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Evil Dead the Musical Overview - dramaticpublishing.com · Evil Dead the Musical Overview Product...

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Ready to Perform? When you are ready to perform, please apply for rights or contact our customer service department by clicking below. You will be prompted to log in We are happy to answer any or create an account. questions you may have Evil Dead the Musical Overview Product Code: E91000 To help you find the perfect musical for your next performance, we have provided this overview of the vocal and orchestral demands for this title. Solo Songs: Yes Ensemble/Large Chorus Songs: Yes Main Character Details: Ash (m): college age; G3-B5 vocals, difficult Cheryl (w): college age; G3-D5 vocals, moderate Annie (w): Mid-20s; A3-D5 vocals, moderate Linda (w): college age; B3-E5 vocals, moderate Scott (m): college age; D4-B5 vocals, difficult Ed (m): Mid 20s; A3-F5 vocals, moderate Jake (m): Mid-30s; G3-A5 vocals, difficult Total Number of Songs: 17 Vocal Demands: Difficult Orchestral Demands: Moderate Size of Orchestra: Small (2-4)
Transcript

Ready to Perform? When you are ready to perform, please apply for rights or

contact our customer service department by clicking below. You will be prompted to log in We are happy to answer any or create an account. questions you may have

Evil Dead the Musical Overview Product Code: E91000

To help you find the perfect musical for your next performance, we have provided this overview of the vocal and orchestral demands for this title. Solo Songs: Yes Ensemble/Large Chorus Songs: Yes Main Character Details: Ash (m): college age; G3-B5 vocals, difficult Cheryl (w): college age; G3-D5 vocals, moderate Annie (w): Mid-20s; A3-D5 vocals, moderate Linda (w): college age; B3-E5 vocals, moderate Scott (m): college age; D4-B5 vocals, difficult Ed (m): Mid 20s; A3-F5 vocals, moderate Jake (m): Mid-30s; G3-A5 vocals, difficult Total Number of Songs: 17 Vocal Demands: Difficult Orchestral Demands: Moderate Size of Orchestra: Small (2-4)

Sheet Music Sample Terms and Conditions

By downloading this sheet music sample, you agree to the following terms and conditions:

-This sheet music sample is available to assist you in the play selection process.

-You may view, print and download any of our sheet music samples for perusal purposes.

-Sheet music samples are not intended for performance, classroom or other use. For any of these uses, you must purchase playbooks and rent music materials via our website or by phone, fax or mail.

-A short sample is not always indicative of the entire work, and we strongly suggest reviewing the entire score and reading the entire play before planning a production or ordering a cast quantity of scripts.

The following pages contain copyright information and at least one page from a variety of songs within the show.

*** NOTICE ***The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISH-ING COMPANY, INC., without whose permission in writing no performance of it may be given. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admis-sion is charged. A play is performed any time it is acted before an audience. Current royalty rates, applications and restrictions may be found at our website: www.dramaticpublishing.com, or we may be contacted by mail at: THE DRAMATIC PUBLISHING COMPANY, INC., 311 Washington St., Woodstock, IL 60098.

COPYRIGHT LAW GIVES THE AUTHOR OR THE AUTHOR’S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the performance of their work. Conscien-tious observance of copyright law is not only ethical, it encourages authors to continue their creative work. This work is fully protected by copyright. No alterations, deletions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, videotape, film, or any information storage and retrieval system, without permission in writing from the publisher. It may not be performed either by professionals or amateurs without payment of royalty. All rights, including, but not limited to, the professional, motion picture, radio, television, videotape, foreign language, tabloid, recitation, lecturing, publication and reading, are reserved.

©MMXVI byBook and lyrics by GEORGE REINBLATT

Music by FRANK CIPOLLA, CHRISTOPHER BOND,MELISSA MORRIS and GEORGE REINBLATT

Music supervision by FRANK CIPOLLAAdditional lyrics by CHRISTOPHER BOND

Additional music by ROB DALEMAN

Printed in the United States of AmericaAll Rights Reserved

(EVIL DEAD: THE MUSICAL)

©Dramatic Publishing - NOT FOR PERFORMANCE

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5 Œ œœœ Œ œœœ

œ ‰ Jœ œ ‰ JœŒ .˙D G

Brightly (q=150)

Œ œœœ Œ œœœ

œ ‰ Jœ œ œw

D/F# A

Œ œœœ Œ œœœ

œ ‰ Jœ œ ‰ JœŒ .˙D G

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œ ‰ Jœ œ œw

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9 Œ œ œ œ œ œ œWe're all jammed in the car

‰ œ œœœ œ ‰ œ œœœ œ

œ ‰ jœ œ ‰ jœD

ALL:

˙ Œ œ œand we're

‰ œ œœœ œ ‰ œ œœœ œ

œ ‰ jœ œ ‰ jœG

œ œ œ jœ œ jœgo ing real ly far.

‰ œ œœœ œ ‰ œ œœœ œ

œ ‰ jœ œ ‰ jœD

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Lyrics by George Reinblatt & Christopher BondMusic by Frank Cipolla, Christopher Bond,

Melissa Morris and George Reinblatt

EVIL DEAD THE MUSICAL

CABIN IN THE WOODS

KNOBY: "... In the year thirteen hundred A.D., the bookdisappeared."

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˙

‰ œ œœ œ œœœ œœœ

œ ‰ jœ œœ œœG D/F#

Œ œ œ œ œ œ œDriv ing deep in to the

‰ œ œœ œ ‰ œ œœ œ

œ ‰Jœ œ ‰

Jœw

Em

œ œ ˙ ‰ jœtrees with

‰ œ œœ œ ‰ œ œœ œ

œ ‰Jœ œ ‰

JœwA

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15 jœ .œ jœ .œhot dogs chips and

‰ œ œœ œ ‰ œ œœ œ

œ ‰Jœ œ ‰

Jœw

E m

.˙ Œcheese.

œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ

œ œ œ œ œn œ œ#wA

‰ œ œ œ œ œ œ œTo make the week go quick er

œœœ Œ Œ œœœ

œœ Œ Œ œœD

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18 ‰ œ œ œ œ œ œ œwe packed a ton of liq uor

œœœ Œ Œ œœœ

œœ Œ Œ œœG

Œ œ œ œ œ œ œRye and Trop i can a

œœœ Œ Œ œœœ

œœ Œ Œ œœE m

œ œ œ œ œ œ œ œwe'll go to tal ly ba nan as

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ

œ œ œ œ œ œ œ œA

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2 1. CABIN IN THE WOODS - EVIL DEAD

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.˙ Œ

œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœœœœ œœ œœ œœ œœ œœ œœ œœ

A 7

œb œ œ œ œ œSpring break va ca tion is

‰ œ œœœbn œ ‰ œ œœœ œ

œœbb ‰ Jœœ œœ ‰ J

œœBb

œ ‰ jœjust bling bling cause

‰ œ œœ œ ‰ œ œœ œ.˙

Œ

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24 œ œ œ œ œ œ œsome thing in this mus ky air

œ œ œ œ œ œ œsome thing in this mus ky air

œ œ œ œ œ œ œsome thing in this mus ky air

œœœœ œœœœ œœœœ œœœœ œœœœ

œ ‰ jœ œ ‰ jœEm7

SHELLY:

SCOTT:

LINDA:

CHERYL:

ASH:

œ œ œ œ œ Œmakes us want to sing.

œ œ œ œ œ Œmakes us want to sing.

œ œ œ œ œ Œmakes us want to sing

œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ

œ ‰ jœ œ ‰ jœA 7

œ œ œ œ œ œ œCab in in the woods ooooh

œ œ œ œ œ œ œ(CABIN should be pronounced CA-BIN with a slight emphasis on the B throughout the work.)

œ œ œ œ œ œ œCab in in the woods ooooh

œ œ œ œ œ œ œCab in in the woods ooooh

œ œ œ œ œ œ œ

œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ

.œ Jœ ˙Œ œ Œ œ œD

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31. CABIN IN THE WOODS - EVIL DEAD

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27 œ œ ˙ ‰ jœA

.˙ Jœ

.˙ ‰ jœA

œ œ ˙ ‰ jœA

.˙ Jœ

˙̇˙

œ œ œ œ

.œ Jœ .œ Jœ‰ œ œ œ œ œ œ œA

œ œ œ œ œ œ œCab in in the woods yeah

œ œ œ œ œ œ œ

œ œ œ œ œ œCab in in the woods yeah

œ œ œ œ œ œ œCab in in the woods yeah

œ œ œ œ œ œ

www

.œ Jœ .œ JœŒ œ Œ œ œG

œ œ œ Œ œWe're

˙ œ

˙ Œ œWe're

œ œ œ Œ œWe're

˙ œ

wwww

.œ Jœ .œ Jœœ œ œ œ œ œ œ œD

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30

œ œ œ œ œ œ œfive col lege stu dents on our

œ œ œ œ œ œ œfive col lege stu dents on our

œ œ œ œ œ œ œfive col lege stu dents on our

˙̇˙ ˙̇̇

.œ Jœ .œ Jœ˙ ˙

B m F#m

œ œ œ œ œ œ œway to an old a ban doned

œ œ œ œ œ œ œway to an old a ban doned

œ œ œ œ œ œ œway to an old a ban doned

˙̇̇ ˙̇̇

.œ Jœ .œ Jœ˙ ˙G A

œ œ œ œ ˙cab in in the woods

œ œ œ œ ˙cab in in the woods

œ œ œ œ ˙ca bin in the woods

œœ œœ œœ œœ œœ œœ œœ œœ

.œ Jœ ˙wA sus

˙ Œ Oh yeah!

˙ Œ Oh yeah!

˙ Œ Oh yeah!

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ

.œ Jœ ˙wA 7

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4 1. CABIN IN THE WOODS - EVIL DEAD

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‰ œœœœ# œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ‰

œ œœ œœ œœ œœ œœ œœ

F#7

a la James Brown (q= 120)

4EVIL DEAD

jœœœœ# ‰ Œ

jœœ‰ Œ

‰ jœ œ œ œ œ .œ .œ œWhy have you dis turbed our sleep?

www

œœ>œœ.

≈ ..jœœ œœ

œœB m

CHERYL:

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4

˙

www

œœ>œœ.

≈ ..jœœ œœ

œœ

‰ jœ œn œ œ œ œ œA wak ened us from our

wwwn

œœ>œœ.

≈ ..jœœ œœ

œœB

o

œn œ jœ œ ‰an cient slum ber.

www

œœ>œœ.

≈ ..jœœ œœ

œœ

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7 ‰ œ œ œ .œ ‰You will die

wwww

œœ>œœ.

≈ ..jœœ

œœœœ

B m

œ œ œ œ œ .œ œ œ œ œnight mare is be fore you

wwww

œœ>œœ.

≈ ..jœœ

œœœœ

‰ jœ œn œ œ œ œ œ œ œ3 3

Like oth ers be fore you you're gon na

wwwn

œœ>œœ.

≈ ..jœœ

œœœœ

Bo

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Lyrics by George ReinblattMusic by Frank Cipolla, Christopher Bond,

Melissa Morris and George Reinblatt

LOOK WHO'S EVIL NOW

LINDA: "Cheryl, is everything okay?"

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œ œ ˙ Œtum ble.

wwwœœ>

œœ.≈ ..

jœœ œœœœ

œ œ œ œ œ œ œ œ œ ≈One by one we're gon na take you.

œœœ œœœ Œ

œœ œœŒ

B m

œ œ œ œ œ œ œ œ œOne by one noth ing you can do.

œœœ œœœ Œ

œœ œœŒ

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œ œ œ œ œ œ œ œOne by one you'll sure ly fall.

œœœ œœœ Œ

œœ œœŒ

œ œ œ œ œ œ jœ ‰ jœ ‰ œ3

One by one we're gon na kill you all.

œœœ œœœ Œ

œœ œœŒ

˙ Œ œ œNow I'll

œœ-œœ- œœ-

œœnn -œœ-

œœ- œœ-œœnn -

- -

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œ œ œ œ œ .œ œ œask you a ques tion not

www#

œ œ œ œ œ œE

œ œ œ œ œ œ ‰ jœwhere or why or how but

www#

œ œ œ œ œ œE7

wwho?

‰ œœœœ# œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ

œ œœ œœ œœ œœ œœ œœ œœF#7

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19 jœ ‰ Œ œ œ œ œ œ œ œLook who's e vil now!

jœœœœ# ‰ Œ

jœœ‰ Œ

Jœ ‰ Œ

∑ƒ

∑USCOTT: "What the hell happened to her?"

ASH: "Let’s put a blanket on her."

jœœœœ^

‰ Œ U

jœœ^ ‰ Œ U

B m

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..

..

..

..

.. ..22 ∑

‰ œœœœ# œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ‰

œ œœ œœ œœ œœ œœ œœ

G#7

∑VAMPCHERYL hops up and throws the blanket off.

jœœœœ#^ ‰ Œ

jœœ‰ Œ

Œ ‰Whooaaa! Sock it to me ba by!

jœœœœ#^ ‰ Œ

jœœ‰ Œ

CHERYL:

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œ œ œ œ .œ œ œ œ œ .œLook who's e vil look who's e vil

www

œœ>œœ.

≈ ..jœœ œœ

œœC#m

œ œ œ œ œ œ ≈ look who's e vil now. I said a

www

œœ>œœ.

≈ ..jœœ œœ

œœ

œn œ œ œ .œ œ œ œ œ .œlook who's e vil look who's e vil

wwwn

œœ>œœ.

≈ ..jœœ œœ

œœC#o

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œ œ œ œ œ œ ‰ jœlook who's e vil now. I

wwwn

œœ>œœ.

≈ ..

jœœ œœœœ

œ œ œ œ ‰ œ œ œ œ œheard you suck ers mock in' me and

wwww

œœ>œœ.

≈ ..

jœœ œœœœ

C#m

œ .œ œ œ œ œ ‰ jœcal lin' me a prude. Let's

wwww

œœ>œœ.

≈ ..

jœœ œœœœ

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31

œn œ œ œ œ œ .œ ≈ œ œ œsee if you're still laugh ing when I rip

wwwn

œœ>œœ.

≈ ..jœœ

œœœœ

C#o

œ œ œ œ œ œ œ œ ‰ jœout your fal lop i an tubes. I'll

wwwn

œœ>œœ.

≈ ..jœœ

œœœœ

Jœ œ Jœ œ œ ‰ œtwist your fun bags and

wwww

œœ>œœ.≈ ..

jœœœœ

œœC#m

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34. LOOK WHO'S EVIL NOW - EVIL DEAD

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812

812

812

œœœ œœœ œœœ œœœ œœœ œœœœœœœœ œœœœ œœœœ œœœœ œœœ œœœ

..œœ ..œœ..œœ ..œœ

C F

12EVIL DEAD

Doo Wop (Œ=150) Œ . œ jœ œ jœ jœ œAll the men in my

...œœœ . Œ .

..œœ . Œ .

C

ANNIE:

.˙ œ jœ jœ œlife keep get ting

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ

.˙ .˙F

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.œ ‰ œ œ œ jœ jœ œkilled by Can dar i an

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ

.˙ .˙G

.wde

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ

.˙ .˙F

.˙ .mons.

‰ . All the men in your life keep get ting

...˙̇̇ ...˙̇̇

..œœ œ œ œ ..œœ œ œ œ

C F

ASH:

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7 Œ . Œ . Œ . œ œ œFirst there was

‰ Œ .killed by Can dar i an de mons?

...˙̇̇ ...œœœ Œ .

..œœ œ œ œ ..œœŒ .

C G

.œ Œ . Œ jœ œ œ œEd, a real ly nice

...œœœ ...œœœ ...œœœ ...œœœ

..œœ œ œ œ ..œœ œ œ œ

C F

.˙ .œ ‰ œ œguy. Did n't

...œœœ ...œœœ ...œœœ ...œœœ

..œœ œ œ œ ..œœŒ .

C G

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Melissa Morris and George Reinblatt

ALL THE MEN IN MY LIFE KEEPGETTING KILLED BY CANDARIAN DEMONS

ASH: "What was that?"ANNIE: "I said…"

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.œ .œ œ jœ œ œ œtalk too much but I did n't

...œœœ ...œœœ ...œœœ ...œœœ

..œœ..œœ ..œœ ..œœ

A m G/B C

.œ Œ . Œ . œ œ œmind. I was all

...œœœ ...œœœ ...œœœ ...œœœ

..œœ.œ .œ .œ

G

jœ œ .œ Œ jœ œ œ œset to mar ry

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ

..œœ œ œ œ ..œœ œ œ œC F

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.˙ .œ ‰ œ œhim but be

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ

..œœ œœjœ ..˙̇

C

œ œ œ œ jœ .œ œ jœfore we could con su mate Ed was

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ

..œœ..œœ ..˙̇

A m7 G/B C

jœ ‰ ‰ .œ œ œ œ œ œ œkilled by a Can dar i an

Jœœœ ‰ ‰ Œ .

..˙̇

jœœ‰ ‰ ..˙̇ Œ .

G

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œ jœ .œ Œ . Œ .de mon.

Œ jœ œ œ œ œ œ œ œ œ œCan dar i an de mon Can dar i an

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ

..œœ œ œ œ ..œœ œ œ œC F

ASH:JAKE:

ANNIE:

Œ . Œ . Œ . œ œ œThen it was

œ œ œ œ œœ œœ jœœ œœŒ .

de mon Can dar i an de mon.

œœœ œœœ œœœ œœœ œœœ œœœ ...œœœ Œ .

..œœ œ œ œ ..œœŒ .

C G

Div. (ASH top (JAKE bottom throughout)

œ jœ jœ ‰ ‰ Œ . œ œ œDad dy who I could

Œ . Œ jœ .˙Dad dy.

...œœœ ...œœœ ...œœœ ...œœœ

..œœ œ œ œ ..œœ œ œ œC F

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2 12. ALL THE MEN IN MY LIFE KEEPGETTING KILLED BY CANDARIAN DEMONS - EVIL DEAD

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19

œ jœ jœ ‰ ‰ Œ . Œ jœcount on. He

Œ . Œ jœ ˙ ‰ ‰Ah ooo.

Jœ ˙

...œœœ ...œœœ ...œœœ ...œœœ

..œœ œ œ œ ..œœŒ .

C G

.œ .œ œ jœ œ jœloved to read the Ne cro

...œœœ ...œœœ ...œœœ ...œœœ

..œœ..œœ ..œœ ..œœ

A m G/B C

œ œ œ .œ Œ jœ œ œ œno mi con. He al so en

Œ . œ œ œ œ ‰ Œ .Book of the dead.

œ œ œ œ...œœœ ...œœœ ...œœœ ...œœœ

..œœ.œ .œ .œ

G

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22

.˙ Œ . œ œ œjoyed play ing board

Œ . .œ .˙Ah ooo.

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jœ œ .œ Œ . ‰ œ œgames but he

Œ . œ œ œ .œ Œ .Good fam 'ly fun!

œ œ œ .œ

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ

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œ œ œ œ œ œ œ jœ œ jœcan't sink my Bat tle ship now 'cause Dad was

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25 jœ ‰ ‰ .œ œ œ œ œ œ œkilled by a Can dar i an

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jœœ‰ ‰ ..˙̇ Œ .

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œ jœ .œ Œ . Œ .de mon.

Œ jœ œ œ œ œ œ œ œ œ œCan dar i an de mon Can dar i an

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Œ . Œ . Œ jœ œ œ œThey say love is

œ œ œ œ œœ œœ jœœ œœŒ .

de mon Can dar i an de mon.

œœœ œœœ œœœ œœœ œœœ œœœ ...œœœ Œ .

..œœ œ œ œ ..œœŒ .

C G

- - - -

- - - - - - - - - - - -

312. ALL THE MEN IN MY LIFE KEEPGETTING KILLED BY CANDARIAN DEMONS - EVIL DEAD

73

Piano-Vocal

©Dramatic Publishing - NOT FOR PERFORMANCE

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c

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-fill-Drums

17bEVIL DEAD

Segue

Driving (Œ= 150)

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10 ∑œœœ œœœ œœœ œœœ œœœ Œ

œœ œœ œœœœ œœ Œ

Œ œ œœœœ œœœ œœœ œœœ œœœ Œ

œœ œœ œœœœ œœ Œ

œ œ œ ‰ œ œ œ#œœœ ˙̇̇ œœœ

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œ œ œ œ œ œ œ œœœœ ˙̇̇ œœœ

..œœjœœ œœ œ œ œ

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Music by Frank Cipolla, Christopher Bond, Melissa Morris and George Reinblatt

EXIT MUSIC (aka "Groovy")

133

Piano-Vocal

©Dramatic Publishing - NOT FOR PERFORMANCE


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