVE IN TO ECSTACY.
GOD M ADE ME FOR YOU.
I KNOW YOURE SCARED SO ILL BE BRAVE FOR TWO.
I WAS MEANT TO SPEND MY LIFE WITH YOU.
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CHARLES
No. I cant.
PHOEBE
You can. You want to. I see the way you look at me.
CHARLES
Its not that simple.
PHOEBE
It is simple, Charles. Its the only thing that is.
CHARLES
Not for me.
IF I GIVE IN, I WILL CRUMBLE.
IF I STAND FIRM, YOU WILL RUN FROM ME.
IF I DONT FIGHT, I WILL LOSE YOU.
THERE IS NO FUTURE THAT I CAN SEE.
PHOEBE tries to interrupt. CHARLES stops her.
CHARLES
GIVE ME ONE REASON TO TRUST YOU.GIVE ME ONE REASON TO HOLD YOU NEAR.
GIVE ME ONE REASON TO STAY HERE.
I CANT CONFESS THAT I LOVE YOU, DEAR...
PHOEBE CHARLES
WHY FEAR THE FORBIDDEN? YOU WOULDNT UNDERSTAND.
WHY NOT TRUST WHAT YOU FEEL INSIDE?
LOOK INTO MY EYES.
THERE IS NOTHING LEFT TO HIDE. I SHOULD RUN AWAY AND HIDE.I DO LOVE YOU. I CANT LOVE YOU.
WHY FEAR THE FORBIDDEN? I BOW TO GODS COMMANDS.
DAMN ALL THE WRONGS. WE BOTH KNOW ITS RIGHT.
LOSE YOURSELF IN ME
AND GIVE IN TO ECSTACY. WELL BOTH BURN FOR
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PHOEBE CHARLES
BLASPHEMY!
GOD MADE ME FOR YOU. I CANT YIELD TO YOU.
PHOEBE
I KNOW YOURE SCARED SO ILL BE BRAVE FOR TWO.
I WAS MEANT TO SPEND MY LIFE WITH YOU.
PHOEBE moves in to kiss CHARLES as the lights
dim and the scene shift.
Transition music plays as the Inferno is brought in.
PATRICK, CAMILLE, and JOHNNY are in the
bar.
JOHNNY
Shes your sister, Patrick.
PATRICK
Is she now? Thank you for pointing out the obvious, friend.
JOHNNYYou know damn well that Teddy is as crooked as a dogs hind legs. You know he aint
gonna do right by Sarah.
CAMILLE
Whats it to you, lover boy? Seems to me you had your eye on Miss Phoebe all night.
JOHNNY
Thats different. Sarahs my friend.
PATRICKIs there a point in there somewhere? Camille is my friend. Why do you think I married
her?
CAMILLE
I thought it was because we were caught together in the windmill back home.
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PATRICK
That might have played into it.
JOHNNY
All Im sayin is that he bett