Experience Pro to Typing Techniques 1197135425509028 3

8/3/2019 Experience Pro to Typing Techniques 1197135425509028 3

1/27

INTERACTION DESIGN: PRINCIPLES & PRACTICES

(or how to make stuff that people will need, want, and love)

ADS 560, VISC 560, INDD 578 (3 credits), Fall 2007

Tuesday, Thursday 7:00p

Location, Lawrence Campus, Art & Design Bldg. Rm 313

*

Wk 13 - Experience Prototyping Techniques (Nov 13, 15)


2/27

COURSE OUTLINE

Wk 01 - Whats IxD? Starting Points (Aug 16, 21, 23)Wk 02 - Interaction Design Basics, Users (Aug 28, 30)Wk 03 - Evidence-based Design & Context of use (Sep 4, 6)Wk 04 - Design Research (Sep 11, 13)Wk 05 - The Craft of Interaction Design (Sep 18, 20)Wk 06 - Interface Design Basics (Sep 25, 27)Wk 07 - Smart Applications & Clever Devices (Oct 2, 4)

Wk 08 - Multisensory and Multimedia (Oct 9, 11)*

MID TERM

Wk 09 - Classes cancelled (Oct 16, 18)*Wk 10 - Multisensory and Multimedia (Oct 23, 25)Wk 11 - Service Design, (Oct 30, Nov 1)Wk 12 - IxD Futures, Alternative Nows (Nov 6, 8)

Wk 13 - Experience Prototyping Techniques (Nov 13, 15)Wk 14 - Latent Needs & Desires (Nov 20)Wk 15 - Big D IxD (Nov 27, 29)Wk 16 - Spimes and emerging technologies (Dec 4, 6)Wk 17 - FINAL: Group Presentations (Dec 11, 7:30p)

READINGS

THIS WEEKPeople & Prototypes

Chapter 10, Moggridge

http://www.designinginteractions.com/
http://www.designinginteractions.com/http://www.designinginteractions.com/http://www.designinginteractions.com/http://www.designinginteractions.com/


3/27

Play

research

discovery&


4/27

Play

IxD application

representation

N

ov1

N

ov6

N

ov8

N

ov13

N

ov15

N

ov20

N

ov22

N

ov27

N

ov29

D

ec4

D

ec6

D

ec11

iBar

playful add-on

performance prototyping

playful skill-building

PT2


5/27

Play

The prototype

The name

The presentation

Project management:Roles & responsibilitiesScheduling

Division of laborTasks & deliverables

Reliability-contributions


6/27

pro-to-type n. 1. An original type, form, or instance that

serves as a model on which later stages are based or judged

American Heritage Dictionary


7/27 HumanCentered 2004, All Rights Reserved HumanCentered 2007, All Rights Reserved

What I hear. I forget.

What I see, I remember.What I do, I understand.

Lao Tse


8/27 HumanCentered 2004, All Rights Reserved HumanCentered 2007, All Rights Reserved

Designers achieve dramatic breakthroughs by

generating their ideas every day and advancing themby a combination of prototyping and user evaluation.

Bill Moggridge


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The process does not look like a linear system diagram,nor even a revolving wheel of iteration, but is more likeplaying with a pinball machine, where one bouncesrapidly in unexpected directions.


10/27

Five Core Skills of Design

1. To synthesize a solution from all of the relevant constraints,

understanding everything that will make a difference to theresult

2. To frame, or reframe, the problem and objective

3. To create and envision alternatives

4. To select from those alternatives, knowing intuitively how tochoose the best approach

5. To visualize and prototype the intended solution


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Experience Prototype:

A representation of adesign, made before

the final solution exists Bill Moggridge


12/27

Experience Prototype is any

kind of representation, in any

medium, that is designed to

understand, explore or

communicate what it mightbe like to engage with the

product, space or system we

are designingJane Fulton Suri


13/27

HumanCentered 2006, All Rights Reserved

The perfect is the enemy of the good.(mock up and repeat)


14/27 HumanCentered 2004, All Rights Reserved

1. explore/conceive/prototype new concepts

2. prototype new integrated strategies

3. imagine/prototype new brand directions

4. improve/invent experiences

5. reduce costs/reinvent processes

6. improve functions & features

Design ofers new opportunities forvalue-creation in business


15/27

What is "Experience Prototyping"?

First, lets think for a moment about what we mean by "experience." With respect

to prototyping, our understanding of "experience" is close to what Houde and Hill

call the "look and feel" of a product or system, that is "the concrete sensory

experience of using an artifact what the user looks at, feels and hears while

using it."


16/27


17/27

Increasingly, as designers of interactive systems (spaces, processes and

products for people), we find ourselves stretching the limits of prototyping

tools to explore and communicate what it will be like to interact with the things

we design.


18/27

HumanCentered 2004, All Rights Reserved HumanCentered 2005, All Rights Reserved

Designers get the love because we control the part that people

want. I feel privileged to be a designer, because people like

what I do (if I do it well). I also feel a little embarrassed to

accept the accolades and the appreciation, as I know that I

rely on all the other people who contribute the information

that makes the successful synthesis possible.

Bill Moggridge


20/27

experience prototyping

Experience is, by its nature, subjective and the best way to understand theexperiential qualities of an interaction is to experience it subjectively.


21/27

1. Understand the experience

2. Explore the experiencewhats it like? who uses it? what

does it require of people? what are

the barriers?

3. Communicate the experiencedescribe it, diagram it, model it

how persuasive it it?

YOUR DESIGN

(High Fidelity)

(Low Fidelity)


22/27

www.youtube.com/watch?v=JvLW51zLTVg
http://news.google.com/nwshp?hl=en&tab=wn&q=http://news.google.com/nwshp?hl=en&tab=wn&q=http://www.youtube.com/watch?v=JvLW51zLTVghttp://www.youtube.com/watch?v=JvLW51zLTVg


23/27

A true Experience Prototype for users--providing a really relevant

experience--seems to require a level of resolution and functionality such that

it can be let loose into an everyday context and more fully integrated into

peoples lives.

As an observer of user evaluations, one knows very quickly if the designed

experience is a good one. If it is, people get so involved in the experience

that they forget about the limitations of the prototype.


24/27

Experience prototyping requires hybrid and overlapping skill-sets such

that it is not exclusive to any single design discipline. As such, it offers an

opportunity for all types of designers to supplement their traditional

discipline skills in an effective and broadening way.

Experience Prototyping isnt about a toolkit of techniques, but rather

developing an attitude and language to solve design problems.

Get really good at lo-fi prototypes. Thats where the real learning

(i.e., understanding, exploring) happens.


25/27

www.youtube.com/watch?v=D3dF44XtHek
http://www.youtube.com/watch?v=D3dF44XtHekhttp://www.youtube.com/watch?v=D3dF44XtHek


26/27

INTERACTION DESIGN: PRINCIPLES & PRACTICES

(or how to make stuff that people will need, want, and love)

ADS 560, VISC 560, INDD 578 (3 credits), Fall 2007

Tuesday, Thursday 7:00p

Location, Lawrence Campus, Art & Design Bldg. Rm 313

*

Wk 13 - Experience Prototyping Techniques (Nov 13, 15)


27/27

HumanCentered 2005 All Rights Reserved

once upon a time

simulationskind fidelity benefits liabilities

physical model low to highvisual-touchpersistent

mute, static

digital model low to hightime, cost,

reconfigurablereproducible

distancednon-hand shaped

concept model distilled ecient abstract

report simple to dense content richmute

efort to read

speech short to long real-time transitory

play low to highreal-life

theatricaltransitory

digital movie low to high

multi-sensoryreiteratively-

persistent

human story-drivenlicense to entertain

resource

digital animation low to highmulti-sensoryreiteratively-

persistentlife abstracted

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Experience Pro to Typing Techniques 1197135425509028 3

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