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In today‘s Festival Daily: Interview: Václav Mergl – page 2 Puppet Exhibition – page 3 Plan of the House of Animation – page 3 A refreshing citrus duo 4:30 p.m. at Roháč – ČT Hall Some of you may have seen the captivating Estonian puppet opera Lisa Limone and Maroc Orange: A Rapid Love Story a few years ago in our international competition. Now the citruses return to Anifilm to represent this year’s theme Where is My Home. The feature-length film combines elaborate comic situations and video sequences with charming hand animation as it critically deals with the topics of racism, xenophobia and refugees fleeing to Europe. Anifilm and the VAF: Works in Progress 3 p.m. at the Puppet Theatre What animated feature films can we look for- ward to? The story of the eaters of odd socks is nearing the finish line and will premier in half a year (The Odd-Sock Eaters, dir. G. Miklí- nová). On the contrary, the puppet animated fairy tale Tonda, Slávka and the Genius (dir. B. Valecká and F. Pošivač) is just in the first stages of development. Foreign projects are represented by the Estonian film Morten (dir. K. Jancis and R. Unt) and the Hungarian film White Plastic Sky (dir. T. Bánóczki and S. Szabó). A sailor’s world premier 8:30 p.m. at the J. K. Tyl Theatre Fans of Paul Fierlinger are in for a treat toni- ght – a world premiere of his extraordinary 120-minute feature film, which combines animation with comics. The film is an adap- tation of an autobiography by the American sailor Joshua Slocum, who was the first man to single-handedly circumnavigate the world and who described his experience in the best- seller Sailing Alone Around the World (1900). The best Czech film of the festival is yours to choose! This year, Anifilm features a new programme section entitled Czech Horizons, a showcase of contemporary Czech animation. The section comprises two screening series: Czech Horizon I. and Czech Horizon II. The first series comprises films primarily for children (which doesn’t mean adults can’t enjoy them as well!), while the second Horizon focuses on films primarily for adults. The showcase reflects a very positive phenomenon – an increase in the number of good new Czech films. You can watch for example the new quirky film by the Finn- ish-Czech director Katariina Lillqvist BabyBox, the poetic fairy tale Deep in Moss, a recent music video for the band The Tap Tap or the highly artistic postgraduate film Orfea, shot at FAMU by Michaela Hoffová. The two “Horizons” are complemented by Czech films competing in the international competition. A most interesting addition to the festival portfolio is the brand new viewers’ choice award for the best Czech film of the festival, the winner of which will be chosen from some 30 films (Czech entries in the interna- tional competition and films included in the “Horizons”). You can vote electronically over the course of the festival. If you already have your festival pass, you should have received an e-mail with a link to the voting page. To vote, you simply select one film and click SUBMIT. If you have not received the e-mail or are experiencing technical difficulties, you can also vote at the guest service desk in the House of Animation, where we will be happy to assist you. The results will be announced at the closing ceremony. BabyBox (Katariina Lillqvist, 2015) Lisa Limone & Maroc Orange: A Rapid Love Story (Estonia, 2013) Tips of the day Světozor Cinema 10.00 —11.24 Phantom Boy 12.30 —13.44 International Competition of Short Films – Short Film C 14.30 —15.43 Competition – International Competition of Music videos 16.00 —17.19 International Competition of Short Films – Short Film D 18.00 —19.21 International Competition of Student Films – Student Film C 20.00 —21.17 Jurors Programme – Vera Neubauer 23.30 — 00.48 LokalFilmis J. K. Tyl Theatre 13.00 —14.45 April and the Extraordinary World 15.00 —16.24 International Competition of Student Films – Student Film A 18.30 —19.50 Murderous Tales 20.30 —22.30 Slocum at Sea with Himself Schwarzenberg Hall 11.30 —12.47 International Competition of Short Films – Short Film B 14.00 —14.59 Where is my home? – Short Films II. 16.30 —17.54 International Competition of Student Films – Student Film B 18.30 —19.34 Accompanying film programme – Nominated Films Cartoon d´Or 2015 Puppet Theatre 10.30 —12.00 Spanish Animation in its Homeland / Carolina López 12.30 —14.00 Václav Mergl and the Alchemy of Matter / Vladimír Suchánek 15.00 —17.00 Works in progress (4 feature films) 18.00 —19.30 VAF: New Talents screening 20.00 —21.16 From Doodles to Pixels V. The Artist’s Trace Roháč – ČT Hall 08.30 —09.30 Pocoyo & Capelito II. 09.30 —16.30 Animation Workshop 10.30 —11.30 Adventure Time I. 13.30 —15.30 The Boy and the Beast 16.30 —17.42 Lisa Limone & Maroc Orange: A Rapid Love Story Masaryk Square 21.00 —22.31 Minions House of Animation 09.00 —12.00 Workshop in Casting Film Puppets / T. Červený, J. Krupička, M. Pertlíček, M. Valchář 09.00 —17.00 3D Animation Workshop (Nerudova School Pilsen) 10.00 —17.00 KREUS – 45 Moments Before Awakening 10.00 —14.00 Animation in Games / Pavel Barák 13.30 —14.15 Coffee with filmmakers House of Štěpánek Netolický 10.00 —18.00 Václav Mergl – Sequence of Stopped Time Castle Gallery 09.00 —18.00 New Czech Puppets (14.00 Vernissage) Castle Park 10.00 —11.00 Naughty Little Kids J. K. Tyl Theatre – Foyer 09.00 —18.00 The Tree: Stills Tunel Music Bar 21.30 —22.30 Červen 22.30 —23.30 Hissing Fauna (Katariina Lillqvist, 2015) Tips of the day The best Czech film of the festival is yours to choose! This year, Anifilm features a new programme section entitled Czech Horizons, a showcase of contemporary Czech animation. The section comprises two screening series: Czech Horizon I. and Czech Horizon II. The first series comprises films primarily for children (which doesn’t mean adults can’t enjoy them as well!), while the second Horizon focuses on films primarily for adults. The showcase reflects a very positive phenomenon – an increase in the number of good new Czech films. You can watch for example the new quirky film by the Finn- ish-Czech director Katariina Lillqvist BabyBox, the poetic fairy tale Deep in Moss, a recent music video for the band The Tap Tap or the highly artistic postgraduate film Orfea, shot at FAMU by Michaela Hoffová. The two “Horizons” are complemented by Czech films competing in the international competition. A most interesting addition to the festival portfolio is the brand new viewers’ choice award for the best Czech film of the festival, the winner of which will be chosen from some 30 films (Czech entries in the interna- tional competition and films included in the “Horizons”). You can vote electronically over the course of the festival. If you already have your festival pass, you should have received an e-mail with a link to the voting page. To vote, you simply select one film and click SUBMIT. If you have not received the e-mail or are experiencing technical difficulties, you can also vote at the guest service desk in the House of Animation, where we will be happy to assist you. The results will be announced at the closing ceremony. A refreshing citrus duo 4:30 p.m. at Roháč – ČT Hall Some of you may have seen the captivating Estonian puppet opera Lisa Limone and Maroc Orange: A Rapid Love Story a few years ago in our international competition. Now the citruses return to Anifilm to represent this year’s theme Where is My Home. The feature-length film combines elaborate comic situations and video sequences with charming hand animation as it critically deals with the topics of racism, xenophobia and refugees fleeing to Europe. Anifilm and the VAF: Works in Progress 3 p.m. at the Puppet Theatre What animated feature films can we look for- ward to? The story of the eaters of odd socks is nearing the finish line and will premier in half a year (The Odd-Sock Eaters, dir. G. Miklí- nová). On the contrary, the puppet animated fairy tale Tonda, Slávka and the Genius (dir. B. Valecká and F. Pošivač) is just in the first stages of development. Foreign projects are represented by the Estonian film Morten (dir. K. Jancis and R. Unt) and the Hungarian film White Plastic Sky (dir. T. Bánóczki and S. Szabó). A sailor’s world premier 8:30 p.m. at the J. K. Tyl Theatre Fans of Paul Fierlinger are in for a treat toni- ght – a world premiere of his extraordinary 120-minute feature film, which combines animation with comics. The film is an adap- tation of an autobiography by the American sailor Joshua Slocum, who was the first man to single-handedly circumnavigate the world and who described his experience in the best- seller Sailing Alone Around the World (1900). Lisa Limone & Maroc Orange: A Rapid Love Story (Estonia, 2013) In today‘s Festival Daily: Interview: Václav Mergl – page 2 Puppet Exhibition – page 3 Plan of the House of Animation – page 3 Světozor Cinema 10.00 —11.24 Phantom Boy 12.30 —13.44 International Competition of Short Films – Short Film C 14.30 —15.43 Competition – International Competition of Music videos 16.00 —17.19 International Competition of Short Films – Short Film D 18.00 —19.21 International Competition of Student Films – Student Film CC 20.00 —21.17 Programy porotců – Vera Neubauer 23.30 — 00.48 LokalFilmis J. K. Tyl 13.00 —14.45 April and the Extraordinary World 15.00 —16.24 International Competition of Student Films – Student Film A 18.30 —19.50 Murderous Tales y 20.30 —22.30 Slocum at Sea with HimselfSchwarzen- berský sál 11.30 —12.47 International Competition of Short Films – Short Film B B 14.00 —14.59 Where is my home? – Short Films II. 16.30 —17.54 International Competition of Student Films – Student Film B 18.30 —19.34 Accompanying film programme – Nominated Films Cartoon d´Or 2015 d´Or 2015 Puppet Theatrelo 10.30 —12.00 Spanish Animation in its Homeland / Carolina López 12.30 —14.00 Václav Mergl and the Alchemy of Matter / Vladimír Suchánek 15.00 —17.00 Works in progress (4 feature films)my) 18.00 —19.30 VAF: New Talents screening 20.00 —21.16 From Doodles to Pixels V. The Artist’s Trace Roháč – ČT 08.30 —09.30 Pocoyo & Capelito II. 09.30 —16.30 Animation Workshop 10.30 —11.30 Adventure Time I. 13.30 —15.30 Kluk ve světě příšer 16.30 —17.42 Lisa Limone & Maroc Orange: A Rapid Love Story M asarykovo náměstí 21.00 —22.31 Minions House of Animation 09.00 —12.00 Workshop in Casting Film Puppets / T. Červený, J. Krupička, M. Pertlíček, M. Valchář 09.00 —17.00 3D Animation Workshop (Nerudova School Pilsen) 10.00 —17.00 KREUS – 45 Moments Before Awakening 10.00 —14.00 Animation in games / Pavel Barák 13.30 —14.15 Coffee with filmmakers House of Štěpánek Netolický 10.00 —18.00 Václav Mergl – Sequence of Stopped Time 09.00 —18.00 New Czech Puppets (14.00 Vernissage) Zámecký park 10.00 —11.00 Naughty Little Kidska J. K. Tyla – foyer 09.00 —18.00 The Tree: Stillsobrazy Tunel Music Bar 21.30 —22.30 Červen 22.30 —23.30 Hissing Fauna Festival daily Thursday 5. 5. 2016 Festival daily Thursday 4. 5. 2016 Published by Anifilm on the occasion of Anifilm 2016 – International Festival of Animated Films. Redaction: Malvína Balvínová, Miroslava Janičatová Translation: Lukáš Wicha Comic: Jan Saska Design: Jan Šimsa The Festival Daily is printed on EPSON RIPS printing machines. IT equipment for the festival was provided by ARGON systems Třeboň. Android iOS Android iOS Download our festival app for free and get information about the programme, individual films, programme changes, news and a map of the festival venues. www.anifilm.cz www.anifilm.cz Download our festival app for free and get information about the programme, individual films, programme changes, news and a map of the festival venues. Published by Anifilm on the occasion of Anifilm 2016 – International Festival of Animated Films. Redaction: Malvína Balvínová, Miroslava Janičatová Translation: Lukáš Wicha Comic: J an Saska Design: Jan Šimsa The Festival Daily is printed on EPSON RIPS printing machines. IT equipment for the festival was provided by ARGON systems Třeboň.
Transcript
Page 1: Festival daily Thursday 5. 5. 2016 Thursday 4. 5. 2016 www ... · International Competition of Student Films – Student Film CC 20.00 —21.17 Programy porotců – Vera Neubauer

In today‘s Festival Daily:Interview: Václav Mergl – page 2Puppet Exhibition – page 3Plan of the House of Animation – page 3

A refreshing citrus duo 4:30 p.m. at Roháč – ČT Hall

Some of you may have seen the captivating Estonian puppet opera Lisa Limone and Maroc Orange: A Rapid Love Story a few years ago in our international competition. Now the citruses return to Anifilm to represent this year’s theme Where is My Home. The feature-length film combines elaborate comic situations and video sequences with charming hand animation as it critically deals with the topics of racism, xenophobia and refugees fleeing to Europe.

Anifilm and the VAF: Works in Progress3 p.m. at the Puppet Theatre

What animated feature films can we look for-ward to? The story of the eaters of odd socks is nearing the finish line and will premier in half a year (The Odd-Sock Eaters, dir. G. Miklí-nová). On the contrary, the puppet animated fairy tale Tonda, Slávka and the Genius (dir. B. Valecká and F. Pošivač) is just in the first stages of development. Foreign projects are represented by the Estonian film Morten (dir. K. Jancis and R. Unt) and the Hungarian film White Plastic Sky (dir. T. Bánóczki and S. Szabó).

A sailor’s world premier 8:30 p.m. at the J. K. Tyl Theatre

Fans of Paul Fierlinger are in for a treat toni-ght – a world premiere of his extraordinary 120-minute feature film, which combines animation with comics. The film is an adap-tation of an autobiography by the American sailor Joshua Slocum, who was the first man to single-handedly circumnavigate the world and who described his experience in the best-seller Sailing Alone Around the World (1900).

The best Czech film of the festival is yours to choose!This year, Anifilm features a new programme section entitled Czech Horizons, a showcase of contemporary Czech animation. The section comprises two screening series: Czech Horizon I. and Czech Horizon II. The first series comprises films primarily for children (which doesn’t mean adults can’t enjoy them as well!), while the second Horizon focuses on films primarily for adults. The showcase reflects a very positive phenomenon – an increase in the number of good new Czech films. You can watch for example the new quirky film by the Finn-ish-Czech director Katariina Lillqvist BabyBox, the poetic fairy tale Deep in Moss, a recent music video for the band The Tap Tap or the highly artistic postgraduate film Orfea, shot at FAMU by Michaela Hoffová. The two “Horizons” are complemented by Czech films competing in the international competition. A most interesting addition to the festival portfolio is the brand new viewers’ choice award for the best Czech film of the festival,

the winner of which will be chosen from some 30 films (Czech entries in the interna-tional competition and films included in the “Horizons”). You can vote electronically over the course of the festival. If you already have your festival pass, you should have received an e-mail with a link to the voting page. To

vote, you simply select one film and click SUBMIT. If you have not received the e-mail or are experiencing technical difficulties, you can also vote at the guest service desk in the House of Animation, where we will be happy to assist you. The results will be announced at the closing ceremony.

BabyBox (Katariina Lillqvist, 2015)

Lisa Limone & Maroc Orange: A Rapid Love Story (Estonia, 2013)

Tips of the day

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(Katariina Lillqvist, 2015)

Tips of the day

The best Czech film of the festival is yours to choose!This year, Anifilm features a new programme

section entitled Czech Horizons, a showcase

of contemporary Czech animation. The

section comprises two screening series:

Czech Horizon I. and Czech Horizon II. The

first series comprises films primarily for

children (which doesn’t mean adults can’t

enjoy them as well!), while the second

Horizon focuses on films primarily for adults.

The showcase reflects a very positive

phenomenon – an increase in the number

of good new Czech films. You can watch for

example the new quirky film by the Finn-

ish-Czech director Katariina Lillqvist BabyBox,

the poetic fairy tale Deep in Moss, a recent

music video for the band The Tap Tap or the

highly artistic postgraduate film Orfea, shot

at FAMU by Michaela Hoffová. The two

“Horizons” are complemented by Czech films

competing in the international competition.

A most interesting addition to the festival

portfolio is the brand new viewers’ choice

award for the best Czech film of the festival,

the winner of which will be chosen from

some 30 films (Czech entries in the interna-

tional competition and films included in the

“Horizons”). You can vote electronically over

the course of the festival. If you already have

your festival pass, you should have received

an e-mail with a link to the voting page. To

vote, you simply select one film and click

SUBMIT. If you have not received the e-mail

or are experiencing technical difficulties, you

can also vote at the guest service desk in the

House of Animation, where we will be happy

to assist you. The results will be announced

at the closing ceremony.

A refreshing citrus duo 4:30 p.m. at Roháč – ČT Hall

Some of you may have seen the captivating

Estonian puppet opera Lisa Limone and

Maroc Orange: A Rapid Love Story a few years

ago in our international competition. Now

the citruses return to Anifilm to represent

this year’s theme Where is My Home. The

feature-length film combines elaborate

comic situations and video sequences with

charming hand animation as it critically

deals with the topics of racism, xenophobia

and refugees fleeing to Europe.

Anifilm and the VAF: Works in Progress3 p.m. at the Puppet Theatre

What animated feature films can we look for-

ward to? The story of the eaters of odd socks

is nearing the finish line and will premier in

half a year (The Odd-Sock Eaters, dir. G. Miklí-

nová). On the contrary, the puppet animated

fairy tale Tonda, Slávka and the Genius (dir.

B. Valecká and F. Pošivač) is just in the first

stages of development. Foreign projects are

represented by the Estonian film Morten (dir.

K. Jancis and R. Unt) and the Hungarian film White Plastic Sky (dir. T. Bánóczki and S. Szabó).

A sailor’s world premier 8:30 p.m. at the J. K. Tyl Theatre

Fans of Paul Fierlinger are in for a treat toni-

ght – a world premiere of his extraordinary

120-minute feature film, which combines

animation with comics. The film is an adap-

tation of an autobiography by the American

sailor Joshua Slocum, who was the first man

to single-handedly circumnavigate the world

and who described his experience in the best-

seller Sailing Alone Around the World (1900).

Lisa Limone & Maroc Orange: A Rapid Love Story

(Estonia, 2013)

In today‘s Festival Daily:Interview: Václav Mergl – page 2

Puppet Exhibition – page 3

Plan of the House of Animation – page 3

Svět

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Festival dailyThursday 5. 5. 2016Festival dailyThursday 4. 5. 2016

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Page 2: Festival daily Thursday 5. 5. 2016 Thursday 4. 5. 2016 www ... · International Competition of Student Films – Student Film CC 20.00 —21.17 Programy porotců – Vera Neubauer

Once again, parents need not worry, as our youngest visitors will have plenty to do. The fun begins in the morning in Roháč with a hefty dose of Spanish animation – Poco-yo & Capelito II. The screening is ideal for children over three years of age, however, some of the films will be screened in their Slovak-dubbed versions. The screenings continue at 10:30 a.m. with Adventure Time. Should your kids be in the mood for a play for a change, you can take them to the Castle Park to see Naughty Little Kids at 10 a.m. Older children who read well enough to take on subtitles can choose from films compet-ing in the feature film category. How about a Japanese anime The Boy and the Beast or the crime drama slash adventure story of Phantom Boy?

The New Czech Puppets exhibition opens today at 2 p.m. and you are all invited to the opening ceremony! You don’t need an invi- tation, just your festival pass. It is actually a “double exhibition”. One part displays puppets and scenes from the new bedtime story series produced by Czech Television Stories about Mum and Dad. Its director Kristi-na Dufková designed the puppets herself with an original visual style. The other part presents populated decorations and forest elf puppets from the new half-hour film Deep in Moss by Bára Valecká and Filip Pošivač as well as two exhibits of magical puppets of water nymphs and mushrooms.

Wondering on which Polish animated pro-jects you should focus your attention? VAF’s experienced programme managers have prepared a selection of the most interesting projects of the past year. The selection will be presented at 9 a.m. in the congress hall of the Zlatá Hvězda Hotel. Don’t miss it!

The accompanying programme continues at 3 p.m. in the Puppet Theatre with four case studies of successful animation projects form Visegrad countries: The Odd-Sock Eaters (CZ), Tonda, Slávka and the Genius (CZ), Morten (EST, IRL, BEL, GBR) and White Plastic Sky (HU).

This programme is a part of the Visegrad Animation Forum, the industry section of Anifilm and also the largest platform for the education of professionals and the estab-lishment of co-production relationships in Central and Eastern Europe.

Third day of the VAF

What to do with the kids today

Beautiful puppets galore

WC

WC

The House of Animation:1st floor

Stairs

Let’s start with how you began… When I was beginning my studies under professor Hoffmeister at the Academy of Arts, Architecture and Design in 1958, we all expected we would once direct an animated film as professionals, but Hofman and Hoff-meister opened our eyes soon enough. Both the Studio of Jiří Trnka and Bratři v triku were full at the time. So I started painting instead and just tried animation from time to time.

When did you finish school? In 1964. I joined the military service and after finishing my compulsory term, finally began exhibiting and sometimes selling my work. It seemed I were to be a painter, leav-ing animated films to others. But then 1968 came and the conditions in art changed drastically. My work became „undesirable“. It was then that I was offered a chance to make a short film at a studio in Nusle, Pra- gue. I started working on a sci-fi film entitled Laokoon about astronauts who give in to greed. The result was a little flawed. I had to work with beginner animators and I did not have enough time to animate it myself because the art was demanding. However, I was able to try out some uncommon ani-mation techniques.

Later on, you made Crabs, a film based on a sci-fi short story by Anatoly Dneprov about the development of intelligent weapons that gets out of control I took the projects I had ready to the Kreslený Film studio in Prague and its then director chose Crabs, pointing out that I could make the film but only as an external author. It was hard work as we had only a very small budget and the project was quite difficult. Once again, I did nearly everything myself – not just all the artwork but also the animation. I animated the crabs using em-bossed cut-outs made of several layers.

The film was a big success Yes, we were awarded at Oberhausen, Tehran and at various other festivals. I even won some award in Bratislava. The studio of-fered me to make another film for them, but they refused all the scripts I brought them. One of them was Homunkulus by the way. Eventually I gave up and stuck to the Little Eveninger stories.

Did the situation improve a little after 1980? I approached them again with the Ho-munkulus script and Jiří Kubíček, who was then the Chief Script Editor, approved the project. We shot the film over the holidays in rather rough conditions.

What was the story behind Microbe, another one of your author films? The dramaturgy people counted on Ho-munkulus, but they also wanted me to come up with something different that would deal with some social issues. In the end, Microbe, an environmental topic rendered as a dark slapstick allegory, was accepted. I finally managed to get the Kreslený Film studio’s resources for this project. Sixteen animators worked on the film. By the way, the Chernobyl disaster happened while we were working on it so the social aspect may have proven more topical than previously intended.

Václav Mergl: It seemed I were to be a painter

This year, Anifilm decided to award the Lifetime Achievement Award for Animation to the artist and director Václav Mergl, who captivates with the originality of both his art and storytelling. Back in Czechoslovakia, he was one of the few who dared step on the unexplored field of science-fiction. We bring you an excerpt from his interview with Stanislav Ulver published in the Film a doba magazine in 1997.

Foto: Eva Kořínková

3D Animation9.00 –17.00

Anifilmproduction

Gaming zone9.00 –17.00

Children corner9.00 –17.00

Kreusworkshop

9.00 –17.00

Wacompen tabletworkshop

9.00 –17.00

StairsThe House of Animation:

What to do with the kids todayOnce again, parents need not worry, as our

youngest visitors will have plenty to do. The

fun begins in the morning in Roháč with

a hefty dose of Spanish animation – Poco-

yo & Capelito II. The screening is ideal for

children over three years of age, however,

some of the films will be screened in their

Slovak-dubbed versions. The screenings

continue at 10:30 a.m. with Adventure Time. Should your kids be in the mood for a play

for a change, you can take them to the Castle

Park to see Naughty Little Kids at 10 a.m.

Older children who read well enough to take

on subtitles can choose from films compet-

ing in the feature film category. How about

a Japanese anime The Boy and the Beast or

the crime drama slash adventure story of

Phantom Boy?

Beautiful puppets galoreThe New Czech Puppets exhibition opens

today at 2 p.m. and you are all invited to the

opening ceremony! You don’t need an invi-

tation, just your festival pass. It is actually

a “double exhibition”. One part displays

puppets and scenes from the new bedtime

story series produced by Czech Television

Stories about Mum and Dad. Its director Kristi-

na Dufková designed the puppets herself

with an original visual style. The other part

presents populated decorations and forest

elf puppets from the new half-hour film Deep

in Moss by Bára Valecká and Filip Pošivač as

well as two exhibits of magical puppets of

water nymphs and mushrooms.

Third day of the VAFWondering on which Polish animated pro-

jects you should focus your attention? VAF’s

experienced programme managers have

prepared a selection of the most interesting

projects of the past year. The selection will

be presented at 9 a.m. in the congress hall

of the Zlatá Hvězda Hotel. Don’t miss it!

The accompanying programme continues at

3 p.m. in the Puppet Theatre with four case

studies of successful animation projects form

Visegrad countries: The Odd-Sock Eaters (CZ),

Tonda, Slávka and the Genius (CZ), Morten (EST, IRL, BEL, GBR) and White Plastic Sky (HU).

This programme is a part of the Visegrad

Animation Forum, the industry section of

Anifilm and also the largest platform for the

education of professionals and the estab-

lishment of co-production relationships in

Central and Eastern Europe.

Václav Mergl: It seemed I were to be a painter

This year, Anifilm decided to award the Lifetime Achievement Award for Animation to the artist and director Václav Mergl, who captivates with the originality of both his art and storytelling. Back in Czechoslovakia, he was one of the few who dared step on the unexplored field of science-fiction. We bring you an excerpt from his interview with Stanislav Ulver published in the Film a doba magazine in 1997.

Let’s start with how you began When I was beginning my studies under

professor Hoffmeister at the Academy of

Arts, Architecture and Design in 1958, we all

expected we would once direct an animated

film as professionals, but Hofman and Hoff-

meister opened our eyes soon enough. Both

the Studio of Jiří Trnka and Bratři v triku were

full at the time. So I started painting instead

and just tried animation from time to time.

When did you finish school? In 1964. I joined the military service and

after finishing my compulsory term, finally

began exhibiting and sometimes selling my

work. It seemed I were to be a painter, leav-

ing animated films to others. But then 1968

came and the conditions in art changed

drastically. My work became „undesirable“.

It was then that I was offered a chance to

make a short film at a studio in Nusle, Pra-

gue. I started working on a sci-fi film entitled

Laokoon about astronauts who give in to

greed. The result was a little flawed. I had

to work with beginner animators and I did

not have enough time to animate it myself

because the art was demanding. However,

I was able to try out some uncommon ani-

mation techniques.

Later on, you made Crabs, a film based on a sci-fi short story by Anatoly Dneprov about the development of intelligent weapons that gets out of control I took the projects I had ready to the

Kreslený Film studio in Prague and its then

director chose Crabs, pointing out that

I could make the film but only as an external

author. It was hard work as we had only a very

small budget and the project was quite

difficult. Once again, I did nearly everything

myself – not just all the artwork but also the

animation. I animated the crabs using em-

bossed cut-outs made of several layers.

The film was a big success Yes, we were awarded at Oberhausen,

Tehran and at various other festivals. I even

won some award in Bratislava. The studio of-

fered me to make another film for them, but

they refused all the scripts I brought them.

One of them was Homunkulus by the way.

Eventually I gave up and stuck to the Little

Eveninger stories.

Did the situation improve a little after 1980? I approached them again with the Ho-

munkulus script and Jiří Kubíček, who was

then the Chief Script Editor, approved the

project. We shot the film over the holidays

in rather rough conditions.

What was the story behind Microbe, another one of your author films? The dramaturgy people counted on Ho-

munkulus, but they also wanted me to come

up with something different that would

deal with some social issues. In the end,

Microbe, an environmental topic rendered

as a dark slapstick allegory, was accepted.

I finally managed to get the Kreslený Film

studio’s resources for this project. Sixteen

animators worked on the film. By the way,

the Chernobyl disaster happened while we

were working on it so the social aspect may

have proven more topical than previously

intended.

Anifilmproduction

3D Animation9.00 –17.00

Children corner9.00 –17.00

Gaming zone9.00 –17.00

Kreusworkshop

9.00 –17.00

Wacompen tabletworkshop

9.00 –17.00

Festival dailyThursday 5. 5. 2016Festival dailyThursday 4. 5. 2016


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