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The Navajo land near Page, Arizona
contains some of the world’s most
stunning slot canyons. The
concentration of slot canyons here is so
high that many posses no official name
and new canyons are being discovered
even to this day. These formations are
one of the most beautiful and most
photogenic landscapes in the
Southwestern USA.
Popular slot canyons
include Upper & Lower
Antelope Canyon, Blue
Pool Wash Canyon,
Butterfly Canyon, Owl
Canyon, Mountain Sheep
Canyon, Kaibito Creek,
Secret Canyon, and
Water Holes Canyon.
Of these, arguably the most
famous is Antelope Canyon.
However, being one of the most
visited and photographed slot
canyons in the world, the
challenge it presents virtually
every one attempting to
photograph it is the crowd!
If you’re wanting to photograph an equally stunning slot canyon less the crowds,
then you’d do well to visit Canyon X. This lesser-known slot canyon is located a
mere 16 miles away from Page, Arizona. Yet, despite its proximity to Page along
with its smaller size, you’re photographic expedition will never be hampered by
fellow photographers. That’s because access to Canyon X is strictly limited.
The only way to enter this canyon is by being one of no more than six
participants of the exclusive Overland Canyon Tours photo-tour allowed into the
slot per day. As these tours are led by an experienced slot photographer, Canyon
X is a must-go location if you’re a die-hard fan of slot canyon photography!
But what makes slot canyons so
incredibly beautiful to photograph
is the breath-taking interplay
between reflected light and colored
sandstone. Depending on the
position of the sun and your
location in the slot, shafts of light
can briefly penetrate the canyon
depths to create otherworldly
compositions of color, contour and
contrast.
Canyon X’s unique formation
and surreal colors are caused
by erosion of Navajo Sandstone
over millions of years, primarily
through flash-flooding. It is
these erosive forces that are
responsible for the smooth
surfaces and intricate shapes.
The tour started with a 16 mile drive
from Page, the last 5 miles of which
was on dirt road. Once we were
dropped off, it was a short but
moderately difficult hike into the
canyon. This otherwise fun route
takes you down a 30 yard crevasse,
over medium sized talus’ and finally
over a dune above the giant
sandstone alcove. Canyon X consists
of a non-slotted canyon bounded at
either end by a slot canyon.
Beware of your step, though.
Commonly lurking in the shadows
are rattlesnakes and scorpions ready
to bite!
Journey begin…
What’s more, if your camera and
lens are not weather-sealed, it may
be prudent to wrap them in a rain
cover. Two other essential pieces of
kit are a dust blower and cloth.
You will need both to clean your
lens frequently. It’s incredible how
much and how fast both you and
your equipment get covered in sand
and dust!
Of utmost concern inside the
canyon is the protection of your
equipment. Due to high levels of
dust and sand in the air, changing
lenses inside the canyon is not
recommended. The ideal is to come
prepared with two cameras – one
loaded with a wide angle lens and
the other with a telephoto lens.
However, if you’re limited to just
one camera body, my advise is to
mount it with a wide angle zoom.
As the canyon is dark for the most
part and you’ll be shooting long
exposures, a sturdy tripod is also a
necessity. As too is adequate
memory storage and sufficient
power supply - you’ll be
photographing practically non-stop
for hours. Finally, a remote shutter
is strongly recommended to avoid
the vibration.
Rather than wasting precious time inside
the canyon struggling with white balance,
I strongly recommend shooting in RAW
format. This provides you with all the
flexibility you need in post-processing,
particularly for difficult lighting conditions
that require the blending of two or more
images with different white balance
settings.
In an effort to ensure
accurate white balance,
any photography guides
recommend using “cloudy”
or warmer settings.
As for exposure setting, a low ISO
and small aperture are
recommended. While this will
increase exposure times, it will
minimize noise and maximize
quality. You may want to stop down
the aperture to f/11-f/15 to provide
adequate depth of field whilst still
retaining sharpness and image
quality.
Perhaps the greatest challenge is capturing the wide exposure range.
Exposure ranges in the vicinity of 10EV are not uncommon. I strongly
recommend bracketing all your shots, especially if you want to include sky in
your composition. It’s a good idea to check the histogram to make sure your
bracketed shots include sufficient exposure for highlights and shadows.
Bracketing Your Shots
Finally, when exploring these
stunning geological formations, take
your time. Many people believe
there’s no such thing as a “bad shot
in a slot.” I don’t agree!
To create a great image, it’s
necessary to invest sufficient time
exploring your location and
searching for that special mix of
composition and light – a
combination not always obvious at
the first glance.
With the infinite selection of form,
texture, color, contrast and light,
composing all these elements
harmoniously in a single image is a
challenging yet rewarding task.
Perhaps this explains why slot
canyons are so alluring for
photographers. Composition Matter
I am Kah-Wai Lin. I am originally from Malaysia.
Currently I am a research scientist in US. I has
been taking photos since I was 15. When I was in
Sweden, I owned a company specialize in
architectural photography and virtual reality tour.
Since I moved to US in 2012, I has been
fascinated by the beautiful and unique American
landscapes that have now become my main
source of inspiration. Although my portfolio is
wide-ranging, the current focus of my work is on
church interior and landscape photography.
Welcome to my website at: http://kahwailin.com/
About the Author