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3 ANALELE UNIVERSITĂŢII DIN ORADEA FASCICULA LIMBA ȘI LITERATURA ROMÂNĂ FASCICULA LIMBA ŞI LITERATURA ROMÂNĂ 2019 ANNALS OF THE UNIVERSITY OF ORADEA ROMANIAN LANGUAGE AND LITERATURE FASCICULE Volume 26 EDITURA UNIVERSITĂŢII DIN ORADEA 2019
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ANALELE UNIVERSITĂŢII DIN ORADEA FASCICULA LIMBA ȘI LITERATURA ROMÂNĂ

FASCICULA

LIMBA ŞI LITERATURA ROMÂNĂ

2019

ANNALS OF THE UNIVERSITY OF ORADEA ROMANIAN LANGUAGE

AND LITERATURE FASCICULE Volume 26

EDITURA UNIVERSITĂŢII DIN ORADEA

2019

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CUPRINS / TABLE OF CONTENTS

9/11 11

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MAGDALENA INDRIEȘ [email protected] Senior Lecturer PhD, University of Oradea Universitatii Street no 1, Oradea, Romania Article code 605-221 R69

Ghidul antic al vieţii moderne

de Natalie Haynes Traducere din limba engleză de Mihai Moroiu, București, Editura Baroque

Books & Arts, 2018. (The Ancient Guide to Modern Life

by Natalie Haynes Baroque Books & Arts Publishing House, 2018)

LA DÉFENSE DE LA CULTURE CLASSIQUE/ A SPEECH FOR DEFENCE OF THE CLASSICAL CULTURE

Abstract: Natalie Hayes’ book, The Ancient Guide to Modern Life,

is a speech for the defence of the classical culture, trying to convince the modern readers that it is worth to know it. The author makes a permanent comparison between Antiquity and the modern society, analysing their important fields: politics, legislation, philosophy, religion, entertainement, money. The author emphasizes the similiarities and the differences and concludes that we need to learn many useful things from those who have influenced the western thought for two thousand and half years.

Key words: Antiquity, modern society, comparison, similiarity, difference

Le livre de Natalie

Hayes, The Ancient Guide to Modern Life est un plaidoyer moderne en faveur de la culture

classique, écrit par une classiciste, qui avoue que les études classiques lui ont changé la vie et lui ont révélé un monde

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MARIUS MIHEŢ [email protected] Senior Lecturer PhD, University of Oradea

/„Comenius” University, Bratislava Universitatii Street no 1, Oradea, Romania Article code 606-222R70

The History of Romanian Literature

by Jana Páleniková -Libuša Vajdová - Eva Kenderessy Bratislava, Editura AnaPress, 2017

(Dejiny rumunskej literatúry, Bratislava, AnaPress Publishing House, 2017)

THE HISTORY OF ROMANIAN LITERATURE AS WRITTEN BY FOREIGN RESEARCHERS

Abstract: In spite of their increasing intensity within the European

Union, cultural exchanges have not reached a culmination that is satisfying for the understanding of cultures and their existing dialogue in Central and South-Eastern Europe. A wholly salutary book comes from a group of Slovak researchers, who have dedicated several years to writing a History of Romanian Literature. In the centennial year of Romania, this book represents the most beautiful homage that a country can pay to another. The Slovaks’ History of Romanian Literature is a veritable toolbox that synthesizes Romanian literature and history with no complex concerning distance or life speaking a different language. The book is an example of cultural dialogue and knowing Romanian culture from the outside as if having always been a part of it.

Key words: the history of Romanian culture, intercultural dialogue, literary history, literary critique, comparative literature, Slovak critique

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DANA SALA [email protected] Associate Professor PhD, University of Oradea Universitatii Street no 1, Oradea, Romania Article code 607-223R71

Staze și metastaze carcerale

de Ioana Cistelecan Editura Charmides, Bistriţa, 2019

(Carceral Stases and Metastases by Ioana Cistelecan

Charmides Publishing House, Bistriţa, 2019)

HONESTY VS METACRITICISM

Abstract: The political prison of the first decades after the brutal installation of communism in Romania did not allow prisoners to write, to detain paper or to communicate their thoughts in any way. In her book published in 2019, entitled Staze și metastaze carcerale (Carceral Stases and Metastases), Ioana Cistelecan has given a complex appraisal of the mysterious evasion through words of incarcerated people who had no other resort to dignity. There are five cases selected for analysis from the Romanian Gulag. The poets and authors of memoires chosen by the author are: Nichifor Crainic, Radu Gyr, Andrei Ciurunga, Ioan Andrei (pen-name of Ioan Ploscaru), Ioan Victor Pica. Poetry was the most spread vehicle of resistance, circulated among prisoners in Morse code, either memorized or preserved as written support in most incredible ways in order to escape the vigilance of the torturers.

Key words: Romanian Gulag, freedom of speech, carceral poetry, political prison, ideology, democracy, torture, carceral memoires, totalitarian regime

People who experienced a Kafkian universe of unjust punishment in their own existence,

through fearless opposition to the Romanian totalitarianism, created a literature with a new potential at the cusp of journaling and document

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MARIUS MIHEŢ [email protected] Senior Lecturer PhD, University of Oradea /„Comenius” University, Bratislava

Universitatii Street no 1, Oradea, Romania Article code 608- 224R72

Linia de contur de Daniel Cristea-Enache

București, Editura Spandugino, 2019 (The Outline

by Daniel Cristea-Enache, Spandugino Publishing House, Bucharest, 2019)

THE HISTORY OF LITERATURE THROUGH LITERARY REVIEWS

Abstract: In 2021, there will have been 20 years since Daniel Cristea-Enache made his debut in literary critique with the book Concert de deschidere (Opening Concert). This year, he published his fourth book of literary reviews, which is just as massive as his previous books, selecting the best works of fiction and non-fiction of the past decade. With few exceptions, literary critics from Romania who are still active in the domain of literary reviews or cultural journalism have published books with selections from their reviews.

Key words: literary critique, Daniel Cristea-Enache, contemporary literature, Romanian literature, Romanian non-fiction.

Daniel Cristea-Enache, however, has remained steadfastly loyal

to a sense of actuality that has transformed into a method. Being the most

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IULIA NEDEA [email protected] Doctorat School, University of Oradea Universitatii Street no 1, Oradea, Romania Article code 609-225 R73

Studia Universitatis Babeș-Bolyai Philologia, Vol. 64 (LXIV) December, 4, 2019

A RENOWNED ACADEMIC JOURNAL

Abstract: This paper aims to cover one of the most important academic periodicals in Romania – ”Studia Universitatis Philologia” – and to underline, through the articles it analyzes, the vast nature of the subjects it approaches. From the multitude of articles contained in the most recent issue of the periodical, we have chosen a few that we have considered to be relevant in terms of the proposed subject, but also the manner in which the proposed subjects are discussed.

Key words: journal, science, linguistics, literature, academic

The first article of the journal Studia Universitatis Philologia raises the issue of a new didactic method for French, starting with the lexicon in elementary and middle school.

The issue is raised from two perspectives: the first consists in practicing the words in the context in which they appear, during reading, and the second refers to the individual work of

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DANA SALA [email protected] Associate Professor PhD, University of Oradea Universitatii Street no 1, Oradea, Romania Article code 610-226R74

Imagine și transtextualitate. Incursiune în iconologia lui Dante de Teofil Ioan Știop

Editura Universităţii din Oradea, Oradea, 2016 (Image and transtextuality. Incursion into Dante Inspired Art.

by Teofil Ioan Știop

University of Oradea Publishing House, 2016)

THE PATH FROM TEXT TO IMAGE ON DANTE'S TRACES

Abstract: For Teofil Știop, visual artist and art critic, there is no art at random, haphazardly, but art with a concept beyond, a concept that may judge randomization and hazard as included in visions of the world. The palimpsest retrieves and redeems the link between text and image. It bridges art to meta-art, to/through meta-literature. Reading has become an intrinsic part of a contemporary work of art lately. Știop's reading of palimpsests in art and literature, irrespectively meta-criticism, combined with the awareness of his own questions as an original artist, attest a more organic search of intuitive forms in an alienated world, pointing the artist as the being who can give back to people a deeper imprint of art.

Key words: palimpsest, text, image, art's death, Dante inspired art, iconography, transcendence, hypotext, hypertext, erasure

After the proclaimed 'art's death', will text and image

collaborate to write art's obituary? Or will art meet its

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MARIUS MIHEŢ [email protected] Senior Lecturer PhD, University of Oradea / „Comenius” University, Bratislava Universitatii Street no 1, Oradea, Romania

Article code 611- 227R75

„Romanistica Comeniana” Issue N0. 2/2019

(Bratislava, Komensky University Publishing House, 2019)

A SCIENTIFIC JOURNAL DEDICATED TO ROMANCE LANGUAGES

Abstract: Now in only its second year of publication, “Romanistica Comeniana” proves that it is possible to create a long-term university periodical in a short term. From the Editors to the International Board, everything is professionally combined into an elegant and already prestigious publication.

Key words: academic journal, romance literatures, Slovak and Czech romanistics, Slovak university, interculturality

In the editorial that

opens issue no. 2/2019 of “Romanistica Comeniana”, as well as the article titled “Crossing the Boundaries of Time and Disciplines in the Literary and Historical Works of Anton Vantuch,” Jana Truhlářová writes about Anton Vantuch (1921-2001),

the founder of Slovak Romanistics. With scholarly precision and a wide range of disciplines, he explored significant elements of French culture and linked them to Slovak culture. Together with Jozef Felix, Anton Vantuch created the foundations of the modern


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