EMILY ST INEMETZ

INTERIOR DESIGN PORTFOLIO

2013-2015

Design is where science and art break even. -Robin Matthew

TABLE OF CONTENTS

02 ABOUT ME

04 WORK PROGRESS & HISTORY

COMMERCIAL DESIGN

HOSPITALITY DESIGN

EDUCATION DESIGN

36

RESIDENTIAL DESIGN40

CREATIVE54

TABLE OF CONTENTS 01

08

20

32

HEALTHCARE DESIGN

ABOUT ME02

THE PROFILE

EMILY ST INEMETZ

INTERIOR DESIGN STUDENT

2727 Elmside Dr.Houston, TX 77042

334.322.9034

emily.s.stinemetz@gmail.com

NAME : EMILY {STOKLEY} ST INEMETZ

MAJOR: INTERIOR DESIGN

CUMULATIVE GPA: 3.95

WEBSITE: i ssuu.com/emilyst inemetz

ABOUT ME 03

CREATIVE

DRIVEN

PEOPLE-

ORIENTED

PATIENT

KIND

HARD WORKING

ORGANIZED

INNOVATIVE

WELL-ROUNDED

WORKING PROGRESS04

LEARNING

Learning how to think and work as a

designer has been one of the most

chal lenging yet rewarding exper iences

of my l i fe thus far. I t has taught me to be

both a better communicater and more

detai l -or iented.

THINKING

Thinking as a designer means thinking

for other people. I t means gett ing a

clear understaing of how they function

in a part icular space. One of my favor i te

things about design is just that; learning

how different profess ions use space.

DESIGNING

Designing a space, for me, means

putt ing al l my energy into the project.

I t means lots of scr ibbles, t rash paper,

doodl ing, and revis ions. I t ’s an ever-

changing process that requires practice

and di l igence.

WORKING PROGRESS

WORK HISTORY 05

Designed window displays

Unpacked and dist r ibuted merchandise

OCT 2012-MAY 2013 TALBOTS>SALES ASSOCIATE/CASHIER

Assisted customers in complet ing outf i ts

Modeled window displays

Met or exceeded sales goals each week

JUNE-JULY, 2013-2014 BANANA REPUBLIC> SALES ASSOCIATE/CASHIER

Field measured and drafted f loor plans in AutoCAD

Created furniture layouts and systems layouts for cl ient meetings

Specif ied f in ishes for furniture and systems; designed f in ish boards

Ordered samples for the designers and maintained the resource l ibrary

Put together bid packages for contract work

MAY-JULY 2015 INNERSPAICE ARCHITECTURAL INTERIORS> DESIGN INTERN

Plan educational programs and social events for res idents

Foster a posit ive l iv ing and learning community

Complete necessary paperwork for the front desk

Insure the safety and secur i ty of res idents

AUG 2013-PRESENT SOUTHERN MISS RESIDENCE LIFE> RESIDENT ASSISTANT

WORK HISTORY

COLLECTION06

COLLECTION 07

PORTFOLIO COLLECTION

UNIVERSITY OF SOUTHERN MISSISSIPPI

2013-2015

COMMERCIAL08

COMMERCIAL DESIGN

PALACIOS/STOKLEY ARCHITECTURE F IRM

This project was by far my favorite.

The Palacios & Stokley architecture firm was

a collaborative project between the interior

design students and the architecture students

at Southern Miss. My partner was the talented

architect, Hans Palacios, who was also one of

the instructors for the class.

Our assignment was to come up with

a firm owned by the two of us, including a

full set of construction documents, a formal

presentation with boards and a sl ide show,

branding and logo design, furniture specs, and

finishes to correspond with our brand.

The firm was 11,000 sqaure feet and

inlcuded a detailed program that included a

lobby/reception space, an open studio space,

executive offices, a l ibrary, a conference

room, a break room, and many more ancil lary

spaces. It was a joy to design and we were very

proud of the finished product.

LOBBY/RECEPTION

OPEN OFFICE EXTERIOR VIEW

COMMERCIAL 09

LOBBY/RECEPTION

EXTERIOR VIEW REFLECTED CEILING PLAN

COMMERCIAL10

PRELIMINARY FLOORPLAN

KITCHEN ELEVATION

PRELIMINARY LOBBY SKETCH

GOALS

Palacios & Stokley Architecture Firm is located in the heart of the quaint downtown Hattiesburg, MS. This photo is the aerial view of the site where Palacios & Stokley Architecture firm will be built. The goal was to integrate the building façade design with the adjacent community. Utilizing materials and building scale that is consistent with local architecture, the building design contributes to the prevalent theme, yet explores opportunities to showcase modern design strategies.

COMMUNITY

Functionality is to meet the performance objectives of the client. Building systems integration through BIM and spatial flexibility offer the client freedom and opportunities to configure the spaces to suit their needs throughout the building’s life cycle. Collaboration areas were integrated to give the employees flexibility in working styles including working in their own work station alone, working in a quiet room in small groups, working in the staff conference room in large groups, or relaxing on a lunch break in the spacious break room. The integration of DIRTT walls located in the studio quiet rooms and the executive offices also allows the client to reconfigure the space later and add different panels and glass types.

FUNCTIONALITY

One of the requirements for this project was to create and brand an architecture firm based on your and your partner’s design style. Our style was modern yet timeless and I designed this logo to reflect that. I used Illustrator to create this logo to use throughout the project.

ACCESSIBILITYADA compliant stafff rest room

FUNCTIONALITYDIRTT walls used to

flexibility of room layout

FUNCTIONALITY Power/data ran

through workstations for ease of use and

reconfiguring

SUSTAINABILITYRecycling bins in

library for outdated samples and

catalogsSUSTAINABILITY

Recycled-content upholstery used for

furntiure

COMMUNITY3-form used to

incorporate modern design strategies

ACCESSIBILITYNon-slip flooring

used

ACCESSIBILITYADA compliant sink in Break Room

SUSTAINABILITYStore front windows to allow natural daylight and views into the Studio space

FUNCTIONALITYQuiet rooms provide privacy from the rest of the studio and allow for flexibility of work spaces

SUSTAINABILITYRaised flooring to help with energy costs and efficiency- also, recylcled-content carpet tile

ACCESSIBILITYADA compliant public restrooms- 5’ turning radius and compliant sinkSUSTAINABILITYLow-VOC paint used to prevent off-gassing

COMMUNITY Materials and building scale that is consistent with local architecture

GOALS

COMMUNITYTo enhance the project site and user comfort with sustainable design initiatives. Sustainable design is employed to optimize the site and natural resources, to benefit from the use of sustainable building materials and systems, to moderate energy and water resources allocated for building operations, and to address occupant comfort with an enhanced indoor environmental quality. While designing this building, we kept in mind that sustainable design takes research, so we plan to use local products and materials to alleviate transportation costs and air pollution.

SUSTAINABILITY

To provide accessibility and flexibility through universal design. The connectivity of the spaces in a single-story building allow for ease of access and flexible spatial configurations. There are also ADA compliant rest rooms, an ADA compliant sink in the break room, as well as slip resistant flooring. To the far left is a life safety plan configured for the ease of access in case of an emergency. It shows that all occupants would be able to easily exit the building. There are four exterior exits that the correct widths apart to ensure that the building meets code and no occupant has to travel more than 200’ to an exit.

ACCESSIBILITY

FUNCTIONALITY

COMMERCIAL 11

COMMERCIAL12 COMMERCIAL10

OFFICE FURNITURE PLAN

COMMERCIAL 13

FINISH BOARD

BUBBLE DIAGRAM

NORTH ELEVATION

COMMERCIAL14

RESTROOM DETAILING

PRESENTATION BOARD (1 OF 3) SITE PLAN

COMMERCIAL 11

PRELIMINARY LOBBY SKETCHPRELIMINARY LOBBY SKETCH

PRELIMINARY LANDSCAPING SKETCH

COMMERCIAL DESIGN

JOHNSON SCIENCE TOWER: USM

The intent of this design was to revital ize

the Johnson Science Tower by making i t

a functional and sustainable space. New

f loor ing and wal l f in ishes wi l l create a l ighter

atmosphere in the hal ls and lobby. LED l ights

wi l l be added to br ighten the dim hal lways

as wel l as cutt ing energy costs. Way- f inding

and new furniture wi l l also be incorporated to

make the space more functional.

The large outdoor area to the front of

the bui lding wi l l be landscaped and outdoor

furniture wi l l be placed to provide a relaxing

retreat. Al l of these changes wi l l make the

Johnson Science Tower a warmer environment

that wi l l help promote creativ i ty and learning.

COMMERCIAL16

ELEVATOR LOBBY & SIGNAGE MAIN LOBBY

GOALSSUSTAINABILITY

+LED light fixtures with a daylightharvesting feature to save energy+A recycling center centrally located in the lobby to reduce pollution and energyconsumption+Bike racks outside to promote wellness and fitness+New vegetation to provide shade, buffer sound, and block wind

WAYFINDING

+A specific color will be assigned to each department for easy way finding+The assigned color will be represented on the upholstery of the benches on eachcorridor floor and painted on the door frames along the corridor+There will be directories located in the lobby and on every floor to minimize any confusion

COLLABORATION

+New furniture will be added to the lobby to give students and faculty a place to sit and work+Exciting colors and patterns will provide a creative space to inspire students andincrease productivity+Tables, chairs, benches, and a bar to sit at has been added to the exterior to give students a place to work while enjoying theexterior elements

PRELIMINARY OUTDOOR AREA

COMMERCIAL18

FINISH BOARD

LANDSCPAING PLAN

RENDERED FLOOR PLAN

COMMERCIAL 19

HOSIPTALITY20

HOSPITALITY DESIGN

THE BRONSON HOTEL

For this project we were given the task of designing a hotel us ing a 1910 warehouse located in the Warehouse

Dist r ict of New Or leans. Known as the Arts Dist r ict, the bui lding s i ts among f ine restaurants, wor ld class

museums and amazing art gal ler ies. The warehouse dist r ict was or iginal ly establ ished as an industr ial area

used to store coffee, grains, and produce that was shipping out of the Port of New Orleans. This turn of the

century bui lding is within walk ing distance to the convention center, R iverwalk, the National WWII Museum,

and is approximately one mi le f rom the French Quarter.

My cl ient wanted to attract a larger percentage of younger guests (ages 25-45) and business t ravelers.

The inter ior should be upscale, and tech dr iven with amenit i tes that appeal to this cl ientele. The cl ient

indicated that the chain i s open to suggest ions related to the overal l sty le of the inter ior. They prefer

something more contemporary that incorporates the history of the warehouse dist r ict. E lect icism-- a mixture of old

and new. Each part of the hotel has i ts own concept that is located along with plans and renderings.

HOSPITALITY 21

RENDERED HOTEL FLOORPLAN

My concept for The Bronson’s logo was to keep it simple and clean. The text is all-caps and demands the attention of the viewer immediately upon glimpsing it. The text is industrial-inspired and goes well with the interiors for the hotel. The pineapple motif that is located within the ‘O’ in Bronson symbolizes hospitality. During the early 1900s, when the warehouse was originally built, pineapples were put outside the homes of families who welcomed weary travelers. I wanted The Bronson hotel to be known for its hospitality and welcoming staff, so the pineapple fit perfectly for the theme. The Bronson is a hotel that welcomes weary travelers for a fun night on the town, or a cozy night in enjoying a movie.

Brand & Logo Concept

LIGHTING, FURNITURE, & FINISHES

THE TRUMPETER

HOSIPTALITY22

the trumpeter

Scale

The Trumpeter is a semi-formal Greek restaurant that is famous for its traditional Greek gyros and baklava. The restaurant is a hot spot not only for the hotel guests, but also Nola visitors and locals! The Trumpeter will have touches of Greek flare including Greek key upholstery, gold hues, and traditional Greek place settings. The rest of the design concept will keep with the industrial theme of the hotel including a brick fountain wall in the center of the restaurant and wooden slat booth dividers. The restaurant will be mostly open for the convenience of the guests- they can go in and work on their laptops or have a small meeting during non-operating hours. The glass curtain wall that faces the interior of the hotel creates a visual barrier but still gives the illusion of an open space moving from the restaurant to the cocktail lounge.

REFLECTED CEILING PLAN

RENDERED FLOOR PLAN

HOSPITALITY 23

7' - 6 1/2" 7' - 6 1/2" 7' - 6"

7' - 6 1/2" 7' - 6 1/2" 7' - 6"

9' -

3 1

/2"

7' - 5 1/2"

7' - 5 1/2"

Scale

Project number

Date

Drawn by

Checked by 3/32" = 1'-0"

12/8

/2015 3

:57:5

9 P

M

A105

RESTAURANT/BAR RCPProject Number

Issue Date

Author

Checker

No. Description Date

LIGHTIING LEGEND8” RECESSED CANCOPPER GLOBE

10” INDUSTRIAL SCONCE

WROUGHT IRONCHANDELIER

RESTAURANT CONCEPT

RENDERED FLOOR PLAN REFLECTED CEILING PLAN

6' - 0"5' - 4 1/2"6' - 0"5' - 0"

4' - 6" 4' - 6"4' - 4 1/2"5' - 0"

7' -

3"

7' -

2"

Scale

Project number

Date

Drawn by

Checked by 3/32" = 1'-0"

12/8

/2015 5

:11:1

1 P

M

A105

RESTAURANT/BAR RCPProject Number

Issue Date

Author

Checker

No. Description Date

LIGHTIING LEGEND8” RECESSED CANCOPPER GLOBE10” INDUSTRIAL SCONCEWROUGHT IRONCHANDELIER

OVER-SIZEDFAN

FINISH BOARD

HOSPITALITY24

6' - 0"5' - 4 1/2"6' - 0"5' - 0"

4' - 6" 4' - 6"4' - 4 1/2"5' - 0"

7' -

3"

7' -

2"

Scale

Project number

Date

Drawn by

Checked by 3/32" = 1'-0"

12/8

/2015 5

:11:1

1 P

M

A105

RESTAURANT/BAR RCPProject Number

Issue Date

Author

Checker

No. Description Date

the brew house

THE BREW HOUSE

HOSPITALITY 25

The Brew House is a laid-back bar and lounge that serves over 50 kinds of beer on tap. With its convenient location at the East entrance of The Bronson, The Brew House is a popular spot for beer-lovers and is famous for its ‘dollar wall.’ This wall is located behind the bar and is covered with one dollar bills from customers. They write their wish on the dollar and the bar tender pins it to the wall. It is said to bring good luck to the giver and at the end of each year, The Bronson donates the dollars from the dollar wall to the Make-a-Wish foundation, which grants wishes to terminally ill children. The concrete floor flows into the bar but is broken up by a large cow hide rug accompanied by some soft seating to set a relaxed environment. Another noteworthy feature in The Brew House is the water wall. Its soft sound sets the vibe of the bar and acts as a focal point in the room. Industrial lamps will be hung from the wall over the tables to illuminate the surface.

COCKTAIL LOUNGE CONCEPT

HOSPITALITY26

KING SUITE

ADA SUITE FLOORPLAN

WEST ELEVATION SOUTH ELEVATION

FINISH BOARD

Circular space: The turning space shall be a space of 60 inches diameter minimum. The space shall be permitted to include knee and toe clearance complying with 306.Floor and ground surfaces. Shall be stable, firm and slip resistant and shall comply with 302.Vertical. Changes in level of ¼” high maximum shall be permitted to be vertical.Protrusion Limits. Objects with leading edges more than 27 inches (685 mm) and not more than 80 inches (2030 mm) above the finish floor or ground shall protrude 4 inches (100 mm) maximum horizontally into the circulation path.

ADA PLANNING GUIDELINES

HOSPITALITY 27

REGISTRATION PODS

HOSPITALITY28

POPOLOGY CONCEPT

POPOLOGY FLOOR PLAN

FINISH BOARD

HOSPITALITY 29

Popology is a gourmet popsicle shop that is located near the west entrance of the hotel. The shop will give off an all-natural, earthy vibe that is compatible with the all-natural ingredients used to make the popsicles. Easy-listening music will be playing in the background which will encourage the occupants to dine-in and enjoy their popsicles at the 12-foot bar overlooking the popsicle options. An old-fashioned wooden sign with a chalkboard surface will be used as the menu and hang over the stainless steel counter top behind the transaction area. Cozy booths line the west wall and each has a large window displaying the busy streets of the New Orleans Arts District.

POPOLOGY

identificationID-1 Hotel Lobby

ID-2 Secondary Lobby

ID-3 Concierge Desk

ID-4 Baggage Check

ID-5 Elevators

ID-6 Stairs

ID-7 ATM

ID-8 Men’s Restroom

ID-9 Women’s RestroomID-10 Starbucks

ID-11 Popology

ID-12 Louis’ Record Store

ID-13 The Brew House

ID-14 The Trumpeter

informationalI-1 Hotel Information

I-2 Front Desk Hours/Manager

I-3 Baggage Check Hours

I-4 Grab-n-go Hours

I-5 Starbucks Hours

I-6 Popology Hours

I-7 Louis’ Record Store Hours

I-8 The Trumpeter Hours

I-9 The Brew House

D-1 Exit Signage

D-2 Hotel Directory

D-3 Restrooms

D-4 ATM

D-5 Elevators

D-6 Stairs

R-1 Staff Only

R-2 Employee Offices

R-3 Storage

R-4 Mechanical

R-5 Staff Only Kitchen

R-6 Manager’s Office

directional restricted

HOSPITALITY30

HOSPITALITY

The Bronson Hotel is an industrial-themed boutique hotel located in the heart of the Arts District. Popology, Louis’ Records, Starbucks, The Brew House, and The Trumpeter are all conveniently located within the hotel for the guests as well as other visitors in the Arts District. The renovation of the 1910 warehouse allows for new wayfinding solutions that will benefit not only the hotel guests, but also the staff and other contract employees. The signage is copper in color and texture with brown text in all caps for ease of reading.

WAYFINDING FOR THE BRONSON

31

EDUCATION32

The School of Contruct ion project or iginated because of our

current space cal led the Kate Hubbard Bui lding. I t ’s a smal l house on

the outsk i r ts of campus and, as designers, we are always coming up

with new things to add or rennovate. Hence, this project includes the

demol it ion of our current bui lding and the addit ion of a huge School of

Construct ion bui lding that is to encompass inter ior design, architecture,

and construct ion work spaces.

We were given a program to guide us in designing the new two

story bui lding but we were also given free reign to add things that

we would l ike in a workspace as students in the department. We also

interviewed other students, faculty, and staff to include in our research.

One big component of this project was to include ‘Global Design’ in

our bui lding. Southern Miss has over 180 countr ies represented in i ts

student populat ion, so designing for dif ferent cultures is an important

part of the design.

EDUCATION DESIGN

SCHOOL OF CONSTRUCTION AT USM

PRESENTATION FIRST FLOOR PLAN PRESENTATION SECOND FLOOR PLAN

EDUCATION 33

EDUCATION34

INTERACTIVE LEARNING & GLOBAL PERSPECTIVE

In our research of schools and how students best learn, it became clear that students learn best through interacting with each other as well as with the professor. The newest idea for spatial planning is to have students sit in groups and have the professor move around the room using a cart to carry his or her laptop, books, etc. The years of stationary teachers and rows of desks are over. Students need to be more engaged and they all need equal interaction with the professor– not just the kids on the front row.

These two elevations speak to the global perspective that I tried to keep throughout the course of the project. The University of Southern Mississippi has enrolled students from all fifty states and from over 70 different countries. One of my goals was to incorporate every country represented, and what better way to do that than an atlas mural? This map is located in the lounge above the kitchen bar. Each student who visit the School of Construction is encouraged to add a push pin to their country of birth. The map will soon be filled with pins and we will be able to visually see the impact our school is having on the world. The second elevation I called the “Welcome Wall” is seen upon entering the facility. It contains the word “Welcome” in 14 different languages. We want every student to feel welcome at our beautiful university!

WELCOME WALL

BREAK ROOM ELEVATION

EDUCATION 35

SCHOOL OF CONSTRUCTION LOBBY

TYPICAL CLASSROOM FLOORPLAN

This floorplan is my interpretation of the modern classroom floor plan based on my research. There are tables with chairs around them and every piece of furniture has wheels so it is able to move around the classroom as needed. As shown on the floor plan, there are three flat-screens mounted on the walls at each table so that students at the table can broadcast their work on the screen for their classmates to see. The teacher’s desk can move as well and he/she has a cart that can roll around the room for supplies. There is also a round table in the middle for groups to come together for class discussions or large group projects.

HEALTHCARE36

HEALTHCARE DESIGN

LUMBERTON CLINIC

Lumberton, Miss iss ippi i s considered 100% rural according to City-data.com. I ts populat ion is 2,149. In such a rural area, healthcare is very l imited and not up to par. Whi le designing the Lumberton Healthcare Cl in ic, the needs of the people and how much special technology would be needed for the cl in ic were key factors in the design process. For example, a vis i t ing special ist exam room is provided because the major i ty of Lumberton cit izens cannot afford to travel, even for health services. The median income for Lumberton res idents i s $20,631 which is s ignif icant ly low s ince the Miss iss ippi

median is $36,919. These fami l ies are not making enough money for t ravel ing, s ince the special ists they need are sometimes quite a distance away. One of the features of a rural healthcare cl in ic must be that i t can accommodate a vis i t ing special ist . (Citydata.com) Another promis ing addit ion to healthcare design is telemedicine. Telemedicine is the practice of talk ing on the phone or skyping with a doctor in a dif ferent location f rom a local doctor’s off ice. Telemedicine cuts costs completely because neither the patient nor the special ist have to travel. These

appointments are set up by the doctor’s off ice and help patients out a lot. I t i s also helpful for homebound adults who are unable to go to the cl in ic. They can set up appointments over the phone and over skype that can be done r ight f rom their l iv ing rooms. Another plus to telemedicine is that the patients are able to record the conversat ion on the computer to refer back to when needed and also have instant access to al l of their medical records. Cons of telemedicine are also prevalent especial ly for t radit ional southerners. F i rst of al l , the direct physical contact between the doctor

and patient is miss ing from the exam. The doctor i s able to see the patient on the screen, but not touch his or her physical body which is sometimes necessary when deal ing with certain i l lnesses. Another prevalent concern is for the age of the doctors and patients. Many of them may be older and not as comfortable with technology as the younger generat ion is . More practical ly, things such as power outages and loss of internet connection can lead to miscommunication between the doctor and patient.

HEALTHCARE 37

BUBBLE DIAGRAM

TRAFFIC PATTERN PLAN HAND DRAFTED FLOOR PLAN

Relatable to the Lumberton Residents The design for Lumberton Healthcare will promote an at-home feeling for the patients so that they feel comfortable and cared for. In order to make them feel at home, the design will be em-bellished with greens and browns emblematic of Lumberton’s biggest industry, logging. There will also be touches of Lumber-ton heritage such as old documents, local artwork, and logging photos.

Infection control In order to control the spread of infection, the clinic will have Crypton and Vinyl coverings for furniture and non-porous floor-ing in all treatment areas. The furniture in the waiting room will be easily maintainable and have removable fabric coverings for added cleanliness.

Easily navigable The way-finding for Lumberton Healthcare is very important. It’s imperative that the patients are able to find their way and that nurses can easily explain how to get from Point A to Point B. This will be achieved through good signage and the overall Space Plan of the clinic. The clinic is designed to be easily navigable because of the different pods. The five pods include Business, Diagnostic, Staff area, Examination area, and Nursing area. This design allows the patients to only be in certain parts of the clinic and keeps them from walking into private rooms.

Timeless Design A timeless design for Lumberton Healthcare is very important. From the furniture to the fabrics, it should all stand the test of time. In order to achieve this goal, the furniture, fabrics, and other fin-ishes will be classic colors and a neutral pattern or texture. Time-less design is even more important for Lumberton because of their financial situation. It’s very important for the design to last a long time because money for renovations in the future will be scarce.

DESIGN GOALS

LUMBERTON CLINIC FLOORPLAN

HEALTHCARE38

HEALTH, SAFETY, WELFARE PLAN

Health H-1 Walls in ALL bathrooms MUST be impervious to moisture.

H-2 Each examination/observation room shall have a minimum clear floor area of 80 sq. feet

H-3 Room arrangement shall permit a minimum clear dimension of 2’-8” at each side and at the foot of the examination table, recliner or chair.

H-4 A hand-washing station shall be provided in the exam room

H-5 Provisions shall be made for separate collection, storage and disposal of soiled materials (Soiled Holding Area)

H-6 Toilet rooms with hand-washing stations shall be provided adjacent to procedure room(s) if procedures provided require patient toilet facilities.

H-7 Public corridors shall have a minimum width of 5’.

H-8 Hand sanitation dispensers shall be provided in addition to hand –washing stations.

H-9 Selected flooring surfaces shall be easy to maintain, readily cleanable and appropriately wear-resistant for the location.

H-10 Wall finishes shall be washable. In the vicinity of plumbing fixtures, wall finishes shall be smooth, scrub able, and moisture-resistant.

H-11 Wall protection devices and corner guards shall be durable and scrub able.

n/a- The medical records area shall be located to maintain confidentiality of records and shall be either restricted to staff movement or remote from treatment/public areas.

SafetyS-1 Exits MUST open in the direction of exit travel, and when open in any position, shall NOT

project more than 7” into any corridor.

S-2 Paths of travel leading to an exit MUST NOT pass through a secondary space that issubject to closure by doors or that contains storage materials or has items that projectinto the path of travel.

S-3 Flooring in ALL public bathrooms MUST be slip-resistant.

S-4 ALL grab bars at toilets MUST be 36” to 42” long, mounted at 34” AFF.

S-5 ALL exposed hot water pipes and drains MUST be insulated or otherwise protectwheelchair users from burns on the legs.

S-6 ALL objects located on a wall between 27” and 80” AFF MUST NOT protrude more than 4”into an egress path of travel.

S-7 Staff-only corridors shall be permitted to be 3’-8” wide unless a greater width is required by NFPA 101.

S-8 Slip resistant flooring products shall be considered for flooring surfaces in wet areas (e.g. Kitchens, shower, and bath areas), ramps, and entries from exterior to interior spaces, and areas that include water for patient services.

S-9 Highly polished flooring or flooring finishes that create glare shall be avoided.

S-10 Sharp, protruding corners shall be avoided.

WelfareW-1 ALL door openings shall be a MINIMUM of 3’-0” wide with an

18” clear space on the pull side of the door and a 12” clearspace on the push side of the door.

W-2 ALL accessible (barrier-free) counters (sinks, reception, etc.)MUST be a maximum of 34” AFF and a minimum of 27” clearknee space below.

W-3 Bathrooms MUST be accessible (barrier-free) with a 5’-0” turning circle (shown as a dashed line).

W-4 Bathroom grab bars MUST be indicated in appropriatelocations on the plan. This includes two (2) grab bars for atoilet. Refer to lecture notes and slide show for more details.

W-5 Sinks in ALL public bathrooms MUST have clear knee access

W-6 ALL accessible (barrier-free) wall mounted cabinets or shelves located above a work surface MUST NOT exceed 46” AFF.

W-7 There MUST be a MINIMUM of 44” between parallel worksurfaces.

W-8 ALL accessible (barrier-free) counters require clear knee space of at least 30”w x 19”D.

W-9 ALL accessible (barrier-free) base cabinets require a 3”D x 9”Htoe kick.

W-10 Provisions shall be made to preserve patient privacy from observation from outside and examination/treatment room through an open door

W-11 A counter or shelf space for writing or electronic documentation shall be provided in the exam room.

W-12 A toilet for patient use shall be provided separate from the public use toilet(s) and located to permit access from patient care areas without passing through publicly accessible areas.

W-13 Conveniently accessible provisions for drinking water shall be provided

W-14 Consideration should be given to special needs of specific patient groups in a share/general waiting area, such as separation of adolescent and geriatric patients.

W-15 Provisions shall be made for securing medical records of all media types

W-16 Flooring surfaces shall allow for ease of ambulation and self-propulsion.

W-17 Flooring surfaces shall provide smooth transitions between different flooring materials.

W-18 Color contrast between walls and floors and minimized transitions to different types of flooring may reduce falling risk.

W-19 Flush thresholds should be used to reduce tripping.

H-1

H-2

H-3

H-4H-4

H-5

H-6

H-7

H-8

H-9

H-10

H-11

S-1

S-2

S-3

S-4S-5

S-6

S-7

S-8S-9

S-10

W-2

W-1

W-3

W-4

W-5

W-6

W-7

W-8

W-9

W-10

W-11

W-12

W-13

W-14

W-15

W-16

W-17

W-10

W-18

W-19

Health

Safety

Welfare

HEALTHCARE 39

LOBBY RENDERED FLOOR PLAN

RENDERED LOBBY

HEALTHCARE40

CF Stinson Vinyl SeatingDiva Limelight DVA 49

CF Stinson CryptonPerformance FabricAegean Jambi Stripe 62317

MaharamUpholsteryChime 465350

ADA COMPLIANT PUBLIC RESTROOM

TYPICAL EXAM ROOM

RECEPTION DESK/CHECK-IN

HEALTHCARE 41

A

B

C

D

E

F

G

H

I

J

K

L

N

ADA Compliant Restroom

ADA:A. 5’ wheelchair turning radius B. 30”x48” wheelchair space at sinkC. 32” door clearanceD. 34” max lavatory height E. 27” knee clearance at sinkF. 18” from wall to CL of toilet G. 44” long, 12” from side wall grab barsH. 48” mounting height for paper towel

dispenser I. 48” mounting height for soap dispenser J. 48” mounting height for mirrorK. 19” mounting height for toilet paper

dispenser

INFECTION CONTROL:L. Nonabsorbent flooringM. Rounded ceramic baseN. Sensor faucets

RESIDENTIAL DESIGN

DOVE HOUSE

The Dove House project is based on a real house in Hatt iesburg, MS that was in desparate

need of a rennovation. Our professor had us draw different scenarios out of a bowl and design

the house based on those requirements. For example, we were given a couple or s ingle person,

age group, hobbies, disabi l i t ies, and their ethnicity.

I had a couple in their mid thi r t ies, the husband was Caucasian, the wife was Asian, they

had 3 l i t t le gi r l s , and he bui l t model t rains. So, I designed the house based on their needs which

included 4 bedrooms, a model room/off ices, and a playroom across f rom the k itchen so the gir l s

could play whi le their mother cooked.

The project also included specify ing f in inshes and furniture, and pr icing the furniture. The

four f in ish boards for this project are located within this segment.

RESIDENTIAL42

RESIDENTIAL 43

RENDERED BEDROOM FURNITURE PLAN

EXTERIOR PERSPECTIVE

BEDROOM RENDERING

RESIDENTIAL44

RESIDENTIAL 45

DOVE HOUSE BUBBLE DIAGRAM

RENDERED LIVING ROOM FURNITURE PLAN

DOVE HOUSE SPACE PLAN

VIGNETTE SKETCHES

WD

DN

12

' -

5"

FP

MASTER BATH

CLOSET

BATHROOM

BEDROOM #1

BEDROOM #2

BATHROOM

BEDROOM #3

STORAGE

CLOSET

FP

KITCHEN

PLAY ROOM

MUD/LAUNDRY RMOFFICE

LIVING RM

DINING NOOK

CORRIDORS

PANTRY HALF BATH LINEN CLOSET

PATIO

HOT TUB

DW

REF

CUBBIES

BENCH

SHELVING

2' -

1 1

/2"

23' - 10"

16

' -

7"

12' - 2"

FAMILY PORTRAITS

Scale 1/8" = 1'-0"

1/2

2/2

01

6 5

:44

:21

PM

A107

SPACE PLANNo. Description Date

BEDROOM FINISH BOARD (1 OF 2) BEDROOM FINISH BOARD (2 OF 2)

LIVING ROOM FINISH BOARD (1 OF 2) LIVING ROOM FINISH BOARD (2 OF 2)

RESIDENTIAL46

TINY HOUSE INTERIOR

RESIDENTIAL DESIGN

TINY HOUSE 2-WEEK PROJECT

The 2-week t iny house project or iginated

from learning about how architects and designers

are becoming increasingly concerned with social

change. We learned about the new concept of

‘t iny houses’ that are bui l t in smal l communit ies to

help batt le the growing homeless populat ion in the

United States.

In addit ion to that, people are buying t iny

houses to use as vacation homes al l over the

country. This part icular project was given to us to

do just that, create a smal l vacation home. We

were able to design the exter ior and inter ior of the

house in any sty le we chose and it must be less

than 600 sqaure feet.

This house is designed in the craftsman sty le

and is nest led in the mountains of Tennessee. I t i s

545 square feet and includes one bedroom, one

bathroom, two l iv ing areas, a smal l k i tchen, laundry

faci l i t ies, and a dining nook. The loft i s open to

below and it houses the entertainment center and

poker table.

TINY HOUSE EXTERIOR

TINY HOUSE STACKING PLANTINY HOUSE ELEVATIONS

TINY HOUSE MAIN &LOFT FLOOR PLANS

RESIDENTIAL 47

RESIDENTIAL DESIGN

Lawler Kitchen

RESIDENTIAL48

This k i tchen renovation was designed in a Spanish eclect ic sty le

to match the 1925 histor ic home. Mater ials used in this design include

al l -natural honed f in ishes as desi red. E ighteen-inch honed Travert ine

t i le f loor makes for minimal grout l ines and 2 1/2” Carrera marble for

the counter tops and backsplash complements the f loor’s natural

look. New Kraftmaid cabinets wi l l be instal led with a Walnut f in ish to

coordinate with the color scheme of browns, soft muted yel lows, and

creamy whites. Glass cabinet door f ronts wi l l be instal led on the north

wal l at the s ink, and ant ique plates wi l l be displayed on the north wal l

between the two glass cabinets.

The breakfast nook was designed to seat 5 people and is also

custom bui l t for storage. Two large drawers pul l out of the L-shaped

bench to store large pots and pans or appl iances not often used. A

pantry was also added to account for the cl ient often buying food in

bulk. Large pi l lows with a brown, ‘chunky’ herr ingbone pattern provide

cushion for the back of the bench and add a cozy feel to the k itchen.

The cei l ing was lowered to add recessed l ight ing and wood beams that

complement the Spanish theme.

KITCHEN FLOORPLAN

EAST ELEVATION WEST ELEVATION

SOUTH ELEVATION NORTH ELEVATION

RESIDENTIAL 49

FLOOR PLAN AND SPECIFICATIONS

RESIDENTIAL50

LIGHTING PLAN

DIGITAL FF&E BOARD RENDERED SOUTH VIEW

RESIDENTIAL 51

RESIDENTIAL DESIGN

OUMA’S HOUSE

The goal of the exter ior design of Ouma’s Cottage was to f ix a l l issues and rejuvenate the house with a new

paint scheme, landscaping, and l ight ing. The addi t ion of gut ters wi l l help wi th drainage and a wooden trel l is awning

wi l l provide shade over the windows on the front of the house. The front porch has been restructured to f ix water run-

off to the f ront door and new wood rai l ings have been added.

For the back of the house, we added a back porch for social gather ing wi th new outdoor furni ture and a new

wal l sconce. The dr iveway has been re-f in ished with a wooden trel l is car port constructed over the parking area. The

covered trel l is leads to the back door for carry ing in i tems without gett ing wet f rom rain. The outdoor shed has been

plastered and painted to match the main house, new asphal t shingles on the roof, and a new painted door wi th a wal l

sconce on the outside. New trees, shrubs, and f lowers wi l l f in ish the exter ior, g iv ing an invi t ing and homey element

to a once dreary house.

DIGITAL PRESENTATION BOARD

RESIDENTIAL52

EXTERIOR VIEW

3D FLOOR PLAN

LIVING ROOM

DINING ROOM

KITCHEN

MASTERBEDROOM

BEDROOM

BATHROOM

LAUNDRYCLOSET

ENTRANCE

DIRECT ADJACENCY

MINOR ADJACENCY

LEGEND

Ouma’s Cottage

BUBBLE DIAGRAM

RESIDENTIAL 53

CREATIVE54

CREATIVE

ROCK ME MAMA LIKE A WAGON WHEELCHARCOAL ON BRISTOL

CREATIVE 55

CONEY ISLANDCHARCOAL ON GRAY BRISTOL

TEACHER’S PETINK ON BRISTOL

CREATIVE56

BALLIN’ CHARCOAL ON BRISTOL

DISCORDINK ON PAPER

CREATIVE 57

2727 Elmside Dr.Houston, TX 77042

334.322.9034

EMILY.S.STINEMETZ@GMAIL.COM

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