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FA27 DL Digital Design · 2019. 12. 17. · Book cover created in InDesign, with front, spine and...

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FA27_DL Digital Design Professor Tom Klinkowstein January 2020 [email protected] Course Blog: https://fa27jan2020.home.blog/ Assignment Five Book Sleeve Software InDesign Start and Due Dates Starts January 15, 9:00 am Due January 23, 9:00 am (Send me an email when this assignment is finished and posted; use “FA27” as a header; include your own blog address in the body of the message.) Goals Understand the special requirements for typography as applied to a book cover sleeve. Become acquainted with introductory InDesign techniques. Deliverables Book cover created in InDesign, with front, spine and back cover. All posted to your slide file and embedded in your blog. Content for the Cover, Spine and Back Cover Create content for the cover, spine and back cover with based on the issue / theme of the past three assignments. Refer back to your research in Assignment 2 as needed.
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Page 1: FA27 DL Digital Design · 2019. 12. 17. · Book cover created in InDesign, with front, spine and back cover. All posted to your slide file and embedded in your blog. Content for

FA27_DL Digital Design Professor Tom Klinkowstein January 2020 [email protected] Course Blog: https://fa27jan2020.home.blog/ Assignment Five Book Sleeve

Software InDesign Start and Due Dates Starts January 15, 9:00 am Due January 23, 9:00 am (Send me an email when this assignment is finished and posted; use “FA27” as a header; include your own blog address in the body of the message.) Goals Understand the special requirements for typography as applied to a book cover sleeve. Become acquainted with introductory InDesign techniques. Deliverables Book cover created in InDesign, with front, spine and back cover. All posted to your slide file and embedded in your blog. Content for the Cover, Spine and Back Cover Create content for the cover, spine and back cover with based on the issue / theme of the past three assignments. Refer back to your research in Assignment 2 as needed.

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Cover, spine and back cover similar to what you will be creating, as seen fitted on a book.

Your cover, spine and back cover will not be fitted to a book, so the file you submit will look something like this.

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Note: this project has only typographic content (words), no images. -- The cover will contain: -A title (write yourself) -A sub-title (write yourself) -Author name (use your own name as the author) The spine will contain: -Title of book -Author name

-Small logo or logotype of an existing publishing company. Get the logo by downloading from a publishing company’s website; images can generally be downloaded from web sites on the Mac by either making a screen shot: Shift/Command/4 all at the same time; or to download: Control/Save Image As while clicking on an image. Back Cover: -This text: “Praise for (your name) and (invented book title)” -Five edited endorsement quotes with attribution (name of the person quoted and their title). -ISBN number and barcode (get a sample ISBN number and barcode on the Web). Edit the endorsement quotes, substituting your invented title and your name as the author. Alter the text to make it your own. Preparing to Design the Book Sleeve Pick a hard cover book you already own in order to ascertain the size of the book sleeve you will be designing. This hard cover book will be used to ascertain size, its contents will have no bearing on the book sleeve text you write or the design, except for size. Part 1, Book Cover Research Find three book covers as research to use as inspiration for the typography in the book cover / book sleeve design.

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You can find covers from any topic area (fiction or non-fiction)–they do not need to be related to the theme of you imagined book. Find covers with typography only on the cover. No illustrations, photos or other images. Place these images into your slide file, one book cover per slide. Label these, “Book Cover Research, 1”, “Book Cover Research, 2”, etc. -- Below are examples of book sleeves / covers with only (or primarily) typography and a few comments as to why they are good examples.

Note that most just use one font family (not mixed fonts). Example: Use of white space. You don’t need to fill all the space available to have an effective design. Also, the witty use of the dot from the letter “I” that is off on its own in the upper right.

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Example: Elegant use of color. Type on a curve suggests the title.

Example:

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Simple symmetry and the smart use of type of varying sizes.

Example:

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Oversize grammatical marks used as a main graphical device and the extreme difference in scale between the marks and the text contained therein. Smart use of one color and neutrals.

Example:

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Effective use of small type as background to the larger type.

Example:

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Unevenly sized type in the style of Constructivist, De Stijl and Dadaist graphics of the early 20th Century.

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Example: Book sleeve with back cover left, front cover right. Use of hand written typography. Legible text becomes the “foreground” and the illegible text, the “background”.

Part 2, Designing the Book Sleeve Design a typography only (solid color or neutral background) cover, spine and back cover, with the content you have already written and gathered: *Cover: title you write, subtitle you write, your name as author.

*Spine: title, author name (use your name as the author), publisher logo/logotype (select a logo or logotype of an existing publisher and download it.) *Back cover: Endorsement text. Including: -Use this text: “Praise for (your name as author) and (invented book title)”.

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-Also: five edited endorsement quotes with attribution (name of the person quoted and their title), ISBN number and barcode (scan from another book’s back cover or get online), edited as described above in Part 1. -- Your cover will include these elements:

Your spine will include these elements:

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You back cover will include these elements:

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-- Work with a maximum of two font families (one for the quotes on the back and the one for the rest of the text).

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Use one color or a neutral (black, white or gray) background. Use the reference book covers you find and the ones I supplied earlier in this document as a starting point. Have someone else check your writing. -- Setting up the File and the InDesign On the hard cover book you have chosen to put under your book sleeve, measure the cover,

spine and back cover for the width and height of the printing area you will need to create your design within. Then File>New Document> *Number of Pages: 1 *Page size is Custom *Set your size within the Custom Page Size box that will appear after you enter Custom (above). -Add 4 inches to the width (of the two covers plus the spine) in order to make space for the flap area on the left and right side (2 inches on each side). There will be no typography or anything else in this area. -Add .5 inches top and bottom to the height (total of one inch added to the height of your book). This is to account for the .5 inch “no print” area on the top and bottom of the print out. There will be no typography or anything else in this area. In my example, the book was 13” wide x 9” high, I therefore set my sizes as 17x10”. In my example, it looks like this:

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-Set the gutter at 0 (zero) for this project. A gutter is the blank space between pages in a traditional book or magazine layout of the inside pages. Since we are making a book sleeve that does not have any space between the cover and spine and the spine and back cover, we do

need a gutter. -Check, “Facing Pages” -Set the page orientation to landscape -Set the number of columns of text at 1. If we were designing a magazine or book’s inside pages, there would be a certain number of evenly sized columns, but in this assignment, we will set guides as in indicator of where to place the text because the column width of the text on the front and back covers may be different. -Unlink the Top and Bottom margins from the Inside and Outside margins (click the little chain icon between these two areas in the setup box). When unlinked, it will look like this:

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Set the margins Top and Bottom at .5 inches. Set the Inside and Outside margins at 2 inches. -Leave Bleed and Slug at 0 inches (these are used for printing on commercial printing presses, not the office-type printer you will be printing in the Calkins lab to print your cover). Your document set up will look something like this (your height and width will most likely be different):

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-Use guides (View>Rulers, then click and drag them out of the left side ruler area), to delineate where the spine on your book sleeve will be. In my example, I have a 1-inch spine and the guides go at 8” and 9”. -- After setting up, your InDesign screen will look something like this:

The outer black lines show the edge of your trimmed printed file. The margin guides at the top and bottom and left and right will be in purple and show the back cover (left side) and the cover (right side). The cyan (turquoise) lines near the middle of the page show the area of the spine. Before Using InDesign Sketch out a primary layout for the cover, spine and back cover using a pencil and paper. This is for planning purposes only, your final design will most likely, be somewhat or a great deal different.

--

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Fonts For clarity and elegance, use the same font with different weights (as needed) on the cover and spine. Start with Preferred Fonts (see the course blog). You may further experiment with other fonts, time permitting. For the back cover: you may continue with that font on the back cover. Or, if that font is not legible at the smaller sizes needed for the back cover, use one that is more legible (refer to Preferred Fonts). -- Further InDesign Instructions Cover: use text tool to place title, sub-title and author name.

Click and drag the text tool and type the text in the box you created. You will most likely have a number of text boxes on the cover. Change the font as in Illustrator (Type>Font). --

To add a background color or neutral (gray), draw a rectangle using the Rectangle Tool across the entire area within the purple margins. Choose a color of your choice (no stroke) in the same manner you did with Illustrator in the exercises from the previous assignment.

Select the rectangle with the Selection Tool , to send the large colored rectangle you just created to the back. This will make it so the colored background sits behind the text so it doesn't cover text or other elements (Object>Arrange>Send to Back). Note: After adding color, it may be easier to draw a text box with the text tool in the white area outside of the black lines indicating the edge of the printed page, and then move them to the place you want them in the layout. -- On the spine: Use the same Tool as above. Since the spine is vertically oriented, you will need to rotate text boxes: Select, then: Object>Transform>Rotate 90 degrees CCW Some publisher’s logos are available online without a background. It is preferable to locate one of these. If you need to take off the background, use Photoshop to remove it or Illustrator to draw on top of it.

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You want to end up with a png file with a transparent background order to be able to paste it onto your cover without seeing a background on the logo that is a different color than the one you are using on your cover. To place the publisher’s logo onto the spine area: File>Place Draw a rectangle with the rectangle tool to place and size where and what approximate size you want the publisher’s logo to be. Then File>Import. Then Object>Fitting>Fit Content Proportionally. If you need to move the rectangle, use the white arrow. if you need to resize the rectangle, use the black arrow. -- For the back cover: Find a barcode online. Redraw the barcode in Illustrator. Then save a png (Save for Screens). You want to end up with a png file with a transparent background order to be able to paste it onto your cover without seeing a background on the barcode that is a different color than the one you are using on your cover. To place the barcode in the back cover layout: Draw a rectangle with the rectangle tool, then File>Place. -- To change type color, select that type using the type tool, then select one of the color swatches in the middle of the top area of InDesign (click on the little arrow to the right of the “T”) to indicate the fill color for the type. I do not generally recommend using a stoke color (makes the typography hard to read and overly complex). If you selected the Cyan swatch, it would look like this:

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In this example, the text is all Cyan and might appear like this:

Within each swatch, you can adjust the CMYK (Cyan, Magenta, T=Yellow and K for Black), to make any color. CMYK is the color system for printed materials. -- To change the font color, select the type with the type tool. To change the container color (a rectangle you may elect to have the type to sit in), select the container with the white arrow tool. -- Note: The font on the cover and spine will most likely be the same. The endorsements on the back will most likely be in a different but complimentary font. -- Post your final cover, spine and back cover design (as one file) in your slide presentation and label it, “Book Sleeve”.

--

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Related Links to Read http://www.ted.com/talks/chip_kidd_designing_books_is_no_laughing_matter_ok_it_is.html


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