Fake Book 1 - massifjazz.commassifjazz.com/tunes/books/Creole_Jazz_Band_-_tuba.pdf · This fakebook...

Fake Book 1pre 1923

‡ Tuba

This Fake Book has been assembled with tunes that have all been written prior to 1923.Therefore these are all out of copyright in the USA. I hope you enjoy the tunes.

This fakebook has been produced in the following versions:

C Treble

Bb Treble

Eb Treble

Bass ClefTuba (bass clef one octave lower)

If you want versions in other keys or want more tunes added, feel free to contact me.

Kevin YeatesThe Creole Jazz [email protected]

12 Street Rag ................................................. 1th

A Good Man Is Hard To Find ............................. 2Afghanistan .................................................................. 3After The Ball Is Over .......................................... 6After You’ve Gone ................................................... 4Aggravatin’ Papa ......................................................... 8A’int We Got Fun ....................................................... 7Alabama Jubilee .........................................................18Alcoholic Blues ....................................................... 10Alexander’s Ragtime Band …….......................... 12Alice Blue Gown ................................................. 16All The Girls Go Crazy ….......................….……. 14Amazing Grace .......................................................... 17 American Patrol ……………….............................…. 20And They Called It Dixieland ......................... 19Any Time ..…………………………........................……… 21April Showers ………………….......................…….…. 22At a Georgia Camp Meeting .......…................,,,. 23At The Devil’s Ball ................................................ 24At The Jazz Band Ball ........................................ 26Aunt Hagar’s Blues ……….......................….……… 27Avalon …………………………………….......................… 29Baby Won’t You Please Come Home ............... 32Back To Storyville …............................…….…….. 30Ballin’ The Jack ……………............................…… 34Beale Street Blues ….………......................……... 36Blue and Broken Hearted ………......................... 33Blues My Naughty Sweetie Gives to Me . 40Bluin’ The Blues …………….....................…..…...… 38By The Light of the Silvery Moon …..…...... 42Careless Love ……………………………….....……… 44Chicago ….…………………………………..................…… 45China Boy …………………………………………....…….. 48Chinatown, My Chinatown …………….............… 46Cleopatra Had a Jazz Band ............................... 50Creole Belles .………………………………….....……. 52Curse of An Aching Heart .................................. 49

Dardanella …………………………….......…….....……. 54Darktown Strutter’s Ball ................................ 56Dear Old Southland ............................................... 58Dixieland Jazz Band One Step ........................ 59Down Among The Sheltering Palms .............. 60Down By the Riverside ......................................... 61Down Home Rag ........................................................ 64Down In Borneo Isle ............................................. 62Down IN Honky Tonk Town ................................ 66Down in Jungle Town .......................................... 65Down Yonder ............................................................. 68Easy Rider’s Gone ................................................... 70Eccentric ..................................................................... 72Eh La Bas ..................................................................... 71Fidgety Feet .............................................................. 74Flee AS A Bird .......................................................... 80Floatin’ Down That Old Green River ........... 76Floatin’ Down TO Cotton Town ..................... 82Foolish Questions ................................................... 84Frankie And Johnnie ............................................... 81Grizzly Bear Rag ..................................................... 86He May Be Your Man ............................................ 88Hesitating Blues ..................................................... 90High Society ............................................................... 92Hindustan .................................................................... 95Hot Lips ........................................................................ 96I Ain’t Gonna Give Nobody None of My Jelly Roll.... 98I Can’t Let ‘Em Suffer ...................................... 100I Never Knew I could Love Anybody .......... 102I want to do the Bear Cat Dance .............. 103 I Wish I Could Shimmy Like My Sister Kate ..... 104Ida, Sweet As Apple Cider .............................. 106If You Were The Only Girl IN The World 110Indiana ........................................................................ 108Ja Da ......................................................................... 111Japanese Sandman ............................................... 118

Jazz Baby ................................................................. 112Jazz Me Blues ...................................................... 114Jelly Roll Blues ................................................. 116Just a Little While to Stay Here ............. 119King Chanticleer..................................................... 120Lasses Candy ......................................................... 122Lassus Trombone .................................................. 123 Lazy Daddy .............................................................. 124Limehouse Blues .................................................... 126Livery Stable Blues (Vocal) .......................... 128 Livery Stable Blues ............................................ 130Long Gone ................................................................. 132Love Nest .................................................................. 136Lovin’ Sam .................................................................. 134 Ma, He’s Making Eyes At Me ........................... 137Mama Don’t Allow ................................................. 138Mandy .......................................................................... 139Margie ......................................................................... 140Memphis Blues ........................................................ 142Midnight in Moscow ............................................ 143Missouri Waltz ..................................................... 144My Bucket's Got a Hole In It ....................... 150My Daddy Rocks Me ........................................... 146My Honey’s Lovin’ Arms ..................................... 148Oh ................................................................................... 153Oh By Jingo .............................................................. 152Oh Didn’t He Ramble ............................................. 151Old Rugged Cross ................................................ 156Ole Miss ..................................................................... 154On The Alamo ........................................................... 157Ory’s Creole Trombone ...................................... 158Ostrich Walk ........................................................... 160Over The Waves ..................................................... 162Panama ......................................................................... 164Pearls .......................................................................... 166Poor Butterfly ...................................................... 163Pretty Baby ............................................................. 168

Riverside Blues....................................................... 169Rock A Bye Your Baby ........................................ 170Rose of Picardy ..................................................... 172Rose OF Washington Square ........................... 174Rose Room ................................................................. 173Royal Garden Blues ............................................ 180Rufe Johnsons’ Harmony Band ....................... 176Runnin' Wild ............................................................. 178Sailing Down Chesapeke Bay .......................... 182San ............................................................................... 184Satanic Blues ......................................................... 181Second Hand Rose ............................................... 186Sensation .................................................................. 191Shake It and Break It ......................................... 188Sheik of Araby ......................................................... 192Singin' The Blues .................................................. 190Sister Kate .............................................................. 104Skeleton Jangle ................................................... 194Sobbin' Blues ........................................................... 196Some of These Days ........................................... 198Some Sweet Day ................................................... 199Somebody Stole My Gal .................................. 202Someday Sweetheart .......................................... 200St. James Infirmary ............................................ 203St. Louis Blues ..................................................... 207Stockyard Strut ................................................. 204Storyville Blues .................................................. 212Strut Miss Lizzie ................................................ 208Stumbling ................................................................. 211Suez ........................................................................... 212Swanee ....................................................................... 214T'aint Nobody's Business If I Do ................. 216Tain’t Nothin Else But Jazz .......................... 215Take Me TO The Land Of Jazz ..................... 218That Da Da Strain ............................................... 225That Dixie Jazz .................................................... 220That’s A Plenty .................................................... 222

There'll Be Some Changes Made .................. 228Tiger Rag ................................................................... 226Til we Meet Again ................................................ 229Tishomingo Blues .................................................. 230Toot, Toot, Tootsie ............................................. 232Tuck me to Sleep................................................... 233Under The Bamboo Tree ..................................... 234Wabash Blues .......................................................... 236Waitin’ For The Robert E Lee ......................... 238Walkin' the Dog ..................................................... 235Washington and Lee Swing ............................ 242Way Down Yonder in New Orleans ........... 240When Ragtime Rosie Ragged The Rosary... 244 When The Midnight Choo Choo Leaves ...... 246When The Saints ................................................... 243When You Wore A Tulip ................................... 248When You’re A Million Miles From Nowhere .... 249 Where Did Robinson Crusoe Go .................... 250WhiffenPoof Song ................................................. 252Whispering ................................................................ 253Wild Cherries Rag ................................................ 254World IS Waiting For The Sunrise ............. 256Yama Yama Man ....................................................... 257Yellow Dog Blues ................................................ 258You‘ve Got TO See Your Mama Ev’ry Night ...... 260

TUBAB¨7 B¨7 B¨7 B¨7 B7

E¨ B¨7AAAA5

B¨7 E¨9

E¨ B¨713

F7 B¨717

E¨ B¨7BBBB21

B¨7 E¨25

E¨ E¨7 A¨ B729

E¨ F7 B¨7 E¨ A¨7 E¨33

E¨ B¨7AAAA37

12th Street RagEuday L. Bowman - 1914

Back to top with INtro

Standard Doo Wack-a-doo chorus

Etc

1

TUBA

My

Bb

heart's sad and I am all

C9

a lone- my

F7

man treats me mean.

BbBdimF7

q = 100

AAAA

I

Bb

re gret-

Bbm

the day that I

F

was born,

Bdim

and

C7

that man I ev er- seen

F

oh

5

my

C7

hap pi- ness- is less to day,

F

- my heart

C

is broke and that is why I say.

F7

Lord a

9

good man

G7

is hard to find

G7

you al ways- get

C7

the oth er- kind

C7

just

BBBB13

when

F7

you think that he's

F7

your pal, you look

Bb

to find him fool in'- "round

17

with some oth er- gal then you rave

G7

and you all crave

G7

you wan na-

20

see

C7

him in his grave

C7

so if

F7

your man

Bb

is nice

Bbm

take my

Bb

ad

F#7

vice-

F7

and

23

hug

Bb

him in the morn in'- kiss

Bb

him ev' ry night give

Bb

him plen ty- lov in' treat

F#7

him

F7

right

Bb

cuz a

27

good

C7

man now a- days

F7

- is hard to find,

Bb

so

F7

hard to find.

Bb F731

A Good Man is Hard to Find

2

TUBA

In the

F‹

land of Af- ghan- is- tan,

Fº

There's

B¨‹/F

a Hin-du maid and a man.

F‹A

She

F7

swore by the stars up a bove

B¨‹

- her that

F‹

he was the one

C7

to love her.

5

But

F‹

there came an- oth- er one day,

Fº

stole

B¨‹/F

his Hin-du maid-en a- way.

F‹9

Hin-

F7

du man is lone- ly and blue.

B¨‹

In his dreams

C7/E

he's call-

C7

ing to

F‹

her.

E¨713

In

E¨7

Af- ghan-

E¨Œ„Š7

is- tan,

E¨7

There's

A¨

a car- a- van

A¨/C A¨‹/CB17

by

B¨‹

the

B¨‹7

fair

E¨7

o- a- sis, Wait-

A¨

ing for

Bº

you, And for you only.

21

'Cross

E¨7

the des ert

E¨Œ„Š7

- sand,

E¨7

we

A¨

will find a tem-

G7/B

ple,

25

There

B¨‹

will be a bri-

C7/E

dal day

F‹

for you,my i-

B¨7

dol, in

E¨7

Af- ghan- is- tan.

A¨29

William Wilander & Harry Donelly - 1920

Afghanistan

Break Break

Break - Unison 1 bar

3

TUBA

Now

Bb

won't you list en- hon ey- while

F7

I say How

Bb

could you tell methat you're

q = 110 - 120

AAAA

goin'

F7

a way?

D7

Don't say that we

Gm7

must part,

F7

Don't you break

G7

your

Bb7

ba

Cm7

by'sheart.

F74

You

Bb

know thatI'veloved you for these ma

F7

ny- years, Loved

Dm

you both night

G7

and

9

Day

Eb7 Bb7

Ohhon ey- ba

Gm7

by can't you see

Cm

my tears?

F7

List

Cm7

en- while

F7

I say.

Bb12

1916

After You've Gone

3

4

Af

Eb

ter- you've gone,

Ebm6

and left me cry

Ab9

in'- Af

Bb

ter- you've gone,

Dm7

there's no de ny

G7

- in'-

BBBB17

You'll

C

feel blue You'll

F9

feel sad

Bb7

you'll miss the dear est- pal you've ev er- had.

21

There'll

Eb

come a time now

Ebm6

don't for get

Ab9

- it,There'll

Bb

comea time, when

Dm7

you'll re gret

G9

- it.

25

Some

Cm7

day

G7

When

Cm7

you grow lone

Ebm6

ly

Ab9

-

Bb

Your heart will break

Am7

like mine

D7

and

29

you'll

Gm7

want me on

Edim7

ly- Af

F

ter you've

Bb6

gone

G7 Cm7

Af ter you've gone

F7

A way.

Bb6

-

Bb732

Solos at "B"

TUBA

5

TUBA

Ab E¨7

q = 100

E¨7 Ab9

A¨ C7 FmAAAA17

Db Ddim7 Ab F7 B¨7 E¨7 Ab25

Fm C7 Db E¨7 Ab33

Db Ddim Ab B¨7 E¨7 AbBBBB41

A¨ A¨ C7 F‹ D¨51

Dº A¨ F7 B¨7 E¨7 A¨58

A¨ E¨7CCCC65

E¨7 E¨º7 E¨7 A¨73

A¨ F7 B¨7DDDD81

E¨7 A¨ B¨7 E¨7 A¨89

Charles K Harris - 1891After The Ball

6

TUBA

Ev

F

'ry- morn

E

ing,

F

- Ev 'ry- eve

E

ning,

F

-

C7

Ain't we got

B7

fun!

C7q = 185

Not much mon

B7

ey,

C7

- Oh, but hon

B7

ey

C7

-

F

Ain't we got

E

fun!

F75

Bb

The rent's un paid,- dear,

F

We have'nt a car,

9

Am

But an

E7

y

Am

- way,

E7

dear. We'll stay as we are,

Am C713

E

F

ven- if

E

we

F

owe the gro

E

cer

F

-

C7

Don't we have

B7

fun?

C717

Tax col lec

B7

- tor's

C7

- get ting- clos

B7

er

C7

-

F

Still we have

E

fun!

F721

Bb

There's noth ing- sur

A7

er,

Dm

- the rich

Gm

get rich and the poor

F

get poor

Bb

er

C7

-

25

F

In the mean

E

time

F

-

G7

in be tween- time

C7

Ain't We Got

Am

Fun!

F29

Kahn & Egan Whiting

1921

Ain't We Got Fun

7

TUBA

I

E¨

know a trif- lin' man,

A¨

They call him "Trif- lin' Sam".

EÄ

E¨

He lives in Birm- ing- ham,

B¨7

'Way down in Al- a- bam'.

E¨

Now

Eº

the

5

oth-

B¨7

er night, He had

F7

a fight with a gal

B¨

named Man-

C7

dy Brymm,

F7

And she

9

plain-

B¨

ly sta- ted she was ag-

F7

gra- va- ted, An she shout-

C‹7

ed out

F7

to him:

B¨713

Roy Turk & Russell Robinson - 1922

Aggravatin' Papa

8

"Ag- gra-

E¨

va- tin' pa-

C7

pa, Don't

F7

you try to two-

B¨7

time me,

E¨

I said don't two- time me.

B17

Ag-

E¨

gra- va- tin' pa-

C7

pa, Treat

F7

me kind or let

B¨7

me be,

E¨

I mean just let me be.

E¨721

List-

A¨

en while I get

E¨

you told,

E¨7 A¨

Stop mess- in' 'round, sweet jel-

E¨

ly roll.

C7

If

25

you

E7

step out with a high brown baby,

B¨7

I'll smack you down and I don't mean may- be!

29

Ag- gra-

E¨

va- tin' pa-

C7

pa, I'll

F7

do an- y- thing

B¨7

you say,

E¨

yes, an- y- thing you say.

E¨7C33

But

A¨

when you go strut- tin', Do your strut- tin' round my way.

G D7 B¨7

So

Now

Now

pa-

pa-

pa-

pa,

pa,

pa,

37

E¨

Once

You

Just

you

best

treat

were

be

me

stead-y

care-ful,-

pretty,

E¨7 E¨7

Once

Be

As

nice

you

yon

were

can

and

true,

be,

sweet,

But

'Cause

'Cause

E¨7

pa-

I

I

A¨

pa,

can

pos-

now

beat

sess

sweet

you

a

ma-

fort

do

ma

in'

y-

-

can't

what

four

A¨

de-

you're

that

pend

doin

don't

Aº

on

to

re-

you,

me,

peat!

Aº41

Ag-

E¨

gra- va- tin' pa-

C7

pa, Don't

F7

you try to

-2-

two-

B¨7

time me!

EË¨7 A A¨‹ E¨ B¨745

Break 2 bars

Stop Time - Play beats 1 & 4 as marked

TUBA

Aggravatin' Papa

2

9

TUBA

F F7 BbAAAA

Bbm F6

C7 F Db7 C7 F9

F C7 F C7BBBB13

Pro

F

hi- bi- tion,- that's the name, pro a- bi- tion- drives

G7

me in sane.-

C7CCCC17

Gm

I'm so thirs ty- soon I'll die, I'm sim

G7

ply- gon na- 'vap o- rate- or

21

just

C7

run dry. When Mis

F

ter- Hoo ver- said to cut my din

C7

ner- down,

24

I

F

did n't- hes i- tate- I did

C7

n't- frown.

G7

I cut my sug ar-

27

C

I cut my coal,

G7

but now they've cut deep in side

C7

- my soul. I've got the

30

Alcoholic Blues Albert Von Tilzer 1919

Vamp

10

blues,

blues,

F

I've

I've

got

got

the

the

Blues,

Blues,

I'vegot

since

the

they

al

am

co

pu

-

-

hol

ta

-

-

ic

ted

-

-

blues.

booze.

F7

There's

DDDD33

no

Bars

Bb

more

are

beer

closed

my

and

heart

night

Bbm

to

clubs

cheer,

too,

good

lord

F

bye

y

-

-

whis

lord

key

y

-

-

37

used

what

to make

to

me fris

do,

ky.- So

So

C7

long

long

hi

hi

ball,

ball,

-

-

good

good

bye

bye

-

-

gin,

gin,

40

tell

tell

F

me

me

when

when

you're

you're

com

com

in'

in'

-

-

back

back

Db7

a

a

C7

gain.

gain.

-

-

F43

Solos at "D"

TUBA

Alcoholic Blues

2

11

TUBA

C

Oh,

Oh,

ma

ma

hon

hon

ey,

ey,

-

-

Oh,

Oh, ma

ma hon

hon

C7

ey,

ey,

-

-

F

There's

Bet ter-

a fid

hur

dle

ry

-

-

with

and let's

notes

G7

me

that

an

screech

- der,

es,

-

-

C

Ain't

Like a

you

chick

go

en,

in',

-

- Ain't

Like

you

a chick

go

en,

in'

-

-

D7

To

And

the

the

lead

clar

er-

i

man,

net-

5

G7

rag

is a

ged

col

me

ored-

ter- man?

pet,

C

Come

Oh,

and

ma

lis

hon

ten,

ey,

-

-

Come

Oh,ma

and lis

hon

ten,

ey,

-

-

F

To

Let

a

me

class

take

i

you

- cal

to

-

8

band

Al

G7

what's

ex-

peach

an-

es,

der's

-

-

come

grand

C

now,

stand,

C7

-

some

brass

F

how,

band,

C0

-

12

C

Bet

Ain't

ter-

you

hur

com

G7

ry-

in'-

a

a

long.

long?

C

-

-

C7

Come on and

15

VERSE Irving Berlin, 1911Alexander's Ragtime Band

12

hear,

F

Come on and hear,

F

Al ex an-

C7

- der's Rag time

F

Band. Come on and

17

hear,

Bb

Come on and hear!

Bb

It's the best

Bb

band in the

21

land.

Bb

They can play

F

a bu gle call like you ne

F

ver- heardbe fore.-

24

So

F

na tur- al- that you want

F

to go to war.

27

That's

G

just the best

G7

est- band what am,

C

ho

C

ney lamb. Come on a

29

long.

F

Come on a long.

F

Let me take

C7

you by the hand.

F

Up to the

33

man.

Bb

Up to the man!

Bb

Who's the lea

Bb

- der of the band.

Bb

And if you

37

care

F7

to hear the Swa

F7

nee Ri - ver played

Bb

in rag

Fdim

- time. Come on and

41

hear,

F

Come on and hear,

F

Al - ex an

C7

der's- Rag time- Band,

F45

TUBA

Alexander's Ragtime Band

13

Tuba

Eb Eb Eb Eb Bb F7�h = 100

AAAA

Bb �� Bb7 Eb Eb Eb Eb Bb6

F7 Bb Bb7

All the

12

girls

on

Eb

go

their

craz

knees

y

say

- 'bout

in'-

the way

"Ba

Bb

that I

by,"-

walk The

Sayin'

way

"Ba

F7

that

-

I

by,"

walk

-

BBBB17

Hon

Craz

ey

y

-

-

'bout

'bout

the

the

way

way

I

I

walk

walk.

Bb Bb7

Yes,

Yes,

all

they

the

fall

girls

on

Eb

go

their

22

craz

knees

y

plead

- 'bout

in'-

the way

"Ba

Bb

that

by,"-

walk, 'Bout

Say

the

in'-

way

"Ba

F7

that

by,"-

I walk,

26

Hon

Craz

ey

y

-

-

'bout

'bout

the

the

way

way

I

I

walk

walk

Bb Bb7

They fall

30

Stop Time-2 Bars:................................Kid Ory 1916

All The Girls Go Crazy

Stop Time-2 Bars:.........................................

Solos Begin Here

On to "C" after last solo:

14

Eb BbCCCC33

F7 Bb Bb7 Eb37

Bb42

F7 Bb Bb745

Eb Bb F7DDDD49

Bb Bb7 Eb Bb55

F7 Bb Eb7 Bb60

Chorus: 1st Time Soft:

Climax Chorus: ad lib:

Tuba

The Grils go Crazy "bout the Way I Walk15

TUBA

In my sweet

C

little A

C7

lice

B7

- Blue

B¨7

Gown,

A7

When I

AAAA

first

D7

wan- dered down in- to town,

D7 E‹7 Fº

I

D7/F©

was

5

both

G7

proud and shy, As I felt

C

ev- 'ry eye,

A7

But in

9

ev-

D7

'ry shop win- dow I'd primp,

G7

pass- ing by; Then in

13

man-

C

ner of fash-

C7

ion

B7

I'd

B¨7

frown,

A7

And the

BBBB17

world

D‹

seemed to smile

G7

all a- round.

E7 F©‹7 Gº

'Til

E7/G©

it

21

wilt-

D‹

ed I wore

D©º

it, I'll al-

C/E

ways a-

B¨9

dore

A7

it, My

25

sweet

D‹

little A-

G7

lice Blue Gown.

C F‹ C29

McCarthy/Tierney - 1919Alice Blue Gown (4/4)

16

ATwas

Through

magracema

F

- zingthatny

-

-

grace,taughtdang

F7

howmyers-

sweethearttoils

Bb

thetoand

sound,fear,snares,

F

ThatAndwe

savedgracehave

F

amyal

wretchfearsrea-

likeredy-

me.lieved.come.

C7

-

IHowT'was

5

oncepregrace

F

-

wasciousthat

lostdid

brought

butthatus

nowgracesafe

Bb

amapthus

found,pear,far,

F

-

wastheand

9

blindhourgrace

Dm

butIwill

nowfirstlead

C

Ibeus

see.lieved.home.

F

-

13

3

Amazing Grace

3

3

17

TUBA

Man

Bb

do- lins, vi

Gb7

o- lins, Ev

Bb

'ry- bod- y- tun

F7

in'- up,the fun

Bb

be gins,

F7

-

q = 160

AAAA

Com

Bb

ethis way, don't

Gm

de lay, Bet

C7

ter- hur ry- hon ey- dear,or you'll

F

be miss

F7

in'-

5

Mu

Bb

sic- sweet, rag

Gb7

time treat, Goes

Bb

right to you head

F7

and trick les-

9

to

Bb

your feet. It's

C7

a re mind er- a mem

F

o- ry- find

F7

er- of

12

nights

C7

down in old Al a- bam:

F7

You ought to

15

seeDea

G7

con Jones when he rat

G7

tles- them bones, Old

C7

Par son Brown danc in'-

BBBB17

'round

C7

like a clown,

F7

Aunt Jem i- ma- who is past

F7

eight y- three

20

Shout

Bb

in'- "I'm full o' pep! Wtach

Bb

yo' step, watch yo' step!" One

G7

leg ged- Joe danced a -

23

round

G7

on his toe, Threw

Cmin

a way- his cane and hol lered,"Let

Cmin

her go!"

C7

Oh Hon ey

26

Hail,

Bb

Hail,

D7

the gang's

Eb

all here

Bb

for an Al

C7

a- bam- a Jub

F7

i- lee.-

Bb29

Alabama Jubilee George CObb - 1915

3

18

TUBA

They built a lit-

B¨

tle gar-den for

B¨

the

D7

rose,

G7

And they called

C7

it Dix- ie- land. They built a

AAAA

sum-

F7

mer breeze to keep thesnows far a- way

B¨

from Dix- ie- land. They built

A¨

the

5

fin-

G7

est place I've known,

C‹

When they built

G‹7

my home sweet home,

C7

Noth-ing

9

was

C7

for-got- ten in the land of cotton,from the clo-

F

ver to the hon-

C7

ey comb,

F7

And then they

13

took

B¨

an an- gel from

B¨

the

D7

skies,

G7

And they gave

C7

her heart to me. She had a

BBBB17

bit

F7

of heav- en in her eyes, Just as blue

D7

as blue can be. They put some

21

fine

G7

springchick ens- in the land, And taught

C7

myMam my- how touse a fry-ing pan.Theymade it

25

twice

F7

as nice as Par-

B¨

a-

D7

dise,

G7

And theycalled

C7

it Dix-

F7

ie- land.

B¨29

Raymond Egan & Richard Whiting - 1916

And They Called It Dixieland

19

TUBA

FA

C7 F G7 C75

F F79

B¨ G‹7 C7 F13

C7 FB17

C7 F F721

B¨ F C©º D‹25

B¨ F C7 F29

F.W. Meacham - 1891

American Patrol

20

TUBA

An y- time

D7

you'refeel ing lone

G7

ly,- An y- time

C7

you'refeel ing

blue,

F

An y- time

Bb Bbm

youfeeldownheart

F

ed,-

D7

Thatwill

8

prove

G7

your lovefor me is true.

C7

An y- time

D7

you'rethink ing

14

'bout

G7

me, That's the time

C7

I'll bethink ing of

20

you,

A7

So an y- time

D7

you say you

24

want

G7

me back a gain,- that's the time

C7

I'll come backhome to

28

you.

F F#0 C7

An y- you.

F Bb F1. 2.32

Any TimeHerbert Lawson ? in 1921

3

21

TUBA

Tho' A pril-

D7

Show ers- may come your way,

G

They bring the flo

D7

wers-

that bloom in May.

G

So if its rain

E7

ing- have no re grets,

Am

-

7

Be cause it is

A7

n't- rain ing rainyou know,it's rain

D7

ing vi o- lets.- Andwhere you

13

see clouds up on- the hills,

G

you soonwill see

E7

crowds of daf fo- -

18

dils,

Am

So keep on look

C

ing for a blue

Cm

bird, and list

G

'ning for his

24

song,

E7

when ev

A7

er- A pril- Sho

D7

wers come a long.

G

-

29

April ShowersLouis Silvers & Bud DeSylva

1921

22

TUBA

At a Georgia camp Meeting

AAAA5

11

17

BBBB21

27

33

2 bars unison w/ Clarinet trill

Bb F7 Bb

Bb Bb7 Eb Bb F7 Bb

C7 F7 Bb Bb7 Eb Bb

Bb

2 bars unison

F7

Fine

Bb

F7 Bb F7

Gdim Bb F7 Bb Bb Bb7

Eb Edim Bb G7

Back to "B" for solos, after last solo play "A" once

C7 F7 Bb

23

TUBA

I had a dream last

A‹

night, That- filledme full of fright: I- dreamt that I was with the

A

Dev

A‹

il- be low.- In his great

G7

big fier- y hall, Where the

4

Dev-

C

il was giv- ing a Ball.

E7

I checkedmy coat

A‹

and hat and start-ed-

7

gaz-

A‹

ing at the mer-ry crowd that came to wit-ness the show. And I

10

must

D7

con- fess to you, There were ma-

G7

ny there I knew. At the

13

Irving Berlin - 1913

At The Devil's Ball

24

Dev-il's

C

Ball, At the Dev-

D7

il's Ball, I saw the

B17

cute

G7

Mrs. Dev- il, so pret-ty-

C

and fat,

C©º

Dressed

G7

in a little red fire-

C

man's hat.

C©º21

Eph-

D7

re-ham,the lead-er man,wha led the band last Fall,

G7

He played the mu-sic at the

25

Dev-il's

C

Ball, In theDev-il's-

D7

Hall. I saw the

C29

fun-

G7

ni-est devil that I

C

ev-er saw, Tak-ing

G7

the tick- ets from folks

C

at the door,

C733

I

F

caught a glimpse

E7

ofmymoth-er

A‹

in- law,

D7

Danc-ing

D7

with the

G7

Dev-il, Oh!

D7

the lit tleDev

G7

il,-

37

Danc-ing-

D7

at the Dev-il's-

G7

Ball.

C

At the

41

TUBA

At The Devil's Ball

2

25

TUBA

Gmq = 180

AAAA

F7 Bb G7 C7 F75

Gm9

C7 F713

G7 C7 F7BBBB17

Bb G7 C723

Eb Edim Bb G7 C7 F7 Bb28

G7 C7 F733

Bb G738

C7 Eb Edim Bb G7 C7 F7 Bb43

At The Jazz Band BallOriginal Dixieland Jazz band - 1918

26

TUBA

Eb

Olddea con- Spliv in,-

Bb+ Eb

His flock was giv in'-

Bb+ Eb

the way of liv in'- right.

Eb7AAAA

Ab7

Saidhe"No swing in',-

Fm

No rag time- sing

Bb7

in'- to night".-

Eb Eº5

Fm7

Up jumped AuntHa gar

Bb7

and shout ed- out with all hermight:

Eb Eb7 Ab Abm Eb Bb79

"Why

Eb

all this razz in',- a bout- the jazz in'?- My boys have just come home,

Eb7BBBB13

Ab7

Withla test- mu sic,-

Bb7

They play it on the sax o- phone".

Eb17

Ab7

Oh my, just lis ten!"-

Bb7

thedea con- shout ed- with a moan.

Eb Ab7 Eb21

W.C. HANDY 1921

Aunt Hagar's Blues

27

HearAunt

Eb Eb7

Ha

Ab

gar's

Aº

chil

Eb

dren- har mo- niz

Bb7

- ing.- Hearthatsweet

Eb

mel

B7

o

Bb7

- dy,

Eb

- It's

CCCC25

like

Ebm

a choir

Eb7

from

B7

on high broke loose.

Bb7

If the

29

dev

Ebm

il- brought

Eb7

it, the good

B7

Lawd sent it right

Bb7

down to me. Let the

33

con

Eb

gre

Eb7

- ga

Ab

- tion- join

Aº Eb

while I sing

Bb7

those lov in'- Aunt

Eb

Ha

B7

gar's

Bb7

- Blues.

Eb37

Oh,

Eb

'taint no use you preach in',- Oh, 'tain't

Eb7

no use o'teach in'-

Ab7

Such jazz a- pa- tion-

DDDD41

such mod u- la- tion,-

Eb

Whenmy feet

G7

say dance,I just

C7

can't re fuse,- When

F7

I hear

46

Bb7

that mel o- dy- they call the blues,

Eb

Aunt Ha

Bb7

gar's Child ren- Blues.

Eb50

TUBA2

28

TUBA

I found

C7

my love in A va- lon,- Be -

AAAA

side

F

the

C7

bay,

F

I

5

left

C7

my love in A va- lon,- and

C+79

sailed

F

a

C+7

way.

F

- I

E7 Eb713

dream

D7

of her and A va- lon- from

BBBB17

dusk

Gm

'til

D7

dawn.

Bbm6

And

21

so

F

I think I'll

E7 Eb7

trav

D7

el- on, to

25

A

Gm7

va

C7

- - lon.

F

- -

29

AL Jolson 1920Avalon

29

TUBA

Go- in' back

E¨7

to Sto-ry-ville, that's where

B¨‹7

I long to be,

E7AAAA

Ain't notime to ask me why.

E¨7

Ev-'ry-thing

A¨7

'bout Sto-ry-ville is

3

just a part of me, Since

E¨

I was just

B¨7

this high.

E¨ B¨7

Go- in'

6

back to

E¨7

ol' De-sire, I know

B¨‹7

my way a- round,

E¨7

Friends I knowwill shake my hand.

BBBB9

Noth- in'

A¨7

changes on De- sire, thatstreet

A¨7

of my home town, the

12

street where I'll take

B¨7

my stand.

E¨ B¨7

There's a

15

3

Louis Armstrong

Back To Storyville

3

3

3 3

3

30

ca-fe-

A¨

called "The Pup"

G7

that's nev-er- shut,

C

so you can

CCCC17

drop

F‹7

a round- most

B¨7

an-y-time you choose.

E¨

There's

E¨7

a

19

la-

A¨

dy tailored- up

G7

in some-thin' cut

C‹

low, she

21

rolls

CØ7

the ol' pi- an-

F7

o with the"Jel-ly-

B¨7

Roll Blues". Goin'

23

back to

E¨7

Sto-ry- ville, I'm gon-

B¨‹7

na' take my horn,

E¨7

my nif-ty suit, my brush and comb.

DDDD25

Oh I just

A¨7

can'twait un til- I'm back where I was born,

28

E¨

My Sto ry- ville,

B¨7

- my home.

E¨ B¨731

3 3

3

TUBA

Back To Storyville

2

31

TUBA

Bb

I've got the blues,

Dbº

I feel

C7

so lone

F7

ly,-

Bb

I'd give the world

Dbº

if

I

C7

could on

F7

ly- make

Bb

you un

D7

der

D7b5

- stand.

Gm

-

D+ Gm7

Itsure ly- would

C7

be grand.

F74

Bb

I'm goin'to tel

Dbº

e- graph

C7

- you ba

F7

by, As

Bb7

you won't you please come home,

Eb

"Cause

9

when

Gm7

you're gone

C7

I'm all

F7

for lorn,-

F#º

I wor

Gm7

ry- all

C7

day long.

F713

Ba

Bb

by- won't you please

D7

come home,

G7

'cause

C7

your mam ma's- all

Gm7

a -

AAAA17

lone.

C7

I

F7

have tried

F#º

in vain,

Gm

nev er- no more

C7

to call

Gb9

your name.

F720

When

Bb

you left you broke

D7

my heart,

G7

Be cause

Cm7

- I nev er- thought

Eb

we'd part.

D7

Ev 'ry-

25

hour

Eb

in the day,

Eº

you will hear

Bb

me

Ab7b5

say,

G7

Ba

C7

by- won't you please

F7

come home.

Bb29

Baby Won't You Please Come HomeClarence Williams and

CHarles Warfield - 1919

3

32

TUBA

Blue,

B¨

be- cause we're part-

Gº

ed,

A

Blue,

D7

and broken heart-

G7

ed.

5

C‹

There was a time I was jol-

E¨‹

ly,

F79

B¨

You know the rea- son I'm mel-

C7

an- chol-

F7

y.

F©&13

Blue,

B¨

and oh! so lone-

Gº

ly,

B17

True,

D7

I want you on-

G7

ly.

21

C‹

We made a blun- der and

E¨‹

lots

B¨

of time

G‹

I won-

E¨

der if

25

you're

E¨‹

blue

F7

too.

B¨ E¨‹ B¨29

Lou Handman - 1922

Blue (And Broken Hearted)

33

TUBA

It's

Folks

G

being

in

done

Geor-

at

gia's

A7

all

'bout

the

to

ca-

go

D7

bar-

in-

ets,

sane

All

Since

E¨7

so-

that

cie

new

ty

dance

-

AAAA

C7

now

down

has

in

got

Geor-

the

gia

F©º

craze,

came;

F7

It's

I'm

G7

the

the

best

on-

dance

ly

done

per-

in

son

mod-

who's

ern

to

days,

blame,

4

That

I'm

E¨7

is

the

why

par-

I

ty

rave

in-

a-

tro-

bout

duced

it

it

so!

there,

D

so!

D77

Play

Give

G

some

me

good

cre-

Rag

dit

A7

that

to

will

know

make

a thing

you

D7

or

prance;

two,

Old

Give

E¨7

folks,

me

young

cre-

folks,

dit

BBBB9

C7

all

for

try

spring-

to

ing

do

some-

F©º

the

thing

dance,

new;

F7

I

Join

G¨7

will

right

show

in

this

now

lit-

while

tle

you

dance

got

to

the

you,

chance,

12

When

Once

E¨7

I

a

do

gain-

you'll

the

say

steps

that

to

it's

you

a

I'll

bear!

show:

D F715

Chris Smith - 1913Ballin' The Jack

34

First

G7

you put your two knees close up tight, Then you sway

C7

'em to the left then you

CCCC17

sway'em

C7

to the right, Step

F7

a-round thefloor kind of nice and light, Then you

20

Twist

B¨

a- round and twist

D7

a- round with all

E¨7

your might,

D723

Stretch

G7

lov in'- armsstraight out

G7

in space, Then you do

C7

the Ea- gle Rock with sty-

DDDD25

le and grace Swing your foot

G7

way 'round then bring

B¨

it

D7

back,

G‹

Now

G728

that's

C‹

what I call

E¨‹

"Ball-

F7

in the Jack".

B¨31

Solos at "C"

TUBA

Ballin' The Jack

2

35

TUBABb F7 Bb F7 Bb F7 Bb

You'll

see

see

Beale

Bb

pret

Hog

Street

ty

Nose

Could

-

-

Browns

rest

talk,

'rants-

in

and

If

beau

Chit

Beale

ti

lin

Street

-

-

ful

Ca

could

- gowns,

fe's,

talk,

-

You'll

You'll

Mar

see

see

ried-

AAAA3

tail

Jugs

men_would

Eb

or

that

have_to

-

Bb

mades

tell

pack

-

Cm

and

of

their

Bb

hand

by

bags

F

me

gone

and

-

-

C7

downs.

days.

walk.

-

F7

You'll

And

Ex

meet

plac

cept-

Bb

hon

es,

one

-

est

once

or

men,

plac

two,

Bb7

And

es,

Who

-

5

pick

Now

nev

Eb

pock

just

er

-

-

ets

a

drink

- skilled,

sham,

booze,

Ebm

You'll find

You'll

And

that

see

the

bus'

Gold

blind

Bb

ness

en

man

-

nev

balls

on

er

e

the

- clos

nough

corner

-

es

to

who

- 'til

pave

sings

some

the

these

-

8

bod

New

y

Je

- hets

ru-

F7

killed.

sa- lem.-

Bb

You'll

If

Beale Street Blues..

F7 Bb

Well

Bb7

I'd

1. 2.10

Beale St. Blues

36

rath

goin'

rath

Eb

er

to

er

-

-

be

the

be

here,

river,

there,

Than

Than

Bb7

an

May

an

y

be

y

-

-

-

place

bye

place

I

and

I

know.

bye.

know

Eb Eb7

I

I

said

said

I'd

I'm

I'd

BBBB12

rath

goin'

rath

Ab

er

to

er

-

-

be

the

be

here,

river,

there,

Abm

ThanAndThan

anthere'san

yay

-

-

placereaplace

IsonI

-

know.why:know

Eb

It'sBe

goncause-

natheNew

-

16

take

riv

York

Bb7

the

er's

may

-

ser

wet

be

geant

and

all

-

right,but

For

Beale

Beale

to

Street's

Street's

make

done

paved

me

gone

with

go.

dry.

gold.

20

Eb Eb7 Ab Abm Eb

Well I'm

I'd

22

E7 F7

íf going back to "A"

TUBA

Beale St. Blues

2

37

TUBA

There

D7

are Blues

Blues

Blues

Gm

that

that

that

you

you

you

get

get

get

Ebdim

from

when

from

wor

sin

sweet

Gm

ry

gle

ie

-

-

-

There

There

When

G7

are

are

she

Blues

Blues

phones

Cmh = 100

that

that

to

you

will

an

get

give

th

Abdim

-

from

you

er-

pain,

pain,

guy,

Cm

And

And

And

there

there

there

Eb7

are

are

are

Blues

Blues

Blues

D7

when

when

when

you're

you're

your

lone

lone

hon

ly

ly

ey

-

-

-

For

For

spends

6

your

your

all

Gm

one

one

of

and

and

your

on

on

mon

ly,

ly,

ey,

-

-

-

The

The

And

Blues

Blues

Blues

A7

you

you

when

can

can

she

nev

nev

tells

er

er

you

-

-

ex

ex

a

plain;

plain;

lie;

D7

-

-

There

There

There

are

are

are

11

Blues

Blues

Blues

Gm

that

that

that

you

you

you

get

get

get

Ebdim

from

from

when

long

long

mar

Gm

ing

ing

ried

-

-

-

But

To

Wish

G7

the

hold

ing-

blu

some

that

Cm

est

one

you

-

-

Blues

on

could

that

your

be

be

knee,

free,

D717

Are

But

But

the

the

the

sort

kind

kind

G7

of

of

of

Blues

Blues

Blues

that's

that

that's

on

al

good

my

way

and

-

mind,

stabs,

blue,

They're

Come

Comes

C7

the

from

from

ve

hi

hav

ry

ring

ing

-

-

-

24

mean

tax

wine

est

i

for

-

-

kind,

cabs,

two,

The

The

The

Blues

Blues

kind

F7

my

my

of

naught

naught

Blues

y

y

my

-

-

sweet

sweet

sweet

C7

ie

ie

ie

-

-

-

gives

gives

gives

F9

to

to

to

me.

me.

me.

Bb (D7)

There

There

There

are

are

are

28

Blues My Naughty Sweetie Gives To Me 1919

38

TUBA

pp

Bb Bb7 Eb

f

F7q = 120

Bb Bb7AAAA5

Eb7 Gb7 Bb A7 Ab7 G79

C7 F7 Bb F Bb13

pp

Bb Gb7 Bb Bb7

f

BBBB17


C7 F7 Bb F7 Bb25

Henry Ragas 1918Bluin' The Blues

39

pp

Bb Gb7 Bb Bb7

f

CCCC29

Eb7 Gb7 Bb7 A7 Ab7 G733

C7 F7 Bb F7 Bb F737

Bb Bb Bb7DDDD41


C7 F7 Bb F749

pp

B¨ G¨7 B¨ F7

f

BËEEE53

Solos

TUBA

2

40

This page has been intentionally left blank. You have not been ripped off. This had to

be done in order to avoid page turns in the middle of a tune. You might think this

would be a good to place to make jokes or witty observations such, “Did you ever

notice that Peter O’Toole is the only Hollywood actor to have a first and last name

with a phallic reference?” But I won’t be doing any such thing. So stop reading this.

It is a waste of your time.

I won’t waste your time with other foolish jokes. It is just a blank page. So why are

you reading this? I told you earlier to stop. You are wasting your time.

Well since you can’t just turn the page, then I will take advantage of your reading

interest to see if you might be interested in buying my time machine. It is 100%

operational and fully functioning. Everything works just fine and it runs very smoothly.

The unit has a minor design flaw in that it plugs into the wall to operate. As a result,

when the time travel starts the machine immediately loses its power source and you

land back in the present.

I have been developing this time traveling machine for years and am now too tired to

do the work involved in converting it to run off batteries. It should be an easy fix for

a home handyman.

41

41

TUBA

Place

Act

C

park

two,

Cdim

scene

scene

G7

dark,

new,

C

Sil

Ros

C

v'ry

es

-

-

moon

bloom

is

ing-

shin

all

Cdim

ing

a

- thru

round-

the

the

trees,

place.

DminAAAA

Cast

Cast

Dmin

two,

three,

E7

me,

you,

A7

you,

me

Dmin

Sound

Preach

G7

of

er-

kiss

with

Dm7

es

a

- float

sol

G7

ing

emn

-

-

on

look

Dm7

the

ing-

breeze.

face.

C G75

Act

Choir

C

one,

sings,

Cdim

be

bell

G7

gun

rings

C

- Di

Preach

C

a

er,

-

-

logue,

"You

"where

are

woud

wed

Cm6

you

for

like

e

to

ver-

spoon?"

more."

G9

My

Act

D7

cue,

two,

with

all

G

you,

through,

Em

Un

Ev

Am

der

r'y

-

-

neath

night

- the

the

sil

same

Am7

v'ry

en

D7

- moon.

core.

G7

-

By the

13

By the Light of the Silvery MoonGus Edwards & Edward Madden

1909

42

Light

C

of the sil very- Moon,

D7 E7

I want to

BBBB17

spoon,

G7

to my ho ney- I'll croon

C

love's

C#0

tune;

G7

Ho ney-

21

moon,

C

Keep a shin in'- in June,

F A7 Dm

Your sil

A7

v'ry

Dm

-

25

beams

C

will

C7

bring

D7

love's

Fm

dreams,

Am

we'll be cud dl- ing-

29

soon,

E7 A7 D7

By the sil

C

very

G7

- Moon.

C31

TUBA

By the Light of the Silvery Moon

2

43

TUBA

Love,

F

oh love

C7

oh care less- love.

F

You fly

F

right

AAAA

thru my head

D7

like wine.

G7 C7

You've broke

F

the heart

F7

of

6

ma

Bb

ny- a gal,

Bbm

and you near

F

ly- broke

C7

this heart of mine.

F C711

If

F

I were

C7

a lit tle- bird,

F

I'd fly

F

from tree to

D7

tree.

G7BBBB17

C7

I'd build

F

my nest

F7

way up

Bb

in the air

Bbm

where the

24

bad

F

boys could

C7

not both er- me.

F C729

Now

F

I wear

C7

my a pron- high,

F

Now

F

I wear my a

D7

pron- high,

G7CCCC33

C7

Now

F

I wear

F7

my a

Bb

pron high,

Bbm

and he

40

nev

F

er,- nev

C7

er- pass es- by.

F C745

Careless Love

44

TUBA

Chi ca

E¨

- go,- Chi- ca- go,

G¨º

That tod-

F‹7

dl'-in' town,

B¨7

tod

F‹7

dl' in'- town,

B¨7

Chi-

AAAA

ca-

F‹7

go, Chi- ca-

B¨7

go, I'll show

E¨

you a- round, I love

B¨7

it,

5

Bet

E¨

your bot-tom dol-lar you lose the blues in Chi- ca-

F7

go, Chi- ca- go, The

9

town

F‹7

that Bil-

B¨7

ly Sun-

F‹7

day could not

B¨7

shut down!

E¨/G Eº/G¨ F‹7

On

B¨713

State

E¨

Street, that great street,

G¨º

I just

F‹7

want to say,

B¨7

just

F‹7

want to say,

B¨7

They

BBBB17

do

D‹7(b5)

things they don't

G7

do on Broad- way,

C‹

Say,

C721

They

F‹

have the time the time

A¨‹

oftheir life, I

E¨

saw a man, he danced with his wife,

Gº

In Chi-

25

ca

F‹7

go-

B¨7

Chi ca

F‹7

- go- my

B¨7

home town!

E¨ E¨º F‹7 B¨729

Fred Fisher - 1922

Chicago

45

TUBA

When

C

the town is fast a- sleep,

E‹

And

C

it's midnight in the sky,

E‹ G75

That's

C

the time the fes- tive Chink,

E‹9

Starts

D‹7

to

A‹

wink

G7

his other eye.

C13

Starts

D‹

to wink his dream- y eye,

17

La-

D7

zi- ly you'll hear him sigh:

G7 G7 G&721

Jean Schwartz & William Jerome - 1906

Chinatown, My Chinatown

46

Chi-

C

na town,

G&7

my Chi-

C

na town,

AAAA25

Where

C

the lights are low,

G729

Hearts

G7

that know no

E7

oth-

A‹

er land

33

Drift-

D7

ing to and fro.

G7 G&737

Dream-

C

y, dream-

G&7

y, Chi-

C

na- town,

BBBB41

Al-

C

mond eyes

C7

of

C&7

brown,

F A7/E D‹45

Hearts

F

seem light

F‹6

and life

C

seems bright,

G‹6/B¨ A7

In

49

dream-

D7

y Chi-

G7

na- town.

C C©º D‹7 G753

TUBA

Chinatown, My Chinatown

2

47

TUBA

Chi

F

na- boy go sleep,

q = 160

AAAA

Close

F

your eyes

F F E7

don't

Eb7

peep,

D75

Sand

G7

man- soon will come,

9

While

Bbm

I soft ly- hum.

F Eb713

Bud

Ab

dha- smiles

Eb7

on you,

AbBBBB17

Moon

Ab

man- loves

Eb7

you too.

Ab

So,

21

while

Ab

their watch

Eb7

they keep,

Ab C725

Chi

F

na- boy

C7

go sleep.

F29

China BoyWinfree/Boutelje - 1922

48

TUBA

E¨ E¨‹ B¨ B¨º F7

You

made

B¨

me what

B¨º

I am

B¨

to- day,

B¨7

I

AAAA5

hope

E¨

you're sat-

E¨‹

is- fied.

B¨

You

9

dragged

F7

me down and down

B¨

un-

F7

til

B¨

the

13

soul

C7

with- in me died.

F7

You

17

shat-

B¨

tered each

B¨º

and ev-

B¨

'ry dream,

B¨7

You

BBBB21

fooled

E¨

me from

A7

the start.

D7 E‹ Fº

And

D7/F©25

though

E¨

you're not true

Eº

I still

B¨/F

love

D7

you,

G7

That's the

29

curse

C7

of an ach-

F7

ing heart.

B¨33

Al Piantadosi - 1913

The Curse of An Aching Heart

49

TUBA

His- to-

G

ry

E7

re- peats

A7

it- self,

D7

So the wise men say.

G

I be -

A

lieve

G

they're right

B‹

be-

B¨

cause

A‹

last night I heard

A7

pe- cu- liar music play.

D7 Dº D7 D&5

In

G

a dream

E7

it takes

A7

me back two thou-

D7

sand years

E¨º

a- go.

E‹

Which

F©º9

on-

E‹6

ly goes

A7

to prove

E‹6

that E-

A7

gyp-

E‹6

tians were

A7

not slow.

D7

Cle- o- pa-

B‹

tra had

B¨

a

13

Cleopatra Had A Jazz Band

Jack Coogan & Jimmy Morgan - 1917

50

jazz

A7

band,

D7

In her cas- tle on the Nile.

G

Ev- 'ry night

B‹

she gave

B¨

a

B17

jazz

A7

dance,

D7

In her queer E gyp-- tian style.

G7

She won

E&

Marc

E721

An-

A7

tony,

E‹6 E¨7 D7

With her syn- co- pa- ted har-

G/B

mo- ny.

A‹ G

And while

B‹/F©

they

E‹725

played,

D7

She

Fº

swayed.

A7/E A7

She knew she had him all the while.

D7

In the sha-

B‹

dow of

B¨

the

29

pyr- a-

A7

mids,

D7

'Neath the old E gyp- tian- moon,

G

A Sphinx

B¨º

was

C33

look-

A‹7

ing on

D7

and said:

G7

"There'll be a wed

F©7(b5)

ding- soon".

B Bº B7

But

C7

the

B737

real

E7

his- tor- ic scan-

A7

dal, was Cle-

D7

o lost her san-

G

dal as

B‹

she

B¨41

danced

A‹6

to the strains

D7

of the E- gyp-

A‹6

tian jazz

D7

band tune.

G45

TUBA

Cleopatra Had A Jazz Band

2

51

TUBA

Bb F

C7 F C#7 G7 C75

Bb F D79

G7 C7 F E7 F713

Bb C7 F7 Bb BbAAAA

17

F7 Bb Bb22

C7 F7 Bb G7 C.26

C7 F7 Bb C7 F7 Bb1. 2.31

Creole Belles1900

52

F7 Fº F7 Bb7

My

NC

CreWhen

olestars

-

35

Belleshine

Eb

II'll

lovecall

herher mine,

well

Bb

Mymy

litdar

tlelin'

-

-

darba

F7

lin'by

-

-

mymy

CreCre

oleole

-

-

BelleBelle.

BbBBBB39

B¨

My creWhen

olestars

- belleshine

Eb

II'll

lovecall

herher

wellmine,

Bb

mymy

darlit

lin'tle

-

-

46

badar

F7

bylin'

-

-

mymy

CreCre

oleole

-

-

Belle.Belle.

Bb51

Bb C7 F7 Bb Bb F7CCCC55

F7 Bb Bb C7 F761

Bb G7 C. C7 F7 Bb66

Interlude

Solos at "C"; Out Chorus use Melody from "A."

TUBA

Creole Belles

2

53

TUBA

C C C C

Down

C

be-side the Dar-da- nel- la Bay, Where Or- i- en- tal breez-es

AAAA5

play,

G7

There lives a lone-some maid Ar- me-

C

ni an-

9

By

C

the Dar- da-nelleswith glow-ing- eyes, She looks a cross- the seas and

13

sighs,

G7

Andweaves her love spell so sire-

C

ni- an.

17

Soon

A¨

I shall

B¨7(b5)

re turn- to Turk-

E¨7

e- stan.

A¨BBBB21

I

G

will ask

A7(b5)

for her heart

D7

and hand.

G G725

DardanellaFelix Bernard & Johnny Black - 1919

3

3

Break

Bass

54

Oh,

C

sweet Dar-da- nel- la,

G7

I love your ha-rem eyes.

CCCCC29

I'm

C

a luck- y fel-low

G7

To cap-ture-such a prize.

C

Oh Al-lah

33

knows

F

my love for you, And he tells

C

you to be true,

A7

Dar-da-

37

nel-

D7

la, oh hear my sigh,

G7

My Or- i- en- tal,

41

Oh,

C

sweet Dar- da- nel-la,

G7

Pre-parethewed-ding wine,

C

There'll be

DDDD45

one

F

girl in my ha- rem when you're mine.

E7 F©‹7 Gº

We'll build

E7/G©

a

49

tent

A7

just like the chil-dren- of

D7

the Or- i- ent.

E¨º53

Oh,

C

sweet Dar- da- nel- la,

G7

My star of love di- vine.

C57

Break 1 bar

TUBA

Dardanella

2

55

TUBA

B¨

I've

We'll

got

meet

B¨º

some

our

good

high

C‹7

toned

news

-

hon

neigh

F7

ey,

bors,

-

-

B¨

An

An

in

ex

vi

hi

-

-

ta

bi

B¨º

-

-

tion

tion

-

-

to

of

the

the

AAAA

Dark

"ba

F7

town

by-

Ball.

Dolls",

It's

And

a

each

ver

one

F7

y

will

- swell

do

af

their

fair,

best,

F7

-

E¨7 D7

All

Just

the

to

4

"high

out

G‹

browns"

class

-

-

will

all

C7

be

the

there.

rest.

F7

I'll

And

wear

there'll

my

be

high

danc

B¨

silk

ers-

hat

from

B¨º

and

ev

a

'ry-

frock

for

F7

tail

eign

coat,

land,

You

The

7

wear

clas

D7

your

sic,-

Par

buck

is

and

- gown

wing,

and

and

your

the

new

wood

G‹

silk

en-

shawl,

clog.

There

We'll

ain't

win

F

no

that

doubt

fif

F&7

a

ty-

-

11

bout

dol

D‹

it

lar-

babe,

prize

F7

We'll

When

be

we

the

step

best

out

G‹

dressed

and

in

"Walk

C7

the

the

hall.

Dog".

F7

I'll be

14

Darktown Strutter's Ball

Sheldon Brooks - 1917

56

down

Bb

to get you in a tax i- hon

G7

ey,- You'd bet

C7

ter be read- y a bouthalf past eight.

BBBB17

F7

Now dear ie- don'tbe late I want to be

Bb/D

there when

Bbº

the band

Cm7

starts play

F7

ing,- Re -

21

mem

Bb

ber- when we get there hon

G7

ey,- The two

C7

steps I'm goin'to have'em all. Goin' to

CCCC25

dance

Eb

out both my shoes,

Eº

When they play

Bb

the"Jel

A7

- ly Roll Blues"

G7

To -

29

mor

C7

row night at the Dar

F7

town Strut ter's Ball.

Bb B¨dim Cm7 F7

I'll be

33

TUBA

Darktown Strutters' Ball

2

57

TUBA

I

F‹

want to stray

E& A¨/E¨

to the town I

C7/E

was born,

F‹

My home

E&

town,

A¨/E¨

My little home

C7/E

town.

I

B¨‹

want to play

D¨ B¨‹7

in the cot-

C7

ton and corn,

F‹

To feel

E&

it,

A¨/E¨

I used to steal

C7/E

it.

5

I

F‹

want to hear

E& A¨/E¨

dear old Moth-er-

A¨7

each morn,

D¨ Dº9

say-

F‹

ing "Go long,

A¨º

go long,

B¨‹7

go long, go

C7

long to school".

F‹ C713

Dear,

Dear,

F F&

Dear

Dear

Old

Old

Sputh

South-

B¨

land,

land,

Bº

I

for

A17

hear

you

F

you

my

call-

heart

B¨

ing

is

to

yearn-

F

me.

ing.

D7 G7

And

And

C7

I

I

21

long,

long

F F&

howjust

Ito

longsee

B¨

toonce

roammore

Bº

backthe

25

to

land

F

my

I

old

love

A¨º C7/G

Ken-

that

tuck-

Swan-

C7

y

ee

home.

shore.

F B¨7 F29

Henry Creamer & Turner Layton - 1921

Dear Old Southland

Tuba

58

TUBA

Bb Bb F7 F7 C7 F7q = 200

AAAA

Bb Bb7 F Bb Bb Bb6

F7 F7 C7 F7 Bb Bb7 F11

Bb Bb Eb Cm7 Fm7BBBB16

Bb Eb Eb Bb Eb22

Cm C7 Fm F#dim Eb Bb7 Eb728

Ab Ab C7 C7 F7 F7CCCC33

Bb Bb7 Eb Eb Ab39

Cm G7 Cm F7 Eb745

Ab Ab C7 C7 F7 F7DDDD49

Bb Bb7 Db Ddim55

Ab F7 Bb7 Eb Ab Ab59

Dixieland Jazz Band one Step

3

59

TUBA

Down

B¨

a- mong the shel-

B¨7

ter-

A7

ing

A¨7

palms,

G7

Oh honey

AAAA

wait

C7

for me; Oh honey wait for me;

5

Meet

F7

me down by the old Gold- en Gate,

9

Out

B¨

where the sun goes down

C9

a- bout eight.

F713

How

B¨7

my love is burn-

E¨

ing, burn- ing, burn- ing,

BBBB17

How

G7

my heart is yearn-

C7

ing, yearn-ing, yearn-

F7

ing to

Gº

be

21

Down

B¨

A mong- the Shel-

B¨7

ter-

A7

ing

A¨7

Palms,

G7

Oh honey

25

wait

C9

for

F9

me.

B¨29

Abe Olman - 1914

Down Among The Sheltering Palms

60

TUBA

Gon na- lay

F

down my sword

F

and shield

F

down by the riv

F

er- side,-

q = 180

C7

down by the riv

C7

er- side,

F

Down by the riv

F

er- side. Gon na-

5

lay

F

down my sword

F

and shield

F

down by the riv

F

er- side down

C7

by the

9

riv

C7

er- side.

F F

Ain't gon na- stu

Bb

dy- war no more

Bb

I ain't gon na-

AAAA14

stu

F

dy- war no more

F

I ain't gon na- stu

C7

dy- that

C7

war no more

F19

F

I ain't gon na- stu

Bb

dy- war no more

Bb

I ain't gon na- stu

F

dy- war no

24

more

F

you know I'll stu

C7

dy- war

C7

no more.

F28

Down By The Riverside

2. Gonna stick my sword in the golden sand

3. Gonna put on my long white robe

4. Gonna put on my starry crown

5. Gonna shake hands around the world

61

TUBA

Far

C‹

a- way in Jun- gle land,

A

Jun-

F‹

gle, Jun- gle, Jun-

G7

gle land,

C‹

Tuba- Toms

5

C‹

Where they play upon the sand,

9

Jun-

B¨7

gle, Jun- gle, Jun-

F‹7

gle sand.

B¨713

In

B¨7

the eve- ning when the day

B¨&

is cool- er

B17

ev-

E¨

'ry- bod- y does the Boo- la Boo- la.

21

C‹

And they say that mon- key band,

25

Tum-

B¨

bles, Stum-

F7

bles, As

B¨7

they bun- gle thru the jungle.

29

Tuba- Toms- etc.

Herny Creamer & J. Turner Layton - 1917

Down In Borneo Isle

Tuba- Toms- etc

62

B¨7

Down in Bor- ne- o, Down in Bor- ne- o,

C33

E¨

Down in Bor- ne- o Isle.

E¨

I love

Eº

to

37

see

B¨7/F

those

B¨7/D

wild

E¨

men

Eº

danc-

B7/F

ing a- round,

B¨741

And

E¨

those real

D7

wild wo-

E¨

men in swim- min'!

45

Down

B¨7

in Bor- ne- o, Where I want to go,

E¨

All theywear is a smile,

C7 CºD49

C7 F‹

And ev-'ry eve-ning when the lights are low,

C‹

Oh, Oh,

56

Oh, Oh, Oh, Oh, Oh, Oh, Oh, Oh!

B¨7

How they toad- al- o,

62

To the music slow,

F7

Down in Bor-

B¨7

ne- o Isle.

E¨ A¨7 E¨67

TUBA

Down In Borneo Isle

2

63

TUBA

B¨7 F7

E¨ F‹7 E¨/G A¨‹6/F E¨ C‹7 F7 B¨7AAAA5

E¨ F‹7 E¨/G A‹6/F E¨ C‹7 F7 B¨7 E¨9

E¨6 F7 B¨7 E¨6BBBB13

E¨ F7 B¨7 E¨18

E¨7 G¨7 B¨‹ G¨7 E¨7 D6 F©º G¨7 E¨7 E¨721

A¨ A¨7 D¨ D¨‹ A¨ A¨ B¨7 E¨7CCCC25

A¨ A¨7 D¨ D¨‹ A¨ A¨ A¨7 D¨ A¨ B¨7 E¨7 A¨29

A¨ D¨‹ A¨ A¨ D¨‹ B¨7 E¨7DDDD33

A¨ D¨‹ A¨ A¨ D¨‹ B¨7 E¨7 A¨37

Wilbur C. Sweatman - 1911Down Home Rag

Play "A" Once and end

64

TUBA

Gm A7 A7b5 D7AAAA

F7 Bb9

D A7 D A7 F C7 F7 F7+17

Down

Bb

in jun gle- town,

C7

A hon ey- moon

F7

- is com ing-

BBBB25

soon.

Bb

Then you'll hear a ser en

Bbº

- ade,

F7

- To a

31

pret

F7

ty- mon key- maid,

Bb Bº F737

When

Bb

that chim pan- zee

C7

- up in the tree,

F7CCCC41

Sings

F7

that mel

Cm7

o- dy.

D7

- I'll

Bb

be true to my

46

mon

B¨

key doo dle- doo- way Down In Jun

C7

gle

F7

- Town.

Bb51

Verse Down in Jungle Town Edward Madden and

Theodore Morse - 1908

Chorus

65

TUBA E¨

Bill John-son saidone day,

D7 E¨

Tohis E li-- za May,

D7AAAA

E¨

"We've been to near-ly ev'-

D7

ry place

E¨

in

D7

town.

G‹5

A¨

If you sug- gest to me,

G7 A¨

some oth -er nov- el- ty,

G79

A¨

Weboth will go and do

G7

the thing

A¨

up

G7

brown!"

C‹13

His sweet- tie said, "My Dear,

D7 E¨

there is this placeI hear,

D7BBBB17

E¨

I got it straight from Mose,

D7

who brings

E¨

the

D7

clothes.

G‹21

It's

C‹

Hon- ky Ton- ky Town, downwhere the gals are brown.

25

That's

D7

where the mu-

D7(b5)

sic grows.

G729

Chris Smith & Charles McCarron - 1915Down in Honky-Tonk Town

66

C

Come, Hon-ey, let's go down to Hon-ky Ton-ky Town,

CCCC33

D7

it's under-neath the ground, where all the fun is found.

37

There'l!

G7

be sing- ing wait- ers, sing- ing syn- co- pa- ters,

41

danc

D7

cin'- to pi- a- no played by Mis- ter Brown.

G745

C

Heplays pi- a- no queer, He only plays by ear,

DDDD49

D7

You want to stay a year, The mu- sic that you hear, would

53

ev-

G7

en start a mon- key, danc- ing with a don- key,

57

Down

D7

in Hon key- Ton

G7

ky- Town.

C61

TUBA

Down in Honky-Tonk Town

2

67

TUBA

Rail-

E¨

road train, Rail-

F7

road train, Hur-

B¨7

ry some more.

EÄAAA

Put

F7

a little steam on just like nev- er be-

B¨7

fore.

E¨5

Hus-

E¨

tle on, Bus-

F7

tle on, I've

B¨7

got the blues.

E¨9

Yearn-

F7

ing for my Swan- ee shore,

B¨713

Broth-

F‹

er if you only knew,

17

You'd

F7

want to hurry up too.

B¨721

L. Wolfe Gilbert - 1921

Down Yonder

68

Down

E¨

yon-

B¨

der some-one beck-

E¨

ons to me,

E¨7

Down

A¨

yon-

E¨7

der some-one

BBBB25

reck-

A¨

ons on me.

E¨

I seemto see a race

B¨7

in mem-

E¨

o-

Eº

ry,

B7/F31

E¨

Be-tweentheNatch-ez and

B¨7

the Rob-

E¨

ert E. Lee. Swan-

F7

ee shore I miss you

37

more and more, Ev- 'ry day,

B¨7

my mam- my land, You're sim- ply grand.

43

Down

E¨

Yon-

B¨7

der when the folks

E¨

getthe news,

E¨7

Don't

A¨

won-

E¨7

der at the Hul-

A¨

la- ba- loos.

CCCC49

There's dad-

E¨

dy and mam- my, There's Eph- raim and Sam-

56

C7

my, Wait-

F7

in' down yon-

B¨7

der or me.

E¨ B¨760

BReak 2 Bars

TUBA

Down Yonder

2

69

TUBA

I won

Bb7

der- where my Ea sy- Ri der's- gone to day- He

q = 120

ne

Eb7

ver- told me he was goin' a way.

Bb

- If

5

he

F7

was herehe'd win the race If not first

D7

he'd get a place.

Gm

Cash

9

in

F

our tick - ets for a jol

C7

ly- joy ride right a way

F7

- I'm

13

los

Bb7

ing- all my mon ey- that is why I'm blue. To

17

win

Eb7

a race he knows just what to do.

Bb

I'd

21

put

F7

all my junk in pawn to bet on an

D7

y- horsethatJock ey's on,

Gmin

Oh I

25

won

C7

der- where my Ea sy- Ri

F7

der's- gone.

Bb

I gone

Bb1. 2.29

Shelton Brooks

Easy Rider's Gone

70

TUBA

Eh la bas,

Ab

Eh la Bas, Eh

Aº

la bas,

Eb7 E¨7

Eh la bas,

AAAA

Ab

Tra la la

Ab

Sis Boom Bah

A¨

Eh

Aº

la

7

bas,

Eb7

Eh la bas

Ab

Well I

13

can't

Or

Ab

speak

y-

French,

sang

not

that

in

Ca

a

jun-

pinch

French in

so

a

I

fine

don't

ol'

know what

Cre

it means.

ole way,

Eb7

But

but

it

the

BBBB17

sounds

on

real

ly-

good,

Ca

like I

jun-

knew

I

it

can

would,

say is

like

Lais

down

sez

E¨7

-

in

les

New

bon

Or

temps

leans,

rou

-

lez!.-

Ab

I

So

21

love

let

to

the

hear

good

that

times

clari

roll

net

my

- burn

friends,

and

and

hear

let

them

the

trom

mus

bone

ic-

gliss

play,

Eb7

es- I'd

To -

25

like

mor

to

row-

sing

may

French

nev er

when I

-

take

come

E¨7

my

to

turn

be,

but

so

that

let's

ain't

love

the kinda

it

band

up

that

to

this

day

Ab

-

is Eh

Eh

la

la

29

(band sings echo)

Traditional

Eh Las Bas

Solos here after Vocal

Vocal Back to Top

71

TUBA

F Fº F G7 C7 F F7

B¨ C7AAAA5

F7 B¨ F79

B¨ C713

F7 B¨ F7 B¨ F7 B¨ B¨717

E¨ B¨7 E¨ B¨7 E¨ B¨7BBBB21

E¨ B¨7 E¨ F7 B¨25

G7 C‹29

E¨ B¨7 E¨ B¨7 E¨ F733

EccentricJ. Russell Robinson - 1921

3

3

Solos:

72

B¨ C7CCCC37

F7 B¨ F741

B¨ C745

F7 B¨ F7 B¨ F7 B¨49

B¨ B¨º B¨ C7 F7 B¨DDDD53

B¨ B¨º B¨ C7 F757

D761

B¨ B¨º B¨ C7 F7 B¨65

pp

B¨ B¨º B¨

f

C7 F7 B¨69

Solos Begin Here first time3

3

After last solo play "C" aswritten then on to "D"

Tag

TUBA

Eccentric

2

73

TUBA

F7

B¨ B¨7 E¨ Eº B¨ F7AAAA5

B¨B¨

C7 F79

B¨B¨

B¨7 E¨ Eº B¨13

Bº C7 F7 B¨ B¨ B¨71. 2.17

E¨ G7 A¨ E¨ B¨7 E¨ C7BBBB22

F7 B¨7 E¨ G7 A¨28

E¨ B¨7 E¨ C7 F7 B¨7 E¨ E¨733

Fidgety FeetThe Original Dixieland Jazz Band - 1918

2 Bar break

3

Stop time - 4 bars

3

74

A¨ E¨7 A¨CCCC38

E¨7 A¨ A¨742

D¨ D¨‹ A¨ F‹746

B¨7 E¨750

A¨ E¨7 A¨ A¨754

D¨ D¨7 C758

D¨ A¨ F762

B¨7 E¨ A¨ E¨71. 2.66

TUBA

Fidgety Feet

2

75

TUBA

I've been float

F

in'- down that

F

old

F7 E7

Green

Eb7

Riv

D7

er- on the

good

G7

ship "Rock and Rye," But I

5

wad

C7

ed- too far, I got stuck on a bar I was

9

there

F

all a lone,- Wish in'- that I was home.

13

F7

The ship got wrecked with the cap

Bb

tain- and crew,

17

D7

And there was on ly- one thing

G7

I could do;

C7

I

21

had

F

to drink that whole

F7 E7

Green

Eb7

Riv

D7

er- dry to

25

get

G7

back home

C7

to you!

F29

Concert pitch Cooper - 1915

Floatin' Down That Old Green River

AAAA

No Repeat First Time - On To Vocal

Solos at "A"

76

F F#º C7 F F#º C733

Half

F

past

F#º

four,

C7

Dan

F

Mc

F#º

Graw,

C7

-

37

F

He came a' creep in'- to his wif

G7

ey's- door.

41

C7

She had been waitin' up half

F F7

the

E7

night

Eb7 D7

For

45

Dan

G7

to come home and go to bed.

C749

Dan

F

ny

F#º

- smiled,

C7

like

F

a

F#º

child,

C753

F

But then his wife's eyes grew ve

G7

ry- wild!

57

C7

"Where have you been all night?"

F

she cried,

D7

And

61

this

G7

is what Dan ny- re plied:-

C7

I've been

65

Verse Interlude:

Verse - Vocal:

B B B B

Back to "A" for Vocal and Solos

D.S. to "A"

TUBA

Floatin' Down That Old Green River

2

77

TUBA

B¨

I justdropped in to see you

D¨º

all

F7

and say, I

D¨ºAAAA

leave

F7

to- day, I'm

F&

on

B¨

my way.

5

B¨

I'm goin' back to sun-

B¨‹

ny Dix-

F

ie- land,

F©º9

C7/G

That's why

C7

I came to shake you by

F7

the hand.

F&13

B¨

The minute when I cross that

D¨º

Dix-

F7

ie Line, No

D¨ºBBBB17

more

F7

I'll pine, won't

F&

that

B¨

be fine? Mis-

D¨º

ter

21

Cap-

F

tain, don't

F©º

fail

C7

me, just hur-

F

ry and sail

C7

me,

25

To

C7/G

that gal

CØ7/G¨

of mine:

F729

F. Henri Klickman - 1919

Floatin' Down To Cotton Town

78

Float-

B¨

in' down, my hon-

G7

ey, float-

C7

in' down,

CCCC33

Float-

F7

in' on

F©º

the riv-

C7/G

er down

F7/A

to Cot-

B¨

ton Town. Just hear that

37

whis-

C©º

tle toot! toot! toot-

B¨

in' a- way, And

G7

those

41

dark-

C7

ies

Cº

sing-

C7

in', ban-

F7

jos ring-in''til the break of day.

45

Hon-

B¨

ey lamb, my lit-

G7

tle hon-

C7

ey lamb,

DDDD49

I'll

F7

come back

F©º

to you

C7/G

and Al-

F7/A

a- bam;

B¨

While

B¨753

fields

E¨

of sug- ar cane

G¨7

seem to wel-

B¨

come me a- gain,

G757

Float-

C7

in' Down To Cot-

G¨7

ton

F7

Town.

B¨ F761

Break 2 bars

TUBA


2

79

TUBA

Flee

He

as

will

D‹

a

pro-

bird

tect

to

thee

your

for- ev-

moun-

A7

tain,

er,

Thou

Wipe

D‹

who

ev-

art

'ry

wea-

fall-

G‹7

ry

ing

B¨7

of sin.

tear.

A7A

Go

He

D‹

to

will

the

for-

clear

sake

flow-

thee

ing

oh

foun-

nev-

A7

tain,

er.

Where

Shel-

D‹

you

tered

may

so

wash

ten-

A7

and

der-

be

ly

clean.

there.

D‹5

Fly

Haste

for

then,

F

The

the

hours

aven

are

ger- is near

fly-

C7

thee,

ing,

Call

Spend

F

and

not

the

the

Sav-

mo-

G‹6

iour

ment

will

in

hear

sigh-

D‹

thee.

ing.

A7B9

He

Cease

on

from

D‹

his

your

bos-

sor-

om

row

will

and

bear

cry-

A7

thee,

ing, The Sav-

Thou

D‹

who

iour

art

will

wea-

wipe

A7

ry

ev-

of

'ry

sin.

tear,

D‹

Oh

The

G‹C13

thou

Sav-

D‹

who

iour

art

will

wea-

wipe-

A7

ry-

ev-

of

'ry

sin.

tear.

D‹ A7 D‹ A7 D‹ A7 D‹17

Mary S.B. Dana - 1857

Flee As A Bird

80

TUBA

Frank-

Frank-

F

ie

ie

and

went

John-

down

C7

nie

to

were

the

lov-

cor-

F

ers.

ner,

C7

Oh,

Just

F

Lord-

for

y

a

how

buck-

C7

they

et

could

of

love!

beer.

F F7

They

She

swore

said

B¨

to

to

be

the

true

fat

to each

bar-

oth-

ten-

B¨7

er,

der,

Just

"Has

as

my lov-

true

B¨

as

in-

the

est

stars

man

Bº

a-

been

bove.

here?

5

F

He

He

was

was

her

my

man,

man,

G‹7 C7

But

But

he

he's

done

done

her

me

wrong.

wrong".

F B¨7 F C78

Traditional

Frankie And Johnnie

81

TUBA

B¨

I justdropped in to see you

D¨º

all

F7

and say, I

D¨ºAAAA

leave

F7

to- day, I'm

F&

on

B¨

my way.

5

B¨

I'm goin' back to sun-

B¨‹

ny Dix-

F

ie- land,

F©º9

C7/G

That's why

C7

I came to shake you by

F7

the hand.

F&13

B¨

The minute when I cross that

D¨º

Dix-

F7

ie Line, No

D¨ºBBBB17

more

F7

I'll pine, won't

F&

that

B¨

be fine? Mis-

D¨º

ter

21

Cap-

F

tain, don't

F©º

fail

C7

me, just hur-

F

ry and sail

C7

me,

25

To

C7/G

that gal

CØ7/G¨

of mine:

F729

F. Henri Klickman - 1919


82

Float-

B¨

in' down, my hon-

G7

ey, float-

C7

in' down,

CCCC33

Float-

F7

in' on

F©º

the riv-

C7/G

er down

F7/A

to Cot-

B¨

ton Town. Just hear that

37

whis-

C©º

tle toot! toot! toot-

B¨

in' a- way, And

G7

those

41

dark-

C7

ies

Cº

sing-

C7

in', ban-

F7

jos ring-in''til the break of day.

45

Hon-

B¨

ey lamb, my lit-

G7

tle hon-

C7

ey lamb,

DDDD49

I'll

F7

come back

F©º

to you

C7/G

and Al-

F7/A

a- bam;

B¨

While

B¨753

fields

E¨

of sug- ar cane

G¨7

seem to wel-

B¨

come me a- gain,

G757

Float-

C7

in' Down To Cot-

G¨7

ton

F7

Town.

B¨ F761

Break 2 bars

TUBA


2

83

TUBA

F D7 G7 C7 F

Now

Now

Now

you've

let's

q = 152

all

then

say

F

heard

the

fool

there's

ele

ish

that

vator

-

-

ques

per

per

tions

son

son

-

-

-

and

who's

should

you

al

for

no

ways

get

B¨

-

-

doubt

hanging

to

won

'around

close

der

the

the

- why

place

door,

F

Some

And

And

-

AAAA5

one

he

you

will

watch

should

ask

es

hap

-

you

you

a

take

pen

fool

your

to

ish

shav

tumble

- ques

ing

down

-

tion

brush

- but

and

let's

ex

start

say

pect

to

for

G

- a

lath

ty-

sen

er

se

-

si

up

- ble

your

ven

re ply

face.

floors.

C7

- Like

And

And

9

when

as

when

F

you take

you

your girl

give

you

some

your

hit

can

ra

the

dy

zor

bot

-

-

Say

its

tom and

just

prelim

you're

B¨

in

lying

-

af

ar

there

-

ter

y

in

-

-

tea

wave

ert

F

-

The

You

Some

13

first

know

fool

B¨

thing

that

will

she'll

stick

do

fool

his

is

will

stick

wrin

come

his

F

kle- up

up

down

her

to

the

nose

you

shaft

D7

and

and

and

ask

ask

ask,

G7

"Is

"Are

it

you

"Are

C7

for

gonna

you

me?"

shave?

hurt?"

F17

1915

Foolish Questions

84

F

Foo lish- ques tion- no

your

I hope

You

B¨

doubt

reply

that

utter your

is

you

you

dy

re

I

re

ing-

ply

hope

ply

moan

F

-

-

No

No

No,

No,

it's

I'm

he

I

for

not

just

was

your

pre

though

in

-

BBBB21

Ma

pared

he'd

an

or

for

have

aw

your

shav

the

ful

Pa

ing

fu ne

hurry

-

or

I

ral

and

-

it's

just

now

this

-

for

love

and

ele

G

the

then

vator's

some

taste

die

just

oth

la

too

of

er

ter

-

-

guy

soap.

on.

slow.

C7

I

I

Ned

It

just

like

was

usual

F

want

to

al

ly-

ed

take

ways

saves

-

-

you

my

so

a

to

shav

ori

lot

-

-

26

see

ing

gi

of

it

brush

nal

time

- he

And

and

would

now

paint

com

have

B¨

I'll

my

ing

want

-

take

self

down

ed

-

-

it

up

it

a

this

this

that

way.

way.

way.

way.

F

- A no

B¨

- ther- fool ish- ques

F

tion-

D7

You'll

30

hear

G7

them ev'

C7

ry day.

F

Then

D‹

there's this fel low- who meets

G‹

you on your

1.2. 3.35

way,

D‹

And he asks you why you're all dressed up and this

A7

is what you say. You're

40

just

D‹

re turn- ing- from the fu ner- ral- of dear

G‹

old bro ther-

44

Ned

D‹

And as you're ring ing- out your hank ie- he'll ask "Is

A7

Ned dead?"

47

Back To "B"

TUBA

Foolish Questions

2

85

TUBA

F D7 G7 C7 F

F C7 FAAAA5

F C D7 G7 C79

F C7 F13

F D7 G7 C7 F17

C7 FBBBB21

C725

C7 F29

B¨ Bº F C7 F33

Bass

Grizzly Bear Rag George Botsford - 1910

Break

Fine

86

F C7 FCCCC37

F C D7 G7 C741

F C7 F45

F D7 G7 C7 F49

B¨ B¨7 G7 C7DDDD53

F7 Fº F7 B¨57

B¨ B¨7 G7 C7 E¨ G¨761

B¨ B¨ B¨ E¨ B¨ C7 F7 B¨ F7 B¨1. 2.65

Break

Stop time as Marked

Back to "B" - Play to Fine

Break

TUBA

Grizzly Bear Rag

2

87

TUBA

Eb F7 Bb7 Eb Ab7 Eb Bb7 Eb

MissMiss

MinLu

Eb

niedy

-

-

LeeGreen

Cº

fromwas

Tensome

Eb

nesl'il

- seequeen,

-

B7

wasand

knownjeal

Eb

toous-

beas

quitecould

rough.be.

Eb7AAAA5

AnWhen

Ab

yher

- timeman

- andwent

anout

Eb

yat

- wherenight

-

C7

SheThey

F7

wouldwould

alal

waysways

- strutdis

hera-

stuff.gree.-

Bb7

NowDown

9

Saat

Eb

diethe

Snow,ball,

Cº

sheat

hadMoon

Eb

ashine-

beauHall,

B7

shewhere

lovedev

Eb

him'ry-

nightbod--

andy'd

day.go,

Eb713

F7

UnWas

tilMiss

- MinMin

nienie,

-

-

Bb7

shookdrink

ain'-

shimplen

myty

-

-

andand

stolehug

F7

hisgin'-

heartLu

ady's-

way.beau.

Bb7

-

17

PoorLu

Bb7

Sady-

diewas

nearmad

lyas

dies,well,

butMin

Minnie-

niesaid

- on"I

lywill

sighed,tell

thenyou

Bb7

Inow

heardso

Gº

heryou'll

say:know"

Bb7

He

21

Lemuel Fowler - 1922

He May Be Your Man(But HE Comes To See Me Sometimes)

88

may be

Eb

your man but he comes

F7

to see me

Bb7

some times.

Eb

-

Eb7BBBB25

Ab

And when he's with you he's al

Ab7

ways got me on

Bb7

his mind.

Eb Ab7 Eb

I

29

ain't

G7

no vam pire- thatis ture, But I

Cm

can cert' nly take you man from you.

33

Bb7

My wick ed- smile, My wick ed- walk, I've got

Eb

the kind of eyesthat seem

Bb7

to talk,

Eb

It's

37

no

Eb

need of cry in'- and it's

F7

no use to weep

Bb7

and mourn.

Eb Eb7CCCC41

Ab

I love you man and I'm gon na- take him for my own,

G7

my own.

45

C7

IAin't

don'tno

mean,need

toof

beget

sotin'

bold,rough,

F7

but'cause

II'm

justjust

want,right

totogetdo

youmy

told,stuff

He

Bb+49

may

Eb

be your man but he comes

F7

to see me

Bb7

some times.

Eb

-

Ab7 Eb Bb753

TUBA

He May Be Your Man

2 89

TUBA

Hel

Sun

If

Fº

lo

day

I

-

-

Cen

night

was

F

tral

my

whis

- what's

beau

key,-

the

pro

and

mat

posed

you

Fº

-

ter- with

to

were

this

a

line?

me.

cup,I'd

FAAAA

I

Said

dive

Fº

want

she'd

to

be

to

talk

hap

the bot

F

-

to

tom

py

-

that

if his

and

High

wif

nev

F/C

Brown

ie

er

-

-

I'd

come

C#º

mine.

be

up,

Dm

Tell

Said

me

he,

Oh,

how

"How

How

Bb

long

long

long

3

will

will

do

I

I

I

have

have

have

to

to

to

wait?

wait?

wait?

F

Please

Come

Can

give

be

I

me

my

6

2

wife

get

C7

9

my

it

- 8

Kate,

now,

-

or do

G7

Why

Why

I

do

do

have

you

you

to

hes

hes

hes

C7

-

i

i

i

-

-

tate?

tate?

tate?

F

-

-

-

Bb7 F F79

What

II

I

Bb

you

de

had

say

clined

wo

F

-

can't

him

man,-

talk

just

She

Bb

to

for

my

a

was

Brown?

stall,

tall.

F

A

He

She

storm

left

make

Bb

last

that

me

night

night

think

F

blowed

on

'bout

the

the

my

BBBB13

W.C. Handy - 1915

Hesitating Blues

90

wires

Can

par

F/C

all

non

a

C#º

-

-

down.

Ball.

sol.-

Dm

Tell

Hon

me

ey

Oh,

-

how

how

How

Bb

long

long

long

will

will

do

I

I

I

have

have

have

to

to

to

wait?

wait?

wait?

F

Oh, won't

WIll

Can

you

he

I

16

tell

come

get

C7

me

back

it

now,

now,

now, do

G7

Why

or

I

do

will

have

you

he

to

hes

hes

hes

C7

-

-

i

i

i

-

tate?

tate?

tate?

F

-

-

-

Bb7 F F7

Pro cras- ti- -

21

na

Bb

tion- is the thief of time, So all the wise owls say,

Bb7

"one stitch

Eb

in time

CCCC25

may save nine", To mor- row's- not to day.-

Bb

And if you

30

put

F7

off, Some bod- y's- bound to lose.

Bb F733

I'd be

Bb

his, He'd be mine, AndI'dbe feel ing- gay.

Bb7

Left

Eb

a lone-

DDDD37

to grieve and pine, My best friend's gone a way,

Bb7

- He's gone and

42

left

F7

me The Hes i- ta- ting- Blues.

Bb Eb7 Bb45

Pick-up to Chorus

TUBA

Hesitating Blues

2

91

TUBA

Bb F7

F7 Bb F7AAAA5

Bb D7 Gm D7 Gm11

Gm D7 Gm C7 F716

F7 Bb C7 F7BBBB21

BbBbBbBb Bb7Bb7Bb7Bb7 EbEbEbEb EdimEdimEdimEdim BbBbBbBb C7C7C7C7 F7F7F7F729

BbBbBbBb Bb735

Eb Ab EbCCCC41

Bb7 D7 Eb F7 Bb7 Bb+7 Eb49

Bb7 Eb Ab Eb Eb758

Ab Adim Eb C7 F7 Bb7 Eb65

1901High Society

3

Solos Here

92

Cm G7 Cm G7DDDD73

Fm Cm Ab780

G7 Bb7 EbEEEE87

Ab Eb Bb7 D7 Eb F794

Bb7 Bb+7 Eb Bb7 Eb102

Ab Eb Eb7 Ab Adim110

Eb C7 F7 Bb7 Eb115

Tuba

3

TUBA

High Society

2 93

F C7121

F Bb F125

C7 F129

G7 C7 F133

C7 F C7 F138

Bb F Bb142

Bº F D7146

G7 C7 F149

Bb Clarinet Solo as played By Alphonse Picou

3

3

3

3

CCCC

3

3

3

3

TUBA

High Society

394

TUBA

Hin

Bb

du

F+

- - - stan,

Bb

-

Bb

where we

q = 185

stopped

Bb

to rest our tir ed- car

Fdim

a- van,

F7

-

F75

Hin

F7 F7

- du stan,

F7

-

F7

where the

9

paint

F7

ed- pea cock- proud

F7

ly- spreads

F+7

his fan

Bb Bb F713

Hin

Bb Bb

- - du

F+

stan,

Bb

-

Bb

where the

17

pur

Bb7

ple- sun bird- flahsed

Bb7

a cross- the sand,

Eb Eb21

Hin

C9 C9

du- - - stan

Ebm

-

Ebm

where I

25

met

C7

her and the world

F7

be gan.

Bb

-

29

Oliver Wallace & Harold Weeks 1918

Hindustan

95

TUBA

There's a

Db7

boy that's in our band, And how

F

he blows that horn,

q = 180

AAAA

Fin

C7

est- since you're born, When

F

he starts you're gone.

5

They

Db7

all call him Hot lips for He blows

F

real red hot notes, And

Cº9

ev'

G7

ry bo dy- on thefloor just floats

C

that's what they say:

Eb7

He's got

Eb+7

hot

13

lips,

Ab

when he

Dº

plays jazz,

Eb7

He draws out

BBBB17

steps,

Eb7

like no

Eb+7

one has.

Ab

You're

Eb+7

on your

21

1922

Hot Lips

96

toes

Ab

and shakes

Abm6

your shoes,

Eb Bb+ Eb7

Boy how

Ebº

he

25

goes,

Bb7

WHen he

Bb+7

plays Blues

Eb7

. I watch

Eb+7

the

29

crowd,

Ab

un til

Dº

- he's through,

Eb7

He can be

CCCC33

proud,

Eb7

THey're cu

Eb+7

ckoo- too.

Ab7

his mus ic's

Eb+7

-

37

rare

Ab

you

Ab

must

C7

de

C7

clare

Fm

-

Fm Dº

you know the

DDDD41

boy

Eb7

is there, with two hot lips.

Ab Eb+745

Solo Break

Stop Time Time:

Solos at "B"

TUBAHot Lips

2

97

TUBA

His

Lit

sister

tle

Til

Wil

B¨

ly

ly Green

Green

C©º

was

from

real

New

F7

Or

ly

leans,

mean, and

a

ver

greed

B¨

y

y

- stin

boy

F7

gy,

was

too.

he.

B¨

She

He

F

al

al

ways

ways

-

- want

want

ed

ed

some

lots

D‹

of

of

what

kids

you had

E¨º

but

just

gave

to

she

keep

C7

noth

him

ing

com

- to

pan

you.

y.-

F

One

5

When

day

F7

her

his

mom

mom

bought

bought

her

him

a

a Toot

jel

B¨

ly

sie

roll,

Roll,

C©º

the

to

best

hide

can

F7

it

dy-

she

that

would

was

try.

made.

B¨9

When

When

F

the

the

kids

kids

would

be

ask

gan

her

to

for

hang

D‹

a

a

bite,

round,

F©º

you'd

lit

C7/G

hear

tle

Til

Wil

ly

ly

C‹7(b5)/F©

cry:

said:

F7

I

I

13

ain't

ain't

B¨

gon

gon

na'

na'

give

give

no

no

bod

bod

y

y none

none

G7

of

of

my

my

jel

Toot

C7

ly

sie

roll.

Roll,

(jel

(Toot

ly

sic

roll)

Rol!)

I

I

AAAA17

would

F7

n't- give you a piece of my sweet, not to save

B¨

your soul! (save your soul!)

21

Clarence Williams & Spencer Williams - 1919

I Ain't Gonna Give Nobody None of My Jelly Roll

98

Mom

Dad

G7

ma

dy

told

told

me

me

to

to

day,

day,

Just

Just

be

be

fore

fore

C7

she

he

went

went

a

a

way;

way, If I'd

25

be

C7

a

If I'd

good

be

boy,

a

He'd

good

bring

lit

me

tle

a

girl,

toy;

F7

She

And

might

I'm my

put

Dad

my

dy's-

hair

pride

in

and

curls!

joy!

You

You

29

know

B¨

there ain't no need in your

G7

just hang-

C7

in' a- round, (hang- -in'- a- round) I

33

know

F7

you want it, but I'm- a gonna' turn you down.

D7

My

37

jel

Toot

E¨

ly

sic

roll

Roll

is

is

sweet!

sweet!

Eº

And you know

B¨

it can't be beat!

G7

I

41

know

E¨

you want

Eº

it, but you

B¨/F

can't have

G7

it! I ain't

C7

a gon -na' give

F7

you none!

B¨45

B¨ D¨º C‹7 F7 B¨ D¨º C‹7 F749

Two Bar Break

Back TO "A"

Interlude to Second Verse

TUBA

I Ain't Gonna Give Nobody None of My Jelly Roll

2

99

TUBA

I

E¨

love to see

F‹7

the fel

B¨7

lows- hap-

E¨

py all the

B¨&

while.

EÄ

Love

F‹

to see them smile.

B¨7 E¨

That shows they're jol-

G¨º

ly and ev-

B7/F

'ry- thing.

5

E¨

I love to see

F‹7

the fel

B¨7

lows- hap-

E¨

py all the

B¨&

while.

E¨9

G‹

It's cruel,

D7

So cruel,

G‹

To let

Eº

them plead.

B¨/F B¨7

Oh, I

13

Henry Creamer & Turner Layton - 1918

I Can't Let 'Em Suffer

100

can't let

B¨7

'em suf-fer for the want of love.

E¨

It's a shame

B¨7

to let'em plead.

E¨

No I

B17

shan't

B¨7

let'em suf-fer for the want of love,

E¨

When I know

B¨7

just what theyneed.

E¨

Now there's

21

no

E¨7

use tryin'to stall, I

E¨7

just

A¨

can't save them all! But when they

25

cry:

F7

"Oh, Come and kiss me, Sweet- ie",

B¨7

I'mbound

F‹/C

to

D¨7

fall.

B¨7/D

Then I've

29

just

B¨7

got to take'em in my lov in'- arms,

E¨

Got to keep

B¨7

'em out of harm.

E¨

Then I've

33

just got

B¨7

to make'em be my tur-tle dove,

E¨7

My hon-ey love.

C37

Lov-

A¨

in' kiss-

C7/G

es I'll

F‹

pro-vide,

G‹/B¨

Un- til

B¨7/A¨

they're sat-

E¨/G

is- fied.

C‹7

'Cause I

41

can't

F7

let 'em suf-fer,

B¨7

For the want of love!

E¨45

TUBA

I Can't Let 'Em Suffer

2

101

TUBA

G G+ G6 F6 E7

h = 84

AAAA

A7 D7 G5

C Cm G F7 E7BBBB9

A7 A7 D7 D713

G7 G7 G7 G7CCCC17

C C Cm Cm21

G G+ G6 F6 E7DDDD25

A7 D7 G29

1920

I Never Knew I Could Love Anybody

102

TUBA

Miss Sa

D7

die- Hall went to a ball one balm

G

y- night in June.

G7

Just as

C7

she en tered

q = 164AAAA

in

C7

the hall they played

F

a rag time- tune.

F

They were teach

D7

ing- all the

6

schol

D7

ars how to do

G7

the Bear Cat Dance. Miss Sa

Dm

die watched

Db

them for

F/C

a while

D7

then

10

thought

G7

she'd take

C7

a chance.

F

So she walked

C

out on

G7

the floor,

C

then she

Dm

be gan

G7

- to roar,

C715

I

F

want to do it

C7 F

I want to do it

C7 F

I want to do it now!

F7

It's a

BBBB21

bear,

D7

its' a bear, but I

G7

don't care I want

C

to do it an

G7

y- how.

C725

F

That tune is snap py

C7 F

It makes you hap py

C7 F

You feel you want to

C7

dance!

F7

Oh pro-

29

fess

D7

or- keep it up, keep it up,

G7

keep it up, 'cause I want

C7

to do the Bear Cat dance.

F33

Shelton Brooks (1913)I Want To Do the Bear Cat Dance

103

TUBA

A¨ Aº E¨/B¨ C7 F7 B¨7 E¨

Went to a

B¨7

dance with my sis-ter Kate, ev-

E¨

'ry- one there said she danced so great.

AAAA5

E¨

I real -ized-

G‹7

a

G¨º

thing

F‹7

or two,

B¨7

then I got wise

B¨&7

to some-

E¨

thing new,

Eº9

Looked

B¨

at Kate, she was in a

F7(“4)

trance,

B¨7

and

E¨

then I knew it was in her dance.

13

All

C7

the boys are go

F7

-ing wild o-

B7

ver Ka- tie's danc-ing-

B¨7

style.

E¨ Eº

I

17

wishI

B¨7

could shim my like my sis -ter Kate, she shiv

E¨

-ers like the jelly on a plate.

BBBB21

My

B¨7

mam -ma want -ed to know last night,

E¨

why all the boys treat sis-ter Kate so nice.

25

A.J. PIRON - 1919

I Wish I Could Shimmy Like My Sister Kate

Two bar break:

104

Ev

B¨7

-'ry boy in our neigh -bor hood, knows

E¨

that she can shim -my and it's

29

under- stood.

E¨7

I

A¨

know I'm late,

Aº

but I'll be

E¨/B¨

up to date,

C7

when I can

32

shim

F7

-my like my sis-

B¨7

-ter- Kate,

E¨

I mean,

C7

Shim

B7

-my like my sis

B¨7

ter- Kate.

E¨35

B¨7 E¨CCCC39

B¨7 E¨

sfz sfz sfz

43

B¨7 E¨ E¨747

A¨ Aº E¨/B¨ C7 F7 B¨7 E¨ C751

F7 B¨7 E¨ E¨1. 2.55

solos here: Play as Written for out-chorus

Trombone

2 bar break

All

TUBA

I Wish I Could Shimmy Like My Sister Kate

2

105

TUBA

In

E¨

the re- gion where the ros- es

G¨º

al-

B¨7

ways bloom,

AAAA

Breath-

F‹7

ing out

B¨7

upon

F‹7

the air

B¨7

their sweet

E¨

per- fume,

B¨75

Lives

E¨

a dus- ky maid I long to

G¨º

call

B¨7

my own,

9

For

C7

I know my love

F7

for her will nev-

B¨

er die;

B¨713

When

E¨

the sun is sink- in' in that

G¨º

gold-

B¨7

en West,

BBBB17

Lit-

B¨7

tle Rob- in RedBreast gone to seek

E¨

their nests.

B¨721

Then

E¨

I sneak down to that place I love

B¨7

the best,

25

Ev-

C7

'ry ev'n- ing there

F7

a- lone I sigh:

B¨7 B¨&729

Eddie Munson & Eddie Leonard - 1903

Ida, Sweet As Apple Cider

106

I-

E¨

da, Sweet as apple ci-

B¨7

der,

CCCC33

Sweet-

B¨7

er than all I know.

E¨ G737

Come

C7

out, in the silv- 'ry moon-

F7

light, of love we'll

41

whis-

F7

per, so soft and low.

B¨745

Seems

E¨

tho', can't live with- out

B¨7

you,

DDDD49

Lis-

B¨7

ten Oh, Hon- ey do!

E¨ G753

I-

C7

da, I i- dol- ize

F7

ya, I

57

love

E¨

you I-

E¨º

da, 'deed

F‹7

I

B¨7

do.

E¨ B¨761

Solos at "C"

TUBA

Ida, Sweet As Apple Cider

2

107

TUBA

I

F

have al

Bb

ways- been a wand

F

'rer-

F7

q = 200

AAAA

O

Bb

ver- land

Bbm

and sea

F F5

Yet

F

a moon

Bb

beam- on the wa

F

ter-

F9

Casts

G7

a spell

G7

o'er me

Bbm6 C7

A

13

vis

Gm

ion- fair

F#º

I see

Gm C7

A -

17

gain

F

I seem

Fº

to be,

Gm7 C7

Back home a -

21

Indiana

108

gain

F E7 Eb7 D7

in in di- a

G7

- na-

G7

And it

BBBB25

seems

C7

that I

C7

can see

F F7

the gleam ing-

29

can

Bb

dle- light

Bb

still shin

F

ing- bright

D7

thru the

33

syc

G7

a- mores-

G7

for me.

C7 C7

The new mown-

37

hay

F E7 E¨7 D7

sends all its fra

G7

grance-

G7

From the

CCCC41

fields

A7

I used

A7

to roam.

Dm Dm

When I

45

dream

F

a bout- the moon

A7

light- on the Wa

Dm7

bash,-

Dº7

then I

49

long

F

for my In

C7

di- an- a- home.

F (C7)53

TUBA

Indiana

2

109

TUBA

If you

C

were the on-

A7

ly girl

D7

in the world, And I

G7

were the only

AAAA

boy,

C E¨º D‹7 G7

Noth-

C

ing else would mat- ter in the world

D‹7

to- day.

7

We

G7

could go on lov-

G&7

ing in the same

C

old way. A

G712

gar-

C

den of E

A7

den- just

D7

made for two, With noth-

G7

ing to mar our joy.

C E¨ºBBBB17

D‹7 G7

I

A‹

would say such won-

E‹

der- ful things to you,

24

There

F

would

F&/C©

be

G7/D

such

G&7/E

won-

C/E

der

G‹6

-ful things

A7

to do, If

29

you

D‹

were the on-

F‹

ly girl

C

in the world,

A&

and

A7CCCC33

I

D7

were the on-

G7

ly boy.

C E¨º D‹7 G737

Clifford & Nat Ayer - 1916

If You Were The Only Girl In The World

110

TUBA

Ja

F

da-

E7 Eb7

Ja

D7

da- Ja

G7

da- Ja da- Jing,

C7

Jing Jing.

Fq = 132

Ja

F

da-

E7 Eb7

Ja

D7

da- Ja

G7

da- Ja da- Jing,Jing, Jing.

5

That's

F

a fun ny- lit

Dº

tle- bit of mel

C7

o- dy,-

9

It's

F

so sooth

Dº

ing- and ap peal

C7

- ling- to me, It goes

11

Ja

F

da-

E7 Eb7

Ja

D7

da- Ja

G7

da- Ja da- Jing,

C7

Jing,

13

Jing,

F

Oh yeah!

D7

Ja

G7

da- Ja da- Jing,

C7

Jing, Jing!

F16

Bob Carlton - 1918

Ja Da

111

TUBA

C

My daddy was a rag-

Cº

time trom-

G7

bone play-er,

C

My mam- my was a rag-

Cº

time cab-

G7

a- ret- er.

C

They met one day at a tan- go

E7 Eº

tea,

A‹

There was a syn-

D7

co- pa- ted wed- ding and then

G7

came me.

5

Folks

C7

think the way I walk

F

is a fad, But

F7

it's

D7

a hirth- day present from my mam-

G7

my and dad. I'm a

9

Jazz

C

Ba- by, I want

C

to be jazz-

G7

ing all the time.

C Cº

There's some- thing

A13

in

G7

the tone of a sax- o- phone, that makes

C

me do a lit-

D7

tle wig- gle all

G7

my own. Cause I'm

G&

a

17

Jazz

C

Ba- by, Full

C7

of jazz- bo har- mo- ny.

F

That

B21

"Walkthe

F

Dog" and "Ball theJack" that caused all the talk,

D‹7

is just

C

a cop- y of the way

Cº

I

25

nat-

C

'ral- ly walk!

G7

'Cause I'm

G&

a Jazz

C

Ba- by, Lit-

D7

tle Jazz Ba-

G7

by that's me!

C28

M.K. Jerome & Blanche Merrill - 1918

Jazz Baby

112

Rocked to

F

sleep while the cra- dle went to

F©º

and fro, To

C

and fro to the tune of the "Tic-

A7

kle Toe".

C33

Ev-

D7

er since I start-

G7

ed in to grow, I'd love

C

to hear

Cº

the mu-sic play- in', See my dear old mam-

D7

my sway- in'.

37

Jazz,

F

jazz, jazz, that's all I ev-

F©º

er knew, All

C

day long I nev- er would

A7

get thru.

41

Jazz,

D7

jazz, jazz, That's all

G7

I want to do, Play

C

me

Cº G7

a little jazz!

C G7

'Cause I'm

G&

a

45

Jazz

C

Ba- by, Full

C7

of jazz- bo har- mo- ny.

F

That

D49

F

"Walkthe Dog" and "Ball theJack" that caused all the talk,

D‹7

is just

C

a cop-y of the way

Cº

I

53

nat-

C

'ral- ly walk! 'Cause

G7

I'm

G&

a Jazz

C

Ba- by, Lit-

D7

tle Jazz Ba-

G7

by that's me!

C56

After last solo play "C" to end

Solos at "D"

TUBA

Jazz Baby

2

113

TUBA

Down

Eb

in Louis i- an- a- in that sun ny- clime They- play a class of mu sic- that is

su

F7

per- fine

Bb7

And- it makes

Eb

no dif fer- ence- if its rain or shine You- can

4

hear

Eb

that jazz band mu sic- play ing- all

Bb7

the time

Eb

it

7

sounds

Eb

so pe cu- liar- 'cause the mu sic's- queer Howits sweet vi bra- tion- seems to

AAAA9

fill

F7

the

Bb

air Then

Eb

to you the whole world seems to

12

be in rhyme You want noth

Eb

ing- else but jazz band- mu sic- all

Bb7

the time

Eb14

Tom Delaney

1921

The Jazz Me Blues

Break 1 Bar

Break 1 Bar

114

Ev 'ry

Bb7

- one that's nigh nev

Bbº

er- seems to sigh Hear

Bb7

them loud

Bbº

ly- cry:

Bb7

Oh!

G7BBBB17

Jazz

C7

man Don't stop the mu sic- it's Jazz

F7

man (Jazz man!)- You

21

know

Bb7

I want to hear it both day and night and if you don't

Eb

blow it hot then I

25

don't feel

Eb7

right

D7

Now if

Db7

it's rag

C7

time- Please Sir will you play it in

28

jazz

F7

time- (Jazz Time)

Eb

Don't want it fast

G7

Don't want it slow,

31

Take

Cmin

your time don't rush it play it sweet

C7

and low I've got those

35

dog

F7

gone- real gone- jazz

Bb7

band- "Jazz Me" blues.

Eb Ab7 Eb D7 Db737

c

Break 1 Bar

Solos at "C"

TUBA

The Jazz Me Blues

2

115

TUBA

G¨ F7 F7

B¨ G‹ B¨ B¨º B¨B¨7

AAAA5

E¨ B¨9

F7 C7 F7 B¨ B¨7 E¨ E¨‹ B¨ F713

B¨ D7 G‹ D7 G‹ B¨7BBBB17

EËº

B¨21

F7 C7 F7 B¨ B¨7 E¨ E¨‹ B¨ F725

Jelly Roll BluesJelly Roll Morton - 1905

Stop Time Banjo Solo - 7 beats Ensemble

Cornet solo

3 beats

Trombone Solo

3 Beats

3 3

Ensemble

3 3

Stop time 3 bars - ad lib breaks

3 3

116

B¨B¨ B¨ B¨7CCCC29

EËº

B¨33

F7 C7 F7 B¨ B¨7 E¨ E¨‹ B¨ F737

B¨7 B¨7 B¨7 B¨7 B¨741

E¨ G7 E¨ E¨7DDDD45

A¨ Aº E¨49

B¨7 F7 B¨7 E¨ B¨753

Stop time 3 bars - ad lib breaks

3 3

4 bar interlude - clarinet trill, drum roll

Back to "D" for Solos

TUBA

Jelly Roll Blues

2

117

TUBA

Here'sthe Jap- an-ese Sand

E¨

man, Sneak- ing in with the dew.

C7

Justan old sec-ond

AAAA

hand

F7

man,

B¨7

He'll buy your old day from you.

E¨

He will take ev-'ry

5

sor-

E¨

row of the day that is through,

G

And he'll give you to-

9

mor

D7

row Just to startlife a new.

G B¨7

Then you'll be a bit

13

old-

E¨

er

E¨7

In the dawn when you wake,

A¨

And you'll be a bit

BBBB17

bold-

A¨‹

er with the new day you make.

F‹ B¨7

Here'sthe Jap- an- ese

21

Sand

E¨

man, Trade him sil- ver for

E¨º

Just an old sec-ond

25

hand

F‹7

man,

B¨7

trad ing new days for old.

E¨ A¨7 E¨ B¨729

Raymond Egan & Richard Whiting - 1920

Japanese Sandman

118

TUBA

Just

Soon

Ab

a

this

lit

life

tle

will

- while

all

Ab

to

be

Db

stay

o

Ab

here,

ver,-

Just

And

Ab

a

our

lit

trav

tle

els

Db

-

-

while

here

Ab

to

will

Eb7AAAA

wait

end.

Ab Ab7

Just

Soon

Db

a

we'll

lit

take

tle

our

- while

hev'n

Db

to

ly

Dbm

-

la

jour

Ab

-

-

7

bor,

ney,

Fm7

in

Be

Bb7

the

at

path

home

that's

a

nar

gain-

row

with

- and straight,

friends.

Eb7 Eb+712

Just

Heav

Ab

a

en's-

lit

gates

tle

are

- more

stand

Ab

hard

ing

Db

-

trou

o

Ab

ble

pen,

-

-

In

Wait

Ab

this

ing-

low

for

and

our

Db

sin

en

Ab

ful

trance

Eb7

-

-

BBBB17

state.

there.

Ab Ab7

Then

Some

Db

we'll

sweet

all

day

go

we'll

march

all

ing

go

Dbm

- o

o

Ab

ver

ver,

F7

-

-

23

march

All

Bb7

ing

the

- thru

beaut

the

ies-

Pearl

there

Eb7

y

to

- Gate.

share.

Ab29

Just a Little While to Stay Here

119

TUBA

C‹ B+ C‹/Bb C‹/A Ab C‹/GAAAA

Ab7/Gb C‹/G D7 G7 C‹ C‹ D7 G74

G D7 GBBBB9

D7 G15

D7 D7 D7€5 G719

C‹ B+ C‹/Bb C‹/A Ab C‹/GCCCC25

Ab7/Gb C‹/G D7 G7 C‹28

King ChanticleerNat D Ayer & Seymour Brown, 1910

Play cues 1x for Repeat:

120

F‹ C‹DDDD33

C‹ F‹39

F‹ D7 D7€5 G7 Bb744

Eb F7 Bb7EEEE49

Eb Eb G‹55

G‹ Bb F7 Bb760

Eb F7 Bb7FFFF65

Eb Eb Eb771

Ab F7 Bb7 Eb Ab7 Eb75

Trombone Solo - 16 Bars

CHORUS:

Solos at "E":

TUBA

King Chanticleer

2

121

TUBA

A¨ A¨º E¨7AAAA

A¨ A¨º E¨7 Eº5

F7 B¨‹ B¨ B¨‹9

B¨7 E7 E¨713

A¨ A¨º E¨7BBBB17

F7 B¨‹ B¨ B¨‹21

E7 A¨ G7 G¨7 F725

B¨7 E¨7 A¨ A¨º B¨‹7 E¨729

Nick LaRocca - 1919Lasses Candy

122

TUBAC7

F C7AAAA3

F D7 C77

F11

D¨7 F C7 F F15

G7 C7 F G7BBBB20

C7 F F1. 2.25

mp

B¨CCCC30

F7 B¨34

B¨ B¨7 E¨ E¨‹38

B¨ F7 B¨ E¨7 B¨42

Trombone Solo

Lassus TromboneHenry Filmore - 1915

Fine

Solos Here

After Solos Play "A" once

123

TUBA

Bb Bb7 Eb Bb C7 F7AAAA

Bb Bb7 Eb C7 F75

Bb Bb7 Eb Bb C7 F79

Eb Eº Bb/F G7 C7 F713

Bb Bb EbBBBB17

Bb F7 Bb23

G7 C7 F F7/C F728

Lazy DaddyODJB, 1918

Clarinet Break - 2 Bars:

Clarinet Break - 2 Bars

124

Bb Bb EbCCCC

33

Bb F7 Bb39

G7 C7 F7 Bb Ebm6 Bb

fine

44

Eb Ebº Bb7 Eb Eb Eº Bb Bb7DDDD49

Eb Eb Eb Eb Bb7EEEE53

Eb F7 Bb7 Eb Eb58

Eb Eb Ab Aº63

Eb/Bb C+ F7 Bb7 Eb F766



Trombone Break Trombone Break

Trombone Break

Trombone Break

Back to "B" al fine

TUBA

Lazy Daddy

2125

TUBA

In

Oh

F

Dear

Lime

Oh

Eb

house

Dear,

F

-

F

Where

Right

yel

here

low

in

- Chin

or

Eb

kies

ange

-

-

love

blos

to

som-

play,

land,

F

q = 184

AAAA

In

I'm

Am

Lime

wear

E7

house,

y

Am

-

-

Am

Where

'Cause

you

no

can

one

hear

seems

E7

those

to

blues

un

all

der-

day,

stand.

Am

-

C79

And

And

F7

they

Those

seem

weird

Bb

all

Chi

a

na-

round,

blues,

-

A7

Like

Nev

a

er-

long,

go

long

a

sigh.

way.-

Dm DbBBBB

17

Queer

Sad,

F

sob

mad

Eb

sound,

blues,

F F

Oh,

For

Hon

all

ey

the

- lamb

while

Eb

they

they

seem

seem

to

to

say:

say:

F Bbm7 Eb7 Ab725

Limehouse Blues

126

Oh! Lime

Db7

house- kid Oh! Oh! Oh! Lime house- kid.

Db7 C7 B7

CCCC33

Go

Bb7

ing- the way That the rest of them did Poor

Ab

bro ken- blos som- and

37

no

C7

bod- y's- child,

Fm7

Haunt

Bb7

ing- and taunt ingyou'rejust

Eb7

kind o' wild. Oh!

Ab7

Oh!

43

Oh! Lime

Db7

house- blues I've the real Lime house- blues,

Db7 C7 B7

DDDD49

Learned

Bb7

from the chink ies- those sad Chin a- blues, Rings

Ab

on your fin

F7

- gers and

53

tears

Bbm

for your

F7

crown,

Bbm

That

Bbm7(b5)

is the sto

Eb7

ry- of old

Ab

Chin a- town.

59

Ab9 for repeat

TUBA

Limehouse Blues

2

127

TUBA

Way down in Al-

E¨º

a-

E¨

bam, It was in Bir-

Eº

ming-

E¨

ham, There was

B¨&7

a

AAAA

la-

E¨

zy color-ed- fel- low named Lee,-

E¨7

In-stead of work-

A¨

ing all day, upon the

3

sta-

F7

ble brush

B¨7

he play,

E¨

to the hor-

C7

ses he'd sing, and play up-

6

on

F7

one string,

B¨7

this sad and lone-some- mel- o- dy,

E¨ A¨7 E¨9

Livery Stable Blues (Vocal)

128

Oh

E¨

hon-ey,- lis-ten- here, Oh hon ey- lis ten here I've got those mean old liv-'ry

BBBB13

sta-

E¨7

ble blues.

A¨

Oh how I miss your kiss, I

Aº

was n't- born for this,

16

E¨

honey you know why

C7

I have got those blues,

19

ba-

F7

by mine,

B¨7

I've got those liv-'ry sta-ble blues.

E¨ A¨7 E¨21

Oh,

E¨7

law-dy- me,

A¨ A¨‹ E¨

I've lost my pep

B7

com-

B¨7

plete,

E¨ E¨7CCCC25

I'se

A¨

g'wine back to my Al-

E¨

a- bam- a ba-

G¨º

by,

E¨

she prom ised- that she'd mar-ry-

29

me

C7

someday, she'll drive a- way

B¨7

Those liv 'ry- sta

B7

ble-

B¨7

blues

32

E¨

they're the blu est

B¨7

- kinfd of blues!

E¨35

TUBALivery Stable Blues (Vocal)

2

129

TUBA

Eb Eb7 Ab Ab‹ Eb B7 Bb7

Eb Bb&7 Eb Eb7 AbAAAA5

Eb C7 F710

Bb7 Eb Ebº Bb7 Eb14

Eb Eb7BBBB17

Ab Eb C721

F7 Bb7 Eb Ebº Bb7 Eb25

Eb Bb+7 Eb29

Break - 1 Bar

Lopez & Nuñes, 1917

Livery Stable Blues, a la Muggsy Spanier (Barnyard Blues)

Bass Drum

1st time Only

Bass, Trombone, & Bass Drum

Last Time: To Coda

Trombone Gliss to "C"

Coda:

Bass Drum

FineFineFineFine

130

Eb AbCCCC31

Eb F737


Eb Eb7 Ab743

Eb C7 F7 Bb7 Eb Ebº Bb Eb49

Eb AbDDDD55

Eb C7 F761


Harmonize

Break! 3 Bars

Clarinet Break Cornet "Horse Whinny"Trombone

1 X Only - Trombone

Solos

Harmonize

Break: 3 Bars:

Clarinet Break Cornet "Horse Whinny"

Trombone

Back to "B" - Take CODA:

TUBA

2

131

TUBA

A¨ A¨7/C D¨ E7/D A¨ E¨7 A¨

Did you

ev-er

Long

A¨

hear

John

the

stood

sto- ry

on

of

the

Long

rail-

E¨7

John

road

Dean?

tie,

A

Waitin'

bold bank

for

rob-ber

freight train

from Bowl

to

A¨

ing

come

- Green,

by.

Was

A5

sent

Freight

A¨

to

train

the jail-

came

A¨7/C

house

just

yes-

puffin'

D¨

ter-

and

day,

flyin',

E7/D

Late

Ought'a

A¨

last

seen

night

Long

F‹7

he made

John

his

grabbin'

get-

B¨7

that

a-

E¨7

way.

blind.

A¨

He was

9

Long

A¨

Gone

F‹7

from

B¨‹7

Ken- tuck-

E¨7

y, Long

A¨

Gone,

F‹7

ain't

B¨‹7

he luck-

E¨7

y?

B13

Long

A¨

gone,

A¨7/C

and what

D¨

I mean,

E7/D

Long

A¨

Gone John from Bowl-

E¨7

ing Green.

A¨17

A¨ F‹7 B¨‹7 E¨7 A¨ F‹7 B¨‹7 E¨721

W.C. Handy & Chris Smith - 1920

Long Gone

Interlude

132

They

They

caught

of-

A¨

fered

him

a

in Fris-

re-ward

co, and

to

to

bring

seal

E¨7

him

his

back,

fate, San

E-ven

Quen-

put

tin

blood-

jailed

hounds

one

on

ev-

A¨

his

'ning-

track.

late. But

C25

Dog-

out

A¨

gone

on the

blood-

o-

A¨7/C

cean

hounds lost

John

D¨

his

es-

scent,

caped,

E7/D

The

Now

guard

A¨

no-

for-

bod-

got

y

to

knows

close

F‹7

where

the

Long-

Gol-

B¨7

John

den

E¨7

went.

gate.

A¨

He

John's

was

30

Long

Long

A¨

Gone

Gone

F‹7

from

from

B¨‹7

Ken-

San

tuck-

Quen-tin,-

E¨7

y, Long

Long

A¨

Gone,

Gone and

F‹7

Ain't

still

B¨‹7

he

a'

luck-

sprint-

E¨7

y.

in'.

D34

Long

Long

A¨

gone,

Gone

A¨7/C

and

I'm

what

tell-

D¨

I

ing

mean,

you,

E7/D

Long

Shut

A¨

Gone

your

John

mouth

from

and

Bowl-

shut

E¨7

ing

mine

Green.

too.

A¨38

TUBA

Long Gone

2

133

TUBA

LisEv

ten'ry

C

-

-

sishus

- tersband

andand

brolov

Cº

therser,

-

-

IBet

C

supter-

posetake

you'vea

heardbit

ofof

thead

Sheik.vice.-

C7AAAA

F

TheyOf

saycourse

thatthey

he'ssay

thead

lovvice

C

-

in'is

- champ,cheap,

C7 F

ThereBut

ain'tif

ayour

wogal

manyou

- heaim

C

can'tto

vamp,keep,

5

D7

ButThen

lethere's

memy

tellwarn

youin'-

G7

aand

boutyou

- acan

manpass

Iit

know:on:

C9

He'sKeep

theyour

C

greatgal

estun

ofder-

lovcov

Cº

erser,

-

-

EvSure

C

eras

- kissedthere's

aa

girldeuce

onon

thethe

cheek.dice,

C7BBBB13

F

ThereIf

ain'tLov

ain'-

highSam

browngives

galher

C

inthe

towngrin,

C7

WhoThen

F

wouldyou

n'tis

- throwout

herand

dadSam

C

dyis

- downin!

17

D7

ToAnd

bein

thethe

bridemorn

ofin'-

G7

thisyour

collov

oredin'-

Roma

mema's

-

-

o.gone!

C

-

C7

PeoPeo

pleple

-

-

21

1922

Lovin' Sam(The Sheik of Alabam')

134

call

F

him Lov in'- Sam, He'sthe Sheik

G7

of Al a- bam'.- He's a

CCCC25

mean

C7

love mak in'- a heart break in'- man!

F

And when the

29

gals

F

go stroll in'- by, Boy! He rolls

Am

a wick ed- eye!

33

Does

G7

he step? Does he strut? That's

C7

what he does n't- do noth in'- else but! Could you

37

love

F

like Lov in'- Sam, You could have

G7

your eggs and ham, In the fin

C7

est kit chens

DDDD41

down in Al a- bam'.

A7

- You'd make the high

F

brown ba bies cry for

F7

you like

46

ba

Bb

bies- cry for Cas tor

Bbm

- ia!- They all

F

love Lov in'- Sam,

51

D7

The Sheik

Gm7

of Al

C7

a- bam'.

F

- Peo ple-

54

Break for 2 bars

TUBA

Lovin' Sam (The Sheik of Alabam')2135

TUBA

Just a love

E¨

nest, co-

B¨7

zy and warm.

E¨

Like

E¨7

a

A

dove

A¨

nest, down

E¨7

on a farm.

A¨

A ver-

5

an-

B¨7

da with some sort of cling- ing vine,

E¨ G7/D C7

Then a

9

kit-

F‹

chen where

C

some ram-

F‹

bler ros-

F7

es twine.

B¨7

Then a

13

small

E¨

room, tea

B¨7

set of blue.

E¨

Best

E¨7

of

B17

all

A¨

room, dream

E¨7

roomfor two.

A¨

Bet- ter

21

than

B¨7

a pal- ace with a gild- ed dome,

G7 G7(b5) C7

is a

25

love

F‹

nest,

B¨7

You can call home.

E¨29

The Love NestLouis A. Hirsch & Otto Harbach - 1920

136

TUBA

Lit-

E¨

tle Lil- ly was oh!

B¨7

So sil- ly and shy,

E¨

And all the fel-

B¨7

lows knew, She would- n't

AAAA

bill

C‹

and coo.

Cº F‹7 B¨7

Ev

E¨

'ry- sin-gle- night some

B¨7

smart fel- low would

7

try,

E¨

to cud dle- up

F7

to her, But she would cry:

B¨7 B¨º B¨711

"MA,

E¨

he's making eyes

F7

at me! MA,

B¨7

he's aw-

B¨&7

ful nice

E¨

to me! MA

E¨

he's

BBBB17

al most

Cº

- break-

B¨7

ing my heart, I'm

If

B¨7

be-

you

side

peek

him,

in,

Mer-

Can't

E¨

cy!

you

Let

see

his

I'm

con

goin'

B¨7

to

science-

weak

guide him

en?-

26

MA,

E¨

he wants to mar-

F7

ry me, Be

B¨7

my honey

A¨

bee.

G7 C7 F7 B¨7CCCC33

Ev-

Me,

E¨

'ry

I'm

min-

meet-

E¨º

ute

ing

he

with

B¨7

gets

re

bold-

sis-

er,

tance-

Now

I

E¨

he's

shall

lean-

hol-

ing

ler

E¨º41

on

for

my

as

B¨7

should-er,-

sis-- tance!

Ma,

F7 B¨7

he's kiss ing- me!"

E¨ A¨7 E¨44

Con Conrad - 1921

Ma He's Making Eyes At Me

137

TUBA

Ma-ma-

B¨

don't 'low no cornet play'n 'round here!

B¨

No She Don't

Ma-ma- don't 'low no cornet play'n 'round here!

F7

No She Don't

5

We

B¨

don't care what Ma-ma-

B¨7

don't 'low,he's gon-na'- playthat

E¨

cornet

9

an-

E¨‹

y how.Ma

B¨

ma- don't 'low no cor

F7

net play'n 'round here!

B¨

No She Don't

12

Mama Don't Allow

138

TUBA

I was stroll

B¨

ing- out

E¨

one even

B¨

ing

Gº

-

F7

'neath the silv' ry- moon.

B¨

I could

A

hear

B¨

some bo

E¨

dy- sing

B¨

ing

G‹

-

C7

a fa mil- iar- tune.

F

So I

5

stopped

F7

a while to lis

B¨

ten,- Not a word

F7

I want ed- to miss.

B¨

It was

9

just

B¨

some bod

E¨

- y- ser

B¨

e- na

G‹

- ding-

C7

some thing- like this.

F7

Oh now

13

Man

E¨

dy,- there's a min is- ter- han

B¨

dy,-

G7

and it sure would be

B17

han

C7

dy,-

F7

If we'd let him make a fee.

B¨ B¨7

So don't you

21

ling

E¨

er- here's the ring for your fing

B¨

er-

G7

is n't- it a hum -

25

ding

C7

er?-

F7

Comea longand let thewed

B¨

ding- chimes

Gº

bring hap

B¨

py- times

Gº

far Man

C7

dy-

F7

and me.

B¨29


Mandy

139

TUBA

You

F

can

C

talk

Bb

a

F

bout- your

C7

love

F

af fairs,-

Gm7 C7q = 160

AAAA

Here's

F

one

C

I

Bb

must

F

tell to

C7

you;

F Fº5

All

Gm

night long

D7

they sit up on

Gm

- the stairs,

Eb7 D79

G7

He holds her close and starts to coo:

C F C7

My lit tle-

13

Mar

F

gie,- I'm al ways- think

F7

ing- of

F+7

you

BBBB17

Mar

Bb

gie,- I'll tell the world I love you,

21

Don't

F

for get

E7

- your

EB7

prom

D7

ise- to me,

25

I

G7

have bought

Gº

a

G7

home

C7

and ring and ev 'ry- thing,- For

29

Con Conrad & J. Russel Robinson

Margie

Break 2 bars

140

Mar

F

gie,- You've been my in

F7

spir- a

F+7

- tion,-

CCCC33

Days

Bb

are nev er- blue.

A7

Af ter-

37

all

F

is said and done, There is real ly

F7

- on

E7

ly

Eb7

- one,

D7

Oh!

41

Mar

Gm7

gie,- Mar

C7

gie- it's you."

F C7

"My lit tle-

45

TUBA

Margie

2

141

TUBA

B¨7 F7 B¨7 E¨ E¨7 A¨7 A¨‹6 B¨7

B¨7 E¨6

E¨ E¨ E¨7 D7 D¨710

C7 F714

B¨7 F7 B¨7 E¨ E¨718

A¨ A¨7 D¨722

A¨27

E¨7 B¨7 E¨7 A¨ A¨7 D¨7 D¨‹ A¨30

Memphis BluesW.C Handy - 1912

142

TUBA

Cm Fm G7 Cm G7 Cm Eb Ab Bb7 Eb

q = 160

Dm7 G7 Cm Fm Cm8

G7 Cm Dm7 G7 Cm Fm14

Cm G7 Cm Cm20

Cm Fm6 Cm Cm EbAAAA25

Ab Eb G7 Cm Cm30

Fm Fm Cm G7 Cm Dm7 G735

Cm Fm Cm G7 Cm41

Midnight in Moscow

Stop time- first beat of bar only

3

Time

143

TUBA

Hush

F

a- bye,- my ba

C7

by,- slum ber- time

F

is com in'- soon;

Rest

F

your head up on

C7

- my breast while mom

F

my- hums a tune; The

5

sand

Bb

man- is call in'- where shad

F

ows- are fall in'- while the soft

G7

bree zes-

9

sigh

G7

as in days

C7

long gone by. Way

F

down in Miss our- i- where I

14

heard

F

this mel o- dy.- When I was a tin

C7

y- child up on

F

- my mom my's- knee; The

19

old

Bb

folks were hum

F0

min',- their ban

F

jos- were strum min'- so o- sweet

G7

and

C7

low.

F25

Strum,

Dm

strum, strum, strum, strum, seems

Cm

I hear those ban jo's- play

A7

in'- once a gain.

Dm

-

33

Hum,

D‹

hum, hum, hum, hum,

Dm

Tha t- same old plaint

A7

ive- strain.

Dm41

John Eppel & J.R. Shannon

1914 FMissouri Waltz

144

Dm A7 Dm49

Hear

D‹

that mourn

A7

ful- mel

Dm

o- dy,

A7

- It just haunts

Dm

you the wh

A7

ole- day long,

Dm57

D‹

and you wan

Bb

der- in dreams back to Dix

F

ie- it seems when you hear

G7

that old

C7

time

64

song.

F

Hush

F

a- bye- my ba by,- go to sleep

F

on mom my's- knee.

71

Jour

F

ney- back to Dix

C7

ie- land- in dreams

F

a gain- with me; It

77

seems

Bb

like your mom my- was there

F

once a gain,- and the old

G7

folks were strum min.- that

81

same

C7

old re frain.- Way

F

down in Miss our

C7

- i,- where I learned

F

this lull a- -

87

by,

F

when thestars were blink

C7

in'- and the moon

F

was climb in'- high, and I

92

hear

Bb

Mom my- Chloe,

Dm

as in days

F

long a go,- sing in'- "Hush

G7

a

C7

bye."

F97

TUBA

Missouri Waltz

2 145

TUBA

I've got

Fm

a

Bbm

Sweet

Fm

ie,- no one could be

Dº Db6

sosweetto me.

Fm/cq = 100

AAAA

He

Ab

makes me hap py.

G7

-

Cm

I'mgladto say

Aº Ab

he's al ways gay.

Cm/G

I've

5

got

Bb7

a great big rock

Eb

ing chair, and ev

Bb7

'ry- nightyou'll find

Eb

us there. I'm

9

on

C7

his knee,while he

Fm

rocks me

Cm/Ab

to a rock

G7/D

y- mel

Bbm/Db

o- dy.

C

-

Fm/C

My ba by

13

rocks

Fm

me

Fm/Eb Fm/Db

withonestead

C

y roll.

Fm Bbm Fm Bbm

My ba

Fm

by

BBBB17

J. Berni Barbour - 1922

My Daddy Rocks Me

146

rocks

Fm

me

Fm7/Eb Db7

with all hisheartand soul.

C7 Fm/C C7 Fm/c C721

We'll

Wrap'd

Most

Talk

Fm

al

in

ev'

a

ways

a

ry

bout

-

-

spoon

blank

eve

row

-

while

et

ning

boats

-

-

the

of

at

and

lights

love

half

birch

Gm7

are

and

past

can

low.

charns,

nine,

oes,-

C7

He

I'm

We

You

Fm

hates

sit

get

need

to

ting

to

a

Fm7/Eb

leave

pret

geth

chair

Dº

me

ty

er

to

when

when

and

rock

Bbm/Db

it's

I'm

the

a -

25

time

in

world

way

C7

to

his

is

your

go.

arms.

mine.

blues.

Gm7/D

My ba

C7/E

by- rocks

Fm

me

Fm/Eb Fm/Db

with onestead

C7

y-

28

roll.

Fm Gº C7

roll.

Fm C7 Fm31

My Daddy Rocks Me2

147

TUBA

You've

F

heard lov-ers, Love-

B¨7

sick lov- ers fret

F

A bout

F©º

their

pet;

C7 Cº C7

They al-

C&7

ways get

F

ro- man-

F©º

tic, Drive

G‹7

you fran-tic.

C&75

I'm

F

so diff- 'rent, Oh,

B¨7

so diff-'rent- now;

F

While I'm

A7

in

9

love

D‹

I know I simp-

A‹

ly go and whis-

G9

per low to Hon-

G‹

ey Ba-

C&7

by:

13

Herman Ruby/Joseph Meyer - 1922

My Honey's Lovin' Arms

148

F

I love your lovin' arms,

B¨7

They hold a world of charms,

AAAA17

F

Aplace to nes- tle when I am

C‹6

lone-

D7

ly.

21

G7

Acom- fy co- zy chair,

C7

Oh, what a hap- py pair!

25

One

G7

ca- ress, Hap- pi- ness, Seems

G‹7

to bless my lit-

C7

tle honey.

29

F

I love you more each day,

B¨7

When years have passed a- way

BBBB33

F

You'll find my love be- longs to you

C‹6

on-

D7

ly;

37

G9

'Cause when the world

C7

seems wrong,

F7

I know that I

B¨

be- long

B¨‹41

F

Right in my Hon-

G7

ey's Lov-

C7

in'

FB¨7

F45

TUBA

My Honey's Lovin' Arms

2

149

TUBA

F7 Bb7 F

q = 174

C7 F F7 Bb75

F10

C7 F Bb F713

My Bucket's Got a Hole In It

Yeah! My Bucket's Got A Hole In ItYeah! My Bucket's Got A Hole In ItYeah! My Bucket's Got A Hole In ItI can't buy no beer.

Well I'm standin' on a corner - With a bucket in my handI'm waitin' for a woman - That ain't got no man.

CHORUS'Cause My Bucket's Got A Hole In ItYeah! My Bucket's Got A Hole In ItYeah! My Bucket's Got A Hole In ItI can't buy no beer.

Well, I went upon the mountain - I looked down in the seaI seen the crabs and the fishes - Doin' the be-bop- bee.

CHORUS

Well, there ain't no use - of me workin' so hardWhen I got a woman - in the boss man's yard.

CHORUS

Well, me and my baby - we just bought a FordAnd now we sit together - on the running board.

CHORUS

150

TUBABÄAAA

B¨ F7 B¨ F7 B¨6

B¨ F712

B¨

Well

F7

his

16

head

B¨

was in the mar- ket, his feet were in the street. All the

BBBB20

girls

B¨

came running by said: "Look

F7

at that mar- ket meat!"

B¨

Oh didn't

F7

he

24

ram

B¨

- ble, Didn'the ramble? He ram-

B¨

bled all a- round,

F7

All

B¨

a-roundthe

CCCC28

town.

F7

Didn't he ram-

B¨

ble, Didn't he ramble? He

35

ram

B¨

bled- 'til the wo

F7

men- cut him down.

B¨

Didn't

F7

he

40

TraditionalOh, Didn't He Ramble

TO Dixieland 2-beat swing feel

Drums

151

TUBA

Oh,

F

by Gee!

C+7

by Gosh,

F

by Gum

C+7

By Juv,

F

Oh!

G7

by Jin

Gdim

go, won't

G7

you hear

Gdim

our

q = 180

love?

G7

We

C7

will build for you a hut.

F

You will be our fav'rite nut,

D77

We'll

G7

have a lot of lit tle Oh! by Gol lies,-

C7

Then we'll put them in the Fol- lies,

13

Oh,

F

by Jin

C+7

go said,

F

by Gosh,

C+7

by Gee.

F F7 Bb

"By Jim in- y,- Please don't both er-

AAAA17

me."

A7 Bm A7/C#

So they all

Dm

went a way sing ing Oh! By Gee, By Gosh by Gum, by

23

Juv,

D‹

by Jin go,- By

F

Gee, you're

F#dim

the on

C7/G

ly- girl

C7

for me.

F Bb7 F28

Oh By JingoAlbert von Tizler

1919

152

TUBA

B¨F7

AAAA

B¨ F7 B¨5

E¨C710

F714

B¨F7 B¨

BBBB17

F7 B¨722

E¨B¨ B¨& B¨6 B¨&

B¨27

F7 B¨ B¨1. 2.31

Byron Gay/Arnold Johnson - 1919

Oh!

Break: 2 Bars

3

3

3

3 3

153

TUBA

C7 FA

C7F5

C7F9

C7 F F713

B¨ FF©ºB17

C A7 D‹ A‹ E7 A‹ F721

B¨F

D725

G‹ C7 F B¨‹6 F29

Ole Miss W.C. Handy - 1916

154

C7 FC33

C7F37

C7F41

C7 F C745

F F7 B¨ FD49

C7 F D7 G7 C753

F7 B¨ A757

B¨ Bº F D7 G7 C7 F61

Back to "D" for SolosThen Play "C" and "D out.

TUBA

Ole Miss

2

155

TUBA

C C& F F F‹A

C G7 C F F‹ C5

C Cº C C7 F Fº F G7

B9

C C Cº C C714

F Fº D7 G7 C F7 C19

G7 C F C F F& F6 G7C25

C C B¨7 A7 D31

C G7 C F F‹ C36

George Bernard - 1913

The Old Rugged Cross

Ritard

156

TUBA

Where the moon swings

CŒ„Š7 D‹7 C

On the Al- a- mo,

D7 A‹7 F‹

In a

D7

gar-den

A

fair

D‹7

where ros-

G7

es grow,

E‹7 E¨7 D‹7

In the ten-

G7

der

5

light

CŒ„Š7 D‹7 C

of the sum-

B7

mer night,

E‹7 A7

I can hear

A‹7

her

9

wan-

D7

der to and fro.

D‹7 G7

For she said I'll

13

wait

CŒ„Š7 D‹7 C

by the garden gate,

D7 A‹7 F‹

On the night

D7

I

B17

said

D‹7

"I love

G7

you so".

E‹7 E¨7 D‹7

And in all

E7

my

21

dreams

A‹

it seems

C

I go

F©º

Where the moon swings

25

low,

D7

On

D‹7

the

G7

Al-

C

a- mo.

F7 C29

On The AlamoIsham Jones & Gus Kahn - 1922

Break

Break

157

TUBA

G7 C7 F C7 F

C7 F FAAAA6

G7 C7F12

G7 C7F

D717

G7 C7 F C7

BBBB22

FD7 G7 C7 C7

28

FG7 C7 D7 F1. 2.34

Trombone solo

Edward "Kid" Ory - 1921

Ory's Creole Trombone

158

B¨C7 F7CCCC39

B¨ C©º C‹ F7 B¨44

C7 F7 B¨49

D7 G‹ C7DDDD55

C7 F F760

B¨ C7 F767

B¨ C©º C‹ F7 B¨ C773

F7 B¨

79

B¨ B¨ C7 F7 B¨83

Trombone Solo

Trombone solo

Solos

After last solo play "D" to end and then tag

TAG

Trombone

TUBA

Ory's Creole Trombone

2

159

TUBA

F C©7 G‹7 C7

G D7 G7 C7 G D7 G7 C75

F F G7 C7F

AAAA9

FG7 C713

F F7 B¨ B¨‹17

F D7 G‹7 C7F

FB¨ Fº1. 2.21

F Fº C7 F F Fº C7BBBB26

C7 F Fº F Fº C732

F Fº C7 F37

F C©7 G‹7 C742

Ostrich WalkOriginal Dixieland Jazz Band - 1918

Stop Time 4 barsTrombone Cornet Clarinet Trombone

Break

Break

Break

Break

Break

Break

160

F F G7 C7 FCCCC46

F G7 C750

F F7 B¨ B¨‹54

F D7 G‹7 C7 F58

F G‹7 C7 FDDDD62

F D7 C7 C&7 F

sfz

66

F Fº G‹ C7 F70

Fº C7 F74

F F F C&7 F78

Stop Time 4 barsTrombone Cornet Clarinet Trombone

Unison

Ostrich Walk

TUBA

2

161

TUBA

Bb F7q = 120

F7 Bb10

B¨ B¨ Eb19

E¨ Bb F7 BbBbBbBb26

Eb Bb733

B¨7 Eb41

E¨ Ab49

A¨ Eb Bb7 Eb57

Over The Waves

162

TUBA

Poor

Ab

But

E7

ter

Bbm7

- fly-

Eb9

'neath the blos soms wait

Abmaj7

ing-

Ab

Poor But ter- -

q = 120AAAA

fly

C+7

for she loved him so.

F9 F7

The mo ments-

5

pass

Bb7

in to- hours,

Eb8

The hours pass in

Ab

to- years,

Fm

And as she

9

smiles

Bb7

thru her tears, She mur murs- low,

Eb9

The

Ab

moon

E7

and

Bbm713

I

Eb9

know that he be faith

Abmaj7

ful,-

Ab

I'msure

he

BBBB17

come

C+7

to me by and

C7

by.

F9

But if

21

he

Bbm7

don't come back Then I nev

Dbm6

er- sigh

Ab

or cry, I just must

Bdim25

die.

Eb9

Poor But ter- fly.

Ab

-

29

Poor Butterfly Golden/Hubbel - 1916

163

TUBA

E¨ B¨7

E¨ B¨7 E¨ EÄAAA5

B¨7 E¨ B¨7 E¨ B¨710

E¨ E¨7 A¨ Aº15

E¨ C7 F7 B¨7 E¨ E¨ E¨71. 2.18

A¨ Aº E¨ C7 F7 B¨7BBBB22

E¨ E¨7 A¨ Aº E¨28

C7 F7 B¨7 E¨ E¨733

A¨ A¨&7 D¨ E¨7CCCC38

A¨ E¨7 A¨ A¨43

William H Tyres - 1913Panama

164

C‹ G7 C‹ E¨748

A¨ E¨7 E¨7DDDD54

A¨ E¨7 A¨ A¨759

D¨ Dº A¨ E¨7 A¨64

ppff

A¨ E¨7EEEE70

A¨ A¨ A¨7 D¨ E7 A¨ E¨71.76

A¨ A¨ E7 A¨ E¨7 A¨

2.84

E¨7 A¨ E¨7 A¨90

TUBA

Panama

2

165

TUBA

G E¨ D7 GA

E G E¨ E7 A‹ E7 A‹6

A7 D7 G E¨ G11

E¨ E7 A‹E7 A‹ E‹ A7 D7 G

16

G7 C7

B21

G B‹7 E7 A7 D725

G7 C729

Gº G D7 G

33

G G7 Gº G737

Jelly Roll Morton - 1919The Pearls

Break - 2 bars

3

3 3

166

G7 CŒ„Š7 E‹7C41

A‹ E‹ E¨º D‹7 G745

D‹7 G7 C49

D‹ E7 A7 D‹7 G B7 E‹ D‹ C D E G753

CŒ„Š7D57

G‹7 C F A7 D‹61

FF‹ C A7

65

D‹7G7 C

GºG7

69

G7C973

Tuba Only All

3

Tuba only All

3

3

3

Tuba Only

TUBA

The Pearls

2

167

TUBA

Ev- 'ry- bod-

B¨7

y loves a baby that'swhy I'm in love with you, Pret-

B¨&

ty

Ba-

E¨

by, Pret-

B¨&

ty Ba-

E¨

by. And I'd

5

like

B¨7

to be your sister, broth- er, dad and moth-er too, Pret-

B¨&

ty

9

Ba-

E¨

by, Pret-

B¨&

ty Ba-

E¨

by. Won't you

13

come

E¨7

and let rne rock you in my cra-

A¨

dle of love, And

D¨7

we'll

17

cud-

C7

dle all the time.

F7 B¨7

Oh! I

21

want

B¨7

a lovin' baby and it might as well be you,

B¨ Bº25

F7/C

Pret-

F7

ty Ba-

B¨7

by of mine.

E¨29

Pretty BabyEgbert Van Alstyne & Gus Kahn - 1916

168

TUBA

C‹ G7 C‹ G7 C‹ F‹ E¨ B¨&7

E¨ A¨7 E¨ EÄAAA5

A¨7 E¨9

B¨7F‹7

B¨&7 E¨ E¨7 E¨ºA¨‹ E¨B¨7 E¨ B¨71. 2.13

E¨ B¨7 E¨ G7BBBB18

A¨ A¨‹ E¨22

B¨7 F‹7 B¨7 E¨ E¨7 E¨º A¨‹ E¨ B¨726

E¨ A¨ E¨ E¨7CCCC30

A¨ E¨34

B¨ F‹7 B¨7 E¨ E¨7 E¨º A¨‹ E¨38

Riverside Blues Thomas A. Dorsey & Richard M. Jones

3

2 bar unison break

3

3

everybody plays this figure behind clarinet lead

2 bar clarinet break

Play 2 bar unison on out-chorus

Solos at "C"

169

TUBA

Mam-

C

my mine,

C©º G7/D

Your lit-tle roll-

G7

in'stonethat rolled

C

a- way, strolled a- way.

G&7AAAA

Mam-

E¨

my mine,

Eº B¨7

Your roll- in'stone

B7

is roll in'- home

E¨

to- day, there

G7

to stay.

5

Just

C

to see

E¨º

your smil-

G7/D

in' face,

G7

Smile

C

a wel-

E¨º

come sign.

G79

When

E¨

I'm in

E¨º

your fond

B¨7

em- brace, Lis-

G

ten Mam-

D7

my mine:

G713

Jean Schwartz - 1918

Rock a Bye Your Baby

170

Rock-

C

A Bye- Your Ba- by With

Cº

a Dix-

G7

ie Mel- o- dy,

BBBB17

when

G7

you croon, croon a tune from

C

the heart of Dix-

D7

ie.

G721

G7

Just hang my cra- dle, Mam- my mine,

C

Right on that Mas- on- Dix-

A7

on Line,

25

D7

And swing it from Vir- gin- ia,

G7

To Ten- nes-see with all the love that'sin ya'

29

Weep

C

no more my la- dy, sing

Cº

that song

G7

a- gain for me, And

CCCC33

Old

D‹

Black Joe,

G7

just

D‹

as though

G7

you

F7

had

E7

me on your knee.

37

A7

A million ba-by kiss-es I'll de-liv- er,

D7

The min-utethat you sing the Swan-

E¨º

ee Riv- er,

41

Rock-

C

a- bye your rock- a- bye baby

A‹7

with a Dix-

D7

ie mel-

G7

o- dy.

C45

TUBA

Rock a Bye Your Baby

2

171

TUBA

Ro-

F7

ses are shin- ing in Pi-

B¨

car- dy, in the

hush

F(“4)

of the sil-

F7

ver dew.

B¨ D75

Ro-

G7

ses are flow'r- ing in Pi-

C‹

car-dy, but there's

9

nev-

C7

er a rose like you!

F7

And the

13

ro-

F7

ses will die with the sum-

B¨

mer time, And our roads

17

F(“4)

may be far

F7

a- part,

D7

But there's

21

one

G7

rosethat dies not in Pi-

C7

car- dy! 'Tis the

25

rose

C‹7

that I keep

F7

in my heart!

B¨ E‹6 B¨29

Haydn Wood - 1916Rose of Picardy

172

TUBA

In sun ny- Rose

Bb7

land,-

Eb7

Where sum mer- breez es- are play

Ab

ing,-

q = 140

AAAA

Where

Ab7

the hon ey- bees are "A May

Db

ing".-

5

There

Dbm

all the ros es- are sway

Ab

ing,

F7

- -

9

Danc

Bb7

ing- while the mead ow- brook flows.

Eb7

The moon when

13

shin ing,

Bb7

-

Eb7

is more than ev er- de sign

Ab

- ing-

BBBB17

For

Ab7

'tis ev er- then I am pin

Db

ing,-

21

Pin

Dbm

ing- to be sweet ly- re clin-

Ab

ing,

F7

- Some where- in

25

Rose

Bb7

land,-

Eb7

Be side- a beau ti- ful- rose.

Ab29

Rose RoomHarry Wiliams and Art Hickman - 1917

173

TUBA

A gar-denthat

A‹

nev-er- knows

D‹

sun-shine Onceshel-tered

E7

a beau ti- ful- rose.

A‹

Inthe

AAAA

sha-

A7

dows it grewwith-out sun-light-

D‹

or dew, as a child

E

of the cit-

B7

y grows.

E7

A

5

but-

A‹

ter- fly flew to the gar-

D‹

den, from out

E7

of the blue sky a- bove,

A‹

the

9

heart

C

of therose

C©º

set a-flut-ter,-

G

with

E¨7

a

A‹

won-der-ful tale

D7

of love,

G

He

13

toldher

D‹7

ofbirds and of bees,

G7

ofthe brooks

D7

and of mea- dows and trees.

G7

He whis- pered,

17

James F. Halnley - 1919Rose of Washington Square

174

Rose,

C

of Wash- ing- ton

Cº

Square

G7

a flow-er so

BBBB21

Fair

G7

should blos- som

G&7

where

C

the sun shines,

25

Rose,

E7

for Na- ture did

A‹

not mean that you should

29

blush

D7

un- seen but be the queen

G7

of some fair garden,

33

Rose,

C

I'll nev- er de-

Cº

part,

G7

but dwell in your

CCCC37

heart,

G7

your love to care,

Dº A‹

I'll bring the

41

sun-

D7

beams fromthe Hea-vens

F‹6

to you, and give

C

you kis-ses that spar-

A7

kle with dew my

45

Rose

D7 G7

of Wash- ing- ton Square.

C49

TUBA

Rose of Washington Square

2

175

TUBA

Rufe

When

E¨

John-

he

F©7

son

comes

Eº

leads

down

B¨7

a

the

band,

street,

E¨

He's

The

one

peo-

F©7

grand

ple

Eº

lead-

shake

B¨7

er

their

man,

feet,

AAAA

E¨

Down

They

in

all

G¨º

Sa-

keep

van-

sway-

F‹6

nah,

ing,

B¨7 E¨

Down

While

in

Rufe

G¨º

Sa-

is

van-

play-

F‹6

nah.

ing.

B¨75

F‹

He

Old

real-

Rufe

ly

can't

can't

read

C7

be

a

beat,

note,

F‹

Plays

but

rag-

he

time

will

mu-

get

C7

-sic-

your

sweet,

goat,

BBBB9

F7

Down

When

in

he

Sa-

plays

van-

'Man-

C‹7

nah-

ci- pa- tion

G.

F7

Day.

A.

B¨ C‹ C©º B¨/D B¨

When

The

13

they

horse

B¨

par-

and

ade

mules

each

they

hol-

act

B7

i-

like

day,

fools,

You'll

You

G‹

hear

al

B¨

the

most

Aº

-

peo-

hear

B¨

ple

them

say:

say:

B¨717

Shleton Brooks & Maurice Abraham - 1914

Rufe Johnson's Harmony Band

176

Here

E¨

they come, Just lis- ten to

G7

that drum, Boy ain't he

CCCC21

beat-

G7

in' some, He's going rump,

C‹

rump, rump,

G7

rump.

C‹25

Lis- ten

A¨

to that dog- gone flute, Root

E¨

-te-toot, toot- te-toot,

DDDD29

toot-te-

C7

toot toot- te-toot. Say

F7

Hon, ain't that trom-

F‹7

bone moan-

B¨7

ing, hear

F‹7

it groan-

B¨7

ing,

32

Lis

E¨ E¨7

-

ten to that old

A¨

cornet, It's

EEEE37

played

C7

by that lead-

Dº

er

C7

man.

F‹ C7 F‹

He's

41

got

A¨

a world wide rep-

Aº

u- ta- tion

E¨

For play- ing syn-

C7

co- pa- tion;

FFFF45

F7

Old Ruf- us John-

B¨7

son's Har- mon -y Band

E¨49

Solos at "C"

TUBA

Rufe Johnson's Harmony Band

2

177

TUBA

F Bdim F Db7 Gm7 C7 F7

My

When

gal

I

Bb

and

first

I

met

we

that

had

gal

Bb7

a

of

fight

mine

and

it

I'm

seemed

Eb

all

just

by

like

my

a

self.

dream.

Bb

- I

But

AAAA5

guess

when

Bb

she

she

thinks

thought

now

she

that

had

D7

she's

me

gone

right

Gm

I'll

she

lay

start

C7

right

ed-

on

act

the

in'-

shelf.

mean.

F7

I'm

Like

9

gon

Ma

Bb

na

ry

-

-

show

led

her

her

she's

lit

Bb7

all

tle-

wrong

lamb

no

she

lone

led

Eb

some

me

- stuff

all

for

the

me

time,

Bb

I

Un -

13

won't

til

F

sit

the

home

worm

Bdim

all

had

F

a

to

lone

turn,

Db7

- She'll

that's

Gm7

soon

the

find

rea

C7

that

son-

I'm

I'm

F7

Runn

Runn

in'

in'-

wild,

wild

17

Runnin' Wild

Verse

[Patter, sung/spoken after chorus]

No gal will ever make a fool of me, No gal!

I mean just what I say; I ain't the simpleton I used to be,

Wonder how I got that way.

Once I was full of sentiment, it's true, But now I got a cruel heart;

With all that other foolishness I'm through,

Gonna play the villain.

178

Bb

lost con trol,-

Bb7

Run nin'- wild,

Eb

might y- bold.

BBBB21

Bb

Feel in'- gay,

F7 Cm6

Reck

D7

less too,

Gm Bbm6

Care free mind,

27

F

all the time,

C7

nev er- blue. Al ways- goin',

33

Bb

don't know where,

Bb7

Al ways- showin'

Eb

Idon't care,

CCCC37

D7

Don't love

G7

no bo

C7

- dy-

F7

It's not worth while,

Bb

-

43

All a lone-

F7

Run nin'- Wild.

Bb48

Chorus

TUBA

Runnin' Wild

2

179

TUBA F A¨º C7

F F7AAAA5

B¨ F&7 B¨ F&7 B¨ F&79

B¨ C7 D¨7C7 F B¨7 F C7

BBBB

12

F7F7 F717

B¨ D¨7 C7 F A¨º21

C7 F B¨7 F C7

25

F7 B¨ B¨‹ F F7CCCC29

B¨ B¨7DDDD33

E¨7 E¨‹ B¨ E¨7 G737

C7 F7 B¨ E¨7 B¨ E¨7 B¨

41

Royal Garden Blues Clarence & Spencer WIlliams - 1919

Cornet

Stop time - Play downbeats 4 bars

Clarinet Trombone - ad lib 2 bars

3 3 3

Back to "D" for Solos

180

TUBA Bb F7 Fdim F7q = 154

Bb Bb7AAAA5

Eb7 Edim Bb G79

F7 Bb F7 Bb13

Bb Eb Bb Eb Bb7 EbBBBB17

Edim Bb G7 C7 F722

Bb F7 Bb Eb C7 F7CCCC27

Bb Eb G7 C7 Eb32

C7 F7 Ab Eb F7 Bb7 Eb F38

Satanic Blues

FineFineFineFine

From "A" to FineFrom "A" to FineFrom "A" to FineFrom "A" to Fine

181

TUBA

Come

B¨7

on Nan- cy put your best dress on, Come

E¨

on Nan- cy'fore the

AAAA

steam-boat's gone. Ev-

B¨7

'ry- thing is love- ly on the Ches- a-peake Bay,

7

All

E¨

a- board for Bal- ti- more, If

E¨

we're late we'll all be sore.

12

Come

B¨7

on Cap- 'n let us catch that boat, 'Cause we

E¨

can't swim, Mis-ter,

BBBB17

we can't float. Ban-

E¨

jos ring- in' a good

E¨º

old tune, Up

B¨7

on deck

23

there's a place

E¨

to spoon. Set-

E¨

tledown close 'neath the sil- v'ry

30

moon, A Sail-

B¨7

in' down Ches- a- peake, All a- board for

36

Ches- a- peake, Sail-

B¨7

in' down Ches- a- peake Bay.

E¨40

VerseHavez - Batsford - 1913

Sailing Down Chesapeake Bay

No Repeat 1st time

182

'Round

E¨

the bend I think

B¨7

I see a steam-

E¨

er, Dear,

CCCC45

Head-

B¨7

in' here, to

E¨

this pier. And

49

we

E¨

can make it if

B¨7

we hurry, Nev-

E¨

er fear, It's the

53

Old

F7

Dom- in- ion Line.

B¨757

Say,

B¨7

don't she look pretty as she hugs

E¨

the shore,

DDDD61

Head-

G7

in' for Bal-

C‹

ti- more. Just

65

hear

F7

the pad- dles turn- in', Hear my heart a' yearn- in', She's the

69

Queen

C7

of the Ches-

F7

a- peake Bay!

B¨773

Solos on Verse

TUBA

Sailing Down Chesapeake Bay

2

183

TUBA

King

One

D‹

San

day

G‹

of

the

Sen-

queen

A7

e-

came

gal

home,

D‹AAAA5

Sat

Saw

A7

on

San

the

in

shore

sad

at

ness- -

Bu-

on

la-

the

9

may,

shore,

D‹ A7

Bu-

On

B¨7

la-

the

may,

shore.

A713

Sing

Told

D‹

ing

him

G‹

- -

a

she'd

sad

no

A7

re-

more

frain

roam.

D‹BBBB17

To

On

A7

his

ly

dear

her

queen

San

who'd

she

gone

would

a-

a

21

way.

dore.

D‹ G‹

This

Then

was

came

A7

his

his

lay:

lore:

D‹ B¨7 A7 C725

Bass Intro

SanMcPhail/Michels - 1920

184

F

Oh, sweet-heart Lo-

D¨7

na,

F

My dar- ling Lo

D¨7

na,-

CCCC29

F

Why

Have

have

you

D‹

you

come

gone

back

G7

a-

to

C7

way?stay?

F B¨7 F C733

F

You said you loved

D¨7

me,

F

But

I

if

knew

you

you

loved

loved

D7

me

me,

37

G7

Why

I

did

knew

you

you'd

act

come

this

some

way?-

day.

C741

F

If I had ev-

F7

er been un- true

B¨

to you

D¨7DDDD45

F

What you have done

F7

would be the thing

B¨

to do.

D¨749

F

But

But

my

now

heart

you're

aches,

mine

D¨7

dear,dear,

F

And

For

it

all

will

the

break

time

D7

dear,

dear.

53

G7

If

And

you

you're

don't

for

come

giv

G‹

-

back

en

C7

-

home

by

F

a

your

gain

lov

-

B¨7

to

ing-

San.

San.

F C757

TUBA

San

2

185

TUBA

Fath-

F

er has a bus-

C7

'ness, Strict-

F

ly sec-ond hand,

C7

Ev-

F

'ry- thing

Fº

from tooth-

G‹

picks, To

G7

a baby grand.

C7

Stuff

F

in our a- part-

C7

ment, came

F

from fath-er's store,

C7

E

G7

ven- things I'm wear-

A‹

ing, Some-

D7

one wore

G

be- fore.

C5

It's

G‹

no won-der that

D7

I feel a- bused,

G‹

I nev-er-

G7

have a thing that ain't been used:

C7 C&7

I'm wear-ing

9

Sec-

Sec-

F

ond

ond

Fº

hand

hand

C7

hats,

shoes,

F

Sec-

Sec-

G7

ond

ond

hand

hand

clothes,

hose,

A13

That's

All

C7

why

the

they

girls

call

hand

me

me their

Sec-

sec

F

ond

ond-

Hand

hand

Rose.

beauxs.

17

E

E

F

ven

ven

-

-

our

my

pi-

pa-

an-

ja-

o

mas

in

when

the

I

F©º

par-

don

G‹7

lor,

'em,

C721

Fath-

Have

G‹

er

some-

bought

bod-

for

y

ten

else's

cents on

'ni-

C7

the

tials

C&7

dol-

on

F

lar.

'em.

25

James F. Hanley & Grant Clarke - 1921

Second Hand Rose

186

Sec-

Sec-

F

ond

ond

Fº

hand

hand

C7

pearls,

rings,

F

I'm

I'm

wear-

sick

ing

of

sec-

sec-

G7

ond

ond

hand

hand

curls,

things

I

I

B29

nev-

nev-

F7

er

er

get

get

a

what

sin-

oth-

F&7

gle

er

thing

girl-

that's

ies

new.

do.

B¨ F& B¨33

Once

G‹

ven

while

Jake

stroll-

C‹

the

ing

plumb-

thru

G‹

er,

the

he's

Ritz

C‹

the

a

man

girl

G‹

I

got

a-

my

dore,

goat,

He

She

37

had

nudged

F

the

her

nerve

friend

to

and

tell

said

me

"Oh

he's

look!

been

There's

mar-

my

G7

ried

old

be-

fur

fore!

coat!"

C&741

Ev-

Ev-

F

'ry-

'ry-

Fº

one

one

C7

knows,

knows,

F

that

that

I'm

I'm

just

just

Sec-

Sec-

G7

ond

ond

Hand

Hand

Rose,

Rose,

From

From

45

Sec-

Sec-

G‹7

ond

ond

Av-

Av-

C7

e-

e-

nue.

nue.

F C7

I'm wear- ing

49

TUBA

Second Hand Rose

2

187

TUBA

FF7

AAAA

B¨F5

C7 F F7B¨ B¨‹ F

9

FC7

FF7

BBBB13

B¨7F17

C7F21

F F7CCCC25

B¨7F29

C7 F F7B¨B¨‹ F F733

Clarinet Break: 2 bars

Artie Matthews - 1915

Shake It & Break It

Break: 2 bars

188

B¨F7 B¨ B¨ F7DDDD37

B¨ F7 B¨41

G7 C‹ C©º45

B¨ F7 B¨

49

FEEEE53

B¨7F57

C7 F F7 B¨

Fine

B¨‹ F61

Play "D" AS AWritten - Repeat for Solos

After Last Solo play "D" once as written then go on

Break: 2 bars

TUBA

Shake It & Break It

2

189

TUBA

Ab Ebmaj7 Gm Fm Eb Bb7 Ebq = 120

Fm7 Bb7 EbAAAA5

Bb7 Eb9

G7 C7BBBB13

F7 Cm7 F7 Bb7 Ebdim17

Fm7 Bb7 Eb C7CCCC21

Fm Fm7 Cdim Gbdim Eb27

C7 F7 Bb7 Eb32

Con Conrod 1920

Singin' The Blues

2 - Bar Break

3 3

3

190

TUBA

Bb Gm Cm F7 Bb G7

q = 180

AAAA

C7 F7 Cm F7 Bb1. 2.7

Eb C7 F7 BbBBBB11

Bb7 Eb B7 Fm7 Bb7 Eb C716

F7 Bb7 Eb Eb721

Ab Db Ab Db Bb7 Eb7 Ab Ab Db Ab DbCCCC27

Bb7 Eb7 Ab Db Ab Db Bb7 Eb733

Ab Fdim Eb Ab Eb7 Ab Eb71. 2.38

1917Sensation

Back to B

191

TUBA

O

Bbm

ver

Gb7

- the des

C7

ert- wild

F7

and free

Bbm Cm7 Bbm Cm7

q = 180

Rides

Bbm

the

Gb7

bold Sheik

C7

of Ar

F7

a- by

Bbm

-

Cm7 Bbm Cm75

His

Ebm

ar ab- band

Ebm

At

Ebm

his com mand

Ebm

-

9

Fol

F

low- his love's

Bbm

car a- van.

F

-

F13

Un

Bbm

der

Gb7

- the shad

C7

ow- of

F7

the palms,

Bbm Cm7 Bbm Cm717

He

F

sings to call

C7

her to his arms.

F7 F7

I'm the

21

The Sheik of Araby

192

Sheik

Bb

of Ar

Bb Bdim

a- by

Cm

-

F7 Cm F7

Your

AAAA25

love

F7

be longs

F7

- to me

Bb Bb

In -

29

to

Dm

your tent

Dbdim

I'll creep

Cm F7

At

33

night

Cm

when you're

F7 F&

a sleep

Bb

-

Gm C7 F7

The

37

stars

Bb

that shine

Bb Bdim

a bove

Cm

-

Cm F7

will

41

light

F7

our way

F7

to love

D& D7 D& D7

you'll

45

rule

G

this land

G

with me

C7 C7

the

49

Sheik

F7

of Ar

F7

a- by

Bb

-

Bb F753

TUBA

The Sheik of Araby

2

193

TUBA

Ab Eb7 Eb7 Eb7q = 182

Ab Eb7 Ab Eb7AAAA5

F7 Bbm Bb7 Eb7 Ab9

Eb7 Ab7 Db F7 Bbm14

Bb7 Eb Bb7 Eb17

C7 F7 Bb7BBBB21

Eb7 Ab Aº Eb7 C726

C7 F730

Eb7 Ab Eb7 Ab33

Bass

Nick LaRocca - 1918

Skeleton Jangle

BReak

194

C7F7

CCCC37

Bb7 Eb7 Ab41

C7 F745

Bb7 Eb7 Ab49

C7 F7DDDD53

Bb7 Eb7 Ab Aº Eb7/Bb57

C7 F761

Bb7 Eb7 Ab Eb7 Ab Eb7 Ab65

Unison for 2 bars

Unison 2 Bars

TUBA

Skeleton Jangle

2

195

TUBA

mf

F C+

pp

F C+

mf

F C+

pp

F C+q = 164

mf

F F7AAAA5

Bb Bbm F9

Bb7 F13

F F Cm6 D7 G7 C717

F C7 FBBBB21

C7 F F726

Bb Bb7 A7 Ab7 G7 C731

Sobbin' Blues Kassel and Berton - 1922

3

Rhythm sec. plays straight 8ths as written, horns harmonize meoldy - 8 bars

Swing

196

F C7 F37

C7 F F742

Bb Bb7 A7 Ab7 G7 C7 F47

mf

F C+

pp

F C+

mf

F C+

pp

F C+CCCC53

F Bb7 F C7 F FDDDD57

Bb7 F C7 F Bb7 F62

Bb7 F67

Bb7 F C7 F70

Rhythm sec. plays straight 8ths as written, horns harmonize meoldy - 8 bars

Swing

Repeat only for Solos

Solos on "B" & "C" Section:

After last solo play to bottom.

TUBA

Sobbin' Blues

2

197

TUBA

Someof these days

G7 G7

your gon na- miss me hon

Cm

ey.- Some of these days

G7q = 180

G7

you'll feel so lone

Cm

ly,-

Cm

you'll miss my hug

Fm

gin'-

C7

you'llmiss

my kiss

F7

in'-

5

F7

you'll miss me hon

F7

ey-

F7

when you're a way.

Bb7

-

Bb7

You'll be so lone

Eb7

ly-

11

Eb7

just forme on

Ab

ly,-

Ab

cuz you know hon

C7

ey-

C7

you al ways- got your way,

Fm17

Fm

And when you leave

Ab

me

Adim

I know you'll grieve

Eb

me

23

C7

you know you'll miss

F7

your ba by-

Bb7

oh some of these days.

Eb27

Some of These Days

198

TUBA

Al though

C/E

- it's spring

Ebº

the birds

G7/D

don't sing

C#º

You're leav

Dm

ing- me

G7

to

G&

day.

C

-

Cº

It's

G7q = 146

AAAA

not

C

the first

Cm

time my

G

poor heart

E7 Am

has been in pain

D7

this way.

G7 G&

In

5

win

C/E

ter- time

Ebº

you're good

G7/D

and kind,

C#º

For ev

Dm

- er- by

G7

my

G&

side,

C

But when

9

sum

G/D

mer's- near

Cm

you

Eb

dis

G/D

ap- pear,-

E7

Don't ev

Am

en- say

D7

good bye.

G

You're goin'to

13

long

D7

for me some day,

G7

- But I'll

D7

be far a way.

G7

- 'Cause when the

17

cold

C

wind does blow

C7

with its

C7/Bb

ice

D7/A

and its snow,

D7

Then your heart

BBBB21

G7

soon will melt for each sor

C

- row I

Ebº

have felt.

G7/D G7

And when your

25

friends

C

turn a way,-

C7

time

C7/Bb

will prove

D7/A

what I say.

D7

Now's your time,

29

G7

I'll have mine Some Sweet Day.

C

(Yes,

C7

Some

Cº

Sweet

G7

Day.)

C33

Tony Jackson - Ed Rose - Abe Olman - 1917

Some Sweet Day

199

TUBA

You told

F

me that you loved

D¨7

me true, and I

F

be- lieved in you. You

AAAA

broke

G‹

your vow and now

D7

some-how- it seems

G‹

I'm al-ways blue.

G‹7

Butthere'llcome a day

5

C7

When you'refar a- way.

F6 F

You'll sit a- lone

9

A‹

and cry for me

E7

you'll sigh andthedays

A‹

thathave

G7

gone by.

C7

Some-day Sweet-

13

Spike Brothers & Carter - 1919

Someday Sweetheart

200

heart,

F C&7 F

you may be sor-

E7 E¨7

ry

D7

for what you've

BBBB17

done

G7 C7

to my poor heart.

F F©º C7/G

You may re-

21

gret

F C&7 F

the vows you've bro-

A‹

ken, The

25

things

E7

you did that made us drift a- part,

A‹ C7

You're hap- py

29

now,

F9

and can't see how,

B¨6

the wear- y

CCCC33

blues

G9

will ever come to you.

C7

But as you

37

sow

F C&7 F

so shall you reap,

E7 E¨7

dear,

D7

and what you

41

reap

G7

will make you weep

C7

some day,- sweet heart.

B¨7

- Some day

C7

- Sweet -

45

TUBA

Someday Sweetheart

2

201

TUBA

E¨

Some- bod- y stole my

G¨º

gal.

B¨7/F B¨7AAAA

B¨7

Some- bod- y stole my

B¨&7

pal.

E¨ E¨7 D7 D¨75

C7

Some- bod- y cameand

took

F7

her a- way.

9

F7

She did- n't even,

B¨7

say she was leav- in'.

13

E¨

The kis- ses I Iove

G¨º

so,

B¨7/F B¨7BBBB17

B¨7

He's get- tin' now I

A¨7

know.

G7

But

B¨721

Gee!

E¨

I know that she,

E¨7

would come to

25

me,

A¨

if she could see,

A¨‹

her

29

bro-

E¨

ken

Aº

heart-

A¨º

ed,

C‹/G F7

lone- some pal.

33

F‹7

Some bod- y stole

B¨7

my gal!

E¨ A¨7 E¨37

Bass Pickups

Leo Wood - 1918

Somebody Stole My Gal

2 bar break

202

TUBA

When

Dmi

will I ev

Bb7

er- stop

A7

moan

Dmi

in'?

A7

- When

Dmi

will I ev

Bb7

er

A7

- smile?

DmiAAAA

My

Gmi

ba by- went

D7

and left

Gmi

me, She'll

Bb7

be gone a long long while.

A75

I

Dmi

feel so blue

Bb7

and heart

A7

bro

Dmi

- ken

A7

- What

Dmi

am I liv

Bb7

ing

A7

- for?

Dmi9

My

Gmi

ba by- went and left

Gmi

me

Dmi

Ne

Bb7

ver- to come back no more.

A7

I went

13

down

"What

go,

to

is

let

Dmi

the

my

her

Saint

ba

go

A7

James

God

In

by's-

-

firm

bless

chan

Dmi

- 'ry

ces"

her

-

-

My

I

Wher

-

-

-

ba

asked

ev

Dmi

by

old

er

-

-

there

Doc

she

Bb7

she

tor

may

-

lay,

Sharp,

be.

A7

La

She

id

can

-

BBBB17

out

"Boy,

hunt

Dmi

on

by

this

a

six

cold

o'

wide

A7

-

mar

clock

ble

this

world-

- ta

eve'

o

Dmi

ble

nin,

ver

-

-

-

F7

Well,

She'll

But

-

-

I

be

she'll

looked

play

ne

Bb7

and

in'

ver

-

-

I

her

find

gol

turned

a

A7

man

a

den

like

way.

harp.

me.

Dmi

-

Let her

21

St. James Infirmary

203

TUBA

Ab Ab Bb7 Bb7 Eb7q = 195

AAAA

Eb7 Ab7 G7 Ab Eb76

Ab Ab7 Bb7 Bb711

Eb7 Eb7 Ab Ab15

Ab Ab Ab Ab AbBBBB19

Ab Eb7 Eb7 Eb7 Eb724

Eb7 Eb7 Eb7 Eb7 Ab29

Ab Ab Ab Ab34

Ab7 Ab7 Db Db Ddim39

Stock Yard Strut

Break

3

204

Ddim Ab F7 Bb7 Eb744

Ab Ab Ab Ab Fm Ab49

Ab Ab Adim Eb7 Eb7 Eb7 Eb755

Eb7 Eb7 Eb7 Eb7 Ab61

Ab Ab Ab Ab66


Ddim Ab F776

Bb7 Eb7 Ab Eb779

3

3

TUBA

Stock Yard Strut

2

205

Ab Ab Fm Ab Ab Ab AdimCCCC83

Eb7 Eb7 Eb7 Eb7 Eb789

Eb7 Eb7 Eb7 Ab Ab94

Ab Ab Ab AbDDDD

99


Ddim Ab F7 Bb7 Eb7108

Ab7 Abdim Dbm7 Ab Ab7 Abdim Dbm7 Ab113

TUBA

Stock Yard Strut

3

206

TUBA

St. Lou is- Wo

Gm

man-

D7 Cm

There with her dia

D7

mond- rings,

A7 A7b5 D7

Pulls that man

Cm

a round,

Eb7

-

q = 100

D7

by her a pron- strings.

Gm F Eb D7

Ex cept- for pow

Gm

der-

D7 Cm

and for storebought

Gm6

hair.

D7

You know the man I love, would not have gone no where,

Gm

- no

A7

where.

D7

- O h,-

11

toI hate

G7

morto

rowsee,

-

C

likethe eve

Inin'-

feelsun

togo down.

day.

G

-

G7 C

feelI

tohate

morto

- row,-

see

AAAA17

C

likethe

Ieve nin'-

feelsun

togo down.

day.

G

-

Be

Db7

I'll'cause

D7

-

pack mymy

trunkba by-

22

Eb7

makehe

mydone

getleft

D7

athis

- way.town.

G

- GotFeel

the

26

St.

G

Lou is- Blues, justas blue as I can be.

G C G C G C G7

That man

Am

got aheart

C7

like a

BBBB29

rock

Am

cast in

C7

the sea,

G C G C G C G7

Or else

D7

he wouldn't have gone

34

D7

so far from me.

G

Got the me.

G1. 2.38

W.C. Handy 1914St. Louis Blues

207

TUBA

Gm D7 Gm Cm Gm D7 Gm F+AAAA

Bb C7 F7 Bb Eb7 Bb Bb7

Won't you

5

strut

Eb

Miss Liz zie-

Ebm

Get bu sy-

Bb

I want to see you walk,

G7

for the

BBBB9

folks

C7

all state the way

F7

you syn co- pate-

Bb

Is the whole

Bbº

town talk.

Bb Bb7

When you

13

move

Eb

so pret ty,-

Ebm

It'sa pi ty,-

Bb

Theoth er- girl ies- frown.

D7

But the men

Gm

you

D717

meet

Gm

like

Cm

the way

Gm

you shake

D7

your feet,

Gm F7

Oh, you knock

Bb

'em diz zy,-

22

Strut

C7

Miss Liz

F7

zie- Brown.(

Bb

I'll bet

Bb7

you've got

Eb

the cut

Ebm

est- lit

Bb

tle- strut in town!) Go

26

Turner Layton & Henry Creamer - 1921

Strut Miss Lizzie

Vocal to "C"

208

down the

Bbº

street,

Bb

By

Bbº

the school,

Bb

Pat

Bb

your feet you step

C7

pin'- fool.

F7CCCC29

Strut

Bbº

your stuff,

Bb

use

Bbº

your "Kerch",

Bb

Trot

Bb

your toot

G7

sies- by

C7

the

F7

church.

Bb33

Thru

Bbº

the al

Bb

ley,- Dodge

Bbº

the cans,

Bb

Shake

Bb

Miss Sal ly's- pots

C7

and pans.

F737

Cool

Bb

your dogs

Bb7/Ab

we're com

Eb/G

in'- thru,

Gb7

Get set

Bb

for len ox- Av

C7

en-

F7

ue.-

Bb

Won't

Bb7

you

41

Back to "B: for Solos

TUBA

Strut Miss Lizzie

2

209

TUBA

Ab Eb7 Ab Ab7 Db Dbm Abq = 132

AbAb7 Db Ab Eb7 AbAAAA5

Bb7 Eb7 Ab Ab7 Db11

Ab Db F7 Bb7 Eb716

Ab Ab7 Db Dbm Ab Eb7 AbBBBB21

Bb7 Eb7 Ab Ab7 Db Dbm Ab Eb727

Ab Eb7 Ab Ab7 Db Dbm Ab Eb733

Ab Ab7 Db D¨m Ab Ab F7 Bb7 Eb7CCCC37

Ab Ab7 Db Dbm Ab Eb7 Ab Eb745

Ab Ab7DbDbm Ab Ab Db Ab Ab7DbDbm Ab

rit.rit.rit.rit.

51

The Storyville Blues Trad.

Drum Roll - Piano Roll - Sustained Bass

Time

Back to "B" for Solos

Tag

210

TUBA

Stum-

G

bling all a- round, Stum- bling all a- round, Stum- bling all a- round

G

so

G7

fun-

E7

ny,

Stumb-

A7

ling here and there, Stum- bling ev- 'ry- where, And I must de- clare: I stepped right

5

on

D7

her toes, And when she

E¨º

bumped

E‹

my nose, I fell and

9

when

A7

I rose, I felt a- shamed.

D7

And told her:

13

That's the

G

la- test step, That's the la- test step, That's the la- test step,

G

My

G7

hon-

E7

ey,

A17

No-

A7

tice all the pep, No- tice all the pep, No- tice all the pep. She said: Stop mum-

21

C‹6

bling, tho' you are stum-

G

bling, I like it

25

just

A7

a little bit, just a lit-

D7

tle bit, quite a little bit.

G29

Zez Confrey - 1922

Stumbling

211

TUBA

E¨ G‹ D7 D7

G‹ E¨ G‹ D75

G‹ D7 G‹ C‹AAAA9

G‹ D7 G‹13

G‹ D7 G‹ C‹17

G‹ D7 G‹ D7 G‹21

G‹ D7 G‹ C‹BBBB25

G‹ D7 G‹29

G‹ D7 G‹ G33

Ferdie Grofe/Peter DeRose - 1922

Suez

Rhythm Vamp 4 bars

Rhythm Vamp

Rhythm Vamp:

212

G D7 G F737

B¨ A& B¨ A&CCCC41

B¨7 D7 E¨ G745

C‹ G7 C‹ G749

C7 Cº C7 F753

B¨7DDDD57

E¨ C7 F7 B¨ A&61

B¨ G7 C7 F7 B¨67

Solos Here

TUBA

Suez

2

213

TUBA

Swan

F

ee- How

F&

I love you How I love you My

B¨

dear

G‹7

old

C7

Swan

F

ee.- I'd give the world to

C©7

be

C9 C7

a mong- the

7

folks in D

F

i- x- i- e

C7

- ven- know my Mam

F

my's-

13

Wait

F&

in'- for me Pray in'- for me Down

B¨

by

G‹7

the

C7

Swan

F

ee.- The folks up north

19

will

C©7

see

B¨

me no more,

B

When

B7

I

C7

get to that Swan ee- shore.

F26

Swan

C7

ee,- Swan

F

ee,- I

C7

am com ing back to Swan

F

ee.-

33

Swan

C7

ee,- Swan

F

ee,-

F40

I love the old

G7

folks

C7

at home.

F D¨7 C7 F45

Swanee Gorge Gershwin - 1919

Trio:

214

TUBA

I'm

E¨

blue,

A¨7

Thru

E¨

and thru,

A¨7

'Cause

E¨

they're gonna

A¨7

take

C7

jazz

F7

a- way.

B¨&7A

On

G7

my knees, I'm ask-

A¨

ing you please,

E¨ E¨‹

Just

B¨

to pay at- ten-tion to me while

F7

I say:

B¨5

Can't

B¨

you see it's wrong to

B¨7

con- demn a song. Jazz has sim-ply got

D¨7

to stay,

B¨7

Now!

B¨&79

High-

E¨

brow mu-sic real-ly is a treat, In

F7

an op-'ra house it can't be beat.

B13

But

B¨7

whatmakes you wan-na shake yo' feet? 'Tain't

E¨

nothin'else but

B7/F©

jazz,

F‹7

Babe!

B¨&717

In

E¨

so- ci- e- ty of style and grace, Ev-

E¨7

'ry little move-ment has

A¨

just

Aº

a

21

lit-

E¨/B¨

tle bit of wob- blin',

B¨&7

Lit-

E¨

tle bit of tod- dlin'.

B¨&7

Waltz-in'-

E¨

round is might-y fine,

F©º25

Gli-din'

E¨/G

sure-ly is de-vine.

F©º

Still

E¨/G

whatmakes

E¨

you shiv-er an- y time?

C‹7

'Tain't

F7

nothin'else

B¨7

but

28

jazz,

E¨

Babe!

C7

'Tain't

F7

nothin' else

B¨7

but jazz.

E¨32

Maceo Pinkard - 1921

Taint Nothin Else But Jazz

215

TUBA

There

Aft-

B¨

ain't

er

noth-

all,

in'

the

I

way

D7

can

to

do,

do

nor

is

noth-

do

G‹

in'

just

I

as

can

you

say,

please,

D7AAAA

G7

That

Re-

folks

gard-

don't

less

crit-

of

D‹7

i

their

G7

talk-

cize

C‹

me

in'.

G75

But

Of-

I'm

ten

gon-

times

na'

the

do

ones

G7

just

that

as

talk

G7

I

will

want

get

C‹

to

down

an-

on

y-

their

way,

knees,

C9

C7

And

And

don't

beg

care

your

if

par-

they

don

all

for

de-

their

spise

squawk-

G¨7

me.

in'.

F713

If

If

B¨º

I

I

B¨

should

dis-

take

like

D7

a

my

no-

lov

tion

-er

G‹

To

And

jump

leave

B¨7

in

him

to

for

E¨

an

the

-oth-

o-

Eº

cean,

er,

BBBB17

'Tain't

B¨

No- bod- y's

B¨º

Biz-

F7

ness If

F&7

I Do.

D7 G7 C F&721

Porter Grainger & Everett Robbins - 1922

Tain't Nobody's Biz-ness If I Do

216

Rath-

If

B¨º

er

I go

B¨

than

to

per-

church

D7

se-

on

cute

Sun

me,

-day,

G‹

I

Then

choose

cab-

B¨7

that

a-

you

ret

E¨

would

on

shoot

Mon-

E¨º

me,

day,

25

Tain't

B¨

no bod- y's

Bº

- biz

F7

ness- if

F&7

I do.

B¨ C‹7 C©º B¨/D29

If

If

B¨º

I

my friend

B¨

should

ain't

get

got

D7

the

no

feel-

mon-

in'

ey

G‹

And

To dance

I

B¨7

up-

say

on

"Take

E¨

all

the

mine,

ceil-

Hon

Eº

in',

-ey",

33

'Tain't

B¨

No- bod -y's

B¨º

Biz-

F7

ness If

F&7

I Do.

D7 G7 C7 F&7

If

If

37

I

I

B¨º

let

give

B¨

my

him

best

my

D7

com-

last

pan-

nick-

ion

el

G‹

Drive

And

me

it

B¨7

right

leaves

in-

me

E¨

to

in

the

a

can

pick

Eº

-yon,

-le,

41

'Tain't

B¨

No- bod -y's

B¨º

Biz-

F7

ness If

F&7

I Do.

B¨ B¨º C‹7 F&745

TUBA

Tain't Nobody's Biz-ness If I Do

2

217

TUBA

There's mu-

C7

sic in

F7

the breeze,

B¨

and trom-

C7

bones grow

F7

on trees.

B¨

You hear

moan-

C7

in' and groan-

G¨7

in' and tune-

C7

ful har-

G¨7(b5)

mo- nies.

F7

In

5

ev-

C7

'ry ca-

F7

bar-et,

B¨

it's the on-

C7

ly thing

F7

they play!

B¨

Well, I

9

long

B¨‹

to hear it, I must

G¨7

be near it,

C7

andthat's why

G¨7(b5)

I say:

F713

Take Me To the Land of Jazz

Bert Kalmer, Edgar Leslie, Pete Wendling - 1919

218

Take

Take

B¨

me

me

to

to

the

the

land

land

of

of

jazz,

Jazz,

Play

Let

C7

the

me hear

kind-a'

the

blues

music

like

New

Mem-

Or-

phis

leans

has,

has,

17

F7

I

I

wan'

like

na

it

step,

hot,

to

and

a

you

tune

know

C7

that's

that's

full

what

of

that

gen

ci-

C7

-u- ine

ty's

pep!

got!

F721

Come

Pickin'

B¨

and

'em up

take

and

the

layin'

lat-

'em

est

down,

dare,

Teach

Learn

G‹

them

to

how

do

all

the

o-

D7

"Griz-zly-

ver town,

Bear". I

25

I'll

love

G7

give

that

you

syn-

fair

co-

warn-

pa-

in',

tion,

I won't

At

C7

be

my

home-

des-

'til

tin-

morn-

a-

F7

in'.

tion!

I'll be

Just

29

dan

run

B¨

cin'

nin'

-

-

'til

wild

the

and

sun

livin'

Bº

comes

it

up,

up,

In

In

F7

the

the

lov

lov

in'

in'

-

-

land

land

of

of

jazz.

jazz.

B¨33

Chorus:

TUBA

Take Me To the Land of Jazz

2

219

TUBA

Have

E¨

you heard the la-teststrain?

B7

It will lin-

E¨

ger in

B¨7

your brain.

E¨

For it's a

A

rag-

B¨7

gy new mel- o- dy, So

E¨

full of har-

C7

mo-ny, You'll

F7

want to hear it a- gain.

B¨75

E¨

It's a brand new South-ern drag,

B7

It's a dan-

E¨

dy Dix-

B¨7

ie rag.

E¨9

Oh,

B¨7

babe,

B¨&

What

E¨

do you say?

C7

Come

F7

let us hear the band play.

B¨713

James P. Maguire & Warren DeWitt - 1919

That Dixie Jazz

220

E¨

That Dix- ie jazz!

C7

That Dix- ie jazz!

B17

My

F7

how I love to hear that Dix-

B¨7

ie jazz! Oh, just

E¨

see'em sway-ing when they'replay-

G7

ing.

21

C7

From left to right,

F7

Hold to me tight. Itmakesme

25

want

F7

to do the shuf-fleand the tick-le toe. Oh, Hon-ey! Come,

B

let's

B¨º

go!

B¨729

Lis-

E¨7

ten can't you hear thatman just coax a moan

A¨

fromhis trombone.

C33

Lis-

F7

ten to that syn- co- pa tion- It's the best

B¨7

I've ever known.

37

E¨

That Dix- ie jazz!

C7

That Dix- ie jazz!

41

My

F7

how I love tohear that dear

B¨7

old Dix- ie jazz.

E¨ B¨7

That Dix-ie Jazz!

E¨45

TUBA

That Dixie Jazz

2

221

TUBA

Dmi

A7 Dmi A75

Dmi9

A7 Dmi13

C7 F F#ºAAAA17

C7 F C721

C7 F F7 Bb Bº26

F D7 G7 C7 F A730

Lew Pollack / Ray Gilbert 1914That's A 'Plenty

2 bar break

222

Dmi A7BBBB33

A7 Dmi A7 Dmi38

D‹ A743

A7 Dmi F746

Bb A7 Ab7 G7 C7� F7CCCC49

Bb Bbº Cmi7 F7 Bb A7 Ab7 G755

G7 C7 F7 Bb60

D FDDDD65

F F770

Bass bassbassbassbass

Bass

Bass

Cornet, Clarinet, etc.

Trombone, Bass, etc

Segue to Solos:

TUBA

That's A 'Plenty

2

223

Bb A7 Ab7 G7EEEE77

C7 F7 Bb Bbº Cmi F7 Bb81

A7 Ab7 G7 C7 F7 Bb Eb7FFFF86

Bb F7 D F92

F F7

mp

98

Bb G7GGGG105

C7 F7 Bb Cmi7 F7109

Solos - ad lib:

FINE

Continue after last solo

Soft "Shuffle Chorus"

After "shuffle chorus" Play "E" (16 bars) Once as out chorus:

TUBA

That's A 'Plenty

3

224

TUBA

D7 Gmq = 152

AAAA

D75

Gm9

F C7 F713

Bb D7 G7BBBB17

C7 F7 Bb Cm7 F721

Bb D7 G725

C7 F Bb Eb7 Bb29

Smith and Medina - 1922

That Da Da Strain

Solos on "B"

225

TUBA

B¨ F7 BÄAAA

B¨ F7 1. 2.5

C7 F C7 FBBBB10

C7 F C7 F14

B¨ F7 B¨18

B¨ F7 B¨722

E¨CCCC26

E¨ B¨730

B¨7 E¨33

B¨ E¨37

Tiger RagThe Original Dixieland Jazz Band - 1917

Cues are Trombone/Tuba

Solo Break

Solo Break

Solo Break

226

B¨ E¨DDDD42

A¨ C7 F‹ F©º E¨ B¨7 E¨ E¨746

AËEEE50

A¨ E¨754

E¨7 E¨758

E¨7 A¨62

A¨ A¨ A¨7 D¨FFFF66

D¨ Dº A¨73

F7 B¨7 E¨7 A¨

77

Solo Break

Solos at "E"

TUBA

Tiger Rag

2

227

TUBA

Forthere's a change

G7

in the weath-er there's a change in the sea,

AAAA

C7

so from now on there'll be a change in me, My

5

walk

D7

will be dif- 'rent, my talk

G7

and my name,

9

Noth-

C7

in' a- bout me is goin' to be

F7

the same,I'm goin' to

13

change my

G7

way of livin', if that ain't e- nough,

BBBB17

Then

C7

I'll change the way that I strut my stuff, 'cause

21

no-

D7

bod- y wants you when you're old

G7

and gray,

25

C7

There'll Be Some Chan-

F7

ges Made

B¨

to- day,

G729

C7

There'll Be Some Chan-

F7

ges Made.

B¨ E¨7 B¨ B¨7 A7 A¨733

There'll Be Some Changes MadeHiggins/Overstreet - 1921

228

TUBA

Smile

Ab

the while you kiss

Eb7

me sad a dieu- When

Eb7

the clouds roll

AAAA

by

Ab

I'll come to you.

Ab7

Then

Db

the skies

Dbm

will

7

seem

Ab

more blue,

F7

down

Bb7

in lov ers- land

Eb7

my dear

Eb+7

ie-

11

Wed

Ab

ding- bells will ring

Eb7

so mer ri- ly,- Ev

Eb7

'ry- tear will

BBBB17

be

Ab

a mem o- ry.

Ab7

- So wait

Db

and pray each

Dbm

night

Ab

for

23

me,

F7

'Til

Bb7

we meet

Eb7

a gain.

Ab

-

28

1918

'Til we Meet Again

229

TUBA

Ab Eb7 Bb7 Eb7 Abq = 132

OhTo

Ab

Misnight

siI'm

- sipPray

- pi,in'

-

-

Eb7

OhTo

Misnight

siI'm

- sipsay

- pi,in'

Ab7

MyOh

heartLord

criesplease

outbless

forthe

AAAA5

youtrain

inthat

sadtakes

nessme,

Db

ITo

wantTish

too-

bemin

where,go-

Dbm

theway

windown

tryold

- windsDix

don'tie-

blow.way,

Ab Aº8

Eb7

DownWhere

whereSouth

theern-

Southfolks

ernare

- moonal

swingsways-

low,gay,

That'sThat's

wherewhy

Bb7

Iyou

wanthear

tome

go.say,

Eb7

I'mI'm

13

goin'to

Ab

Tish o- min

Ab7

go-

Db

be cause I'm sad to day.

Ab

-

Ab7 Db7

I wish to lin ger,-

BBBB17

E7

way down old Dix ie- way.

Ab Aº

Oh

Eb7

my wea ry- heart cries

22

Spencer Williams - 1917

Tishomingo Blues

230

out in pain, Oh how

Ab

I wish that I was back a gain,-

Aº

with

Eb7

a race,

26

in

Bb7

a place, where

Eb7

they make you wel come all

Bb7

the time.

Eb7

Way

30

down in

Ab

Mis si- sip

Ab7

- pi,-

Db

A mong the cy press trees.

Ab Ab7CCCC33

Db

They get you dip py,- with their stange mel o- dies.

C7

- To re sist

Ab

- temp

37

ta

C7

tion,- I

Fm

just can't re fuse

E7

-

Ab

In Tish o- min- go-

42

Eb7

I wish to lin ger,- Where

Bb7

they play the wea

Eb7

ry- blues.

Ab46

Opt. Break on Solos

TUBA

Tishomingo Blues

2

231

TUBA

E¨

Toot, Toot, Toot- sie, Good Bye!

F7

-

AAAA

B¨7

Toot, Toot, Toot- sie, don't cry,

E¨ E¨

The choo choo train

E¨

that

Eº6

takes

F‹7

me,

B¨7 B¨7

a- way from you

F‹7

no

B¨&7

words

E¨

can tell

G¨º

how sad

F‹7

it makes

B¨&7

me

12

E¨

Kiss me, Toot sie- and then,

F7 B¨7

Do it o- ver a-gain.

E¨9BBBB18

Watch

A¨7

for the mail, I'll nev- er fail, If

26

you

E¨

don't get a let- ter then you know I'm in jail,

B¨730

E¨

Tut, Tut, Toot- sie don'tcry.

F7CCCC34

B¨7

Toot, toot, Toot sie,- Good bye.

E¨

-

B¨738

Gus Kahn, Ted Fiorito - 1922

Toot, Toot, Tootsie

232

TUBA

Tuck

F

me to sleep

F7

in my old

B¨

'Tuck-

Bº

y home,

F/C FAAAA

cov-

C7

er me with Dix-

F

ie skies

D‹

and leave

G7

me there a- lone.

C75

Just

F

let the sun

F7

kiss my cheeks

B¨

ev-

Bº

'ry dawn,

F/C F

like the

9

kiss-

C

in' I've been miss- in' from my mam-

G7

my since I'm gone.

C713

I

F7

ain't had a bit of rest, since

B¨

I left my mam- my's nest.

BBBB17

I

G7

can al- ways rest the best in her lovin' arms.

C721

Tuck

F

me to sleep

F7

in my old

B¨

'Tuck-

Bº

y home,

F/C F

let me

25

lay

C7

there stay there nev- er no more to roam.

FG‹7 C7

29

Tuck Me To Sleep In My Old 'Tucky Home

George W. Meyer - 1921

233

TUBA

Down

Ab

in the jun gles lived

Bbm

a maid,

Eb7 Ab

of roy al- blood thoughdusk

Bbm

y- shade.

Eb7 Dbq = 164 AAAA

C7

a marked im pres- sion once she made ,

Fm Bb7

up on- a Zu lu-

Eb7

from Ma ta- boo loo-

5

And

Ab

ev ry- morn ing- he

Bbm

would be

Eb7 Ab

down un der- neath a bam

Bbm

boo- tree,

Eb7 Db9

C7

a wait ing- there his love to see.

Fm Bb7

and then to her he'd sing:

Eb7

If

13

you

Ab

like a- me like I like a- you and we like a- both the same,

BBBB17

I

Eb7

like a- say, this ve ry- day, I like a- chnage your name.

Ab

'Cause

Eb721

I

Ab

love a- you and love a- you true and if you a love a me,

25

One

Eb7

live as two, two live as one, un der- the bam boo- tree.

Ab29

Under The Bamboo TreeBob Cole - 1902

234

TUBA

Bb

NowYou

lisall

tenwere

- honcraz

Bbº

eyy

-

-

'bout'bout

athe

new"Bunn

F7

danceny-

craze,Hug",

Bb

BeenMost

'rigev

i'ry-

-

nabod

Bbº

- tedy

-

-

forwas

aa

-

q = 164

bout"Tan

F7

tengo-

days,bug!"

It'sBut

F#º

these,now,

C7

It'sand

asome

bear!,how,

F

-

F#º

AndThe

C7

it'sfun

any-

newDog

stepwalk

F7

aisfunall

nythe

- twotown

step.talk.

4

Bb

In

In

ev

ev

'ry

'ry

-

-

cab

pri

Bbº

a

vate

-

-

ret

home

- and

this

danc

dance

F7

ing

is

- hall,

known.

Bb

You

I

see

called

them

a

do

friend

Bbº

ing

of

- it,

mine

yes,

up

9

oneon

F7

andthe

all,phone,

IfHear

you'lling-

juston

F7

givehis

meGram

ao-

chance,phone:

D7

I'llThis

in"Dog

G7

trogone"

-

-

ducerag

C7

- thisgy-

dance:tone:

F712

Get

Bb

'way back,

Eb

and snap your fin gers,-

Bb

Get o ver- Sal

Bbº

ly,- one

F7

and all,

AAAA17

Grab

Bb

your gal,

Eb

and don't you lin ger- Do

C7

that slow drag 'round

F7

the hall.

21

Do

Bb

that step,

Eb

the "Tex as- Tom my",- Drop!

Bb

Like you're sit

F7

ting on a log, Rise

25

slow,

Bb

that

Bb7

will show,

Eb Eº

the dance

Bb

called "Walk

F7

in'- the Dog".

Bb29

Walkin' the DogShelton Brooks - 1917

235

TUBA

Near ly

Bb

- bro ken- heart

Gm

ed- since the day

Bb

that I once start ed- from my

q = 120

AAAA

Wa

C7

bash

F7

- home,

Bb

In

Bb

di- an- na's- sweet

D7

and it's a

3

place

Gm

that'shard tobeat

Bb

but thenI longed

C7

to roam,

F7 Bb

My old home stead-

6

I

Bb7

now can see,

Eb

I had a girl was as sweet

F#7

as could be,

10

Now

Bb

ev 'ry- day

Bb7

I'm so lone

G

- some it's mis

C

er-

F7

y.

Bb

-

13

Oh,

Bb7 Bb7

those Wa bash

Bb7

Blues

Eb Eb Gm Ab

I

A

know

Bb7 Bb7

I got my

Bb7BBBB17

dues.

Eb Eb F#dim

A

Eb7

lone

Ab Ab

- some soul am I,

Eb Eb

I

23

Wabash Blues

Solos at B

236

feel

B7 B7

that I could die.

Bb7 Bb729

Can

Bb7 Bb7

- dle light that

Bb7

gleams.

Eb Eb Gm Ab A33

Haunts

Bb7 Bb7

me in my

Bb7

dreams,

Eb Eb F#dim

I'll

Eb7

pack

Ab

my walk in'-

37

shoes

Eb Eb

To lose

Bb7 Bb7

those Wa bash Blues.

Eb Eb43

Thru'Xpect

theto

Bb

sycsee

athe

- moremoon

D

- theshine-

canon

dlethe

- lightWa

Gm

isbash-

shinan

ingy

-

-

bright,night,

BbCCCC49

MemSeems

F#

'rythat

- bringssuch

thea

scentpic

Db7

ofture's-

newbound

mownto

hayturn

F#

tome

meto

eachthe

night,right,

Db751

IMa

C7

amking-

startup

ingmy

- formind

F

thatto

spotsee

nothat

needhome

C7

toso

askfar

mea

when,way,

F

-

53

I'llBut

Bb

beun

leavtil-

ingthat

- hoofhap

Bb7

printspens-

t'wardhere's

thethe

oldbest

Eb

homethat

roadI

acan

gain.say:

Bb

-

55

Back to B

TUBA

Wabash Blues

2

237

TUBA

The

Way

whis-

down

tles

on

C

are

the

blow-

lev-

in',

ee

the

in

G&

smoke-

old

C

stacks

Al-

are

a-

show-

bam-

in',

y,

The

There's

C7A

Dad-

ropes

F

dy

they

and

are

Mam-

throw-

my,

in',

and

ex-

C&

Eph-

cuse

F

riam

me,

and

I'm

Sam-

go-

my,

in'

On

to

a

the

5

moon

place

C

light

where

E7

night

all

F

you

is

can

har-

find

mo-

C

them

ni-

all,

ous,

9

WhileEv-

D7

theyen

arethe

wait-preach-

in'er,

theHe

ban-is

G7

jos arcthe

syn-dance-

co-ing

pa-teach-

tin'.er.

13

What'sHave

thatyou

C

they'rebeen

say-down

in'?there?

G&

What'sWere

C

thatyou

they'rea-

say-round

in'?there?

C7

If

B17

While

you

F

they

ev-

keep

er

play-

go

in',

there you'll

C&

hum-

al-

F

min'

ways

and

be

sway-

found

in',

there,

U's

Why,

the

21

good

dog-

C

ship

gone,

E7

Rob-

Here

ert

comes my

Lee

ba-

that's

by

come

on

to

the

25

car-

good

D7

ry

old

the cot-

Rob-

G7

ton

ert

a-

E.

way.

Lee.

C C G7/D C7/E29

Lewis F. Muir & L. Wolfe Gilbert - 1912

Waitin' For The Robert E Lee

238

Watch

F

them shuf- flin' a- long.

C33

See

C7

them shuf- flin' a- long. Go take your

37

best

C7

gal real pal, Go

41

down

F

to the lev- ee, I

C&

said

F

to the lev- ee, And

C745

join that

F

shuf- flin' throng.

D49

Hear

C7

that music and song. It's sim- ply

53

great,

C7

mate, Wait- in' on the lev- ee,

57

Wait

C7

in'- for the Rob ert- E. Lee.

F©7 G761

For Repeat:

Waitin' For The Robert E Lee

TUBA

2

239

TUBA

Guess!

Gucss!

F

What

Where

F©º

do

do

you

you

think

think

C7

I'm

I'm

think

go

in'

in'

when

when

you

the

think

winds

I'm

start

think

blow

in'

in'

wrong?

strong?

FAAAA

Guess!

Guess!

D‹

What

Where

do

do

you

you

think

think

A7

I'm

I'm

think

go

in'

in'

when

when

I'm

the

think

nights

in'

start

all

grow

night

in'

long?

long?

D‹

I

I

5

ain't

ain't

F

think

go

in'

in'

this,

East,

I

I

ain't

ain't

B¨

think

go

in'

in'

that,

West,

I

I

can

ain't

F

not

go

be

in'

think

o

in'

ver

a

the

- bout

cuck

G7(b5)

your

oo's

hat.

nest.

C7

I'm

My

9

bound

heart

F

for

does

the

not

town

start

that

to

I

pit

B¨

Iove

a

best,

pat

D7

Where

un

D7(b5)

life

less

G7

is

I

one

hear

sweet

this

song;

song;

C713

3

Way Down Yonder in New OrleansHenry Creamer & J. Turner Layton - 1922

3

240

Way

C7

down you der in New

G‹7

Or leans,

C7 F&7

in the land of dream y- scenes,

BBBB17

F

there'sa gar den of E

C7

den,-

G‹7

that'swhat I

C&7

mean.

F F©º721

Cre

C7

ole- ba - bies with flash

G‹7

ing- eyes,

C7 F&7

soft ly whis per- with ten der sighs,

25

Stop!

F7(“4) F7

Oh won't you give your la dy- fair,

B¨6 F&7

a lit tle smile.

B¨ A7 A¨729

Stop!

G7

you bet your life you'll lin ger- there,

C7(“4)

a lit tle- while.

C733

There

They've

F

is

got

hea

an -

ven

gels

right

right

here

here

D‹

on

on

earth,

earth,

with

wear

F

those

ing-

beau

lit

ti

tle-

ful

blue

- queens,

jeans,

D¨737

way

F

down yon

F©º7

- der in New

G‹7

Or

C7

leans.

F6

-

41

TUBA

Way Down Yonder in New Orleans

2

241

TUBA

Bbq = 240 AAAA

Bb Dº F76

F10

F Bb F714

BbBBBB18

Bb Bb7 Eb22

Eb Eº Bb G726

C7 F7 Bb30

T. Allen and M. Sheafe - 1910

Washington and Lee Swing

242

TUBA

IWellWant

amIto

justprayjoin

F

aeachthe

weadayheav'nly

F7

ryto

- pilheav

band,

Bb

grimen,

-

-

PlodForWant

B dim

dingthe

to

- thrustrength

play in

F

thisto

the

landhelp

ang

ofme

el-

sin;win,

band,

G7 C7

GettI

Wantwant to

ing

to

- readbe

hear

F

yin

the

- forthattrum

F7

thatpro

pets-

cicessblow

Bb

-

ty,ion,ing,

-

-

-

7

WhenWhenWhen

Bdim

thethethe

saintssaintssaints

F

comecomecome

marchmarchmarch

C7

inginging

-

-

-

in.in.in.

F

Oh when the

12

saints

F F

go march ing- in

F F

Oh when the saints

F

go march

F

ing

F#dim

-

AAAA

in

Gm7 C7

Oh lord I want

F

to be

F7

in that

6

num

Bb

ber-

Bbm7

When the saints

F

go

Dm7

march

Gm7

ing

C7

- in.

F10

When The Saints

243

TUBA

I've

They

Cm

heard

say

Cho

"Ras

pin

tus

-

-

Wag

is

Ab7

ner

so

- too

cute

Know

when

Cm

their

he

mu

starts

sic

to

- thru

toot

Ab7

and

toot

thru,

toot

I

His

G7

love

toot

their

in'-

q = 185

won

cer

G7

der

tain

-

-

ful

ly-

mel

can't

o

be

- dies,

beat.

Cm

-

Fmin G7

I've

Crit

Cm

heard

ics-

Liszt

all

and

say

Rub

he's

Ab7

en

un

- stein,

ique-

6

Thought

They

Cm

they

rave

real

ov

ly

er

-

-

were

his

Ab7

di

tech

vine,

nique

- They

His

G7

al

mu

ways

sic-

put

cer

G7

me

tain

in

ly-

ec

is

sta

a

- cies.

treat.

Cm

-

11

Fmin G7

But

And

Bb9

they

from

Bb9

don't

his

shine

lips,

Eb6 Eb616

With

Jazz

F

a

y-

cer

notes

tain

like

- man

sweet

F

in

mo

Car

las-

o

ses

-

-

line.

drips.

Bb7

-

Bb721

When Erastus Plays His Old Kazoo

244

Tain't

Eb

no use to keep

Eb

your seat for you sim

Eb

ply- can't con -

AAAA25

trol

Eb

your feet when E ras

Bb7

- tus- plays his old

Bb7

ka zoo.

Eb

-

Bb728

Tho'

Eb

he plays in just

Eb

one key It's a reg

Eb

lar- low down- sym

Eb

pho- ny- when E -

33

ras

Bb7

tus- plays his old

Bb7

Ka zoo.

Eb

- When he goes

37

vo

G7

do- de- o,- vo do-

G7

de- o,- vo do- de- o,

C7

- you can't

C7

help sing ing-

41

Vo

F

do- de- o,- vo do-

F

de- o,- vo do- de- o,

Bb7

- your ears

Bb7

are ring in'.-

45

Ev

Eb

'ry- op er- at

Eb

- tic- star- throws a way

Eb

- his whole darn

49

re

Eb

per- toire when E ras

Bb7

- tus- plays his old

Bb7

ka zoo.

Eb

-

52

TUBA

When Erastus Plays His Old Kazoo

2

245

TUBA

The

I've

minute

had a

that

might-

E¨

I

y

reach

bu-sy-

B¨&

the place,

day,

E¨

I'm

I've

goin'

had to

to ov-

pack

er-

my

feed

things

B¨&

my

a-

face,

way.

E¨

'Cause

Now

I

I'H

AAAA

give

have

E¨

the

n't

land-

had

lord

a

back

good

A¨

his

meal

rust-

since

A¨‹

y

the

key,

day

E¨

The

I

ver-

went

y

a-

key,

way.

That

I'm

opened

goin' to

5

up

kiss

E¨

my

my

drear-y-

Pa

B¨&

and

flat,

Ma,

E¨

Where

a

ma-

doz-

ny

en

wear-

times

y

for

nights

ev-

B¨&

I

'ry

sat,

star,

E¨

Think-

Shin-

Eº

ing

ing

9

of

o-

F7

the

ver

folks

Al-

down

a-

home

ba-

who

ma's

think

new

of

mown

me.

hay.

B¨ B¨º B¨

I'll

That is

be

13

why

glad

B¨7

you'll

e-

hear

nough

me

to

sing-

throw

F7

ing

my-

mer-

self

ri-

a-

ly;

way.

B¨7 B¨º B¨7

When that

17


When The Midnight Choo-Choo Leaves For Alabam'

246

mid-

E¨

night choo- choo leaves

B¨7

for Al- a- bam',

E¨

I'll be right

BBBB21

there,

B¨7

I've got my fare.

E¨

When I

25

see

E¨

that dust- y haired

B¨7

con- duc- tor- man,

E¨

I'll grab him

29

by

F7

the col-lar And I'll hol ler,- "Al-

B¨7

a- bam! Al- a-bam!"- That's where you

33

stop this

E¨7

train, That's takin' me home

A¨

a- gain. Back home where

CCCC37

I'll

C7

re- main, Where my honey- lamb

F‹

am.

B741

I

E¨

will be right there with bells, When

G7

that old con- duc-

C‹

tor yells, "All a-

45

board!

B¨7

All a- board! All a- board for Al- a- bam'.

E¨

When

B¨7

that

49

When The Midnight Choo-Choo Leaves For Alabam'

TUBA

2

247

TUBA

When you

B¨

wore a tulip, a sweet yellow tul-

B¨7

ip, and

AAAA

I

E¨

wore a big red rose,

B¨ B¨75

When

E¨

you ca ressed- me,

E¨‹

'twas then

B¨

Heav en- blessed

G7

me, what a

9

bless

C7

ing- no one knows.

F713

You

B¨

made life cheer- y, when you called me dear-

B¨7

ie, 'twas

BBBB17

down

E¨

where the blue grass grows,

D7

Your lips were

21

sweet-

G7

er than jul- ep, when you

C7

wore that tulip and

25

I

F7

wore a big red rose.

B¨29

Percy Wenrich & Jack Mahoney - 1914

When You Wore A Tulip

248

TUBA

You're a mil-

G‹7

lion miles

C7

from no-

FŒ„Š7

where, when

A¨º

you're

AAAA

one

C7/G

little mile

C7

from home.

F

It's the

5

song

G‹7

of moth-

C7

er's tears,

G‹7 C7

That keeps

9

ring-

B¨/F

ing in

A‹/C

your ears.

F

You just

A¨º13

leave

G‹7

the gates

C7

of heav-

FŒ„Š7

en, When

A¨º

you

BBBB17

leave

C7

Moth- er's arms to

E‹7

roam.

A7 B‹7 Cº A7/C©

You're a

21

mil-

D7

lion miles from no-

G‹

where,

G7

When

G©º

you're

25

one

F/A

lit-

A¨º

tle mile

C7/G

from

C7

home.

F B¨7 F29

Walter Donaldson - 1919

When You're A Millioin Miles From Nowhere

249

TUBA

Thous

F

ands of years a go- or may be

Fº

- more,

C7

out on an is land- on a south ern

Fº

- shore,

C75

Rob

D7

in- son- Cru soe- land ed- on

G7

fine day,

9

no

G7

rent to pay and no wife

C7

to o bey,-

13

His

F

good man Fri day- was his on ly

Fº

- friend,

C7AAAA17

F7

they didn 't- bor row- or lend,

B¨21

They

G

built a lit

D7

tle- hut, lived

G

there'til Fri

D7

- day, but

25

Sat

G7

ru- day- night it was shut.

C7

And

29

Verse

Where Did Robinson Crusoe Go? Young/Lewis/ Meyer - 1916

250

Where

F

did Rob in- son- Cru

D7

soe- go With

BBBB33

Fri

G7

day- on Sat - ur day night? Ev 'ry-

37

Sat

C7

ru- day- night they would start in to roam,

41

Then

G7

on Sun day- morn ing- they'dcome stag

G‹7

ger- ing- home.

C7

On this

45

is land

D7

- lived wild men in can ni- bal- trim min'- and

CCCC49

where

G7

there are wild men there must

G‹7

be wild wom

C7

men,- so

53

Where

F

did Rob in- son- Cru

D7

soe- go With

57

Fri

G7

day- on Sat

C7

ur- day- night?

F61

Solos at "B"

TUBA

Where Did Robinson Creusoe Go?

2

251

TUBA

We're poor

E¨

lit-tle lambs who

Eº

have lost

B¨7

our way.

AAAA

Baa!

F‹7

Baa!

B7

Baa!

E¨ B¨7

We're

5

lit-

E¨

tle black sheep who

Eº

have gone

B¨7

a- stray,

9

Baa!

F‹7

Baa!

B¨7

Baa.

E¨13

Gen

C‹

tle- men-song sters- Off

E‹

on a spree,

BBBB17

Doomed

B¨7

from here

B¨&7

to e- ter-

E¨

ni- ty.

E¨7 D7 D¨721

Lord

C7

have mer- cy on such

F‹7

as we,

25

Baa!

B¨7

Baa! Baa!

E¨ A¨‹6 E¨ B¨729

Tod B. Galloway - 1909

The Whiffenpoof Song

252

TUBA

Whis-

E¨

per- ing while you cud- dle near

D7

me,

AAAA

Whis

E¨

per--

ing so no one can hear

C&7

me,

C75

Each

F7

little whis- per seems to cheer

B¨7

me,

9

I

E¨

know it's true, there'sno one

B¨7

dear, but you, You're

B¨&713

whis-

E¨

per- ing why you'll nev- er leave

D7

me,

BBBB17

Whis-

E¨

per- ing why you'll nev- er grieve

C&7

me,

C721

Whis-

F7

per and say that you be- lieve

B¨7

me,

25

Whis-

F‹7

per- ing that I love

A¨‹

you.

E¨29

WhisperingSchonberger - Coburn - V. Rose - 1920

253

TUBA

C E7 A‹ E‹F

A7 D‹A

G7 C Cº C5

C E7 A‹ E‹F

A7 D‹9

G7 C13

A7 D‹ A7 D‹B 17

G7 C G7 C21

A7 D‹ A7 D‹25

F C G7 C29

Ted Snyder - 1909

Wild Cherries Rag

254

F C/E D‹ D¨7 C7C33

FC7

FC7

37

F C/E D‹ D¨7 C741

F C7 F A745

D‹ A7 D‹ A7 D‹ A7D49

F C7 F C7 F D¨7(b5) C53

D¨7 C D¨7 C57

C7 C7 F F G7 G7 C G7 C761

65

3

@

3

ø

Bass Solo - Stop Time

D.S Back to "C" al Coda

Coda

TUBAWild Cherries Rag

2

255

TUBA

Dear

F&

one,

B¨

the world

F&

is

A

wait-

B¨

ing for the sun-

D7

rise,

5

Ev

E¨

'ry rose

B¨ F‹ G7

is

9

heav-

C7

y with dew.

F7

The

F&13

thrush

B¨

on high,

F&

His

B17

sleep

B¨

y- mate is call-

D7

ing,

21

And

E¨

my heart

B¨ F‹ G7

is

25

call

E¨‹6

ing

F7

- - you.

B¨29

Eugene Lockhart & Ernest Seity - 1919

The World Is Waiting For the Sunrise

256

TUBA

Great

Ev

B¨‹

big

'ry

A¨/C

sca

lit

B¨‹/D¨

ry

tle

eyes

tot

you

at

see

night

F7

so

is

you

a

cov

fraid

B¨‹

er

of

up

the

up

dark,

F7

your

you

head,

know.

B¨‹

But

Some

B¨‹

that

big

A¨/C

Ya

Ya

ma

rna

B¨‹/D¨

man

man

is

they

there,

see,

stand

when

ing right

off

F‹

be

to

side

bed

C7

your

they

bed!

go.

F75

Ya-

B¨

ma, Ya- ma,the Ya-

F7

ma man, Ter-

F7

ri-ble eyes and a long

B¨

bo-ney hand.

B¨79

If

E¨

you don't

E¨‹

watch out he'll get

B¨

you with-out-

G‹7

a doubt, If

C7

he can!

F713

May-be-

B¨

he's hid- in' be-hind

F7

the chair, Read-y-

F7

to spring out at you

B¨

un- a- ware!

B¨717

Run

E¨

to your Ma- ma cuz' herecomes

B¨

the Ya-

G‹7

ma Ya-

C7

ma

F7

man!

B¨ F721

Collin Davis & Karl Hoschna - 1908

The Yama Yama Man

257

TUBA

E'er since Miss SuYel

C

sanlow

-

-

JohnDog

son lostDis

hertrict

Jocklike

eya

- Lee,book,

ThereIn

hasdeed-

beenI

muchknow

exthe

citeroute- ment,

that

AAAA

moreRi

C7

toder-

be;took.

YouEv

F

can'ry-

hearcross

F7

hertie

moanba

F

ingyou,

-

-

nightburg

F7

andand

morn.bog.

C4

G7

WonWay

derdown

- wherewhere

mythe

EaSouth

syern

-

-

Ricross

der'sthe

- gone?Dog.

C G79

CaMon

C

bleey

-

-

gramsdon't

come'xact

ofly-

symgrow

paon

- thytrees,

-

OnTecot

leton

- gramsstalks

goit

ofgrowns

inwith

C7

quiease,

ry-

No

BBBB13

Letracce

F

tershorse,

- comerace

F7

fromtrack

downno

F

ingrand

"Bam"stand

F7

AndIs

evlike

C

'ryOld

- whereBack

thatan'

UnBuck

cleshot

-

-

Samland.

17

G7

HasDown

ewhere

ven- athe

ruSouth

ralern

- de liecross- ver

the- y.

Dog.

C

-

G7

AllEv

daye-

thery-

21

W.C Handy 1914Yellow Dog Blues

258

phonekit

C

chenringsthere

F

Butis

it'sanotcab

for me,a ret,

C

-

C7

AtDown

lastwhere the

goodboll

F

tiwev'l

dings,works

-

CCCC25

F

FillWhile

ourtheheartsfar

withmers-

glee,play.

F

ThisThis

mesYel

D7

sagelow

-

-

comes,Dog Blues

30

D7

fromthe

Tenlive

neslong

-

-

see.day.

G

- Dear

C

Sue

G7

your

C734

Ea

F

sy

F7

- Ri

Bb

der

Bdim

-

F

struck this burg to day,- On

F7

a

Bb7

south bound'ratt ler-

DDDD37

B¨7

side door Pull man car.

F

Seen

C7

him here, and he was on the

42

hog.

F C7

Ea

F

sy

Ab7

- Ri

Bb

der's

Bdim

-

F

got a stay a way,

F7

- so he

47

Bb7

had to vamp it but the hike ain't far.

F

He's

53

gone

C7

where the South ern- cross the Yel low- Dog.

F C7 F C757

Solos at "D"

TUBA

Yellow Dog Blues

2

259

Dadd

Bb

y- dear list

Bbdim

en- here

Bb

your mam ma's- feel

Bbdim

in'- blue.

BbAAAA

I don't see much of you,

F7

and that will ne

Bbdim

- ver do.

Bb5

Once

Bb

a week Ma

Bbdim

ma's- cheek

Bb

Needs a kiss

Bbdim

or two.

Bb B79

I'm

C7

not show - in' you

F

the door but I must

Bb

lay down

C7

the law.

F

You've got to

13

see

Bb

Mam-ma ev-'ry- night, Or you can't

F7

see Mam ma- at all.

Bb

You've got to

BBBB17

kiss

Bb

Mam-ma, Treat her right, Or she won't

C

be homewhen you call.

F721

If

B¨7

you want my com- pan- y, You

E¨7

can't fif- ty fif-

Eº

ty me.You've got to

25

see

Bb

Mam-rna ev-'ry night, Or you can't

F7

see Mam-ma at all.

Bb29

You've Got TO See Your Mama Everynight

Billy Rose & Con Conrad - 1923

260

Mon

Bb

day- night I sat

F#

a lone.-

F7

Tues

Bb

day- night you did

F#

not phone

F7CCCC33

Wednes

Bb

day- night you did

Cm7

not call

F#m7

and

F7

thurs

Bb

day- night it was the same

F7

old stall

Bb37

Fri

Bb

day- night you dodged

F#

my path

F7

Sat

Bb

ur- day- you took

F#

yourbath

F741

Sun

Bb

day- night youcalled

Cm7

on me

F#m7

but

F7

you brought

Bb

threegirls forsome com

F7

pan- y-

Bb

you'vegotto

45

see

Bb

your ma ma- ev er- y- night or youcan't

F7

see your ma ma- at all

Bb

You've go to

DDDD49

Kiss

Bb

your ma ma- and treather right or she won't

C

be at home when you call

F7

Now

53

I

Bb

don't want the kind of man who gives

Eb

his love on the in stal

Eb7

- ment- plan you've got to

57

see

Bb

your ma ma- ev er- y- night or you can't

F7

see your ma ma- at all

Bb61

You've Got TO See Your Mama Everynight

2

261

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