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RAMP: IMAXTREE; PORTRAIT: COURTESY ERDEM
Meet Erdem
Moralioglu, the designer who
changed the way the British capital dresses and bridged the gap between artisanal
workmanship and m
ass appeal
By Jeena Sharma
LON
DON
EYE
In the lives of most young designers, opening an independent flagship
store with no support from
sponsors or investors is a dream, let alone
having a store in one of the most high-end areas in one of the m
ost expensive cities in the w
orld. But for London-based Canadian-Turkish
designer Erdem M
oralioglu, that dream cam
e true a few m
onths ago in London’s posh M
ayfair, marking the tenth anniversary of his
eponymous label. “Erdem
has established a successful business, never com
promising his vision or independence to create a brand that is
equally comm
ercial and creative,” says Sebastian Manes, buying and
merchandising director at Selfridges, London. M
oralioglu’s signature is a feminine yet m
odern take on wom
enswear,
and he has been creating sartorial fairy tales for wom
en like Michelle
Obam
a, Keira K
nightley, Sienna Miller, and K
ate Middleton since 2005.
And his ow
n story is nothing short of a fairy tale. Born and raised in
Montreal, he grew
up watching French couture show
s and Tim
Blanks
on Channel Five, w
hile his mother shared her love of Im
pressionism
and Manet w
ith him and his tw
in sister, Sara. The fem
ale influences in his childhood got him
“preoccupied with how
wom
en looked”. D
ue to the cultural mix his parents w
ere, he also admits to feeling
a sort of rootlessness. “My m
other was from
Birm
ingham w
hile m
y father was Turkish. A
nd my sister and I w
ere born in Montreal.
I always grew
up with a sense of displacem
ent. My m
other was alw
ays hom
esick and so was m
y father, and I grew up as if I didn’t have
any roots,” he confesses. This disparity inspired him
to move
away and find his ow
n. After a short stint as an intern at V
ivienne W
estwood, the designer w
on the Cherening Scholarship to for an
MA
at London’s Royal C
ollege of Art in 2000, w
here he met his
long-term partner, Philip Joseph.
Like many young artists in London, he struggled to find the m
eans to establish him
self, and only in 2005 did he debut his first collection at London Fashion W
eek’s Fashion Fringe. The follow
ing season, he sold his entire range to B
arneys New
York. In 2009, then British prim
e m
inister’s wife, Sarah Brow
n, was spotted in one of M
oralioglu’s popular pieces, as w
ere a few other w
omen politicians. T
his was a m
ajor turning point in his life, along w
ith his Fall 2010 collection, which show
cased his signature printed dresses in lace and silk and founded his skills as a m
aster pattern-cutter. Around this tim
e, his collaborations with
eyewear brands such as C
utler and Gross and w
omen’s footw
ear designer N
icholas Kirkw
ood also brought him steady fam
e. He has
since won num
erous grants and prizes, including the British Fashion
Council’s Fashion Forw
ard fund and Fashion Enterprise award. T
hese w
ere of pivotal significance in supporting him financially.
But his self-m
ade fashion empire can also be credited to his passion
for creating something beautiful for w
omen, and his ability to take
something from
concept to creation. “My ideas becom
e tangible when
I design something and fit it, and understand how
a wom
an feels in it. I love it w
hen something goes from
just an idea to reality.” ³