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ESCOFET is not only Industry and Product. It is also Design,
Architecture and Urban Landscape.
From the outset more than 125 years ago, ESCOFET has understood the importance of qua-
lity as the core of its business activity. The relevance of value added qualities and
differentiation to its products and services, its congruent application of the design
concept and its pioneering strategy of synergies between design, architecture and in-
dustry are the features that have allowed Escofet to remain at the forefront over the
years.
This focus has led Escofet to place its know-how and craftsmanship at the service of
professionals to mediate between the project and the manufacture of each design and
each specific product.
Our constant search and adaptation to the user’s needs is accompanied by proactive
participation in the culture of each historical moment, along with innovation in ma-
terials and, above all, design. A proactive attitude of collaboration and search for
synergies with and amongst all those who design the City is what has allowed Escofet
to keep going and progress on a journey of uniqueness and quality from its beginnings
to the present day.
For ESCOFET, Barcelona has been the source and the privileged centre of debate about
the construction of the modern city; about the role of research and the confirmation of
the functional quality, technical and design aesthetics of our products- our working
method. This methodology has allowed us to consolidate our Brand and our products in
both the national market and in more than 40 countries around the world. Our quality
is borne out in the work we have done in the course of more than 125 years of history,
and the numerous awards that our company and its products have received.
Building a Company, Building a City, Building a Future for the greater good has been
and remains the motivation for the work of Escofet.
For all of these reasons, we wish to thank all those who, in more than 125 years of
History, have made this solid business venture possible, the five family generations
who have developed and maintained the business plan, our shareholders, our directors,
every person who has worked or is working now with our company, and all those colla-
borators who have been and remain our points of reference in their different types of
participation in the construction of the city.
Ramon Farré – Escofet i París
Chairman of the Board
MARI
NA PORT VELL.
BARCELONA.SERGI CARULLA AND OSCAR BLASCO (SCOB ARQUITECTOS). PHOTO
GER
ARD
ARQU
É
6 7
ESCOFET was founded in 1886 to manufacture hydraulic tiles at the height of modernism. Architects like Antoni Gaudí and Lluís Domènech i Montaner designed models for ESCOFET which quickly became a symbol of the best architecture of the time for its beauty, functionality and innovation.
Two core aspects marked the company’s development and became icons of its identity: concrete, a base material in constant evolution, and Barcelona, birthplace and showcase of our work and our know-how. Both aspects have been instrumental in the success of ESCOFET over the years, facilita-ting the growth of our business and our expansion around the world.
The close relationship between ESCOFET and Barcelona’s public spaces began in the early 20th cen-tury and was consolidated over the years in step with the city’s great events: the Universal Expo-sition of 1888, the International Exposition of 1929, the paving for Las Ramblas, the Olympic Games and the pavement of Paseo de Gracia with an updated model of Gaudí’s paving tile, the production of columns, capitals, arches and windows for the Sagrada Familia, and now the new pavement for the Diagonal Avenue. More than 125 years of history have consolidated ESCOFET as a one hundred percent Barcelona company, not only by birth and location, but above all through its participation in the development and growth of the city.
OUR HISTORYMore than 125 years leave a mark
2001 … Design and Escofet: an inexhaustible convergence.ESCOFET’s involvement in the world of design and landscaping is rewarded with the Adi-FAD Golded Delta Prize for Lungomare, by Enric Miralles and Benedetta Tagliabue.
2011 … Slimconcrete - UHPC Escofet. Slimconcrete. A new technology for concrete enclosu-res, walls, lattices... and street furniture, incor-porating state-of-the-art concepts such as thinness, strength, durability and sustainability in a new vocabulary for the construction and definition of urban spaces.
2014 … DAE Collection. Escofet adopts the DAE collection as a new asset to complete its range of products for public spaces, landscaping and architecture projects, with a special emphasis on street furniture and lighting.
1992 … National Design Prize acknowledges ESCOFET’s long history. The company’s participation in major architectural projects is consolidated with work on the Barcelona 92 Olympic Games and street furniture for the renovated zones of the city.
1979 … First street furniture.ESCOFET begins its famous line of street furniture with the MODULAR bench, designed by Ramón Benedito and Josep Lluscà, inspired by the shape of the perimeter benches around the square in Gaudí’s Güell Park.
1970 … First architectural concrete.From horizontal to vertical: reinforced concrete facades bring our company into the realm of prefab walls.
1950-70 … “Vibrazo”, ESCOFET’s industrialization and patents change the face of cities.Two-layer vibrocompressed concrete pavements are brought to Spain by ESCOFET as an ideal paving solu-tion for indoor and public spaces. The central Las Ramblas paving design by Adolfo Florensa in 1968 res-tates the company’s presence in the city.
1906 … “Panot”, industrialization of urban pavement.ESCOFET wins a City Council tender for Barcelona’s pedestrian pavements. Our production of ‘Panots’ marks the start of a close relationship between our company and the public spaces of Barcelona.
1886 … Company founded to produce mosaic tiles. The Modernist mosaic tiles manufactured by ESCOFET in collaboration with leading architects such as Josep Pasco, Alexandre de Riquer, Josep Puig i Cadafalch and Lluís Domènech i Montaner are best exemplified in the Hexagonal Tile by Antoni Gaudí. 90 years later, an adaptation of the same model was used to pave Barcelona’s Paseo de Gracia.
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OUR DNA The heart of ESCOFET
Pioneers
Passion for InnovationESCOFET is a market leader thanks to its long experience, its audacity and its future vision. Our company is an interface between high-tech industry and contemporary architecture.
Our pioneering strategy of anticipating demand in interaction with our designers, our leadership in research into materials, particularly concrete, our creation of a universal vocabu-lary of urban elements and our accurate logistics are the key points of ESCOFET’s growth and international expansion.
Singularity
Passion for DesignESCOFET embodies a different, open working method, based on multidisciplinary exchanges with teams of consultant archi-tects, designers and artists who work with our own architects and engineers to reinterpret each process, each material, over and over again until we arrive at results that permit the crea-tion and dissemination of new solutions.
Tailor-made technology
Passion for QualityESCOFET’s long experience in the development of street furni-ture, paving and wall cladding in collaboration with leading architects and designers allows us to guarantee comprehensive support as a specialist consultant for complex projects and the provision of tailor-made solutions.
ESCOFET offers maximum flexibility to suit each project. We work with many materials (various types of concrete, alumi-nium, steel, wood, glass...). We research and innovate to ensu-re the best technology and highest quality finishes, textures and colours. These solutions are applied to our products, from simple manufactured items such as steps, curbs and copings to unique high added value elements.
LUNG
O MARE. EMBT ARQUITECTES. PASEO DE LA BARCELONETA. BARCELONA. PHOTO ROGER CASAS
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CREATIVE PROCESSFrom project to design
ESCOFET’s experienced team of technicians works with the designer from the concept to the technical production stage, situated as an interface between architect, project and product. This encounter provides an optimum competitive edge to manage projects and standardize uni-que items into products for widespread use, regardless of their complexity.
ESCOFET captures and adds the talents of its creators to the company’s production and publis-hing activities.
ESCOFET’s engineering department resolves each phase of the design process, transferring its know-how in the successive development stages up to the modelling of a new product.
ESCOFET tests its products in various stages of development in close collaboration with the designers.
ESCOFET applies different technologies to manu-facture its models and moulds, taking into ac-count the different shape of each design and the optimization of its future manufacture.
THE DESIGNER’S IDEA
TECHNICAL DEVELOPMENT
PROTOTYPING
MODELS AND MOULDS
GRAS
SHOPPER. MAK
OTO FUKUDA. CAVES LLOPART. SANT SADURNI D’ANOIA. PHOTO JORDI AZATEGU
I
FINISHES The finish on the product’s outer surface, the natu-ral expression of the mould, is acid-etched or polis-hed, depending on the technical and aesthetic requi-rements. Acid etching results in a similar finish to natural sandstone. The combination of aggregates of different sizes and colours, and the different textu-res of the acid etching process permit a wide variety of finishes.
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CraftsmanshipPRODUCTION AND FINISHES Water, aggregate and cement: with this basic recipe and the skills developed in the course of 125 years, ESCOFET 1886 manufactures its products under the constants of research into its production process and extending the potential of the materials in a dual thrust of advanced technology and craftsmanship.
ESCOFET’s Master Craftsmen combine experience, talent and technological innovation from the initial production of high quality moulds to the specific formulation of raw materials and final finishes, where each item follows a specific process.
OUR MOULDS
RAW MATERIAL AND FORMULATION
MOULDING AND DEMOULDING
INSTALLATION
We use steel, fibreglass-reinforced polyester, elastomers, plaster, styrofoam or wood in our moulds, depending on the shape of the product, the envisaged volume of output and the dimensional margins given in the technical specifications. The mould exteriors receive any reinforcement ne-cessary to support the weight and stress of the filling, handling and demoulding processes.
The fluid mixture is left to set in optimum con-ditions until demoulding. The number of moulds is determined by the size of each series and the use of each mould, once per day.
Our concrete is prepared in an automatic loading and dosing machine: water, aggregates, cement, dyes, armour, reinforcement fibres and chemical additives are the raw materials used in diffe-rent formulations.
PACKING AND PROTECTION The products are packed and protected for inter-national container shipping. We strive for optimum protection and ease of handling in compliance with all international transport regulations.
Another aspect of ESCOFET’s work is the study and implementation of the best ways to assemble and install our products on-site, an essential phase in concrete wall cladding projects, whe-re ESCOFET technicians develop the construction project and install the complete facade.
POLI
SHING AT THE ESCOFET PRODUCTION CENTRE. PHOTO JOSÉ HÈVIA
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In search of excellence MATERIALS: CONCRETE
Concrete with a self-compacting consistency. Ce-ment content: 350-400kg/m3. This historic base material has been analysed and innovated on by ESCOFET to produce new formulations, colours and textures. We currently have a basic range of 17 concrete finishes to choose from.
Concrete with a fluid/liquid consistency. Minimum cement content: 700kg/m3, with organic fibres. New UHPC technology has allowed us to toss aside previously assumed equations. Bending, twisting and reducing depths to thin slices, hitherto impossible due to the unyielding nature of concrete, are now feasible thanks to this new technology. Lightness and subtlety has won over weight and stiffness. Slimconcrete has revolutionized the concepts of thinness, strength, durability and sustainability in concrete.
SELF COMPACTING CONCRETE (HAC) SLIMCONCRETE (UHPC-ESCOFET)
COLOURS
TEXTURE
Different colours blended with the mass are obtained using the natural colours of our aggregate and additional UV-resis-tant stains.
The textured surface fi-nish of moulded concrete permits a wide range of textures and reliefs.
BOOM
ERANG. ARRIOLA&FIOL , AQUITECTOS.
CIVIC CENTER “ELS VIENESOS”. EL MASNOU. PHOT
O MA
RC V
IDAL
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STEEL CUT. STAINLESS STEEL. CAST STEEL. CAST ALUMINUM WOOD. GLASS. PLASTIC
In search of excellenceMULTIMATERIAL
ESCOFET is aware that every context needs a unique approach. We therefore also work with a wide range of materials (cast aluminium, stainless steel, Cor-Ten steel, painted steel, wood, glass, plastics...), in permanent research and innovation to ensure the best quality in textures, colours and high value-added technological finishes.
TRAM
ET TABLE, BENCH and STOOL. GARROFE
RS GARDENS. BARCELONA. PHOTO ANNA PERICAS
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ESCOFET PRODUCTS Our range
ESCOFET URBAN LIFE
DAE COLLECTION
BENCHES
LITTER BINS
PLANTERS
DRINKING FOUNTAINS
ESCOFET LIGHTING
STREET LIGHTING AND LAMPS
PATHWAY LIGHTS
COLUMNS
FEATURED ELEMENTS
ESCOFET WALK
ESCOFET BUILDINGS
PAVEMENTS FACADES
LATTICES TREE SURROUNDS
MOBILITY SPECIAL PROJECTS
Enjoying our everyday environs
Streetscapes are a “home for all”, open areas where we share and enjoy our common environ-ment. At ESCOFET Urban Life, we design ele-ments that facilitate relaxation, and also nurture and beautify our cities: ESCOFET ben-ches, seats, tables, planters, bubblers and litter bins are part of our collective ima-gination.
City light
Cities do not sleep. When the sun sets and the light fades, ESCOFET Lighting helps us to enjoy the other face of the city: its night-life. Street lights, pathway lights, columns and other lighting elements in the ESCOFET catalogue illuminate and mark public spaces for their night time use.
ESCOFET has included the DAE collection of products and designs to enhance and complement our current range. This is another step forward in design which serves our shared environs with new street furniture and lighting.
At street level
Streets, boulevards, promenades, squares and parks shape our city routes. Everything be-neath our feet, for free and orderly walking, strolling or running. At ESCOFET Walk, we de-sign the necessary elements at street level: pavers, tree surrounds, boundaries, bicycle racks, ... to facilitate citizen commodity and mobility.
Architecture in full view
The most visible face of the city is the ar-chitecture of its facades- large structures, emblematic areas. At ESCOFET Building we help architects to design and renovate the archi-tectural reality with a unique, beautiful touch. ESCOFET facades, brise soleils and other special products make each project a new benchmark.
STREET FURNITURE LIGHTING
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SEATS
DRINKING FOUNTAINS LITTER BINSPLANTERS
ESCOFET URBAN LIFEStreet furniture designed for the use and enjoyment of urban environment by citizens.
HEBI
BENCH. ELIES TORRES & J.A. MARTÍN
EZ LAPEÑA. FÒRUM PARK. BARCELONA. PHOTO RAMO
N MU
NTAD
ES
23
Elements that illuminate and highlight urban settings.
ESCOFET LIGHTING
STREET LIGHTING AND LAMPS PATHWAY LIGHTS
COLUMNS
KANY
A LIGHTING.
PORT OF FÒRUM. BARCELO
NA. PHOTO RAMÓN MUNTADAS
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PAVEMENTS
TREE SURROUNDS BOUNDARIES
MOBILITY
ESCOFET WALKConstructive, identifying pavements and elements that facilitate pedestrian mobility and comfort.
POBLE NOU PAVEMENT. GLÒRIES SHOPPING CENTER. BARCELONA. PHOTO ANNA PERICAS
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Architectural elements and enveloping facades at the service of architecture.
ESCOFET BUILDINGS
FACADES LATTICES
SPECIAL PROJECTS
SLIMCONCRETE FAC
ADE. GUINEUETA MARKET
EXTENSION. BARCELONA. DANIEL MÒDUL, ARCHITEC
T. P
HOTO
ANN
A PE
RICA
S
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A collection of urban elements that complements the ESCOFET range with products at the cros-sroads between innovation and tradition.
DAE COLLECTION
URBAN FURNITURE LIGHTINTG
MONTSENY CHAIR D
AE COLLECTION. LEOPOLD
O MILÁ. PHOTO GERARD ARQUÉ
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PARKS . BOARDWALKS . RESIDENTIAL AREAS . SCHOOLS . EXHIBITION CENTRES . CORPORATE BUILDINGS . PUBLIC PLACES . SHOPPING CENTERS . SEASONS AND SERVICE CENTERS .
Constructing shared spacesPROJECTS AND SCENARIOS ESCOFET projects can be grouped functionally according to the type of setting.
Marina Port Vell. Barcelona. Sergi Carulla and Oscar Blasco (SCOB Arquitectos). Photo Anna Pericas
ICARIA Planters. Jardín Cuatro Torres Business Area. Madrid. Broaddway Malyan Spain
TWIG. Expo Floriade 2012. Venlo. Holland KIWI Chairs. Orfila Square. Barcelona. Nahtrang Disseny
NIGRA CHAIRS. JA
RDÍN O’DONNELL. MADRID
. PAULA CABALLERO- DIEGO COLÓN DE CARVAJAL,
ARQU
ITEC
TOS.
PHO
TO M
IGUE
L DE
GUZ
MÁN
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Constructing shared spacesPROJECTS AND SCENARIOS
PARKS . BOARDWALKS . RESIDENTIAL AREAS . SCHOOLS . EXHIBITION CENTRES . CORPORATE BUILDINGS . PUBLIC PLACES . SHOPPING CENTERS . SEASONS AND SERVICE CENTERS .
Special benches. Campus Repsol. Madrid. Latz + Partner / Rafael de La-Hoz, arquitectos
LUNGO MARE and HEBI Bench. Palmeral de la Sorpresas. Málaga. Junquera arquitectos
ABRIL Benches. Ciudad de la Cultura de Galicía. Santiago de Compostela. Richard Meyer, architects
FLOR Bench. Palacio de Aiete. San Sebastian. Mansilla+Tuñon arquitectos
NAGUISA Benches. Intrepid Sea-Air-Space Museum. New York
NAGU
ISA BENCHES. FAIR ACCESS SOUTH OF BARCELONA. TOYO ITO, ARQUITECTOS. PHOTO ARCHIV
O ES
COFE
T
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CreatorsESCOFET PARTNERS
A&M Arquitectura - Adolf Florensa - Albert Puigdomènech - Albert Viaplana + Helio Piñón - Alda y Jover arquitectos - Alexander Lotersatain - Alexandre de Ríquer - Alfredo ArribasAlonso - Balaguer arquitectes associats - Andre Lompreta - De Fournier & Asociados - Àngels Colom - Antoni Sala - Antonio Montes - Arata Isozaki -Arkitema Architects - Arriola&Fiol Arquitectes - b720 Arquitectos- BAAS arquitectura - BCQ Arquitectes - Bernard Tschumi - Berta Barrio - Bo-naventura Bassegoda - Broadway Malyan Arquitectos & Designers - Bruno Reichlin - Buro Poppinga - Caballero+Colón de Carvajal estudio de arquitectura - Carlos Torrento - Carlos M. Albornoz - Carme Pinós - Corinne Vezzoni et Associés - Craig P. Verzone - Cristina Woods – Cruz y Or-tiz - Daniel Mòdol, DMDEAU - David Chipperfield - Antoni Gaudi - Diego Fortunato - diez+diez diseño - Eduardo Arroyo –Elías Torres - J.A Martinez-Lapeña - Eloi Juvila – EMBT Arquitectes – Emilia- na Dessign Studio - Emilio Tuñón - E n r i c Pericas - Enric M o y a - En- ric Steeg- mann i G a r c i a – Escofet. Lab -
Espinet·Ubach, arquitectes - Esteve Bonell - Estrella Ordoñez - EXP architectes - Federico Correa - Fernandez, arquitectos - Francisco Javier Rodriguez - fündc, fün design consultancy - Gae Benedito – Beendito Desgn - GBR Arquitectes - Gemma Bernal -Gerard Arqué - Gonzalo Milá - Hector Yuste - Helio Piñón - Iñaki Abalosisuuru arquitectos - J. Fabre i Oliver - Jansana, de la Villa, de Paauw, arquitecte – jaume Artigues - Jean Nouvel -Jean François Erhel - Joan Tenas Torres - Joan Miró - Joan Claudi Minguell - Joan Francesc Serra Andreu - Jordi Henrich - José Rafols - José Ignacio Gutiérrez López - Vázquez - José R. Coleman-Davis Pagán, arquitec-tos - Josep Muxart -Josep Lluscá - Josep Urgell - Josep Puig i Cadafalch - Josep Pascó - Josep L l o b e t i Bach - J o s e p R o s s e - lló i Til -Josep Ferran- do, arqui- t e c t e - Josep M. Pericas - Juan H e r r e - ros - Juan Carlos Inés - Juan Ig- n a c i o del Rio y Coll - J o r -n U t z o n -L35 Ar- q u i -t e c t e s - La Ville Rayée-Latz + Partner - L l u i s D o m e - nech i Mon- t a n e r - Luan- co, Duthi- lleul, Legrand architects - Man-silla + Tuñon - Puig i Cadafalch - Manuel Fonseca Gallego - Antoni Gaudi - Manuel Ruisanchez - Marc Aurel - Màrius Quintana -Martín Almiñana - Martín Caneda - Martirià Figueras – MBM Ar-quitectes -Mercé Llopis -Michèle i Miquel, arquitectes - Miquel Milá -Miquel Roig - Montse Periel -Mª Pilar Lavilla - Nahtrang Disseny - Nataniel Fuster - Normand Cinnamon - Olga Ta-rrasó - Oscar Tusquets -Pau Sierra - Pau Casaldàliga - Pei Cobb Freed & Partners - Pepe Gas-cón - Pere Riera - Pere Cabrera - Pere Puig - Philippe Kauffmann - Pich Aguilera Arquitectes - Toyo Ito - Piere Raoux - Rafael Masó - Rafael de La-Hoz Arquitectos - Ramon Forcada - Ramon Farré-Escofet - Ramon Benedito - Ramón Ubeda&Otto Canalda - Ravetllat · Ribas, arquitectes - Ribas & Ribas - Ricardo Bofill - Richard Rogers, Partnership - Rmp stephan lenzen landscha-fsarchitekten - Roselló-Sangenís, arquitectes - Sabaté Associats - Saeta Estudi - Salvador Fàbregas - Santiago Marco - SCOB Arquitectes - Sergi Godia - Serra&De la Rocha disseny - Ur-sula Kurtz - Vicente Corell - Vincent Guillermin - Xavier Isart - A&M Arquitectura - Adolf Florensa - Albert Puigdomènech - Albert Viaplana + Helio Piñón - Alda y Jover arquitectos - Alexander Lotersatain - Alexandre de Ríquer - Alfredo ArribasAlonso - Balaguer arquitectes associats - Andre Lompreta - De Fournier & Asociados - Àngels Colom - Antoni Sala - Antonio Montes - Arata Isozaki -Arkitema Architects - Arriola&Fiol Arquitectes - b720 Arquitectos- BAAS arquitectura - BCQ Arquitectes - Bernard Tschumi - Berta Barrio - Bonaventura Bassegoda
“Ohhh ....I just loooove Lun-gomare! .... We showed Esco-fet four sketches and they got excited”.
“I would say that we have somehow planted a flower and Escofet is watering it, giving it fertilizer and nurturing it. We have been lucky to see just how much Escofet cares for our flowers”.
“I have never seen the quality standards I’ve seen here an-ywhere else; the finishes are outstanding. When I think of concrete, the first thing that comes to mind is to design something for ESCOFET. They really inspire you to create more ideas”.
Benedetta TagliabueMansilla + Tuñón Alexander LotersztainLUNGOMAREFLOR TWIG
ESCOFET is a company that has managed to mature its product line and incorporate design as a core feature of its innovation and creation process. Always ahead of its time, this family business with a worldwide projection has encouraged synergies with industry sectors, championing side-by-side work as its methodology. Now as before, the company’s consolidated project-based culture has inspired empathy with leading figures in design and architecture, from Gaudí to a long list of prominent names.
ESCOFET knows it is essential to do multidisciplinary work with teams of consultant ar-chitects, designers and artists who can reinterpret each process, each material, over and over again until they arrive at results that allow us to generalize new solutions and foster a more stimulating generation of elements.
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AWARDSRecognition of a path
Gold Medal at the Universal Exhibition
of Barcelona 1888
Gold Delta Award 1961 to Hidraulic
Pavment for Antoni Gaudí
Gold Delta Award 1975 to pavement
TERCONAR for Jordi Ros Bofarull
National Design Award 1992 Escofet 1886. The trajectory of the Com-
pany over a century
Silver Delta Award 1993 to CARMEL for Enric Pericas and Estrella Ordóñez
Gold Delta Award 2001 to LUNGO MARE for Enric Miralles
and Benedetta Tagliabue
Silver Delta Award 2005 to GODOT bench
for díez + díez diseño
Silver Delta Award 2007 to NAGUISA
for Toyo Ito
TWIG, inInternational
Design Awards in Australia 2008
Escofet 1886, Award for Design Management 2011
“Public Prize” for GRASSHOPPER
in Delta Awards 2014
Since its foundation, ESCOFET has been recognized for its innovative output and its synergy with artists and designers. Its products, a true reflection of the artistic trends in each period, have been awarded the 1992 National Design Prize, three ADI-FAD Gold Deltas in 1961, 1975 and 2001, and the 2011 Chamber of Com-merce Prize for Design Management.
ESCOFET WORLDWIDE More than 40 countries
ESCOFET’s market was initially Spain and France. In the 1980’s, exports to France and countries in the Arab world intensified, and now the company has consolidated its international projec-tion in more than 40 countries.Thanks to the excellence of its products, ESCOFET is today an international point of reference in public spaces and architecture, with various types of presence in each country.
ESCOFET 1886 SAHead office & production
Polígono Industrial La Torre
Montserrat 162E 08760 MartorellBarcelona - Spain
T. 00 34 93 773 71 50F. 00 34 93 773 71 66
Head office & Production center
Other production centers
Distributors / Agents
Direct Sales
Commercial development in new markets
40 41
ESCOFET-OBRATUR México
Carretera Chetumal Cancún km 328+800
Construpark Local 740CP 77580 Puerto Morelos
Cancún, Quintana RooTel: +52 998 2873542
LUNGO MARE IN TH
E PABELLÓN MIES VA DE ROHE. BARCELONA. ENRIC MIRALLES -BENEDETTA TA
GLIA
BUE.
PHO
TO R
AFAE
L VA
RGAS
ESCOFET 1886 SAHead office & production
Polígono Industrial La TorreMontserrat 162
E 08760 MartorellBarcelona - Spain
T. 00 34 93 773 71 50F. 00 34 93 773 71 66
Printing date:November 20, 2014
ESCOFET 1886 SAHead office & production Polígono Industrial La TorreMontserrat 162E 08760 MartorellBarcelona - Spain T. 00 34 93 773 71 50F. 00 34 93 773 71 [email protected]
