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275 274 RAMP: IMAXTREE; PORTRAIT: COURTESY ERDEM Meet Erdem Moralioglu, the designer who changed the way the British capital dresses and bridged the gap between artisanal workmanship and mass appeal By Jeena Sharma LON DON EYE In the lives of most young designers, opening an independent agship store with no support from sponsors or investors is a dream, let alone having a store in one of the most high-end areas in one of the most expensive cities in the world. But for London-based Canadian-Turkish designer Erdem Moralioglu, that dream came true a few months ago in London’s posh Mayfair, marking the tenth anniversary of his eponymous label. “Erdem has established a successful business, never compromising his vision or independence to create a brand that is equally commercial and creative,” says Sebastian Manes, buying and merchandising director at Selfridges, London. Moralioglu’s signature is a feminine yet modern take on womenswear, and he has been creating sartorial fairy tales for women like Michelle Obama,Keira Knightley,Sienna Miller,and Kate Middleton since 2005. And his own story is nothing short of a fairy tale. Born and raised in Montreal, he grew up watching French couture shows andTim Blanks on Channel Five, while his mother shared her love of Impressionism and Manet with him and his twin sister, Sara. The female inuences in his childhood got him “preoccupied with how women looked”. Due to the cultural mix his parents were, he also admits to feeling a sort of rootlessness. “My mother was from Birmingham while my father was Turkish. And my sister and I were born in Montreal. I always grew up with a sense of displacement. My mother was always homesick and so was my father, and I grew up as if I didn’t have any roots,” he confesses. This disparity inspired him to move away and nd his own. After a short stint as an intern at Vivienne Westwood, the designer won the Cherening Scholarship to for an MA at London’s Royal College of Art in 2000, where he met his long-term partner, Philip Joseph. Like many young artists in London, he struggled to nd the means to establish himself, and only in 2005 did he debut his rst collection at London Fashion Week’s Fashion Fringe.The following season, he sold his entire range to Barneys NewYork. In 2009, then British prime minister’s wife,Sarah Brown,was spotted in one of Moralioglu’s popular pieces, as were a few other women politicians. This was a major turning point in his life, along with his Fall 2010 collection, which showcased his signature printed dresses in lace and silk and founded his skills as a master pattern-cutter. Around this time, his collaborations with eyewear brands such as Cutler and Gross and women’s footwear designer Nicholas Kirkwood also brought him steady fame. He has since won numerous grants and prizes, including the British Fashion Council’s Fashion Forward fund and Fashion Enterprise award. These were of pivotal signi cance in supporting him nancially. But his self-made fashion empire can also be credited to his passion for creating something beautiful for women, and his ability to take something from concept to creation. “My ideas become tangible when I design something and t it, and understand how a woman feels in it. I love it when something goes from just an idea to reality.” ³
Transcript
Page 1: Erdem 1 (1)

275274

RAMP: IMAXTREE; PORTRAIT: COURTESY ERDEM

Meet Erdem

Moralioglu, the designer who

changed the way the British capital dresses and bridged the gap between artisanal

workmanship and m

ass appeal

By Jeena Sharma

LON

DON

EYE

In the lives of most young designers, opening an independent flagship

store with no support from

sponsors or investors is a dream, let alone

having a store in one of the most high-end areas in one of the m

ost expensive cities in the w

orld. But for London-based Canadian-Turkish

designer Erdem M

oralioglu, that dream cam

e true a few m

onths ago in London’s posh M

ayfair, marking the tenth anniversary of his

eponymous label. “Erdem

has established a successful business, never com

promising his vision or independence to create a brand that is

equally comm

ercial and creative,” says Sebastian Manes, buying and

merchandising director at Selfridges, London. M

oralioglu’s signature is a feminine yet m

odern take on wom

enswear,

and he has been creating sartorial fairy tales for wom

en like Michelle

Obam

a, Keira K

nightley, Sienna Miller, and K

ate Middleton since 2005.

And his ow

n story is nothing short of a fairy tale. Born and raised in

Montreal, he grew

up watching French couture show

s and Tim

Blanks

on Channel Five, w

hile his mother shared her love of Im

pressionism

and Manet w

ith him and his tw

in sister, Sara. The fem

ale influences in his childhood got him

“preoccupied with how

wom

en looked”. D

ue to the cultural mix his parents w

ere, he also admits to feeling

a sort of rootlessness. “My m

other was from

Birm

ingham w

hile m

y father was Turkish. A

nd my sister and I w

ere born in Montreal.

I always grew

up with a sense of displacem

ent. My m

other was alw

ays hom

esick and so was m

y father, and I grew up as if I didn’t have

any roots,” he confesses. This disparity inspired him

to move

away and find his ow

n. After a short stint as an intern at V

ivienne W

estwood, the designer w

on the Cherening Scholarship to for an

MA

at London’s Royal C

ollege of Art in 2000, w

here he met his

long-term partner, Philip Joseph.

Like many young artists in London, he struggled to find the m

eans to establish him

self, and only in 2005 did he debut his first collection at London Fashion W

eek’s Fashion Fringe. The follow

ing season, he sold his entire range to B

arneys New

York. In 2009, then British prim

e m

inister’s wife, Sarah Brow

n, was spotted in one of M

oralioglu’s popular pieces, as w

ere a few other w

omen politicians. T

his was a m

ajor turning point in his life, along w

ith his Fall 2010 collection, which show

cased his signature printed dresses in lace and silk and founded his skills as a m

aster pattern-cutter. Around this tim

e, his collaborations with

eyewear brands such as C

utler and Gross and w

omen’s footw

ear designer N

icholas Kirkw

ood also brought him steady fam

e. He has

since won num

erous grants and prizes, including the British Fashion

Council’s Fashion Forw

ard fund and Fashion Enterprise award. T

hese w

ere of pivotal significance in supporting him financially.

But his self-m

ade fashion empire can also be credited to his passion

for creating something beautiful for w

omen, and his ability to take

something from

concept to creation. “My ideas becom

e tangible when

I design something and fit it, and understand how

a wom

an feels in it. I love it w

hen something goes from

just an idea to reality.” ³

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