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Annual Report 2010 - 2011

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“Another fantastic year from Face Front that again has liberated the voice of young people and enabled them to make the best choices for themselves. The company continues to create an environment for disabled, vulnerable and other disadvantaged young people and adults, through their inclusive touring theatre and participation programmes. The inclusive work the company delivers encourages high-quality projects and enables the participants to take control of their lives, be engaged, be inspired and builds confidence so that they experience a better quality of life. Face Front goes from strength to strength and is an important company for the arts and the people it serves.”

Mat Fraser

Face Front Inclusive Theatre creates original, ground-breaking Inclusive Theatre with a company of disabled and non-disabled artists. The company produces professional, entertaining and challenging multi-layered theatre, through its Theatre in Schools, Participation and Theatre programmes.

Performances and workshops are carefully crafted to be accessible to all, including people with physical, sensory and learning impairments, which take place in regional theatres, schools and a variety of venues. Face Front aims to:

Patrons “Face Front is a small company delivering an overwhelming amount of high quality projects and the larger organisations should take note as this is a truly dynamic company. At the heart of the organisation are the participants who drive Face Front’s artistic content. Their work continues to be invaluable to the infrastructure of British cultural life with a high artistic reach and deepening analysis of inclusive theatre and its ramifications. I am truly honoured to be a Patron.”Josette Bushell-Mingo

Aims and objectives of Face Front

• Use the arts as a tool for social engagement in all aspects of society

• Create pathways to employment in the arts for disabled people and those not traditionally involved in the arts

• Develop productions that explore social issues, raise awareness and enable people to engage in the process of change

• Provide programmes that enable disadvantaged adults and children to participate in the arts

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I am delighted to report on the consider-able range of achievements accomplished by Face Front Inclusive Theatre Company this year.

Our success in raising finance, particularly in these difficult economic times, has enabled the appointment of Natasha Graham as Executive Director. At present Natasha is working on fundraising, publicity/marketing and building our general profile. I am also very pleased that Tracey Viechweg has been promoted to General Manager in recognition of her excellent service to the company.

The Face Front Participation Managers, Shirley Mason and Christina Sammoutis have applied their expertise to giving several opportunities to local young people to experience the arts in innovative ways, including film making, workshops and theatrical performance. ‘Cybermissive’, this year’s youth theatre production where Face Front supported Ghetto Youth Transformational Theatre to produce a show about the dangers of social networking sites and mobile phones. This was performed at Millfield Theatre in July and the filmed version premiered at the Dugdale Centre.

‘My Life’, a drama and film project with young parents, exploding the negative stereotypes and raising awareness about the lives and challenges facing them. This premiered at the Dugdale Centre to an audience captivated by the dynamic film style and the integrity of the parents involved.

A highlight of Face Front’s Theatre Programme was ‘Laundry Boy’ - our first national tour focusing on actors with learning difficulties - it was very well received by diverse audiences throughout

London and beyond. ‘Beat Them Join Them’ and ‘Sex FM’, our T.I.E productions, educated and entertained thousands of young people in schools across North and East London.

‘Broken Silence’, our adult participation project led by Jon French, continues to run as one of our most important workshop programmes. Its combination of drama, movement, poetry and song enables people to explore issues of current concern and offers a much-needed performance platform.

I would like to thank everyone at Face Front for all their energy, enthusiasm, commitment and hard work, to all freelance artists and volunteers, to my colleagues on Face Front’s Board of Directors and finally to the funders without whom we would not be able to continue our work.

Face Front continues to pioneer positive social change through artistic excellence thereby creating an inclusive world. I look forward to 2012 - an ‘Olympic year’ and eagerly await the many exciting projects we will deliver through film, workshops and performance.

Patricia PlaceChair

Chair’s report Contents2 Patrons

2 Aims and Objectives

3 Chairs Report

4 Artistic Directors Report

5 Financial Report

6 Theatre Programme

8 Theatre in Schools Programme

10 Participation Programme

11 Workshop Programme

12 The Future

13 Who is Face Front

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Face Front has had another excellent year only made possible by the hard work of all our staff, volunteers, trustees and freelancers. It has been especially productive working with our new Executive Director, Natasha Graham who is developing more formal structures for the company and taking on management, marketing and fundraising which frees me up to work on the artistic vision, strategic partnerships and to direct plays! A special thanks must also go to Tracey Viechweg our dedicated and skilled general manager who keeps the company running smoothly throughout the year.

We have been able to further our work in 2011 on inclusive theatre as a unique theatrical experience incorporating sign language and description into our new work ‘Laundry Boy’. This new play about the rites of passage of a young disabled man was led by the ideas of two learning disabled actors - Peter Faventi who has been with the company since its conception and Ellen Goodey who has

been with us for 3 years. It was great to see their ideas come to life scripted by award winning writers Julie McNamara and Ray Downing and exciting to see the reactions of audiences across London and in national venues. It was particularly rewarding to see how we managed to attract, inspire and entertain new disabled and deaf audiences by the talents of the disabled actors, the relevance of the show and quality of the production.

Our Theatre In Schools work continues to thrive and I have been in turns amazed and appalled through the research and development of our new show for 10 - 13 year olds which raises awareness about the way violence effects the mental health of young people. The show promises to be a force for change for the future and we will ensure that our multi accessible style is integral to the production.

The Participation programme is particularly exciting and nothing beats the pleasure of seeing a vulnerable young person or adult bursting with confidence and joy having performed a piece that they have created to an audience; whether it be an end of term show to parents and friends, the launch of a film or a production on the Millfield Theatre stage and we need to take our hats off to our two brilliant participation managers Shirley Mason and Christina Sammoutis who make all this possible.

Times are hard now, our London Councils funding has been withdrawn, we are competing with far more groups for far less money - but we will endeavour to keep the good work going and feel positive about the future.

Annie Smol

Artistic Director

Artistic Director’s Report

“At Face Front we are always

striving to create a model

of inclusion through Theatre, to develop and showcase the talents of all

artists, giving excluded

communities a voice, creating

original, innovative and life-changing

dramas” - Annie Smol

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Financial Report Face Front Inclusive Theatre’s financial year has now been changed to run from April to March, rather than July to June, so this summary reports on the nine-month period July 2010 to March 2011. For this period our turnover was £209,004.

We have managed to maintain funding for three new posts, an executive director and two part-time participation managers through the City Bridge Trust and the Big Lottery, whilst also offering part time employment to our administrator and artistic director. We have also been able to offer work to two young people through the Future Jobs scheme.

Natasha Graham is now in post as Executive Director and we have improved operation structure, fundraising and IT systems with the installation of our own server.

We are pleased to be developing a more formal structure of operation and believe that this will help Face Front to go from strength to strength, despite the recession.

As we are a registered charity we can accept donations and any payments made under the Gift Aid scheme, if you are a taxpayer, the government allows us to claim back 25p in every pound you give.

Please do not hesitate to contact us if you can help us in this way and feel assured that you will be investing in a well run company that really makes a difference.

Running Costs (£9,902)Rent & Rates (£6,593)Wages & Salaries (£84,758)Depreciation (£3,983)Marketing (£1,438)Training (£480)Access (£5,365)Utilities (£1,142)Transport (£1,871)Professional Fees (£976)Venue Hire (£120)Performance & Workshop Costs (£12,667)Performance & Workshop Staff (£67,813)

Sales (£42,645)Investment Income (£110)Other Income (£25)Grants (£166,264)

Breakdown of Income 2010-2011 (Total £209,044)

Breakdown of Costs 2010-2011 (Total £197,108)

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Theatre Programme

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Face Front is developing a touring programme of high-quality inclusive theatre to increase our regional and national profile, develop new audiences and develop and share our multi-layered accessible style. In 2010 -2011 we had two tours reaching over 4000 people in total.

COUNTING THE WAYSEdward Albee’s, ‘Counting the Ways’ a play about two middle-aged couples questioning their love, was taken on a two-week tour of London Theatres in May 2010 with a full audience development programme. ‘Counting the Ways’ was presented as a multi-accessible piece of theatre with the story told by two couples in British Sign Language and Spoken English simultaneously. An additional character was also created to provide audio description for blind audience members. The play was very successful and received fantastic press and audience reviews.

LAUNDRY BOY‘Laundry Boy’ was a new devised work led by two actors with learning difficulties, Pete Faventi and Ellen Goodey with the script crafted by award-winning writers Julie McNamara and Ray Downing, directed by Annie Smol. The play was Face Front’s first national tour visiting a variety of small scale theatres. The show explored a young learning disabled man’s journey from boy to adult. It was multi accessible including sign language and description throughout with a cast and creative team of highly skilled disabled and non disabled arts practitioners. The audience development programme that went alongside the production included workshops and ‘taster’ performances for 15 different disabled

groups. The visits encouraged new audiences to attend the shows and have their first taste of theatre.

The touring theatre programme has significantly raised Face Front’s profile and has been a major success both attracting new audiences, developing disabled artists and creating new inclusive work.

Both productions were funded by The Arts Council of England and London Councils.

“a unique and exciting interpretation of a wonderfully satirical and poignant play”. - Disability Arts Online

“The cast is brilliantly chosen and all give wonderfully entertaining and engaging performances in a high colour, high energy production. If you are at all interested in accessible performance this is well worth a look as a great example of what can be achieved.”

- The Public Reviews

“Rather than bolt on ideas for access as an afterthought, Face Front produce multi-layered theatre where accessibility is an integral part of the play - a pioneering concept”

- Enfield Independent

“Face Front Inclusive Theatre does everything it says on the tin… The play was a wonderful achievement”

- Daily Info Oxford

Theatre Programme

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The Theatre in Schools Partnership brings together the expertise, resources and touring programmes of Face Front, Immediate Theatre and Theatre Venture, three highly successful theatre companies based in North East London. We are able to create accessible issue-based theatre closely linked to the needs of schools with the artistic qualities to creatively engage and inspire pupils, supporting their social, educational and creative development and helping them to lead active, healthy and positive lives.

TISP AIMS TO:

• Involve all young people in the creation of theatre for schools.

• Work inclusively, advocating the transformational impact of the arts to the lives of all young people.

• Improve the artistic quality of professional theatre offered to schools through peer mentoring and sharing of expertise.

PRODUCTIONSThe partners have toured four productions as well as carrying out extensive research and development with young people. Face Front produced ‘SexFM’ and co-produced ‘Beat them Join them?’ with Immediate Theatre both for secondary and special schools. Immediate Theatre toured ‘Now you see me’, a play about road safety and Theatre Venture toured the ’Carbon Footprint Detective Agency’, a play about the environment both for primary schools.TISP is funded on a regional level by London Councils and Arts Council England.

TiSP worked with 11,000+ young people in primary, secondary and special schools

in Enfield, Haringey, Waltham Forest, Redbridge, Newham, Tower Hamlets, Barking and Dagenham, Islington and Hackney.

SEXFMSexFM’ 2011 was the 11th tour of this highly acclaimed Forum Theatre programme for young people of 13 - 15 years it was adapted this year into performance workshops to be more flexible to schools.

Face Front produced this piece of interactive theatre around sexual health issues for Enfield and Haringey secondary and special schools. It was highly effective in raising awareness for young people around teenage pregnancy and sexually transmitted infections and was supported with resources for teachers. Four actor facilitators presented engaging dilemmas and then the young people were invited to take their places to try out different ways to resolve the predicaments.

“This important work is vital to the quality of life, health and wellbeing of many young people.”

- Enfield Arts Officer

“It was very real and believable and held the attention of a difficult group for over an hour. They need this kind of work. We’d like you back every day.”

- School Teacher, Haringey

BEAT THEM JOIN THEMFace Front and Immediate Theatre joined forces to produce a new adaption of ‘Beat Them Join Them’ for 2010 for young people of 11-13 years.

The play and teacher’s pack full of lesson

ideas for teachers, addressed issues of physical health and emotional well being, exploring the pressures young people face concerning their health, the consequences of risk taking, stress, bullying and violent crime and the responsibility young people can have over their own health. Three actors and a facilitator toured the production, which was very well received by teachers and young people.

Theatre in Schools Partnership

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TISP Theatre in Schools

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Participation ProgrammeYOUTH PARTICIPATION‘Act 4 Change’ is the name of Face Front’s youth participation programme. It is led by a youth committee guided and supported by our participation managers Shirley Mason and Christina Sammoutis.

‘Act 4 Change’ is a collaboration of diverse theatre groups, exploring issues faced by young people in today’s society through the mediums of dance, drama and music. In doing so, we aim to tackle such problems as gun and knife crime, poverty and searching for our own identities. We believe that drama has the power to challenge and change perceptions that lead to social exclusions. Performance is our passion. Our aim is to motivate people to ‘Act for Change’.

- Youth steering group

The project is funded by BIG lottery, Enfield Council, Youth Opportunities Funding Enfield, Awards for All and Children In Need. GLEEThe Glee project was an Enfield Council initiative funded by Youth Music, delivered by Face Front Inclusive Theatre. The project ran from May until November 2011 working with 18 different groups of 10-20 young people from schools, pupil referral units and youth offending teams all based in the borough of Enfield. Each group worked with a professional arts practitioner developing key music, dance and performance skills creating original lyrics, choreographing dance routines or singing well-known songs communicating a range of issues. The groups performed their pieces at the first stage of competitions in October which were held at the Dugdale centre in Enfield. Eight groups were than selected to perform at the finals held at the Millfield

Theatre. Both competitions were judged by a panel of judges consisting of local professionals working within performing arts. Young people, parents and teachers alike were thrilled with the experience and the achievements of the participants.

MY LIFEThe ‘My Life’ project was initiated by a young parent who successfully received funding from YOFE. The project was led by Face Front Inclusive Theatre working in association with the Young Parents Project. Fully Focused Commuity led on the making of the film. The aim of the project was for young parents to have the opportunity to have their voices heard, creating a safe environment for them to disscuss and address their views and experiences of being a young parent. The young parents wanted the film to be a documentary of their lives with the aim of challenging the stereotype of young parents. The project reached approximately 35 young parents. At the end of the project there was a screening of the film to an audience of over 50 people. The project has focused on enabling the young parents to acknowledge how creating a healthy and positive lifestyle for themselves will support them in being good parents.

“Being part of this project has made a massive difference to my life. I’ve completed my college course and am now moving onto further education. Being on this project has helped me to gain the confidence to do this. The project has helped me look at life in a more positive way.’”

- Young parent

PERFORMING ARTS CLUBS 2010-2011Face Front’s Performing Arts Clubs are currently based in five Enfield Special Schools for young people with disabilities with one club, ‘Xplosion DDM’, taking place at the Face Front venue. ‘DDM’s’ participants primarily come from special schools and they are facilitated by young people who are both disabled and non disabled guided by an experienced arts practitioner.

Among other outcomes achieved we are continuing to enable some of these young people to come to ‘inclusive sessions’, grow in confidence, to introduce and develop performing arts skills. Most groups are also developing their ability to perform in front of an audience and both West Lea After School Club and Xplosion DDM had successful ’End of Term’ showings as well as performing in the ‘Glee’ events with 16 other special and mainstream schools.

Approximately 60 young people with differing abilities are currently benefitting from this programme. Funded by The Big Lottery, Children in Need and Awards for All and Enfield Council CYBERMISSIVE‘Cybermissive’, ably performed by the Ghetto Youth Transformation Theatre, was funded by the Big Lottery and Awards for All through our partnership with ‘Theatre For Real Life’. The play was performed at the Millfield Arts Centre on the 27th and 28th of July 2011 to audiences totalling approximately 400 people. The mixed ability cast of 17 was representative of the diversity of our local community including Turkish, Somali, Caribbean, Indian and white UK young people.

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Participation ProgrammeCybermissive explored and expressed the effects of the increased exposure Young People’s (and others) lives are under, through the constant scrutiny that the growth of social networking can allow - or is allowed. The digitalisation of relationships, causing traditional forms of courtship to become obsolete overnight, is a cause of tension in the play amongst many other current issues.Among many other outputs a DVD has been made of the performance which later will be used to create workshops around the topic. Young people who were involved in the project have experienced growth, clarity as to their direction in life and all the cast and crew reported increased confidence.

One cast member said: “Being on the stage is a real buzz. Seeing and hearing the audience reaction to your performance and sharing your world on stage with them is an awesome thing”.

ADULT PARTICIPATIONFace Front works with disabled adults creating drama and theatre in a variety of projects including: BROKEN SILENCELed by Jon French and Moe Evans, ‘Broken Silence’ is a mixture of about 20 disabled adults with sensory and mobility impairments, mental health issues and learning difficulties.

During 2010 the group worked to devise a play about two teenage sisters who decide to leave home. The play highlighted many issues they faced from being able to talk to parents to all the dangers of being on their own in a strange city. After a successful sharing of the play at Park Avenue Disability Resource Centre it is hoped to develop the play into a theatre production.

After the success of their 2009 ‘Cinderella’, the group wanted to make another Christmas show for 2011. This time it is a devised musical story called, ‘The Most Precious Thing’. It tells the story of Uncle Fred who always ruins Christmas, three magic snowmen and an evil hairdresser. This will be performed at Park Avenue Disability Resource Centre in December 2011 and possibly some other venues early in 2012. Funded by: Enfield Adult Services through Park Avenue Disability Resource Centre.

ANTI - BULLYINGFace Front and Theatre Venture have been working on a project around the bullying of adults with learning difficulties/

disabilities by teen-agers in public places in Newham. The workshops included raising awareness around human rights and hate crime. The work integrated our theatre in schools and adult participation programmes, working with 60 young people and adults with learning disabilities/difficulties over a number of sessions.Commissioned by: Theatre Venture through Newham Council Community engagement team and Newham Police.

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Workshop ProgrammeFace Front has been delivering a variety of bespoke workshops for schools, statutory and voluntary organizations working with over 2000 young people and adults including:

PREPARATION FOR WORK EXPERIENCEThis year, ‘Face Front Inclusive Theatre’ has continued to offer schools interactive workshops and a presentation in preparation for work-experience. Using real life dilemmas that previous work experience students have found themselves facing, participants use role play to explore work place dilemmas in order to find a favourable outcome. The students have responded with enthusiasm and have said how much they have learnt by being involved in the workshops.Commissioned by Enfield Education Business Partnership.

SEX AND RELATIONSHIPSUsing role-plays from ‘SexFM’ artists have gone into schools to work on sex and relationships issues with young people from 13 - 17 years. Teachers and pupils have commented on how much they have enjoyed the sessions and how it is a good way to learn.Commissioned by Schools

HEALTHY LIFESTYLESFace Front have worked with one to one and community links with adults with learning difficulties providing a drama based workshop raising awareness about cancer. Commisioned by ‘One to One’ Voluntary organisation.

PERSONAL BESTFace Front have been working in different venues across Enfield, Haringey and

Waltham Forest to run confidence-building and motivation workshops for unwaged adults who are training to be volunteers for the Olympics. Commissioned by Southgate College

DREAM CATCHERDrama workshops for 10 -11 years old about the steps and obstacles to achieving their dreams of work.

SCHOOL ATTENDANCERole plays and presentations for primary and secondary schools on the importance of coming to school.

FRIENDSHIPDrama workshops and storytelling for 4 - 11 years around the theme of friendship.

TRANSITIONDrama sessions for young disabled people moving from children to adult services.

CONTINUING PROFESSIONAL DEVELOPMENT / TRAINING EXCHANGE DAYS Training for teachers in the performing arts and how to use drama as a learning tool. Training for BA and MA performing arts students in inclusive arts and theatre for young people. Practical workshop / training exchange days for arts practitioners.

CONFERENCESBespoke short dramas presented at conferences such as Enfield’s ‘Safe guarding’ conference.

AUDIENCE DEVELOPMENTDrama/Theatre workshops across London for disability groups linked to the theatre programme.

PLAY IN A DAYWorking with a whole school year group to create a show including dance, song, poetry, drama, marketing and art.

JUNIOR THERAPISTSRole plays about developing skills for work.

DRAMA FOR ADULTS WITH LEARNING DIFFICULTIES/DISABILITIESSupporting workshops led by Theatre Venture. YOUNG PARENTS TRAINING PROGRAMMEA training project for young parents to deliver continuing professional development for professionals focusing on the documentary film ‘My Life’ made by young parents.

“This was an inspirational session and great to the see Face Front’s methodology and how it really works - both in terms of inclusivity and in approaching theatre for young audiences.”

- Lecturer Rose Bruford

“We like to use Face Front every year for our SRE (Sex and relationships) programme because the young people are completely engaged and respond so positively to the actors and the way they present the workshop.”

- Teacher

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The Future

• ‘InterACTion’ - An inter-generational community show based on the lives of the people of Ponders End to celebrate the Olympics/Paralympics.

• ‘Powerplay’ - A Theatre in Schools play for 9 - 13 years raising awareness around the way violence effects the mental health of young people for 2012.

• Development of the Theatre In Schools Partnership.

• New touring Children’s Theatre Production - working with a writer to create a new multi-accessible piece for 5 - 7 years which will tour to national venues and rural touring circuits. Research in 2012 and touring in 2013.

• A project for young offenders / young people at risk of offending and victims of crime including a film about the riots of summer 2011 called ‘Riot or wrong’ for Autumn 2012

• A training project for young parents to deliver continuing professional development for professionals focusing on the documentary film ‘My Life’ made by young parents.

• A new theatre production by ‘Broken Silence’ looking at issues of concern for disabled adults for disabled and non-disabled audiences.

• A New high profiled ‘Act 4 Change’ youth performance will be created focusing on developing high-quality inclusive youth theatre based on issues of concern.

• The Act 4 change Steering group - Training course for the steering group so that they can effectively campaign for positive social change through the arts.

• Performing Arts Clubs - After school clubs for disabled young people.

• Extensive workshop programme to sell to schools, corporate, voluntary and statutory organisations.

• Develop a site-specific Christmas show.

• Face Front will continue to do extensive fundraising, develop capacity building, looking at ways of growth, to put into place a new marketing strategy and to create a new business plan for new economic times.

Face Front has plans for the short and mid-term future, building on the success of the work achieved so far, creating new boundary-breaking inclusive theatre projects for schools, national touring and participation. Face Front aims to extend its reach and profile both regionally and nationally in the next three years.

Projects planned include:

Funders

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PATRONS Mat Fraser and Josette Bushell-Mingo. BOARD OF DIRECTORSAndrew Bradford, Geoff Folkes (Treasurer), Claire Fossey, Jackie Kohnstamm, Patricia Place (Chair), Jacquelyn Shreeves, Annie Smol (Company Secretary), Alan Spence, Shuet-Kei Cheung. STAFF Annie Smol (Artistic Director), Natasha Graham (Executive Director), Tracey Viechweg (General Manager), Shirley Mason (Participation Manager), Christina Sammoutis (Participation Manager). VOLUNTEERSDavid Ambersley, Andrew Bradford, Danny Charalambous, Jon French, Candice Harris, Joseph Hynes, Roweena Mason, Jessica O’Hare, Rebecca Seabrook, Luke Hards, Joanna McCarthy, Mo Cross, Andrea Dyer, Anthony Kralik, Peter Faventi, Ellen Goodey. ADVISORSMaria Oshodi, Jenny Sealy, Chris Holt, Kate O’Reilly, Jean St Clair, Jeni Draper FREELANCE / PROJECT STAFFRay Downing, Julie MacNamara, Francessca Newham, Rachel Denning, Jeni Draper, Wayne Pickles Norman, Jo Paul, Ben Cooper, Teddy Nygh, Mark Levermore, Nicki Wildin, Rob Watts, Nadine Wild, Leon Wander, Emma Akwafo, Michael Efthymiou, Pete Faventi, Ellen Goodey, Phil Setrun, Anouk Beyer, Alicia McKensie, Rachel Hickson, Terry Sweeny, Jo Melville, Moe Evans, Steve Ball, Greg Williams, Deborah Williams, Zenah Leigh, Jo Bakhurst, Danny Thompson, Lyndsey Fouracre, Siobhan Kerry, Tiyu Mortley, Joe Hornsby, Vicki Hambley, Donna Sam, Fahima Abdulrahman, Aisla Lott, Ilan Dwek, Jo Paul, Jean St.Clair, Becky Allen, Dwayne Gumbs, Nigel Kellaway, Ian Scott, Patricia Davenport, Natasha Walsh, Joe Conteh, Vicky Hambley, Lorna Graham, Everton Dolphy, David Sands, Matt Tarbuck, Julie Parker, Jamie Walsh, Martin Shippen, Rachel Drazek, Nathan Johnson, Chizato Minamimura, Jamilah Yakubu. INTERPRETERS/SUPPORT WORKERSCatrin Thomas, Valerie Harnet, Angel Gordon White, Jacqui Beckford, Rachel Drazek, Trish Smith, Sonia Chowdhury, Shahin Hoque, Chris Harrison, Becky Allen, Alison Pottinger, Kathy Yeoman & Anne Molloy, Jude Mahon, Dominique Hanlon, Adele Ward, Val Harnet, Angel Gordon White, Jacqui Beckford, Izegbuwa Oleghe, Julie Parker. PHOTOGRAPHERSRobert Workman, Andrew Bradford, Annie Smol, Luke Williams, Sandjena Barne. GRAPHIC DESIGNERSSiaeed Alam, Nigel Kellaway.

PARTNERS Face Front Inclusive Theatre is an associate theatre company of Millfield Arts Centre.

Immediate Theatre, Theatre Venture, Theatre Peckham, The Orpheus Centre, Arena Theatre Wolverhampton, Watermans Theatre, Croydon Clock Tower, Stratford Circus, Club Soda, Enfield Education/Healthy schools, Haringey Council Education, Enfield and Haringey Teenage pregnancy units, Enfield Joint Services for Disabled Children and Young People, Enfield Adult Services, Enfield Youth Support Service, Park Avenue Disability Resource Centre, Enfield Education and Business Partnership, Enfield Disability Action, CancerLife, One to One, Southgate College, Nightingale Academy, Fleecefield school, Edmonton County School, West Lea School, Eldon Tuition Centre, Enfield Extended Schools Team, Enfield Young Parents Project, Barnados Children’s Rights, Newham Community Engagement Team, Ponder’s End Community Trust, Enfield Women’s Centre, Community Aid, MIND, The Artzone, St. Modwens.

Who is Face Front

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IT’S ABOUT BELONGING

52 Market Square, Edmonton Green, London N9 0TZTelephone - 020 8350 3461 | Fax - 020 8350 3461

Emai l - admin@facefront.org | Websi te - www.facefront.org

Patrons: Mat Fraser and Josette Bushel l Mingo

Face Front Inclusive Theatre is a company l imi ted by guaranteeRegistered Off ice: 52 Market Square, Edmonton, London N9 0TZ

Registered in England and Wales No. 05154096 Registered Chari ty No. 1116506