Check out this month’s issue to learn about the following:
• Does Lightfastness and Weatherfastness Data Accurately Reflectthe Performance of Organic Pigments for Outdoor Applications?
• History of Colour in Plastics
• American Coatings Show: Visit us at booth 2341
February 2020 Newsletter • Any Color. Any Application. Anywhere.
Connect with us!
www.dominioncolour.com • www.pigments.com
Does Lightfastness and Weatherfastness Data Accurately Reflect the Performance of Organic Pigments for Outdoor Applications?
Jadel Baptista (Technical Director, DCC LANSCO)
We are frequently asked about the expected performance of organic pigments for use in outdoor applications. Typically, formulators refer to lightfastness and weatherfastness data and in many cases they are not even sure of the difference between the two.
Does Lightfastness and Weatherfastness Data Accurately Reflect the Performance of Organic Pigments for Outdoor Applications?
The short answer is yes; however, you must be careful. It is important to understand the difference between two concepts - Lightfastness & Weatherfastness.
Lightfastness is the pigmented coating’s resistance to change upon light exposure while being exposed under a glass cover. The glass cover eliminates the potential environmental impact of variables such as moisture, humidity, and acid rain.
Weatherfastness is the pigment’s resistance to change upon exposure to sunlight including outdoor environmental factors such as temperature, rain, humidity, etc. Understanding the differences between lightfastness testing and weatherfastness testing makes it clear as to why weatherfastness data is the appropriate reference for outdoor/exterior pigment selection.
“Most all pigments with a good weatherfastness rating will also have a good lightfastness rating; however,
not all pigments with a good lightfastness rating will have a good weatherfastness rating.”
For the most accurate UV Performance testing, DCC LANSCO strongly encourages customers to evaluate the pigment or pigments in their polymeric system, processed under their processing conditions and tested in an environment the most closely duplicates the exposure of the finished product. DCCL is here to help you with the broadest range of pigments available for the most demanding applications.
Understanding why weatherfastness data is the appropriate reference for outdoor/exterior pigment selection, the next question typically is: Can weatherfastness data accurately predict the outdoor/exterior durability of a pigment in a given polymeric system?
The answer is to this question is no. In order to accurately determine the outdoor/exterior durability of a given pigmented system, the actual pigmented system needs to be tested under the actual conditions of use and final application. The reasoning for this is as follows:
• There is no “bullet proof” correlation between acceleratedweathering and natural exposure. A common rule of thumbis 2000 hours of Xenon Arc exposure is equivalent to 2 yearsoutdoor exposure. This is a general reference; however, oneshould also consider additional variables.
• A pigment’s weatherfastness is not a constant, it can beinfluenced by the processing/dispersing conditions, thepolymer chemistry, additives and extenders, and the Ti02/pigment concentration levels. Other things to consider:
a. Application elevation (higher means more UV)
b. Application location (nearer to the equator meansmore UV)
c. Application exposure to natural element levels,such as wind, moisture, and temperature.
d. Application weather variations can cause varyingdegrees of degradation for the same time periodat the same location.
e. Application seasonal periods. There is significantlyless short-wave UV-radiation during winter.
f. Application angle of exposure (angle of incidence,cardinal direction)
g. Application insulation (outdoor samples withinsulated backing can degrade up to 50% fasterthan uninsulated samples)
h. Equipment Program Cycle variations with respect totime, light, and moisture.
i. The Spectral Power Distribution (SPD) of the artificiallight source
j. Cycle temperatures (increased temperature equalsincreased degradation)
k. Substrate selection can influence heat and moistureretention
Colour is essential to human experience. From
pre-history, through ancient civilization into the
modern era, cultures have strived to create colour
in the objects around them. Early peoples exploited
natural resources to create images from their
surroundings, such as red earth, black soot and
white chalk. With time people developed more
sophisticated techniques to refine minerals to
generate a wider palette with blue, green, bright
red and yellow. Often toxic in nature, these early
inorganic pigments formed the skeleton of the
pigment manufacturing industry. With the discovery
of coal tar in the 1800s, and the ensuing rapid
industrialization of synthetic chemistry, an explosion
of colour transpired, leading to the modern chemical
industry. The historic generation of plastics followed
a parallel path, beginning with use of natural
materials such as ivory and tortoiseshell. Progression
to processing of natural materials such as rubber,
cellulose and shellac to generate more functional
plastics, evolved to a place where coal tar chemistry
provided a natural next step. This culminated in the
discovery of Bakelite, the first fully synthetic plastic
in 1907, which ignited the imagination for plastic
materials, and the widespread production of
consumer and industrial items accelerated. Colour
and plastic developments went hand in hand, as
by the 1950s the desire for brightly coloured,
functional items sky-rocketed. Pigment chemistries
were re-imagined with this new era in mind and
from this point colour effects were generated
specifically for plastic functionality. Textile fibers,
automotive parts, plastic bottles, packaging and film;
all un-thinkable now, without the effect of colour.
History of Colour in PlasticsLucy Gibbons and Helen Skelton, DCC LANSCO, Toronto, Canada
Click here to read the whole article!
DCL Orange 7065Benzimidazolone Pigment
Clean, bright yellow shade orange pigment
Used in high-end plastic applications
Very good weatherfastness and heat stable to 300°C
FDA & AP(89)1 compliant for non-direct food contact applications
• Blow Molding• Fibres Polypropylene• Film • Injection Molding • PVC • Engineering Resins (ABS, Polystyrene, Polycarbonate, PMMA, HIPS, PUR)
Applications
Automotive Architectural Coil Industrial Inks PowderCoatings
EngineeringResins
InjectionMolding
BlowMolding
Plastic Film PolypropyleneFibres
PVC
Automotive Architectural Coil Industrial Inks PowderCoatings
EngineeringResins
InjectionMolding
BlowMolding
Plastic Film PolypropyleneFibres
PVC
Automotive Architectural Coil Industrial Inks PowderCoatings
EngineeringResins
InjectionMolding
BlowMolding
Plastic Film PolypropyleneFibres
PVC
Automotive Architectural Coil Industrial Inks PowderCoatings
EngineeringResins
InjectionMolding
BlowMolding
Plastic Film PolypropyleneFibres
PVC
Automotive Architectural Coil Industrial Inks PowderCoatings
EngineeringResins
InjectionMolding
BlowMolding
Plastic Film PolypropyleneFibres
PVC
Automotive Architectural Coil Industrial Inks PowderCoatings
EngineeringResins
InjectionMolding
BlowMolding
Plastic Film PolypropyleneFibres
PVC
Pigments for Plastics
RECOMMENDATIONS: Frequently Used Limited Use Not Normally Used
DOM1145 PFS_Yellow 7065_FNL.indd 1DOM1145 PFS_Yellow 7065_FNL.indd 1 2020-02-18 9:25 AM2020-02-18 9:25 AM
Pigments for Coatings
DCL Orange 7336Pigment Orange 36
Blue shade orange
Used for high-end coatings applications
Outstanding durability
Heavy metal and Diarylide free
Excellent alternative for Molybdate Orange pigments
Applications
RECOMMENDATIONS: Frequently Used Limited Use Not Normally Used
• Architectural Water & Universal • Architectural Solvent• Industrial Fast Air Drying • Industrial Oven Cured • Coil Coatings • Automotive Coatings • Powder Coatings
DCL Orange 7336
Automotive Architectural Coil Industrial Inks PowderCoatings
EngineeringResins
InjectionMolding
BlowMolding
Plastic Film PolypropyleneFibres
PVC
Automotive Architectural Coil Industrial Inks PowderCoatings
EngineeringResins
InjectionMolding
BlowMolding
Plastic Film PolypropyleneFibres
PVC
Automotive Architectural Coil Industrial Inks PowderCoatings
EngineeringResins
InjectionMolding
BlowMolding
Plastic Film PolypropyleneFibres
PVC
Automotive Architectural Coil Industrial Inks PowderCoatings
EngineeringResins
InjectionMolding
BlowMolding
Plastic Film PolypropyleneFibres
PVC
Pigments for Coatings
DCL Orange 7067Pigment Orange 67
Bright Yellow Shade Orange
Used in Baking Finishes and Waterborne Paint Applications
High Opacity
Economic Lead-free Alternative to Molybdate Orange
High-Performance Alternative to Diarylide Oranges
Applications
RECOMMENDATIONS: Frequently Used Limited Use Not Normally Used
• Architectural Water & Universal• Architectural Solvent• Industrial Fast Air Drying • Industrial Oven Cured • Coil Coatings • Automotive Coatings • Powder Coatings
DCL Red 7422
Automotive Architectural Coil Industrial Inks PowderCoatings
EngineeringResins
InjectionMolding
BlowMolding
Plastic Film PolypropyleneFibres
PVC
Automotive Architectural Coil Industrial Inks PowderCoatings
EngineeringResins
InjectionMolding
BlowMolding
Plastic Film PolypropyleneFibres
PVC
Automotive Architectural Coil Industrial Inks PowderCoatings
EngineeringResins
InjectionMolding
BlowMolding
Plastic Film PolypropyleneFibres
PVC
DCL Red 7422Pigment Red 122
Highly transparent magenta organic pigment
Excellent fastness & durability properties
Intense visual appearance in special effect coatings due to exceptional transparency & chroma
Specifically designed for automotive applications
Applications
• Architectural Water & Universal• Architectural Solvent• Industrial Fast Air Drying • Industrial Oven Cured • Coil Coatings • Automotive Coatings • Powder Coatings
DCL Red 7422
Automotive Architectural Coil Industrial Inks PowderCoatings
EngineeringResins
InjectionMolding
BlowMolding
Plastic Film PolypropyleneFibres
PVC
Automotive Architectural Coil Industrial Inks PowderCoatings
EngineeringResins
InjectionMolding
BlowMolding
Plastic Film PolypropyleneFibres
PVC
RECOMMENDATIONS: Frequently Used Limited Use Not Normally Used
Pigments for Coatings
Join Us for a Drink!
APRIL 1st 3-5PMHOURHAPPY
BOOTH #2431
Join us at the American Coatings Show!March 31-April 2
CONTEST!
pigments.com
Visit our booth to learn how to win an Apple Watch!
Learn about our Newest Products!
YOUR SALES REPRESENTATIVESPlease contact your regional sales representative for more information on the products advertised here and any others in our product range. Please contact your regional sales representative for any product related questions!
NORTH AMERICA:Jeff Babich, Sales Manager ([email protected])Michele Claeson, Sales Manager ([email protected])Rick Devore, Sales Manager ([email protected])Larry Frank, VP Sales & Marketing Inorganic Pigments ([email protected])Mark Freshwater, VP Sales & Marketing Organic Pigments ([email protected])Paul Holder, Sales Manager, Canada ([email protected]) Suzanne Letrondo, Technical Sales Representative Specialty Coatings DCC Monteith ([email protected]) Jon Morrison, Sales Manager ([email protected]) Bob Neu, Business Development Manager ([email protected]) Hani Sarhan, General Sales Manager (Canada) ([email protected])
EUROPEPeter Baggen, Vice President Sales ([email protected]) Jon Rymer, Vice-President Strategic Business Development ([email protected]) Andy Fenlon, General Sales Manager EMEA (Europe, Middle East & Africa) ([email protected]) Dominique Galy, Sales Manager, France, Spain & Portugal ([email protected]) Bruno Krato, Sales Manager, DACH Region ([email protected]) Lieven Vandenberghe, European Coatings Industry, Coordination Manager ([email protected])Raimund Wilhelm, Sales Manager, DACH Region ([email protected])Prakash Naik, DCC UK, Global Procurement & Business Development ([email protected]) Julian Ling, DCC UK, Product Manager – Digital Inks ([email protected]) Laura Kenny Business Development Representative, UK ([email protected])Phil Conway, Sales Manager, UK ([email protected]) Cosimo Azzarito, Sales Manager, Italy ([email protected])
ASIA PACIFICPatrick Chan, Regional Sales Director, Asia Pacific & LATAM ([email protected]) Effendi Wijaya, Technical Sales Manager, Asia ([email protected])Yvonne Chang, Technical Sales Manager, Asia ([email protected])
MEA:Haytham Sayed, Business Development - Middle East & Africa ([email protected])
LATIN AMERICA:Michele Claeson, Sales Manager, Puerto Rico ([email protected])Denis Rojas, Regional Sales Manager, North Latin America & Caribbean ([email protected]) Zully Villalobos, Technical Sales Manager, Latin America ([email protected])
Connect with us DCC LANSCO®
About DCC LANSCO®
DCC LANSCO® is a manufacturer and supplier of pigments for our customers in the coatings, plastics, printing ink and paper industries worldwide. Our extensive range of pigments is backed by technical expertise, our commitment
to service excellence, continuous improvement, environmental, health, safety and social responsibility. Please visit www.dominioncolour.com or www.pigments.com for more information on our product range.